Showing posts with label creator: david messina. Show all posts
Showing posts with label creator: david messina. Show all posts

14 September 2026

Star Trek: The Official Motion Picture Adaptation by Mike Johnson & Tim Jones, David Messina, et al.

Star Trek: The Official Motion Picture Adaptation

Collection published: 2010
Acquired: June 2021
Read: October 2025

I spent some time late last year into early this year reading my way through the various "Kelvin timeline" comics and novels. Some of them I reviewed on the TrekBBS, though I fell behind. But what I never got around to doing was posting those reviews here. So, finally, time to do it!

Star Trek: The Official Motion Picture Adaptation #1-6 (Feb.-Aug. 2010)
screenplay by Roberto Orci & Alex Kurtzman, adaptation by Mike Johnson & Tim Jones, pencils by David Messina with Claudia Balboni, inks by Gaetano Carlucci, colors by Giaovanna Niro and Ilaria Traversi, letters by Robbie Robbins and Neil Uyetake

I was kind of worried about this book going in; in my experience, most comics adaptations of films are not up to much, often reading as a condensed version of a story optimized for a different medium.

To my surprise, then, scripters Mike Johnson & Tim Jones and artist David Messina deliver a pretty strong retelling of the 2009 film. I mean, it won't knock your world alight, but it does a good job of hitting the beats of the story via the medium of comics. Probably this is at least partially because it's been given a whole six issues, so (mostly) it's not too compressed. But also Johnson/Jones/Messina have good pacing instincts, sometimes piling a lot of panels into a single page, sometimes using double-page spreads in order to capture a key moment. Clearly also some thought was put into putting issue endpoints at key moments, so that each issue works as a unit.

from Star Trek: The Official Motion Picture Adaptation #5
(art by David Messina & Claudia Balboni and Gaetano Carlucci)

The result is an adaptation that reads fairly genuinely as a comic. It's probably at its best when covering the earlier parts of the story; it's not until the end of issue #3 that Nero's attack begins, so the early parts of the book have a lot of space to unfold key moments like the destruction of the Kelvin or the reveal of the Enterprise in space. On the other hand, moments like Kirk's and Spock's fight on the bridge are given numerous panels on a single page, really giving them an impact.

Indeed, issue #4 is probably the one compression hurt the most; the drill battle is just not interesting in this format, with key moments like Sulu's unfolding sword going by too quick to leave an impression, and I found the death of Amanda way too rushed to give it the import it needed, and then the issue's final panel, weirdly, does not clearly communicate the destruction of Vulcan. The unnecessary Galaxy Questeseque second climax of the film, where the Enterprise is almost pulled into a black hole, comes across as even more unnecessary here.

from Star Trek: The Official Motion Picture Adaptation #4
(art by David Messina & Claudia Balboni and Gaetano Carlucci)
The book's solicits trumpeted the inclusion of cut material, but this mostly seems to just be a couple lines of dialogue here and there. David Messina is a longstanding Star Trek artist for IDW, and he mostly does a good job here, though I struggled a bit with his likeness for Bruce Greenwood's Pike. Overall I think this does exactly what it needed to, and did it well. Probably the best comics adaptation of a Star Trek film other than the two by Peter David.

This is the first in a series of posts about the Kelvin timeline Star Trek comics (and novels). The next installment covers More Beautiful than Death.

31 January 2017

Review: Infestation v.1 by Dan Abnett, Andy Lanning, Mike Raicht, David Messina, Nick Roche, Giovanni Timpano, et al.

Comic trade paperback, 124 pages
Published 2011 (contents: 2011)
Acquired February 2013
Read October 2016
Infestation v.1

Written by Dan Abnett, Andy Lanning, and Mike Raicht
Art by David Messina, Nick Roche, and Giovanni Timpano
Prologue Art by Elena Casagrande with Claudia Balboni
Inks by Gaetano Carlucci
Colors by Joana Lafuente, J. Brown, and Scarlet Gothica
Letters by Robbie Robbins and Chris Mowry


I bought Infestation because it includes a Star Trek comic, but I read it now because it crosses over with IDW's Transformers tales. Infestation is more of a cross-through than cross over: a zombie outbreak begins in the Covert Vamiric Operations universe (a franchise original to IDW), and then escapes through a dimensional portal to four different realms, those of Transformers, G.I. Joe, Star Trek, and Ghostbusters, meaning each of those series has a short story about zombies. The first volume collects the kick-off issue and the Transformers and G.I. Joe tales. The frame story is boring (lots of characters you don't care about doing cliche zombie-fighting things), the Transformers story is a confusing mess (tons of robots and lots of gobbledygook, plus it draws on past continuity regarding Kup I don't know anything about), and it turns out that I just don't give a crap about a bunch of G.I. Joe villains (plus this one doesn't even feature Infestation's ostensible main villain). This should have been fun, but it wasn't at all.

I found the mass of robots confusing to sift through, a disappointing turnout from the usually dependable Nick Roche. But maybe it's the coloring? The later IDW stories in particular use shading to make robots stand out from one another and the background much better.
from The Transformers: Infestation #2 (script by Dan Abnett & Andy Lanning, art by Nick Roche)

Next Week: The end to Infestation!

20 October 2015

Review: Doctor Who: Prisoners of Time, Volume 3 by Scott & David Tipton et al.

Comic PDF eBook, 92 pages
Published 2013 (contents: 2013)
Acquired May 2014
Read December 2014
Doctor Who: Prisoners of Time, Volume 3

Written by Scott & David Tipton
Art by David Messina with Giorgia Sposito, Elena Casagrande, Matthew Dow Smith, and Kelly Yates
Colors by Arianna Florean with Azzura M. Florean and Charlie Kirchoff
Letters by Tom B. Long

I found the ninth Doctor story here completely forgettable, but the tenth Doctor one is decently fun: Quarks and Dominators!

The eleventh Doctor one is where it all goes to shit. That's where the Doctor takes on Adam directly-- Adam the short-lived ninth Doctor companion who's been kidnapping the Doctor's companions systematically at the end of each of these chapters. Adam as a villain just being a hilariously fannish idea in the worst way. It just all gets terribly convoluted and uninteresting, and there are too many characters, and too much space-filling. And the last two pages are just genuinely awful in a way that's completely bizarre; like, how could anyone think this was a reasonable emotional resolution? Prisoners of Time had its high points, but this volume does not include many of them.

Next Week: On to my next reading project... a couple weeks of catching up with the Legion of Super-Heroes!

16 July 2011

Archival Review: Star Trek: Nero by Roberto Orci & Alex Kurtzman, Mike Johnson & Tim Jones, and David Messina

Comic trade paperback, 90 pages
Published 2010 (contents: 2009)

Acquired December 2010
Read June 2011
Star Trek: Nero

Story: Roberto Orci & Alex Kurtzman
Writers: Mike Johnson & Tim Jones
Art: David Messina
Colorist: Giovanni Niro
Letterer: Neil Uyetake

This story fills in the gap between Nero's arrival in the 23rd century and his attack on Vulcan twenty-five years later. What was he doing all that time? Well, he was in Klingon prison a lot, which makes sense, since the film establishes he busted up some Klingon ships and a prison planet before getting to Vulcan. This comic, however, establishes that he actually escaped from the planet some time before the film, then tootled around a bit, then came back and blew up the Klingons. Which isn't exactly elegant, but I suppose writers who think having Nero 1) develop telepathic powers and 2) merge with V'Ger are good ideas are also writers who couldn't get an interesting story out of a guy being in prison for twenty-five years. Plus, decompressed storytelling abounds, with 3-4 panels on most pages, so even less happens than this book's meager 90 pages imply.

Archival Review: Star Trek: Spock: Reflections by Scott & David Tipton, David Messina, et al.

Comic trade paperback, 98 pages
Published 2010 (contents: 2009)

Acquired December 2010
Read June 2011
Star Trek: Spock: Reflections

Written by Scott & David Tipton
Layouts by David Messina
Inks by Elena Casagrande, Federica Manfredi, and Arianna Florean
Finishes by Federica Manfredi
Colors by Iliana Traversi
Color assists by Chiara Cinabro
Lettering by Chris Mowry, Robbie Robbins, and Neil Uyetake

This is a new film tie-in in the loosest of senses, taking place as it does shortly after Generations. (There is a starbase that looks like the starbase from the film, I suppose. And Spock kinda looks like Zachary Quinto in one picture.) Mostly it is Spock reflecting on his own history, recalling things like his meeting with Captain Harriman on the Enterprise-B, arguments with Sarek, being awkward with Doctor Chapel, and so on. The stated aim of the book is to explain why Spock goes to Romulus, which is briefly alluded to in the film, but it doesn't really do that. A collection of disposable vignettes.