The Uncollected Internet Doctor Who Short Trips, 2004–21

A few years ago, I wrote a blog post about all the short Doctor Who stories with Christmas themes that had never received some kind of hard-copy publication. In the process of researching it, I had to also figure out all the Internet-published short Doctor Who stories that were not Christmas-themed. Just as I read all the Christmas-themed ones as a sort of "book" in 2022, for Christmas 2025, I read all the other ones. Once again, here is a handy guide to all of them, along with my thoughts. (Note there were a bunch of short stories published on the official site during lockdown in 2020, but those were all subsequently collected.)

Adventure Calendar

As covered in my previous post, the official Doctor Who web site used to run an annual "adventure calendar" that often included short stories. Some were Christmas-themed, but some were not. Here are the ones that were not:

• "Number 1, Gallows Gate Road" by Rupert Laight (4 & 11 Dec. 2008). The tenth Doctor lands at a boarding house in 1940 where everyone—including himself—is curiously lacking in ambition. Published in two parts, I found the first pretty strong and atmospheric. Like a lot of Doctor Who stories, the second part, where you have to give explanations and solutions, is less engaging, but still I enjoyed it.
• "Houdini and the Space Cuckoos" Part One, Part Two, Part Three, and Part Four by Joseph Lidster (15-16, 19, & 25 Dec. 2012). In this story, the eleventh Doctor must team up with Harry Houdini to stop some aliens. I usually get on with Joseph Lidster's work very well, but this is more action-focused and less character-focused than plays to his strengths, I think. I did think he did a good job of capturing the voice of the eleventh Doctor.
• "Doctor Who and the Horror of Coal Hill" by Gavin Collinson (21 Dec. 2017). This is a bit longer than some of the other ones, and I found it surprisingly engaging. The main story is about the first Doctor visiting Coal Hill School during the time Susan is a student there, and helping a teacher fight off an alien menace; the story periodically jumps ahead and shows later Doctors coming back to the school later on to remember the events of the story. It's a neat story that parallels the Doctor's status as an outside with the perils of immigration. I thought Collinson's Christmas stories were a bit slight, but this one is strong.

Other Stories from the Official Site

• "The Feast of the Stone" by Cavan Scott & Mark Wright (3 Apr. 2004). This is the only story in this post to predate the 2005 revival, back when the official Doctor Who site was a subsection of "BBC Cult." (It is amazing to me that twenty years on, it's still there, though!) This is the only other story to ever feature the Doctor and his companions from the webcast Scream of the Shalka; it was part of a BBC Cult vampire-themed initiative. It's decent enough, but I very much enjoyed the glimpses of this unique Doctor with his unique companions, particularly the robotic shell of the Master. Scott & Wright to a good job capturing the voices of both Richard E. Grant's Doctor and Derek Jacobi's pseudo-Master.
• "'42' Prologue" by Joseph Lidster (12 May 2007). You may remember the 2007 episode "42," about the tenth Doctor and Martha, told in real time aboard a dying spaceship. This story chronicles the four minutes before they showed up, from the perspective of one of the characters on the ship. It doesn't particularly work on its own (it would be interesting to read it and then immediately start the episode, I think), but it's Joseph Lidster, so it has a strong sense of voice and character.
• "The Lonely Computer" by Rupert Laight (24 May 2008). The David Tennant years were really the peak of content on the official site; this story is based on a passing reference to the Doctor having met a lonely computer in Belgium in "The Unicorn and the Wasp." It's a little underdeveloped but Laight does well by both the tenth Doctor and Donna.
• "Blue Moon" by Oli Smith (July 2009). For the fortieth anniversary of the Apollo missions, the BBC site released this story about the Doctor discovering secret alien intervention in the moon landing—a premise the show would use itself just a couple years later. I thought this one was just okay, not much to say about it.
• "The War of Art" by Paul Cornell (Aug. 2010). I forget what the occasion for this one was, but I feel like it did have one, like it was a tie-in to a game or something. Paul Cornell is one of my favorite writers (not just Doctor Who writers, but writers full top) and he can do good, beautiful character work—but as this story shows, he can also be quite funny. Aliens invade a futuristic gallery, and Cornell uses this as the opportunity for a number of art jokes; I laughed out loud repeatedly.
• "The Night after Hallowe'en" by Mark B. Oliver (29 Oct.–5 Nov. 2010). This is the first of several stories by Mark B. Oliver about a family of kids the eleventh Doctor keeps meeting; they also appeared in a couple Christmas stories. I find the kids pretty generic, as is the plot here. I don't feel like they warranted repeat appearances.
• "What the TARDIS Thought of 'Time Lord Victorious'" by James Goss (15 Nov. 2020). This is one of two online prose tie-ins to the "Time Lord Victorious" event; it is told from the perspective of the TARDIS, picking up from the end of "The Waters of Mars," establishing how the tenth Doctor gets from there to the events of the crossover. It's fine. Goss always writes with a strong sense of voice, but the basic premise of the crossover was a bit silly.

Stories from Other Sources

• "My Dad, The Doctor" by Jamie Mathieson (First News, 29 Oct. 2015). Mathieson, writer of several Peter Capaldi tv stories, writes this prose story about him, one where the Doctor uses his sonic sunglasses to take over the mind of a kid's dad in the middle of a crisis. Well written but I found the final twist didn't make a ton of sense. It was written for a kids newspaper, but Mathieson republished it on his own blog.
• "The Dawn of the Kotturuh" by James Goss (official newsletter, 25 Sept. 2020). This is another tie-in to Time Lord Victorious, one explaining how the alien Kotturuh brought death to the universe during the Dark Times. It was originally published in the official Doctor Who e-mail newsletter. Frankly, even by the standards of Doctor Who, I don't think the idea of a universe with living things without death makes any sense, and this story didn't make it work any better.
• "The Voice of Many Angels" by Gavin Collinson (Maze Theory’s Into the Unknown web site, 18 Mar. 2021). My understanding is that the videogame Doctor Who: The Lonely Assassins had a tie-in website called Into the Unknown, purporting to be a conspiracy theorist blog focused on the Weeping Angels. This was the final post on the site, a short story from the perspective of the guy who ran the site. The site and the story are gone now, but author Gavin Collinson was kind enough to share a copy of it with me via e-mail. I really enjoyed it; creepy and suggestive, and it expanded on Weeping Angels lore in interesting ways that I liked. Amazing to think there are new angles on them, but I loved the idea of a support group!

Since the time span covered in this post, there have been a least a couple more, tie-ins to another crossover event ("Doom's Day") but I haven't read those yet. These thirteen stories run over 250 pages if formatted like an official BBC Books anthology, so it makes for a nice set of readings. I wonder if any official publisher will ever be motivated to collect any of this work?

Monstrous Beauty (From Stockbridge to Beyond Segonus: A Doctor Who Magazine Comics Marathon, Part 55)

Monstrous Beauty: Collected comic strips from the pages of Doctor Who Magazine
by Dan Abnett, Colin Andrew, Martin Geraghty, Scott Gray, Russ Leach, Paul Peart, Jacqueline Rayner, Gareth Roberts, John Ross, and Brian Williamson

Collection published: 2024
Contents originally published: 1991-2022
Acquired and read: November 2024

Like the final Peter Capaldi volume, the final Jodie Whittaker one is a weird catch-all one that has the "Collected Multi-Doctor Comic Strips" branding, with its Doctor's last two stories combined with a miscellany of material from previous Doctors: the first, third, fourth, seventh, and ninth, plus Dr. Who. As I usually do, I read the book's stories in original publication order, not internal order.

This book is a landmark volume, though! In plugging in the two gaps of uncollected strips (one during The White Dragon, the other between The White Dragon and Liberation of the Daleks), it means that every Doctor Who Magazine strip from issue #1 to issue #597, from 1979 to 2023, has been collected! In a mere thirty-four volumes! What an achievement—but more on that in a future post.

The Man in the Ion Mask, from Doctor Who Magazine Winter Special 1991
script by Dan Abnett, art by Brian Williamson, letters by Helen Stone

This is a slight-but-charming story of the Doctor visiting the Master in prison after the events of The Dæmons; the Master claims to have reformed, but the Doctor of course is wary, and rightly so. There's not much action (in a good way), and artist Brian Williamson is quite good at handling the dialogue and characterization the story requires.

Are You Listening? / Younger & Wiser, from Doctor Who Magazine Summer Special 1994
written by Warwick Gray, art by Colin Andrew, lettered by Amer Anwar

A linked first Doctor story and seventh Doctor story; the first visits a mysterious city with Vicki and Steven and runs off, while the seventh returns with Benny, finally understanding what's going on. They have their moments, but there's not a lot of conflict in Younger & Wiser, which is basically the Doctor and Benny just chatting.

from Doctor Who Magazine Winter Special 1994

Plastic Millennium / The Seventh Segment, from Doctor Who Magazine Winter Special 1994 & Summer Special 1995
stories by Gareth Roberts, art by Martin Geraghty and Paul Peart, letters by Elitta Fell

The first of these is fun, a stylish Martin Geraghty–drawn story about the seventh Doctor and Mel (in her DWM debut, I think) taking down some Autons. It's not very complicated, but the art really sells it. The second is also carried by the art—or rather, the art is the best part, because I found this noir pastiche featuring the fourth Doctor and the first Romana utterly impenetrable.

from Doctor Who Magazine #557

Monstrous Beauty, from Doctor Who Magazine #556-58 (Nov.-Winter 2020)
story by Scott Gray, artwork by John Ross, colouring by James Offredi, lettering by Roger Langridge

This Time Lord Victorious tie-in brings back the ninth Doctor and Rose, and plunges them into the "Dark Times" of the ancient Time Lords' war against the vampires (see State of Decay). Scott Gray is usually good value, and John Ross a strong artist, for sure, but something about this didn't sing. I think the stakes are ultimately too abstract. There's not a lot of sympathetic characters here, so ultimately it's kind of hard to care about any of this. Looks great, though (Ross does very well by Christopher Eccleston; actually, so does Gray), and I appreciated the very obscure (but footnoted!) callback to Tooth and Claw from the End Game collection. The DWM universe gets its tentacles everywhere!

Dr. Who & the Mechonoids, from Doctor Who Magazine #578 (July 2022)
story by Jacqueline Rayner, art by Russ Leach, colour by Mike Summers, lettering by Roger Langridge

Maybe this would have been funny if I had more than a dim memory of one Cushing film, or if I got the reference to the actor "cast" as the one-off male companion here. But I didn't and it wasn't.

from Doctor Who Magazine #579

Fear of the Future / The Everlasting Summer, from Doctor Who Magazine #579-83 (Summer-Nov. 2022)
story by Jacqueline Rayner, art by Russ Leach, colour by Mike Summers, lettering by Roger Langridge

Unfortunately, I don't think Jac Rayner (or, perhaps, her editors) ever got to grips with the format of the six-page DWM strip, especially with the reduced panel count. The first story here is too slight even at six pages: Dan sees vaguely bad things, the Doctor realizes why, the end. The second story, on the other hand, like Rayner's last attempt at a thirteenth Doctor epic (Hydra's Gate), attempts to squeeze in too much and thus is basically impossible to follow. Which is a shame, because all the thematic ideas she gives in the backmatter sound great... but what's on the page is a confusing jumble of ideas, too many of them. Russ Leach will never go down as one of the DWM greats, with a strong tendency toward confusing panel transitions and weak storytelling skills. I get that COVID was at fault in very real ways, but #570-83 is surely the weakest run of the strip in the history of the mag since... well, I was going to say the early McCoy strips, but skimming back over my reviews, those were at least inconsistently enjoyable, whereas these are consistently unenjoyable. Maybe since the mid–Colin Baker run (#100-19)? But even those had John Ridgway!

Stray Observations:

• Alas, the original idea Scott Gray recounts in the notes for Are You Listening? and Younger & Wiser, that they'd be told in different orders from the perspective of the Doctor and the alien city Xenith, is better than what we got. Similarly, it's hard to read the notes on Monstrous Beauty and not wish that Scott Gray had got to write the eighth Doctor and Destrii story he'd originally pitched.
• Reading Plastic Millennium only a day or two after Business as Usual, I couldn't help but thinking the Auton and plastic factory here ought to have been the same one as in that story.
  
• I've charted the DWM strip's influence on Russell T Davies in the past; the line from Plastic Millennium to "Rose" seems pretty obvious!

This post is the fifty-fifth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers statistics about the history of the strip. Previous installments are listed below:

Doctor Who: Time Lord Victorious: Defender of the Daleks by Jody Houser, Roberta Ingranata, et al.

 Doctor Who: Time Lord Victorious: Defender of the Daleks

Collection published: 2020
Contents published: 2020
Read: February 2022

Story: James Goss

Writer: Jody Houser

Artist: Roberta Ingranata

Colorist: Erica Eren Angiolini

Flatters: Sari Chankhamma, Sabrina Del Gross

Letterer: Richard Starkings

Last year, I worked through all of Big Finish's Time Lord Victorious contributions, along with one novel; with this, I add one more piece to the puzzle, though I am coming to it as a Titan Doctor Who story, not a Time Lord Victorious one. This supposedly picks up from the end of the tenth/thirteenth Doctor story Alternating Current, the recap here telling us that at the end of that story, the tenth Doctor was sucked into a time vortex... only in Alternating Current no such thing actually happened. Oops! There's also a small thirteenth Doctor appearance here that takes place between pages of Alternating Current.

The stories of TLV are sometimes pretty loosely linked; while for the tenth Doctor this takes place some time prior to his TLV appearances and isn't really connected to them, it's a stronger connection for the Daleks. For them, this directly leads into the Big Finish audio drama The Enemy of My Enemy.

What actually happens is, as is so often true of Houser/Ingranata Who comics, not very much. The tenth Doctor is asked for help by the Daleks; he seems to be in a timeline where the Time War never happened. He helps them defeat a pretty bland threat from the "Dark Times." There's some okay back-and-forth between the Doctor and the Dalek Prime Strategist of the Dalek Time Squad (not to be confused with Big Finish's Dalek Time Strategist!), but this is two double-sized issues (clearly, though, originally scripted as four regular-sized one) where it just doesn't feel like that much actually happens. The elements of the story are good, but there was a more interesting tale to be told about the tenth Doctor having to help the species he thought had destroyed his people, and who (he thought) he had destroyed himself! Not as bad as Alternating Current, I guess, but not really up to much.

I read an issue of Titan's Doctor Who comic every day (except when I have hard-copy comics to read). Next up in sequence: Missy: The Master Plan

Doctor Who at Christmas: The Wintertime Paradox

Originally published: 2020
Acquired: December 2021
Read: January 2022

Doctor Who: The Wintertime Paradox
by Dave Rudden

 

As I did last year with Rudden's Twelve Angels Weeping, I started reading this book on Christmas, and read a story every day until I finished. It was a fun way to do it. Rudden has a strong, unique voice as a Doctor Who short fiction writer, and does a good job of capturing the series's tone while not feeling beholden to how things would be on screen; he also does a good job of tying each story into Christmas without making it feel repetitive.

Highlights for me included "Father of the Daleks," chronicling a series of Christmastime meetings between the eleventh Doctor... and Davros!? Good Christmas fun, but also a dark peek into the psyches of the Daleks and their creator. "For the Girl Who Has Everything" was a story of Osgood's first week at UNIT, before Kate Stewart was in charge and before Osgood was chief scientific advisor; she has to rely on her wits to defeat a Sontaran plot. Rudden perfectly captures Osgood's personality and voice. "Visiting Hours" does a great job of filling in the Rory/River father/daughter relationship that Steven Moffat kind of neglected; Rory comes to visit River at Christmas in Stormcage, only for them to have to fight their way through the facility unexpectedly. Genuinely touching stuff about parenting and family. "A Perfect Christmas" was a charming story about Madame Vastra trying to give her ersatz family a perfect holiday at all costs, and "A Day to Yourselves" was a great story about an immediate post–Time War ninth Doctor trying to find consolation by saving planets, only no one will let him do it.

The book only really had two misfires for me, "He's Behind You," which felt like it didn't lean into its panto premise enough, and "We Will Feed You to the Trees," which while well told, didn't seem entirely convincing in the way it explained everything. But really, Rudden has an excellent grasp of tone, theme, and character, and I must seek out his original fiction, but I also hope he keeps writing Doctor Who because he has a markedly interesting voice that goes beyond your average Justin Richardsesque fellow.

It was Christmas 2011 where I first made a point of reading a Doctor Who Christmas-themed book at Christmas; now ten years later, and I have finally exhausted them all! Doctor Who and Christmas go so well together, so I am disappointed to have to put this tradition to an end. Maybe next Christmas I will do some kind of roundup or ranking.

I read a Doctor Who Christmas book every year. Next up in sequence: nothing!!!???

My Time Lord Victorious Order

2020-21 saw the release of Time Lord Victorious, a giant Doctor Who event encompassing audio dramas, novels, toys, comic books, escape rooms, and more. It involves the eighth, ninth, and tenth Doctors in substantial ways, with cameos from other Doctors, as well as stories with no Doctor at all. The BBC released an official "story order," and Blogtor Who did a pretty neat set of interlocking paths, allowing you to see the event from the perspective of Eight, Nine, Ten, the Kotturuh, the Daleks, and Brian the Ood.

Both are pretty complicated, of course, and while the storyline has 25-plus installments, I imagine most people won't be experiencing most of those. I myself limited myself to two things:

• stories featuring the eighth Doctor
• stories released by Big Finish

In practice, this is basically just Big Finish stories, plus the novel All Flesh is Grass. (In the future, I will read the Doctor Who Magazine and Titan Comics contributions to the series, but I will read them in those contexts, not the TLV one.) So what's the best way to experience those particular stories?

First, here's my recommended order:

1. Short Trips: Master Thief / Lesser Evils [narrated Big Finish audio]
   
2. He Kills Me, He Kills Me Not [Eighth Doctor BFA]
3. The Enemy of My Enemy [Eighth Doctor BFA]
4. All Flesh is Grass [BBC Books novel]
5. Mutually Assured Destruction [Eighth Doctor BFA]
6. Genetics of the Daleks [Fourth Doctor BFA]
7. Echoes of Extinction [Tenth/Eighth Doctor BFA]

Here's why:

• The easy thing is #2-5-- that's the order those four stories take place for the eighth Doctor, and each basically follows directly on from the previous one.
• #1, the two Short Trips featuring the Master, both don't have the Doctor in. But they make a good prelude; "Lesser Evils" sets up the Kotturuh, who play a big role in All Flesh is Grass, and if you skipped the other novel (as I did), they don't get much introduction otherwise. ("Master Thief" actually has a small link that means it follows on from The Enemy of My Enemy, so I guess you could listen to it later if you like.
• #6 may feature the fourth Doctor and thus go first on this timeline in a sense, but for the Daleks, its events follow on pretty closely from Mutually Assured Destruction.
• Echoes of Extension has a 30-minute episode each for the eighth Doctor, from before He Kills Me, He Kills Me Not, and tenth, from after All Flesh is Grass. You could split it up, but after listening to it, I felt like they went better together; I also felt that the Ten story was less interesting if heard second, even though it takes place second. There's a good justification, then, in the sense that for Ten, Echoes follows on from All Flesh, and then you loop back around to the beginning for Eight's perspective, knowing that He Kills Me comes next.

Here's my complicated pictorial way of depicting it:

• DOUBLE LINE: my recommended path*
• RED: Doctor's perspective†
• GRAY: Master's perspective
• BLUE: Kotturuh perspective
• YELLOW: Wrax perspective
• GREEN: Daleks' perspective‡
• PURPLE: Oriv perspective
  

* Put this way, you can better see that really, MAD/Genetics and Echoes are two parallel tracks emerging from All Flesh.
† Of course, this is complicated by the fact that All Flesh is experienced by Eight, Nine, and Ten.
‡ The Daleks are travelling with the eighth Doctor from Enemy of My Enemy to MAD, too.

Wow, that was something. Maybe I will come back to this post and make it even more complicated once I have read Defender of the Daleks (the Titan comics TLV tie-in) and Monstrous Beauty (the DWM comics TLV tie-in)!

Review: Doctor Who: All Flesh is Grass by Una McCormack

Published: 2020
Acquired: March 2021
Read: May 2021

Doctor Who: Time Lord Victorious: All Flesh is Grass

by Una McCormack

My interest in the Time Lord Victorious "multi-platform event" is mostly based around the eighth Doctor, so I picked up the second novel-- in which he is a protagonist-- and not the first-- in which he only cameos. Plus the second book is by Una McCormack, and the first is by Steve Cole, so, you know. Instead, I came at it from the eighth Doctor's perspective, reading it between the second and third Time Lord Victorious audio from Big Finish. (More about my TLV order in Friday's post.) The premise is basically that in the first book, the tenth Doctor decided he was going to stop death from every coming into existence, and in this book, the eighth Doctor teams up with Daleks and the ninth with vampires to stop him.

It was fine. It doesn't quite feel right, like it was written in a hurry, or written to be expanded, and never was. On the one hand, I liked the moments where the three Doctor interacted; McCormack as always has a great handle on character voice and motivation. The gag about the potted plant that was a companion was great, and I liked the interactions with the vampire leader. Plus there are some neat ideas here (which I won't spoil). On the other hand, thematically it didn't really cohere-- if the tenth Doctor was supposed to learn something about himself, I'm not sure when it actually happened. It's like he's "bad" and then he's not. The book breathlessly skips from plot to plot: at first it's about stopping the tenth Doctor, then it's about battling Daleks, then it's about something else entirely. By the end, it feels like the climax comes from a different story than you started reading, and it's not really satisfying as a result. Which is a shame, because, you know, this is by Una. But it didn't really work for me.