Elsa Bloodstone: Bequest by Cath Lauria

 Elsa Bloodstone: Bequest
by Cath Lauria

This is a prose novel about Elsa Bloodstone, part of a line of YA tie-in books about female Marvel characters. I read it to cap off my runthrough of Marvel's Bloodstone content. It seems to take place in the regular Marvel comics universe, if somewhat genericized.

Published: 2021
Read: February 2024

I was a bit surprised, then, at how deeply this book dove into Bloodstone lore. Most post-Nextwave takes on Elsa and her father haven't really used the details of the characters established in their original stories. Sure, we're always told Ulysses Bloodstone is an immortal monster hunter with a bloodstone shard embedded in his chest, but none of the other elements of the very complicated backstory John Wagner gave him in the 1970s (see item #1 below) ever come up; the 2001 miniseries (#2 below) gave us Elsa herself, but every other aspect of her from that series has pretty much been ignored.

But Bequest has multiple callbacks to the 1970s series, revisiting some of its locations as well as a forgotten member of its supporting cast, the journalist Samantha Eden. It also very much considers the 2001 miniseries to be in continuity, bringing back Adam, the Frankenstein caretaker of Bloodstone Manor (which is back in Boston for this story) and the vampire lawyer, as well as a genie's lamp that Elsa used to travel the world in that story. (There is no mention here of the "Mordred's Causeway" Elsa used to get around in Monsters Unleashed!) But as you can see on the cover, this is clearly the post-Nextwave Elsa, a hardcore redheaded monster killer (who was trained by her father, as we saw in flashbacks in Nextwave and Marvel Zombies: Battleworld), not a naïve blond one (who didn't even know her father, as we saw in the 2001 miniseries). Lauria doesn't spend a lot of time reconciling these discrepancies, but she does have Elsa briefly think to herself that she's not sure if her memories of her father training her are real or not! I appreciated the book's inclusive approach to continuity (though I imagine there wasn't much alternative, as if you jettison the 1970s stuff and the 2001 miniseries, the character ceases to have much of a history), and I liked this vague attempt to make it all stick together. Lauria says, it all counts, don't worry about the details.

Okay, okay, that's great to know about the continuity, but what about the book!? Well, I would describe it as... aggressively okay. It seems to me that the book has two main problems. The first is that the plot is very repetitive and very simple. Elsa discovers someone is out there ransacking old haunts of Ulysses Bloodstone, trying to collect bloodstone fragments, and she teams up with her newly discovered half-sister to find out who is doing this. (This is a totally different newly discovered half-sister to the one subsequently introduced in The Death of Doctor Strange.) So Elsa and the sister go to a place, fight some monsters, go to another place, fight some more monsters, and so on. There's no sense of advancement, they never learn anything in one particular place, they never accomplish anything. They just keep doing the same thing until at the very last place they found out who did it. (It is a very underwhelming reveal.)

The other issue is that nothing really seems to be a stake personally for Elsa. The power of a prose novel over comics is that it ought to be able to let you dive into interiority more, giving more depth to a character. But I don't think Elsa has a lot of depth here, and honestly she has less depth than in stories like Marvel Zombies and Death of Doctor Strange. Sure, she has a sister... but this doesn't seem to meaningfully change her conception of herself or her father or anything, there's no development of the character arc just like there was no development of the plot arc. In a secondary issue, Elsa very much comes across as a Brit-written-by-an-American rather than an actual Brit. A few too many "blokes," especially in the early parts of the novel. I'm sure I could not do better, but why not hire a UK author to write the book if it's going to be a first-person narrative? The Elsa stories by Warren Ellis, Simon Spurrier, and Tini Howard have been among the most successful ones for this obvious reason.

Outside of all that, it is a quick, easy, action-packed read; it's hard for me to imagine any reader wouldn't blaze through it as quickly as I did. Plus it does have some good jokes. So, worth you time because it won't take a lot of your time!

* * *

And that brings me to the end of my Elsa Bloodstone project! (At seven installments across four months, that was definitely a lot faster than my JSA one.) What did I think overall? Well, I think she is a fun character who has a weird continuity—but having a weird continuity is the kind of thing that makes a character intriguing to me! I feel that's she's been robbed. I know she recently turned up in (an animated Disney Plus film that's part of) the MCU, but it's surprising to me that she's mostly had guest appearances in her time since 2001; her only starring roles have been in Legion of Monsters and Marvel Zombies. Where's her ongoing? Or, at least, a miniseries solidly focused on her? C'mon, Marvel, give her a real chance at a real run!

My next project will be a big one again... Blackhawk!

This is the last post in a series about Elsa Bloodstone. Previous installments are listed below:

1. Bloodstone & the Legion of Monsters (1975-2012)
2. Bloodstone (2001-06) 
3. Nextwave, Agents of H.A.T.E. (2006-07)
4. Marvel Zombies: Battleworld (2006-15)
5. Monsters Unleashed! (2017-18)
6. Marvel Action: Chillers / The Death of Doctor Strange: Bloodstone (2020-22)
   

Bloodstone by Dan Abnett & Andy Lanning, Michael Lopez, Scott Hanna, et al.

from Bloodstone #1

In 2001, twenty-five years after Ulysses Bloodstone was killed off, Marvel brought him back... sort of. Bloodstone was a four-issue miniseries focused on the daughter who never knew her father. Eighteen-year-old Elsa and her mother move to Massachusetts, having inherited a mansion from Elsa's father; down on their luck, they have no other financial resources. Elsa's mother doesn't want her to know her heritage... but of course she soon stumbles on it and ends up taking her father's monster-fighting mantle.

As I said in my previous post (see item #1 in the list below), Bloodstone ends up retooled a bit here. Elsa inherits a piece of his bloodstone gem in the form of a choker, but other than that, there's no substantive connections to his original 1970s appearances, no mentions of the conspiracy he battled or the gem's importance to his quest to defeat monsters. Instead, he's a more generic monster hunter, battling the kind of creatures that might appear in a Universal monsters film, like Dracula or armies of mummies. He has a Frankensteinesque manservant and a vampire legal executor, and the ability to teleport around the world to deal with monsters.

from Bloodstone #4

So this all is what Elsa inherits, accidentally teleporting into danger and figuring a way out of it with the help of the manservant (Adam) and a nerdy teenage boy who has a thing for her. The result is pretty fun, actually. This is nothing deep, but if you don't want to read about a sarcastic teenage girl mocking an undead warlord trying to raise an army of mummies in Egypt... why are you even here? This is pure comics.

The art is occasionally a bit skeevy, and sometimes a little confusing, but it's exactly the kind of art the story calls for, I think. Notoriously, this story was recently revealed to be rewritten by Gail Simone in one of her earliest comic assignments; my understanding is that she punched up the dialogue (to make it more Buffyesque) after the comic was written. I think you can see the signs of this if you know; Joss Whedon talks about how he was once hired to punch up the dialogue on an already recorded film. This meant everything he added had to be done via ADR, and thus the characters became wittier when they were offscreen and he didn't have to match mouth movements. Similarly, here there's a lot of jokes that come from off-panel and aren't totally reflected by the visuals, tonally. Still, if you hadn't told me, I don't think I'd've noticed, it all works together fairly well.

from Bloodstone #2

Bloodstone has never been collected, though Marvel has twice solicited printings of Bloodstone & the Legion of Monsters claiming it will be included. When I first conceived of this project reading through Marvel's Bloodstone stuff, the four issues could be found fairly cheaply on the secondary market, but since then 1) the Gail Simone reveal came out, and 2) Elsa Bloodstone appeared in a MCU animated film on Disney Plus, so now people are more interested in the character, and the issues range from $30 to $150 apiece on MyComicShop.com. Thus, I had to settle for getting them on comiXology.

This iteration of Elsa Bloodstone made just one further appearance of sorts, in a handbook-style one-shot called Marvel Monsters. The book presents profiles of various Marvel monsters, from Bombu of Oobagon VIII and Devil Dinosaur to the Molten Man-Thing and Rorgg, in an in-universe style. It's made up of blog posts by Elsa and e-mails to and from her as she tries to assemble information on all sort of monsters from across Marvel continuity. Again, you can get it on comiXology. I found it hard to read every word—I just don't care about Marvel monsters that much—but I did find it occasionally interesting, and Elsa's voice gave it a lot of charm. There are a lot of goofy monsters in the Marvel universe!

Bloodstone was originally published in four issues (Dec. 2001–Mar. 2002). The story was written by Dan Abnett & Andy Lanning [with dialogue by Gail Simone], penciled by Michael Lopez (#1-4) and Tom Derenick (#4), inked by Scott Hanna, lettered by Jon Babcock, and edited by Mike Marts.

Marvel Monsters: From the Files of Ulysses Bloodstone and the Monster Hunters was originally published in one issue (Jan. 2006). The issue was written by coordinator Michael Hoskin, with Madison Carter, Jeff Christiansen, Sean McQuaid, Stuart Vandal, Eric Moreels, Ronald Byrd, and Barry Reese, and edited by Jeff Youngquist.

This is the second post in a series about Elsa Bloodstone. The next installment covers Nextwave, Agents of H.A.T.E. Previous installments are listed below:

1. Bloodstone & the Legion of Monsters (1975-2012)
   

Bloodstone & the Legion of Monsters by Dennis Hopeless, John Warner, Stever Gerber, Juan Doe, Mike Vosburg, Sal Buscema, Val Mayerik, Alan Kupperberg, et al.

Bloodstone & the Legion of Monsters

Collection published: 2022
Contents originally published: 1975-2012
Acquired and read: November 2023

Writers: Dennis Hopeless, John Warner & Stever Gerber with Christopher Yost, Rick Spears & Faith Erin Hicks

Pencilers: Juan Doe, Mike Vosburg, Sonny Trinidad, John Buscema, Bob Brown, Sal Buscema, Val Mayerik & Alan Kupperberg with Joh James, James Callahan & Faith Erin Hicks [and Pat Boyette*]

Inkers: Juan Doe, Bob McLeod, Sonny Trinidad, Rudy Nebres & Bob Wiacek with Victor Olazaba, James Callahan, Faith Erin Hicks, Rod Santiago & Rudy Mesina

Colorists: Wil Quintana, Diane Buscema & George Roussos with Ulises Arreola, Nathan Fairbairn & Cris Peter

Letterers: Dave Lanphear, Dave Sharpe, Tom Orzechowski, Sonny Trinidad & Jim Novak with Faith Erin Hicks & co. [and Pat Boyette]

Having at last finished my journey through Justice Society comics, I can finally read something else! I am next turning my attention to Elsa Bloodstone, a character with an interesting, complicated legacy—which is, of course, one of my favorite things about superhero comics.

Bloodstone & the Legion of Monsters collects all of the original 1970s appearances of her father, Ulysses Bloodstone, plus a few one-shots featuring her, and a four-part miniseries, Legion of Monsters. It does not collect, despite what the solicitation indicated, the 2001-02 miniseries that introduced Elsa and indeed, remains inexplicably uncollected. But more on that in a future post. The stories are put in a somewhat weird order here (though I can see the logic), but I will go through them in publication order.

I don't know why "dopey but loyal actor" and "camp film director" are key recurring characters in this series, but I am here for it.
from Marvel Presents #1 (script by John Warner, art by Pat Boyette)

The earliest issues are nine featuring Ulysses Bloodstone. Ulysses made his debut in Marvel Presents #1, appeared again in the second issue of that title, and then transferred over to the black-and-white series Rampaging Hulk, appearing in seven of its first eight issues. Ulysses is an immortal; ten thousand years ago, he was present when the magical bloodstone was shattered, and a bit of it was embedded in his chest, granting him immortal life. He's spent his time tracking down other fragments, stopping those who misuse them—especially rampaging kaijuesque giant monsters. There's a core of a good idea here, but I didn't find it to be terribly well executed. The first two issues, in particular, are very choppy; writer John Warner clearly thought he was setting up a long epic when he wrote Marvel Presents #1, and then issue #2 has to hastily wrap up and explain everything, and completely ignores some key aspects of issue #1 in the process!

To be honest, I don't really know why this is happening but it looks good, so I am here for it.
from Rampaging Hulk vol. 1 #2 (script by John Warner, art by Bob Brown & Rudy Nebres)

His six issues of Rampaging Hulk are fine; mostly the high point is the beautiful black-and-white artwork. I did like Bloodstone's supporting cast, a lackadaisical actor turned assistant monster hunter and a crusading journalist, but the actual stories focused too much on the tedious machinations of a globe-spanning conspiracy, and never seemed to really go anywhere. Bloodstone was always on the backfoot, bizarre twists were being piled on top of bizarre twists, new complications being introduced at random. And again, it all gets abruptly cut short, this time in a one-issue conclusion by writer Stever Gerber that somewhat tastelessly discards the characters you've spent six issues getting to know. So what was the point?

That was (spoiler) the end of Ulysses Bloodstone, and as far as I know, he's stayed dead. I did pause reading the collection at this point to read the 2001-02 miniseries, but I'll cover that in another post. The short version, though, is that Ulysses's somewhat overcomplicated backstory was played down; no more mention of the bloodstone fragments or the conspiracy, he just became a flamboyant hunter of monsters of all sorts and his mantle passed on to his daughter, Elsa. The omission of this miniseries from this collection is, frankly, obnoxious and inexplicable. Elsa was then reinvented with a somewhat different backstory in the miniseries Nextwave: Agents of H.A.T.E., which I haven't read yet but will next. I can see why this isn't here (it's twelve issues long and not all about Elsa) but the retooling of a retooling is jarring.

Now, this is my preferred way of doing a retcon.
from Astonishing Tales: Boom-Boom and Elsa #1 (script by Rick Spears, art by James Callahan)

It's this retooled Elsa who is the focal character of three short comics from 2009-10, reprinted from Marvel Assistant-Sized Spectacular #2, Astonishing Tales: Boom-Boom and Elsa #1, and Girl Comics #2. The first is kind of meh, but the other two are fun stories about her overdramatic, overviolent life and her friendship with Tabitha "Boom-Boom" Sparks. You can never go wrong with some Faith Erin Hicks.

Using one's powers for... sandwich making.
from Girl Comics vol. 2 #2 (script & art by Faith Erin Hicks)

Lastly, there's Legion of Monsters (2011-12), a miniseries where Elsa has to work with some monsters, helping defend an enclave of ostensibly peaceful monsters from an attack via plague. The art is nice to look at, dark and moody, and I certainly appreciate any superhero comic that attempts to do something different, but I found both art and writing difficult to follow and ultimately got a bit lost in the contortions of it all; I think the story assumes a deeper familiarity with Marvel's bench of monster characters than I actually possess.

Not the naïf she seems.
from Legion of Monsters vol. 2 #1 (script by Dennis Hopeless, art by Juan Doe)

So overall, it's not the best Bloodstone collection that could have been published. If I hadn't read the 2001-02 miniseries in the middle, I don't think it would have been coherent at all; as it is, it seems to be about two characters related in nothing other than their name and the vague concept of monster hunting.

This is the first post in a series about Elsa Bloodstone. The next installment covers the 2001-02 Bloodstone miniseries.

* Pat Boyette illustrated the second half of Marvel Presents #1, as indicated in that issue's credits, but is omitted from the collection's credit page.