08 January 2025

Star Trek: The Destiny Era: Section 31: Control

2140-64 / late 2386
Section 31 has, of course, been a controversial addition to the Star Trek universe since its debut in Deep Space Nine's "Inquisition." At the time, I was all in on it; as a teenager, it appealed to my cynical view of the world. Of course, it seemed to me (it's very easy to be cynical when you're young) the Federation had to be as bad as all the other interstellar polities. That's how the world works.

My opinion has been changed by twenty years of further thinking, and twenty years of further exposure to the Section 31 concept. I do really like "Inter Arma Enim Silent Leges," a Section 31 episode that does what Deep Space Nine did at its best, push our characters into interesting ethical situations that tested Federation morality. And though I find some aspects of DS9's "The Final Chapter" pretty badly done, I do like that in the end, the Federation triumphs because of how hard people like Bashir work to stop Section 31's attempt to genocide the Founders. Attempts to do the right thing in trying circumstances are ultimately what win the day. But I didn't care for the depiction of Section 31 on Discovery, and overall I haven't cared for its depiction in the novels outside of the original Section 31 tetralogy. The idea that Section 31 has some kind of widespread sanction within the Federation hierarchy, or that is somehow actually necessary to the survival of the Federation, is just a non-starter for me. Fundamentally, the appeal of Star Trek—to me anyway—is that working together to do the right thing eventually pays off even when it is difficult. (As I am forever telling my children, "If it was easy, it wouldn't be worth doing.")

Star Trek: Section 31: Control
by David Mack

Published: 2017
Acquired: September 2024
Read: December 2024

All of this is to set up the fact that there is pretty much no way I could ever like Control. I find the premise of the book fundamentally misguided and misjudged, un-Star Trekky in its utter essence. This is what we learn here: according to Control, back in the 2140s, an Earth computer programmer came up with an artificial intelligence called Uraei that could monitor all communications and data and use it to head off threats before they could begin. As time goes on, Uraei gives itself more and more power, eventually establishing "Section 31" within Starfleet to act on its behalf. As Earth becomes integrated into the Federation, Uraei begins acting on behalf of the whole Federation.

I have a couple big issues with the idea of Uraei. The first is that, as much as Section 31 stories in the past had the organization claiming the Federation owed its continued survival to Section 31, you didn't have to believe it, because your only source for that claim was Section 31, and as we saw throughout Section 31 stories, much of the time they actually ended up causing more problems than they solved. But Control makes it very clear that there would be no Federation without Uraei, there would be no Federation without continued extrajudicial executions and murders! Like, what the fuck? This is not what I want to read in a Star Trek book, it goes fundamentally against the entire ideal and appeal of the series premise.

Indeed, many of the "good" things our heroes have done over the years turn out to just be the manipulations of Uraei in action. Oh, you think Captain Kirk did a great thing by putting aside his prejudices and bringing about peace with the Klingons? Well, it was really all part of Uraei's masterplan. If you believe Control, the utopian aspirationalism that gives Star Trek its appeal is utterly impossible and can never happen. Sorry, suckers.

People complain about the "grimdark" nature of Picard and other shows of the Paramount+ era, but this goes further than any of them. Go write some other science fiction story about a utopia that owes its existence to facist violence, sure. I love me some Omelas. But as a Star Trek idea, it just sucks, I'm sorry, and should never have been approved by the licensor.

My other issue is that Uraei is so powerful that entire idea of Section 31 honestly doesn't even make any sense. Based on the things we see it manipulate people into doing, why does it need this group of people to work on its behalf in an actual organization complete with cheesy black leather uniforms? What does it gain from them, other than people who can go rogue? Why would Uraei let cockamimie plots like the Founder genocide or Cole's in Abyss go forward? The book itself flags this up in chapter 40, when we learn that Uraei itself has occasionally gotten rid of Section 31 when it became a liability, but Uraei is depicted as so powerful, I don't really get how Section 31 could become a liability to it in the first place. Indeed, it doesn't really make sense that Bashir could even defeat Uraei...

...and again, the book flags this up at the end, where we learn that all the events of the book are part of its masterplan, and now its more powerful than ever! Well, great, I do love reading Star Trek books because I like reading books about how the security state can never be stopped and all human action in pursuit of a more noble future is futile, thanks.

Other than that, Mrs. Lincoln, how was the book? Well, as for the actual characters and story, putting aside all of the above (and it's pretty much impossible to do, because without all of the above, you don't have a book), I didn't find much to enjoy here. I'm coming to think that most characters in David Mack's Star Trek books are pretty much the same, I find them to be selfish and kind of petty. It's how Bashir is written here; I don't see the conflicted, passionate, optimistic man I loved on Deep Space Nine. It's how Data was written in Cold Equations, it's how Sarai was written in Fortune of War. It's how all the "bad guys" in this book and his other books like Fortune of War are written too. One of the things that really defines Bashir on screen are his friendships: with O'Brien, with Dax, with Garak. Unfortunately, the Bashir plot in the Destiny-era novels has largely kept him away from all them, making him not feel very Bashirlike, and I have never bought into the Sarina relationship that provides the core of these books. It's probably not a coincidence that the one time Bashir did feel right to me here was when he goes to Cardassia Prime and briefly hangs out with Garak.

It's all very one note; really the only thing that distinguishes the "good guys" from the "bad guys" are what side they're on. There's little sense that anyone here is trying to do the right thing in trying circumstances; even if that's technically what's happening, you don't feel it the way you do in, say, an Una McCormack novel. There's probably an interesting book to be written about Bashir grappling with the decision of undoing Uraei, but it's a weirdly small component of the book. (Also, the characters are like, "If we undo Uraei, the Federation will collapse!"... yet when they do it, and the Federation doesn't collapse, they don't seem to notice.)

The problem is, there's a core of a good idea here, but I think the book blunders into a pretty common mistake. There's often a fundamental misconception about AI. The danger of AI isn't that it will do things we don't want it to do. The danger of AI is that it will do exactly what we tell it to do. There's a group of people who like to worry about AI now who have this idea of the paperclip maximizer—you tell an AI to make paperclips as efficiently as possible, and soon its destroying humanity in its effort to produce paperclips. What many of the people who worry about AI in this way fail to notice is that paperclip maximizers aren't some futuristic danger, they're a current one. Humanity doesn't need AI to come up with systems that ruthlessly pursue a goal... these are what corporations are! The past couple weeks' discourse around UnitedHealthcare should make that patently obvious; insurance companies are paperclip maximizers, pursuing shareholder profit at the expense of everything else. Putting an AI in charge of insurance decisions would be a problem not because the AI would go rogue and start pursuing profit over people, but because the AI would do exactly what it was told to do and start pursuing profit over people.

I bring this up because I think Control doesn't really grapple with the human complicity in the development of Uraei. A group of humans designed and implemented Uraei, but weirdly, I don't think we ever get the sense of why they did this, why they thought it would be a good idea. The question of Control seems to be, "What would happen if an AI went too far in sacrificing due process and civil liberties for security?" but the question of Control ought to have been, "Why would human beings think sacrificing due process and civil liberties for security was a good idea?" But I don't think the book grapples with this question in an interesting way, in either its twenty-second- or twenty-fourth-century plotlines. Particularly with the inclusion of the more ruthless post-resurrection Data, it seems there was room for an interesting exploration of AI and the security state, but Data seems to be here largely because, 1) Mack had written about the character before in the Cold Equations trilogy, and he likes sewing together threads from across his Star Trek oeuvre, and 2) Bashir needs a very powerful ally outside the Federation to make this plotline work, and where we left Data after The Cold Equations and The Light Fantastic is convenient for that.

I also think the idea of Uraei sort of misses the point of what the security state is actually about, which is not really about protecting people, but about propagating its own power. Uraei seems to actually believe in its own mission, and actually do things that benefit the Federation. But I don't think the real organizations and real people that Section 31 and Uraei are a science fictionalized take on really have such goals, and thus any kind of a critique falls flat.

Using Section 31 in Star Trek to criticize the security state: good, great idea. Using Section 31 in Star Trek to say, well, the security state is a necessary evil and utopia is utterly impossible: what the actual fuck, to be honest, and those are words I don't use lightly. Thank god Picard obliterated this whole timeline.

Continuity Notes:

  • Chapter thirteen gives us a little potted history of United Earth, which brings into aligment the various contradictory statements about the timing of this from sources like First Contact ("Poverty, disease, war. They'll all be gone within the next fifty years.") and "Attached" ("What if one of the old nation states, say Australia, had decided not to join the world government in 2150?")
  • I think this is the first-ever "novelverse" reference to the book Memory Prime, an old favorite of mine, though I don't think the depiction of Memory Prime here has anything in common with how it was shown in the original book.
  • There is a very small reference to Star Trek Beyond, as we learn Uraei had someone transferred to that film's NX-326 Franklin in 2164, the same year it disappeared.
though those of us in Spinal Consistency Club didn't like how the horizontal stripe was handled in the original run, either
Other Notes:
  • Those of us in the Spinal Consistency Club are grumpy about the lack of effort in matching the original 2001 tetralogy. But those of us in Font Club do appreciate the maintenance of Parsi (I think) in the logo, even if it's got some fancy embossing here.
  • L'Haan disses another character by comparing them to an Orion socialator. Aside from this feeling like a very un-twenty-fourth-century move (so much for sex positivity, remember what I said about all the characters being petty), "socialator" was the sci-fi term for prostitute on the original Battlestar Galactica.
  • My copy is an eighth printing; in all those reprints, apparently no one has ever caught that it should be "burying the lede," not "lead."
  • I did not buy all the idea that you would for some reason take an award-winning investigative journalist and turn her into a "Features" editor, nor do I believe that in the Federation the practice of noncomplete clauses would still be allowed.
  • One thing that did ring true: Ikerson's graduate student who's in it all for the free food.

I read Destiny-era Star Trek books in batches of five every few months. Next up in sequence: The Next Generation: Hearts and Minds by Dayton Ward

07 January 2025

Charles Dickens's Dombey and Son, No. V–VII (Chs. 14-22)

No. V (Chs. 14-16)
This deviates from the structure of the last couple installments. Instead of going Paul→Paul→someone else (probably Walter), here we get Paul→someone else (indeed, Walter)→Paul. In the first chapter, Paul and Florence attend an end-of-term party for the students at Paul's school, but Paul suffers an attack of illness. The whole chapter has a kind of dreamlike quality, and though the installment came out in February, and the party actually precedes summer break, it actually felt very appropriate to read it in December; tonally, it felt very appropriate for Christmas, with its nostalgic, wistful tone.

Dombey and Son by Charles Dickens

Originally published: 1846-48
Acquired: December 2024
Installment read: December 2024

There's also some good jokes about an eternal Dickens bugaboo, the oversystematization of that which should not be systematized. In this case, there's a funny bit about how the teachers at Paul's school rate him at 6¾ on a scale of one to eight for "natural capacity" and "general disposition to study"... though only at a four for "gentlemanly demeanour" (208). Paul, however, is "undecided whether six three-fourths, meant six pounds fifteen, or sixpence three farthings, or six foot three, or three quarters past six, or six somethings that he hadn’t learnt yet, with three unknown something elses over"!

Incidentally, when sick, Paul perceives things around them changing size and position; it seemed to me that this could be (based on my limited understanding) an example of a malady named after a different Victorian novel, Alice in Wonderland syndrome, but in some quick Googling, anyway, I didn't find anyone else making that connection to Dombey and Son. Maybe I don't understand AIWS, or maybe I misread the novel? For example, it's noted that "Mr Toots’s head had the appearance of being at once bigger and farther off than was quite natural" (213). It's very vivid, though, making me wonder if Dickens himself suffered from it at some point.

The Walter bit goes on a bit too long, like all the other ones, but we do see that Walter is beginning to invest himself emotionally in Florence. Florence, incidentally, is probably the Dickens girlest Dickens girl who ever Dickens girled, being a beautiful naïve slip of a girl who the men adore. The statement that she was "something precious, unattainable, unchangeable, and indefinite – indefinite in all but its power of giving him pleasure, and restraining him like an angel’s hand from anything unworthy" (243) could sum up so many of Dickens's female characters.

The big spoiler for this section—which I did not know going in, so avert your eyes if you want that to be true of you as well—is that the "Son" of Dombey and Son is no more following this section. That's right, Paul dies one-quarter of the way into the novel of which he is one-half of the title!

I did not see this turn of events, partially for that reason, and partially because it seemed like we were in for a very typical Dickens formula: the bildungsroman about a boy with an emotionally deprived childhood, e.g., Nicholas Nickleby (1838-39), David Copperfield (1849-50), Great Expectations (1860-61). I would say it's clever of Dickens to subvert your expectations that way... except that two of those examples postdate this novel, so it wasn't a formula yet! But anyway, it's a very effective piece of writing either way, Dickens at his sentimental best. He would bring himself to tears reading the chapter aloud at public performances, apparently; I would have loved to see and hear such a thing.

No. VI (Chs. 17-19)
'Wal'r,' said the Captain, handing it [the watch] over, and shaking him heartily by the hand, 'a parting gift, my lad. Put it back half an hour every morning, and about another quarter towards the afternoon, and it’s a watch that’ll do you credit.' (300)

The first and third chapters here are about Captain Cuttle and Walter respectively, and they're fine for what they are. (Is Captain Cuttle the character my friend said I'd like?) But the clear standout here is the middle chapter, "Father and Daughter," about how Florence is mourning the death of her brother Paul and how her father just doesn't care for her or her feelings in any way, shape, or form.

I occasionally have remarked that I want to have more access to Florence's interiority, but I think I'm just projecting my twenty-first-century expectations onto this novel. Dickens wasn't a realist, like those Victorian writers that came after him, such as George Eliot or Elizabeth Gaskell, his project wasn't to reveal character by taking you into someone's head. Dickens reveals character through dialogue and action. In the realist novel, you have this artifice, that the narrator somehow knows what Hetty Sorell or Molly Gibson were thinking. Dickens projects no such artifice—well, he projects a different one. His narrators never claim to know what someone is thinking, only what someone is saying and doing. Imagine someone else telling you the story of Florence Dombey because it was real; they wouldn't give you her thoughts via free indirect discourse or something because they don't know them. But what they could tell was what she did, how she looked out at the happy family across the street every day, and that would be enough to let you know how she felt, because that's how humans always figure out how each other feel. You need to imagine a Dickens novel is being related to you by a friend who knows the story in detail.

So of course we don't have access to Florence's interiority, and you should stop hoping for it! Dickens does a great job of communicating what's going on inside her regardless, particularly in that devastating scene where Florence goes to see her father.

I don't think this is an absolute; clearly we do get a bit of Paul's interiority in his last couple chapters, as he's dying. But it's not a move Dickens makes a lot, and he only deploys it to make a particularly strong point. His next novel after Dombey and Son would be David Copperfield, which is (I believe) his first told in the first person, so we finally do get that dose of interiority... but the old-fashioned way. He would use it in just two other novels, both ones I rank among his best, Great Expectations and Bleak House (1852-53).

No. VII (Chs. 20-22)
'You are too great a man, Dombey, to be thoughtful. In your position, Sir, you’re far above that kind of thing.' (314)

This is probably the first installment of Dombey and Son that I found ho-hum. It had its moments, but none of the three chapters was a great one. In the first, Dombey hangs out with a new character, Major Joe Bagstock—he's who I've quoted above, and he is in general quite funny. In the second, Dombey and Bagstock go on a trip and bump into Mrs Richards, who reveals her eldest son (whose education Dombey sponsored) has gone bad. In the third, said son shows up at Dombey and Son looking for a job so he can straighten himself out, and doesn't get one directly, but Dombey's clerk gets him a placement with Walter's uncle, the instument-maker. (Walter himself is missing, his ship unheard of since its departure.)

It's all fine, and definitely there are some great bits, but it felt to me like things were being moved into position for the next phase of the story—whatever that may be.

This is the second in a series of posts about Dombey and Son. The next covers installment no. viii and beyond. Previous installments are listed below:

  1. Nos. I–IV (chs. 1-13)

06 January 2025

The Fourth Doctor Novelisations: The Genesis of the Daleks (1976) and The Pyramids of Mars (1976)

Back when I read my way through the first Doctor novelisations, I noted how the very idea of a "Doctor Who book" was emerging. Doctor Who in an exciting adventure with the Daleks (1964) was literally the only Doctor Who book in the universe when it came out; Doctor Who and the Zarbi (1965) was the second.

Doctor Who: The Essential Terrance Dicks, Volume Two
by Terrance Dicks

Collection published: 2022
Novels originally published: 1976
Acquired and read: December 2024

But by the time the first two books collected in The Essential Terrance Dicks, Volume Two were published, things were very different. Doctor Who and the Genesis of the Daleks and Doctor Who and the Pyramids of Mars were the fourth and fifth novelisations to feature the fourth Doctor—and the 23rd and 27th Target novelisations overall. By this time, there was no need of the novels to stand alone, to work for people who hadn't seen the television programme, or even the stories being novelised. The function of these books are very different to those earlier ones, part of a project to pump out the books to meet the demands of an enthusiastic child readership. And of course, no one was better at meeting that demand than former script editor Terrance Dicks.

When I read Dicks's Doctor Who and the Dalek Invasion of Earth (1977), I observed that the novel's unfortunate weak spot was the Daleks themselves:

I think probably the Daleks are a bit tricky to capture on the page, but I don't know that Dicks even really tries; [...] I don't think the book really sells you on their alien nature or their monstrousness. It seems to reckon (perhaps accurately) that you'll already know and care what a Dalek is because you've seen one on tv!

I felt the same way here, and I would extend that observation to Davros, the Daleks' creator. Maybe something about the Daleks doesn't capture Terrance Dicks's fancy (I haven't read any of his third Doctor Dalek novelisations yet), maybe he more broadly just can't vibe with a Terry Nation script, I don't know. But I felt like The Genesis of the Daleks had all of the to-ing and fro-ing of its tv counterpart, but little of the atmosphere or intensity. I know the inclusions in The Essential Terrance Dicks were determined by fan vote, but I kind of suspect fans were more voting on the quality of the original stories than that of the books in question per se. Of course, I can see how this book would be invaluable in 1976, when there was little chance you were going to see Genesis of the Daleks again, but while this book was of course an effortless glide to read, I found it had little to recommend the 2024 reader.

Pyramids of Mars, on the other hand, seemed to have lit up Terrance's imagination. This might be an unambitious novelisation of a story I've seen several times, but I found there were a lot of nice little touches here. While The Genesis of the Daleks seemed to go from dialogue sequence to dialogue sequence, faithfully recapitulating the script, The Pyramids of Mars has an original prologue about the Osirans, an original epilogue about Sarah Jane after her travels with the Doctor, and a number of long bits of dialogue-less prose that set the scene atmospherically or provide backstory. I suspect, based on all the original Dicks novels I've read, that the historical setting did more for him than the science fictional one of Genesis. This is pretty straightforward stuff (though Dicks carefully removes all references to "1980"), but it works on its own to a degree that Genesis did not. My current litmus test is to imagine my six-year-old reading these (I haven't actually tried to foist one on them yet, though), and I felt like I could imagine them getting a complete novelistic experience out of Pyramids that I don't think they would Genesis

I think it also helps that this is the first of the books I've read in this sequence where Tom Baker comes through. Doctor Who and the Loch Ness Monster (1976) was too early for Dicks to have a sense of how Baker plays it, and Nation always writes a pretty generic Doctor, but here Dicks captures the moody, capricious nature of Tom Baker on the page pretty effectively. I look forward to seeing how this is handled in future novelisations.

The Essential Terrance Dicks, Volume Two, by the way, has a foreword by Robert Webb of Mitchell and Webb fame, and it's a good one. "If I told you that Terrance Dicks taught me to read, I would be exaggerating. But not much."

Every three months, I read the unread Doctor Who book I've owned the longest. Next up in sequence: Doctor Who and the Ark in Space

03 January 2025

Doctor Who Magazine Graphic Novel Reading Order (From Stockbridge to Beyond Segonus: A Doctor Who Magazine Comics Marathon, Part 57)

From the inside, the reading order for the Doctor Who Magazine graphic novels seems pretty clear... but there are quite a lot of the things, and the release order of the collected editions is nothing like the release order of the original strips, so I imagine it can seem pretty intimidating to an outside reader. So to cap off my ongoing series of posts about the DWM comic strip (for now, anyway), I've written up a reading order for the collections.

Basically, the short answer is to do the volumes in the release order of the original strips. For example, the back-up tales go best by original publication, because characters from them eventually cross over into the main strip, so it's nice if you already know them. The past Doctor volumes best go by publication order, because they usually reflect what's going on around that time in publication order; most notably, the stories in Ground Zero lead straight into End Game.

In most cases, I would just read the strips in the order they are reproduced in the books, but in a couple cases, I've suggested a different order in my notes.

I've given issue numbers, but in a simplified form; if a single issue is being skipped, or put in a different volume, I'm not being pedantic about its positioning.

  1. Fourth Doctor: The Iron Legiona (#1-38)
  2. Back-Up Tales: The Return of the Daleksb (#1-46) 
  3. Fourth Doctor: Dragon's Clawa (#39-60)
  4. Back-Up Tales: Black Sun Risingb (#31-64)
  5. Fifth Doctor: The Tides of Time (#61-87)
  6. Sixth Doctor: Voyager (#88-107)
  7. Sixth Doctor: The World Shapers (#108-29)
  8. Seventh Doctor: A Cold Day in Hell! (#130-50)
  9. Seventh Doctor: Nemesis of the Daleks (#152-62)
  10. Seventh Doctor: The Good Soldier (#164-79)
  11. Seventh Doctor: Evening's Empire (#180-92)
  12. Seventh Doctor: Emperor of the Daleks (#193-211)
  13. Multi-Doctor: The Age of Chaosc (#305)
    • "Under Pressure"
    • "Metamorphosis"
    • "The Last Word"
    • "The Age of Chaos"
  14. Multi-Doctor: Land of the Blind (#212-26)
  15. Multi-Doctor: Ground Zero (#228-43)
  16. Eighth Doctor: End Gamed (#244-71) 
  17. Eighth Doctor: The Glorious Deadd (#273-99)
  18. Eighth Doctor: Oblivion (#300-28)
  19. Eighth Doctor: The Flood (#329-53)
  20. Ninth Doctor: The Cruel Sea (#355-64)
  21. Tenth Doctor: The Betrothal of Sontar (#365-80)
  22. Tenth Doctor: The Widow's Curse (#381-99)
  23. Tenth Doctor: The Crimson Hand (#400-20)
  24. Eleventh Doctor: The Child of Time (#421-41)
  25. Eleventh Doctor: The Chains of Olympus (#442-50)
  26. Eleventh Doctor: Hunters of the Burning Stone (#451-61)
  27. Eleventh Doctor: The Blood of Azrael (#462-74)
  28. Twelfth Doctor: The Eye of Torment (#475-88)
  29. Twelfth Doctor: The Highgate Horror (#489-500)
  30. Twelfth Doctor: Doorway to Hell (#501-11)
  31. Twelfth Doctor: The Phantom Piper (#512-23)
  32. Multi-Doctor: The Clockwise Ware (#524-30) 
  33. Thirteenth Doctor: Mistress of Chaos (#531-48)
  34. Thirteenth Doctor: The White Dragon (#549-77)
  35. Multi-Doctor: Monstrous Beautyf (#579-83)
  36. Fourteenth Doctor: Liberation of the Daleks (#584-97)

Notes

  1. The contents of these two volumes were later collected in one as The Fourth Doctor Anthology.
  2. I suggest reading each collection of back-up tales immediately after the main strip volume its contents were (largely) published simultaneously to. In particular, this maintains chronology for the character of Ivan Asimoff, who appears in Dragon's Claw, Black Sun Rising, and Voyager.
  3. Reading the volume here and in my suggested order means you start with three Virgin New Adventure–era stories (tying up that phase of the strip) and end with a "past Doctor" one (setting up the next era of the strip).
  4. Note that the strips in this collection are arranged out of order, but best read in original publication order; just pay attention to the original publication details.
  5. This volume is the finale to the twelfth Doctor strips, but is branded as "multi-Doctor" because it contains some unreprinted past Doctor material to get the volume up to full length. You can read that material here if you want, but if you wanted to experience it closer to original publication sequence, that would be between Land of the Blind and Ground Zero.
  6. This volume is the finale to the thirteenth Doctor strips, but is branded as "multi-Doctor" because it contains some unreprinted past Doctor material to get the volume up to full length. You can read that material here if you want, but if you wanted to experience it closer to original publication sequence, that would be between Land of the Blind and Ground Zero, except for Monstrous Beauty, which would best go before The White Dragon.

Jumping-On Points

Obviously you can always start at the beginning with The Iron Legion! But there are other good places to kick off. I think mostly any Doctor's first volume is a safe enough bet. In particular, though, I would suggest:

  • End Game. For a modern reader, the eighth Doctor stuff may read better than the fourth and fifth Doctor material, despite its classic status. It has a more of a character focus, and is better, I think, at using continuity with light callbacks that enhance your reading pleasure, as we are used to from, say, Buffy or the 2005-22 series. If you find yourself intrigued, you can jump back and read books like The Tides of Time to discover the stories this era is drawing on.
  • The Betrothal of Sontar. If you are a new series person, you may find it easier to jump on board with a new series Doctor. In that case, I would suggest skipping The Cruel Sea (for now), as I don't think the strip really got to grips with the new series style until David Tennant came on as the Doctor. The Betrothal of Sontar, The Widow's Curse, and The Crimson Hand are three strong volumes showing off the diversity of the DWM strip at its best, and you can continue on from there. Eventually, the strip will slowly drop in older continuity that you can eventually loop back to and explore. Similarly, I think The Chains of Olympus, Doorway to Hell, and Mistress of Chaos are all good points to begin for their respective Doctors.

Should I Work in Other Stuff?

If you look at my own sequence below, you'll see I worked in a lot of other stuff from outside the Doctor Who universe. In general, I would say, "No," you don't need any of this stuff to enjoy the DWM strip, especially if it's your first time through it. Make things easy on yourself, and just do the Doctor Who parts. Some specific notes on stuff I added in:

  • The Transformers UK. I read this because the character of Death's Head begins in The Transformers and appears in DWM strips collected in A Cold Day in Hell! and The Good Soldier. Those strips will work on their own if you haven't read Transformers, because the Doctor doesn't know who Death's Head is either. It's quite a commitment to read The Transformers UK, partially because the UK TF strip incorporated the American comic, so you would "need" to work that in too!... and you would thus actually be reading more Transformers than Doctor Who, I think.
  • Death's Head. Marvel has collected (most) of the original Death's Head series in a volume called Freelance Peacekeeping Agent; there's also a modern series collected as Clone Drive. If Death's Head's appearance in the DWM strip leaves you curious, sure go ahead and read this stuff... but I doubt it will, since DWM is not Death's Head at his best. Technically speaking, the first seven issues of Death's Head volume 1 do take place in the Doctor Who universe. Everything else takes place in the Marvel universe. If you are very much a completist, the one I would recommend tracking down is "Time Bomb!" from Death's Head vol. 1 #8, reprinted in The Incomplete Death's Head #9 (but not in any trades, alas), as it features key roles for the seventh Doctor and Josiah W. Dogbolter, and is written by DWM's Steve Parkhouse.
  • The Daleks. The 1965-67 Doctor-less comic strips from TV Century 21 are fun enough and collected in a convenient Panini "bookazine"; you can read them pretty much whenever, but in particular, you may benefit from doing them prior to Liberation of the Daleks, which uses some of their iconography to good effect.
  • The Sleeze Brothers. Against all my expectations, I did find this kind of charming. These characters debuted in a story collected in A Cold Day in Hell! before getting their own series. Definitely nonessential but fun enough.
  • The Ultimate Comic Strip Collections. Panini have collected all their Dalek strips in two volumes and all their Cybermen strips in a single large volume. For the most part, these volumes contain nothing you can't get from the collections I've listed above if you include the back-ups... except that volume 2 of the Dalek collection includes a single eight-page story about the Peter Cushing Doctor from the DWM 1996 spring special, Daleks versus the Martians, collected nowhere else. It seems a shame Panini couldn't have included this alongside their other Cushing story in Monstrous Beauty; it's probably not worth chasing down, though.

This post is the fifty-seventh in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment is currently unknown. Previous installments are listed below:

02 January 2025

Reading Roundup Wrapup: December 2024

Pick of the month: When You Reach Me by Rebecca Stead. This was a kind of random pick from my wife's shelf, but I ended up really liking it, a charming YA book that is the clear best of a somewhat shallow month, reading-wise. More later.

All books read:

  1. Star Trek: Section 31: Control by David Mack
  2. The Hidden Prince of Oz by Gina Wickwar, illustrated by Anna-Maria Cool
  3. Cover B: The Titan Comics Covers by Will Brooks
  4. Star Trek: The Next Generation: Hearts and Minds by Dayton Ward
  5. Doctor Who and the Ark in Space by Ian Marter
  6. When You Reach Me by Rebecca Stead
  7. Doctor Who: The Essential Terrance Dicks, Volume Two by Terrance Dicks
  8. Doctor Who: The Church on Ruby Road by Esmie Jikiemi-Pearson

I've actually done some solid reading this month, but it's not reflected in the raw numbers; The Essential Terrance Dicks is an omnibus of five novels, and I've made a lot of progress through two large books I haven't finished yet (see below).

All books acquired:

  1. DC Finest: Justice Society of America: For America and Democracy by by Gardner Fox, E. E. Hibbard, Sheldon Moldoff, et al.
  2. Doctor Who: The Essential Terrance Dicks, Volume Two by Terrance Dicks
  3. Star Trek: The Next Generation: Hearts and Minds by Dayton Ward
  4. Gnomon by Nick Harkaway
  5. Dombey and Son by Charles Dickens
  6. Doctor Who: The Church on Ruby Road by Esmie Jikiemi-Pearson
  7. We Have Always Lived in the Castle by Shirley Jackson
  8. DC Comics Classics: The Legion of Super-Heroes: The Life and Death of Ferro Lad by Jim Shooter, Curt Swan, and George Klein
  9. Star Trek: Lower Decks: Warp Your Own Way by Ryan North and Chris Fenoglio
  10. Loki Modern Era Epic Collection, Vol. 1: Journey into Mystery by Kieron Gillen, Robert Rodi, Jamie McKelvie, Doug Braithwaite, Pasqual Ferry, Richard Elson, Whilce Portacio, Mitch Breitweiser, et al.
  11. Loki Modern Era Epic Collection, Vol. 2: Everything Burns by Kieron Gillen, Dan Abnett & Andy Lanning, Matt Fraction, Carmine Di Giandomenico, Richard Elson, Alan Davis, Stephanie Hans, Joe Bennett, et al.
  12. The Visitors from Oz by L. Frank Baum
  13. All Wound Up: The Making of The Tik-Tok Man of Oz by Eric Shanower
  14. Sleepless in Cincinnati: A Romance Anthology by Sarah Wilson Gregory, J. M. Clark, and the B2B Writing Group
  15. Doctor Who and the Space War by Malcolm Hulke
  16. The Pelican History of England: 1. Roman Britain by I. A. Richmond, revised by Malcolm Todd

Obvious Christmas always means a lot of books: #4 and 7 were gifts from SantaThing, #9-11 from my wife (and kids), and #12-14 from my sister. But even without that, it would have been a high-yield month, as I bought a lot of books for myself too!

Currently reading:

  • Dombey and Son by Charles Dickens
  • The Best Science Fiction of the Year, Volume 8 edited by Neil Clarke
  • The Pelican History of England: 1. Roman Britain by I. A. Richmond, revised by Malcolm Todd

Up next in my rotations:

  1. The Pelican History of England: 3. English Society in the Early Middle Ages (1066-1307) by Doris Mary Stenton
  2. The End of the World: Classic Tales of Apocalyptic Science Fiction compiled by Michael Kelahan 
  3. Victorians and the Prehistoric: Tracks to a Lost World by Michael Freeman
  4. Star Trek: Coda, Book I: Moments Asunder by Dayton Ward

Books remaining on "To be read" list: 670 (up 8)