Showing posts with label creator: sheridan le fanu. Show all posts
Showing posts with label creator: sheridan le fanu. Show all posts

21 March 2019

The Scientist in Victorian Literature: Doctor Antomarchi, Psychiatrist (The Rose and the Key, 1871)

Hardcover, 395 pages
Published 2007 (originally 1871)

Borrowed from the library
R
ead February 2019
The Rose and the Key by J. Sheridan Le Fanu
"You can't explain, or deny it—I am to infer that," persisted Antomarchi; "you can't."
     "I can't—can I?—I can't—oh! what is it?—I feel so strangely." She shook her ears as if a fly was humming at them, and lifted her pretty fingers towards her temple vaguely. (344-45)
This incredibly dull novel focuses on a young woman who is wrongfully committed to a mental asylum (as the Victorians were always worried about); I read it as part of my project on Victorian scientists, curious about Doctor Antomarchi, the overseer of the asylum. Antomarchi might write some of the best papers in scientific journals (179), but he doesn't do much science-y stuff on the page. Mostly he's a malevolent mesmerist, as in the above passage, where he won't let our young hero say that she's not really suicidal, thanks to the malign power of his gaze. The actual asylum part is interesting, but it's just the last hundred pages or so in a four-hundred-page novel. Nothing that interesting happens prior to that; just people dancing and arguing. Not worth it at all.

(The introduction to my Valancourt edition is weird, spending dozens of pages telling you about Irish political history before it even gets to the novel. Establish a context for me to care before you begin going on about this! I tuned out long before she made any kind of claims about why knowing Irish political history would enhance my interpretation of the novel.)

16 August 2013

Review: In a Glass Darkly by Sheridan Le Fanu

Trade paperback, 347 pages
Published 2008 (contents: 1851-72)
Acquired October 2012

 Read July 2013
In a Glass Darkly
by Sheridan Le Fanu

Horror fiction isn't very much my thing, and a lot of early horror fiction especially leaves me cold-- I feel like it's pretty obvious why Dracula took root in the popular consciousness to an extent that "Carmilla" did not. So there are some creepy moments in the five stories collected here, but overall I wasn't too moved. Except in the case of, surprisingly, "The Room in the Dragon Volant," which doesn't have any fantastic elements in it, but is about a young Englishman trying to make his fortune gambling in France who falls in love with the abused wife of a cruel count. This was pretty gripping and creepy in turns, and the characters were very fun.