Showing posts with label creator: gordon purcell. Show all posts
Showing posts with label creator: gordon purcell. Show all posts

29 October 2019

Review: Star Trek Comics Classics: Convergence and Generations by Michael Jan Friedman, et al.

Comic trade paperback, n.pag.
Published 2007 (contents: 1994-95)
Acquired December 2008
Read June 2019
Star Trek: Convergence

Scripts by Michael Jan Friedman & Howard Weinstein
Pencilled by Gordon Purcell, Ken Save, and Steve Erwin
Inked by Jerome Moore & Terry Pallot, Sam de la Rosa, and Charles Barnett
Lettered by Willie Schubert, Chris Eliopoulos, and Bob Pinaha
Colored by Rick Taylor and Dave Grafe

This volume from Titan collects three different DC Comics stories where there's interaction-- convergence, if you will-- between the original and Next Generation crews. One of those stories is the adaptation of Star Trek Generations, so I read it after finished Star Trek: Movie Classics Omnibus from IDW, which contains the first six movies. (The only Star Trek film adaptation to never be collected is Marvel's Star Trek: First Contact, though there weren't adaptations of Insurrection, Nemesis, or Beyond.)

from Star Trek Generations (script by Michael Jan Friedman, art by Gordon Purcell and Jerome Moore & Terry Pallot)

The Generations adaptation is competent but uninspired; mostly it's nice to see some deleted scenes that didn't make it into the film, like retired Captain Kirk going orbital skydiving, or Soran's torture of Geordi La Forge. On the other hand, some of the film's little bits of business become so shrunk down you wonder why Michael Jan Friedman even bothered to keep them; I don't see how anyone could follow the "Mr. Tricorder" bit. Gordon Purcell is a great artist, so I was pleased to see him doing his thing here. I was also amused that he faithfully renders how the Enterprise-D crew are constantly changing uniforms, even down to how Riker rolls up his sleeves to disguise the fact that Jonathan Frakes was given Avery Brooks's uniform from Deep Space Nine, and Frakes has longer arms. Surely a comics adaptation is a place to smooth out visual production exigencies and just make everything look as nice as possible!

from Star Trek: The Next Generation Annual #6 (script by Michael Jan Friedman, art by Ken Save & Sam de la Rosa)

The storyline "Convergence" is reprinted here, but since I'd just read that in IDW's The Gary Seven Collection, I did not reread it. It looks like the quality of reproduction is higher here, though.

from Star Trek: The Next Generation Special #2 (script by Michael Jan Friedman, art by Steve Erwin & Charles Barnett)

Finally, there's a short little story about how Captain Morgan Bateson is struggling to adapt to twenty-fourth-century life (following the events of "Cause and Effect") and Scotty comes along to help him out (following the events of "Relics"). Which is a little weird now that I think about it, because Bateson actually jumped forward in time first! I referenced this story in my first published piece of Star Trek fiction but don't tell anyone, I'd never actually read it before now.

Next Week: One last Star Trek film adaptation... First Contact!

15 December 2015

Deep Space Nine Reread, Season Five: Day of Honor: Honor Bound by Diana G. Gallagher

Reread September 2015
Star Trek: Deep Space Nine #11: Day of Honor: Honor Bound
by Diana G. Gallagher
illustrated by Gordon Purcell

It took me all of an afternoon (as long as it takes my wife to make tacos) to read the 11th DS9 young adult novel, Day of Honor: Honor Bound. Season 5 has slim pickings when it comes to book-length fiction: it's this, Vengeance by Dafydd ab Hugh, the main story of The Captain's Table: The Mist by Smith and Rusch, and the Rebels trilogy by ab Hugh. I remember none of these fondly, to say the least. Maybe I should have reread Marvel's Telepathy War crossover instead? But this is what I opted for.

It's an okay book: Alexander is having difficulty living on Earth with his grandparents, and Worf swings by to celebrate the Day of Honor with him because Alexander has been getting into trouble at school. This is the third time Worf's experienced some excitement on the Day of Honor, and the second time we've seen Alexander go through it, too.

As an adult, the existence of DS9 YA novels baffles me; despite the presence of two child characters in the main/recurring cast, it's probably the least child-friendly of all the Star Treks. It ended one book after this one, and I kind of wonder if tying into the Day of Honor crossover was a way of bolstering sales in a dying line by appealing to the collectors/completists. (It obviously worked on me; though I have many of the TNG and TOS YA novels, this is the only DS9 one I own.) It's even weirder that this one stars a character who had never appeared on DS9 when this book was written, though (I assume by total coincidence) he finally did appear the month this book came out. More on that later.

Alexander's difficulties come down to a fear of his own strength, and problems controlling his anger; Worf tells the story of the soccer player he killed (from Season 4's "Let He Who Is Without Sin"), which is a nice tie-in. Basically Alexander keeps on throwing fights with bullies, but this only encourages his bullies. Worf has to both help him manage his anger (through Klingon techniques he's avoided his entire life, like mok'bara) and defeat his bullies... honorably. This book won't win any medals for sophisticated prose (the opening line is, "Alexander Rozhenko was one-quarter human, three-quarters Klingon and totally furious!") or dialogue (at one point, one of Alexander's bullies says, "I'm so flabbergasted, I don't know what to say"), or indeed, characterization. We're told of Alexander's tendency to become savage, but we never really feel it.

Still, it's a decent way to spend an hour, and peeks into an aspect of Worf that DS9 neglected for Worf's first two years. There is a really nice conversation between Worf and Alexander about honor, and the hard choices Worf has had to make in its name over the years, including when not to fight.

My favorite bit was when Worf told a girl at Alexander's school that Alexander snarled at her because he was into her. Would have loved to have seen Michael Dorn play that one on screen! Also Alexander's school's librarian makes googly eyes at Worf, which is just delightful.

Continuity Notes:
  • As far as I could tell, Alexander's age is never given. He's seven chronologically, but looks more like 12-14 in Gordon Purcell's illustrations, as do his bullying classmates. This is fortuitously consistent with what "Sons and Daughters" will imply about Klingon aging.
  • It's set sometime early during Season 5, before hostilities with the Klingons come to an end, and before the uniform change in "The Rapture." I'd suggest after "Nor the Battle to the Strong," since one of the kids at Alexander's school had an uncle killed in the Klingon conflict, and that seemed to be the hottest the war got; most of the time it's more subdued.
  • Worf references a Master from Boreth, Lourn. To my surprise, he's a character from Diane Carey's novelization of "Way of the Warrior".
  • Zefram Cochrane wrote a book called The Potential of Warp Propulsion; Alexander's school library has a first edition. There's a typo in it hand-corrected and initialed, allegedly by Cochrane, but it's probably a fake. A pre-WWIII publication?
  • Kids of the 24th century watch "holoflicks"; the ones at Alexander's school are excited about a new Ferengi comedy.
  • Obviously Diana G. Gallagher couldn't have known, but it's a bit of an awkward fit with "Sons and Daughters," which I coincidentally watched just before writing this review. In that episode, Alexander says, "you haven't tried to see me or talk to me in five years"; this book takes place approximately a year prior. Of course, that line is bad on its own terms because, 1) "Sons and Daughters" is set less than three years after Generations, when Worf sent Alexander back to Earth, and 2) that's completely terrible and implausible! I can kind of accept that Worf rarely visits-- he's not a great dad-- but to never even talk to his son over subspace for five years, or even three!? Impossible, Worf's mother would kill him.
  • More difficult, though is Alexander's decision at the novel's end that he doesn't have to choose "to be a diplomat or a Klingon warrior or a Starfleet officer or something else entirely. Right now, he just wanted to be a kid." He seems to reach something of a peace here, both with the elements of his Klingon heritage and with his father. It's possible that his utilization of Klingon ritual and technique here sends him down the path that leads him to joining the Klingon Defense Force, but his anger at his father in "Sons and Daughters" would still come out of nowhere. On the other hand, Worf going through so much to help Alexander stay in human school here would make his anger at Alexander's joining the KDF very understandable!

Other Notes:
  • Supposedly this book takes place in Russia, in a settlement called Mirnee Doleena, near Bobruisk. You wouldn't know it by the names of the characters: Bernard Umbaya, Kim Ho, Jeremy Sullivan, Suzanne Milton, Howard Chupek, Ms. Marconi, Mr. Houseman, Mrs. Miyashi, Mr. Cunningham, Mr. Santiago. There is a Ms. Petrovna. I get that the future is multicultural, but really? (Also Worf goes to a briefing at Starfleet Headquarters at the same time Alexander is in school; it must be a very early morning briefing!)
  • Despite appearing on the cover, the Defiant is nowhere near this book. Worf seems to take a commercial flight to Earth.
Next Week: Sisko learns how much the past sucks in Far Beyond the Stars!

25 August 2015

Review: Star Trek: The Next Generation / Doctor Who: Assimilation² by Scott & David Tipton, J. K. Woodward, et al.

Comic hardcover, n.pag.
Published 2013 (contents: 2012)
Acquired January 2014
Read October 2014
Star Trek: The Next Generation / Doctor Who: Assimilation²

Written by Scott & David Tipton with Tony Lee
Art by J. K. Woodward
Additional Art by Gordon Purcell and The Sharp Bros.
Letters by Shawn Lee, Robbie Robbins, and Tom B. Long

This should be great. This is not great. This is eight issues of people talking about things, thinking about things. Imagine all of the awesome things that could happen in a crossover between Doctor Who and Star Trek. Well, none of them happen here. The variant covers are way more interesting than any of the actions in this weirdly aimless, meandering, suspence-less comics. Some plot threads are just abandoned, while others are tied up in the most trite and obvious ways possible. Characters' facial expression vary from inappropriate to nonexistent. I bought the deluxe hardcover of this book, anticipating it despite the negative reviews. I should have listened, and I should not have wasted my money.

In Two Weeks: The Doctor, Amy, and Rory begin a new era when they visit the Crystal Palace in The Hypothetical Gentleman!