In 1998, Christopher Priest began as the writer of a new volume on Black Panther for Marvel's "Marvel Knights" imprint; this was, I think, intended as a twelve-issue run and ended up lasting until issue #62 in 2003. Black Panther vol. 3 would introduce a lot of what will be familiar to contemporary viewers of the Marvel Cinematic Universe, including the Dora Milaje, Everett K. Ross (played by Martin Freeman on screen), Wakanda vying for a place in contemporary geopolitics, and the Black Panther's more thoughtful, stoic demeanor.
from Black Panther vol. 3 #10 (script by Priest, art by Mike Manley) |
from Black Panther vol. 3 #21 (script by Priest, art by Sal Velluto & Bob Almond) |
Priest's Panther instantly marked itself as the best run on the character I'd read thus far, taking the best aspects of Don McGregor's run in particular (though we don't spend much time in Wakanda here, Priest very much builds on McGregor's sense of it as a real, complicated place). You can very easily see why it kept getting extended, even though it was apparently always on the verge of cancellation. A revolving door of artists at the series's beginning soon gives way to Sal Velluto and Bob Almond, who illustrated thirty of the series's sixty-two issues, excellently capturing the humanity and the action alike. Priest is always coming up with new spins on old concepts, always keeping things fresh.
from Black Panther vol. 3 #25 (script by Priest, art by Sal Velluto & Bob Almond) |
That said, he perhaps sometimes keeps things too fresh. One gets the sense of a juggler continually adding balls to his act, forgetting to maintain balls he already launched into the air. (Okay, how's that for a metaphor?) Soon there's the Hulk (okay, the bit where Queen Divine Justice bonds with him is cute), and then Power Man and Iron Fist, and there's a crossover with Deadpool (ugh), and a flash-forward to a dystopian Black Panther, and all sorts of other stuff, and I found myself missing Ross and the supporting cast of the book's earlier days, whose stories had more faded away than actually come to an end. Though there's always a lot to like, from, say, issue #30 to 40 especially, I found myself a bit adrift in the book's overcomplications.
Also, suddenly a second T'Challa appears, one written and even drawn in the Jack Kirby adventurer fashion, complete with friend Abner Little. This is hilarious, especially given how much the two Black Panthers like each other, but the mystery of who he is and how he got there is drawn out too long and not really resolved satisfactorily. Like, we get all the answers we need, but the story just kind of fizzles out.
However, with the Enemy of the State II storyline, where Wakanda annexes part of Canada and T'Challa pits himself against Tony Stark, the book showed a marked improvement, again recapturing that energy and focus of the first twelve issues, and then there's a two-parter where the whole cast is inadvertently tossed through time into the Wild West, which is of course hilarious.
from Black Panther vol. 3 #51 (script by Priest, art by Jorge Lucas) |
I read the whole run on comiXology, having got it for free in a sale; it's also been collected as four trade paperbacks called Black Panther: The Complete Collection. The first three volumes collect all of stuff actually focused on T'Challa, and they are well worth your time to pick up. I have a lot of Black Panther comics to go, but it seems unlikely to me that any of them will top this.
ACCESS AN INDEX OF ALL POSTS IN THIS SERIES HERE
* Well, kind of. In one issue we're told he's supposedly dead, in another, we learn he's still a member of the Avengers!
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