Showing posts with label creator: stewart sheargold. Show all posts
Showing posts with label creator: stewart sheargold. Show all posts

17 February 2014

Review: Lady Stardust edited by Art Critic Panda

Trade paperback, 112 pages
Published 2012

Acquired October 2012
Read June 2013
The Obverse Quarterly: Year Two, Book Two: Lady Stardust
edited by Art Critic Panda

I guess this Iris Wildthyme anthology is based on David Bowie or something; I wouldn't know. But who cares? This is one of the most fun, most diverse Iris Wildthyme anthologies yet. Vince Cosmos makes an appearance in Paul Magrs's "Hold onto Yourself," which is fun (where's the next audio drama, though?); Scott Liddell gives us a creepy and evocative story in "Slip Away"; and Stewart Sheargold's "Cracked Actor" is a deranged murder mystery on the set of an Italian vampire film. All good fun, without going over-the-top in an alienating way.

The only story I felt didn't work was George Mann's "Low/Profile," which purports to be the Wikipedia entry for a Bowie album, but ended up telling a pretty standard narrative; I don't think Mann really utilized the form well beyond the occasional "[citation needed]" or "[original research]" gag. Real Wikipedia entries aren't quite this coherent.

(I was disappointed at another Obverse title with sloppy typesetting; it seems to be a different size in each story, and sometimes fluctuates within one story. It makes this book look amateurish.)

21 June 2012

Professor Bernice Summerfield and the Novellas' Curse

Hardcover, 218 pages
Published 2006
Acquired February 2012

Read May 2012
Professor Bernice Summerfield VI: Parallel Lives
by Rebecca Levene, Stewart Sheargold & Dave Stone

Ms Jones, the Braxiatel Collection's venerable administrator who made the mistake of falling in love, is gone. Bernice Summerfield is sent out to track her down in an anthology that, like A Life in Pieces, is made up of three closely-linked novellas.

Well, sort of. The collection is bound together by some typically strong writing from Simon Guerrier, who writes a four-part story that precedes and follows each of the novellas. This leads into the first, "The Serpent's Tooth" by Rebecca Levene, where Bernice finds herself on an out-of-the-way planet where Ms Jones has been sighted-- a planet where women are required to cover themselves up completely and hide from sight. So, she disguises herself as a man and soon finds herself involved in a quest to win the hands of the daughters of the king. As you do. Levene writes a story that does what the best Bernice stories do, moving between light humor and dark implications, sketching in a commentary on gender relations that almost seems worthy of Ursula K. Le Guin. Levene was the editor of the New Adventures for much of Bernice's run in the title, and she clearly gets what makes the character work.

As in A Life in Pieces, the middle novella features Adrian and Bev Tarrant on their own adventure. "Hiding Places" is the prose debut of Stewart Sheargold, who wrote two crazy Bernice audios (The Mirror Effect and The Masquerade of Death), and his experimental tendencies turn out to be fantastic in novella format. As Adrian and Bev try to find Ms Jones in a strange hotel, he gives us great prose, terrifying events, and some great characterization for these two oft-underused leads. Between this and Sutton's novella in A Life in Pieces, these characters are being handled very well, and I hope the line keeps this up-- and that we get to see some of this depth given to the actors playing the characters in the audio dramas.

Lastly we come to Dave Stone's "Jason and the Bandits; or, O, Jason, Where Art Thou?" I wanted to like this story, I really did. It features Jason trying to catch up with Benny when he's heard of what's going on, but a series of increasingly unlikely events keep him away. It's a good idea and a really fun story, but it conflicts completely with the tone of the other two novellas and the linking material-- much as happened with Dave Stone's contribution to A Life in Pieces. You can have one oddball story in an anthology of dozens of short stories, but I don't think it works in a collection of novellas, where it means that a whole third of the book is off on a weird tangent. Especially when it it's the last novella in the book, coming just before the incredible climax.

For incredible it is. Guerrier once again shows his depth of understanding of Bernice and her supporting cast, and that last line is oh-so-sad, to boot...

21 May 2012

Audio Catchup: Professor Bernice Summerfield Season 5

written by Jacqueline Rayner
directed by Gary Russell
released July 2004

starring
Lisa Bowerman as Bernice Summerfield
Stephen Fewell as Jason Kane
Steven Wickham as Joseph the Porter
Professor Bernice Summerfield and the Grel Escape (#5.1)

After the harrowing events of Life During Wartime and Death and the Daleks, it’s apparently time for some lighthearted events in the life of Bernice Summerfield. And so Jacqueline Rayner makes a welcome return to the range, having previously penned most of the (almost) uniformly excellent adaptations in the first season, not to mention the novels The Squire’s Crystal and The Mirror Effect. And even better, it brings back the Grel!

The Grel originally appeared in Paul Cornell’s New Adventures novel Oh No It Isn’t!, but truly obtained life in Rayner’s audio adaptation of that novel. They’ve been chronically underused since, though they are the only (I am pretty sure) monster to originate in a spin-off and make it into the parent series, having fought the Doctor and Charley in The Doomwood Curse. They’re simply a delight to listen to (so good choices for audio, then) as they travel the universe looking for facts. “Find facts! Find facts! Find facts!” It’s a nice change of pace to the run of four “monster stories” that preceded this one; we have a monster from Bernice’s own history, rather than an attempt to boost sales by pulling in something from the parent show.

( Read more... )



written by Simon A. Forward
directed by Edward Salt
released August 2004

starring
Lisa Bowerman as Bernice Summerfield
Professor Bernice Summerfield and the Bone of Contention (#5.2)

Professor Bernice Summerfield and the Bone of Contention is the sixth Bernice Summerfield audio drama in a row to feature a “monster,” but like The Grel Escape before it, Bone of Contention switches things up by not featuring a monster that appeared in the classic Doctor Who television series. Rather, The Bone of Contention features one of the alien races Big Finish created itself: the Galyari, who previously appeared in The Sandman with the Sixth Doctor and Evelyn. Bone of Contention is even written by Simon A. Forward, who created the Galyari for The Sandman.

Bone of Conention sees Bernice hired by the Perlorans to visit the Clutch, a convoy of ships traversing interstellar space, on their behalf to recover a precious artefact from the Galyari. Of course, the Galyari claim to not have the artefact, and Bernice soon ends up sidetracked by Griko, the deformed son of Commander Korschal of the Security Directorate. In a move that surprises no one that has ever experienced another Bernice Summerfield story, the plight of Griko turns out to be related to the artefact, and Bernice is quickly brought into conflict with the Galyari.

( Read more... )



written by Stephen Cole
directed by Edward Salt
released November 2004

starring
Lisa Bowerman as Bernice Summerfield
Professor Bernice Summerfield and the Relics of Jegg-Sau (#5.3)

Okay, so this season, Benny has faced two monsters from the spin-off media: the Grel and the Galyari. For the third release of the fifth season, it’s a monster from the parent show, but perhaps not one you’d expect: K-1, a.k.a. the Giant Robot. Appearing in just Tom Baker’s debut Robot, the titular character was not one of a race of evil conquerors, but a lone and lonely creation, destroyed at the story’s end. Nevertheless, Stephen Cole brought back the Robot for Professor Bernice Summerfield and the Relics of Jegg-Sau, where she runs afoul of one after crash-landing on an alien planet.

Despite its seemingly-goofy premise — the Robot’s limp wrists and skinny legs didn’t exactly put it at the top of the monster pantheon — The Relics of Jegg-Sau is actually a fairly grim story. It opens with Bernice imprisoned by the Robot, as she tells the story through flashbacks. And those flashbacks begin with her crashing on an alien planet, rescued by two very strange people: the explorer Kalwell and his daughter Elise. Despite have been trapped on the planet for years, neither is in a hurry to be rescued.




written by Stewart Sheargold
directed by John Ainsworth
released March 2005

starring
Lisa Bowerman as Bernice Summerfield
Harry Myers as Adrian Wall
Professor Bernice Summerfield in the Masquerade of Death (#5.4)

“You can’t have a good climax without some effective shouting!”

Bernice and Adrian are in Spring, where there’s been a murder. Only the Queen of Spring can’t quite tell who’s been murdered. Also Bernice and Adrian are sleeping together. And a mysterious Player has decided to dissect Bernice to prove to everyone that’s she’s fictional. And the dialogue is strange.

The last instalment of Professor Bernice Summerfield’s fifth season, Professor Bernice Summerfield in the Masquerade of Death by Stewart Sheargold, includes not a single returning monster and makes up for it by being one of the most original releases in the series ever. Unfortunately, “original” seems to largely translate into “completely baffling”. I mean, you eventually find out what’s going on on a macro level, but there are lines of dialogue and whole scenes even that still don’t seem to mean anything by the time you get to the end. I don’t mind working to enjoy something, but I do want to know why I’m working, and I don’t think The Masquerade of Death ever gives me a reason.