Showing posts with label creator: juan vlasco. Show all posts
Showing posts with label creator: juan vlasco. Show all posts

21 July 2025

Young Avengers Presents by Ed Brubaker, Brian Reed, Roberto Aguirre-Sacasa, Paul Cornell, Kevin Grevioux, Matt Fraction, Paco Medina, Harvey Tolibao, Alina Urusov, Mark Brooks, Mitch Breitweiser, Alan Davis, et al.

After Civil War, the Young Avengers next appeared in a miniseries called Young Avengers Presents. This is collected in the Young Avengers by Heinberg & Cheung omnibus, but I picked it up on its own in a used bookstore way back when, so I read that copy instead. Much easier to hold a trade paperback than a giant hardcover!

Young Avengers Presents

Collection published: 2008
Contents originally published: 2008
Acquired: December 2012
Read: July 2025
Writers: Ed Brubaker, Brian Reed, Roberto Aguirre-Sacasa, Paul Cornell, Kevin Grevioux, Matt Fraction
Artists: Paco Medina & Juan Vlasco, Harvey Tolibao, Alina Urusov, Mark Brooks & Jaime Mendoza, Mitch Breitweiser, Alan Davis & Mark Farmer
Colorists: Nathan Fairbairn, Jay David Ramos, Christina Strain, Brian Reber, Paul Mounts
Letterer: Cory Petit

The miniseries consists of six issues, each focused on a single member of the Young Avengers (except for #3, which teams up Wiccan and Speed) in the wake of Civil War. I'm not as plugged into big Marvel events the way I am into DC ones, so I had to work out some stuff here from context that must have happened in titles not focused on the Young Avengers: mostly they are working on the side of the Avengers who have gone underground because they are illegal, except for Cassie "Stature" Lang, who is working for the Initiative, which I think is the legit, government-registered superhero team? Since (or in?) Civil War, Captain America is dead, the Young Avengers met Bucky, and Hawkeye and Captain Marvel came back to life. Mostly this fine, though; I was able to follow along, except it would have been nice to know what made Cassie part from her comrades and pick the Initiative instead. 

Each story has a different creative team, but there are no duds here. The writing in each story is great, and in most cases the art is too. I'll take it story by story; the first is Ed Brubaker, Paco Medina, and Juan Vlasco's tale of Patriot. This is one of the highlights of a strong volume; Eli "Patriot" Bradley is questioning his own name. How can he be a "patriot" for a country that did what it did to his grandfather and so many others, that refuses to see patriotism unless it's jingoism? With Hawkeye's help, he seeks out—in the absence of Captain America—his erstwhile sidekick, Bucky Barnes. Bucky can't give him any answers, which I think makes the story all the stronger: two people trying to find the America they aspire to. Brubaker is generally a strong writer but not one I'd associate with teen heroes, to be honest, so it's pleasing to see him do such a good job here, and the art by Medina and Vlasco matches him well, detailed and realistic, with good command of faces, which is needed in a dialogue-heavy story. A strong opening to the volume.

Is that really an appropriate outfit for a high school teacher? (It definitely is very mid-2000s, though.)
from Young Avengers Presents #1 (script by Ed Brubaker, art by Paco Medina & Juan Vlasco)

The second story, about Hulking, is equally strong. In the original Young Avengers story, Hulkling discovered that his mother wasn't really his mother, but that he was the son of the Kree warrior Captain Marvel and a Skrull princess; his supposed mother was killed. At the time, his parentage was academic because Captain Marvel was dead—but this is comics, and Brian Reed and Harvey Tolibao's story begins with him seeking out his recently resurrected father. I found this really sharp and astute, a boy and a man trying to reach out and forge a connection where none exists. Sure, they are father and son, but they share only DNA, not any kind of emotional bond. It's quite sad, and really well done. I think of the five OG Young Avengers, Hulkling and Wiccan were the two who felt the least fully formed to me, and this does a good job of remedying that when it comes to Hulkling.

Not too surprising he has father issues, I guess.
from Young Avengers Presents #2 (script by Brian Reed, art by Harvey Tolibao)

We then move onto a story of Wiccan and his twin-from-another-mother, Speed; they theorize that they are the lost souls of the children of the Scarlet Witch, and in this story they set out together to find her. Once again, Roberto Aguirre-Sacasa and Alina Urusov really nail it. It's good to see some actual interaction between the twins, there are great jokes, and I appreciated getting some depth on the often glib Speed. Urusov's art is strong, and I really liked the way the two interacted with a former Avengers villain.

Merriam Webster says transmogrify is a word, going all the way back to Aphra Behn... but its origins are a mystery!
from Young Avengers Presents #3 (script by Roberto Aguirre-Sacasa, art by Alina Urusov)

Next comes Paul Cornell, Mark Brooks, and Jaime Mendoza's story of Vision, who has the consciousness of the former Iron Lad (and future Kang the Conqueror) loaded into him, though it's almost equally a story of Stature, with whom Iron Lad shared a kiss before he returned to his doomed place in the timestream. Cornell of course does a great job by both characters; I have been a little skeptical of including the kind-of adult Vision as one of the Young Avengers, but Cornell sold me on him for the first time here. Particularly strong is the depiction of Cassie, though; it seems more like her story than his to be honest! It is let down a bit by the art, which struggles to depict Cassie's size-changing in general, and a moment where she size changes at the same time the Vision phases in particular.

I can't complain about the "reused identical artwork" trick because I didn't even notice it until I made this scan!
from Young Avengers Presents #4 (script by Paul Cornell, art by Mark Brooks & Jaime Mendoza)

The actual Stature-focused story is also a good one. Kevin Grevioux centers the story around her family: Cassie is struggling with her mother and stepfather much as they are struggling with her, and her emotional state causes her to progressively shrink further and further. I liked the focus on the Young Avengers as friends here; the story isn't just about her, but also Kate, Billy, and especially Eli trying to help her, and it's well done. Cassie is probably my favorite Young Avenger. I did find Mitch Breitweiser's art a bit stiff, not always up to the emotional moments.

Lots of fun stuff with scale in this one: Stature and Patriot are on the microscope slide.
from Young Avengers Presents #5 (script by Kevin Grevioux, art by Mitch Breitweiser)

Finally, we end on a story about Hawkeye finally meeting Hawkeye, that is to say, Kate Bishop finally meeting Clint Barton. It's written by Matt Fraction; I think this is the first time he wrote either character, and he would go on to write an acclaimed run featuring Clint with Kate as a co-star. It's a bit predictable but fun enough; Kate is my second-favorite Young Avenger, and he captures her well. And, of course, you can't go wrong with Alan Davis and Mark Farmer on art.

Hm, but do I buy that Kate actually needs Speed to persuade her to "do some crime"?
from Young Avengers Presents #6 (script by Matt Fraction, art by Alan Davis & Mark Farmer)

Overall, it's a strong volume; I had expected to like maybe half of the stories, not all of them! Handing characters largely the work of one creative team off to others can be a fraught undertaking, but every writer here demonstrated a great grasp of their Young Avengers, and in all but a couple cases they were well-matched by the art. In the absence of ongoing adventures for the Young Avengers, I'm glad Marvel saw fit to release this.

This is the second in a series of posts about the Young Avengers, Loki, and Hawkeye. The next installment covers part 3 of Young Avengers by Heinberg & Cheung. Previous installments are listed below:

  1. Young Avengers by Heinberg & Cheung, part 1 (2005-06) 

14 May 2025

Black Panther: Wakanda Forever by Nnedi Okorafor, Alberto Alburquerque, et al.

Today, I'm reviewing two comics that both feature elements of Black Panther crossing over with the wider Marvel universe. The first is an issue of Marvel Super Hero Adventures where Spider-Man meets Black Panther, "Spider-Man and the Stolen Vibranium." This is a kid-focused comic that begins with a frame: here a regular-looking Spider-Man captures a diamond thief, who Spider-Man tells the story to, which is rendered in a less naturalistic style.

from Marvel Super Hero Adventures:
Spider-Man and the Stolen Vibranium
#1
In this story, the Black Panther—who doesn't seem to have met Spider-Man before—whisks Spider-Man away to Wakanda to obtain his help when Doctor Octopus invades the country seeking vibranium to incorporate into his technology. It's pretty simple stuff; Black Panther originally wants a divide-and-conquer approach, but Spider-Man points out that each brings their own knowledge to the table—Spider-Man knows how the Octobots work, Black Panther understands vibranium—and thus they need to work together. It's perfectly fine. 

Probably the high point was when my four-year-old, who's currently obsessed with Spidey and His Amazing Friends on Disney Plus, saw me reading it, and I explained what was going on to him. Black Panther is a recurring character on that show, but Kid Two didn't know that he was a king and was pretty excited to learn this.

from Avengers: Wakanda Forever #1
Similarly, the next storyline, Wakanda Forever, begins with Spider-Man. Wakanda Forever is a three-part storyline focusing on the Dora Milaje, who need to chase down one of their own, Malice, who went bad during Priest's run and who popped up in New York City in Black Panther Annual #1. In the first issue, Spider-Man helps the Dora Milaje deal with Malice and recovering some Wakandan technology from the Titanic; in the second, the Dora Milaje team up with the X-Man when Malice attacks Storm at a grocery story; and in the third, some of the Avengers turn up to a big battle with Malice in New York City.

I felt like this series was a big missed opportunity. The Dora Milaje—in the comics anyway—are a fascinating institution. In theory, they're all potential wives for T'Challa, but he chose to have them trained as warriors to serve him. But even still, they were not allowed to talk to people other than him. The whole reason Malice went bad is that she loved T'Challa but would never actually be allowed to marry him. But by the present day of the comic, the Dora Milaje are very different; they have the freedom to speak to anyone, and even be involved in romantic relationships. How might someone who devoted her life to a set of strictures that were ultimately lifted feel about that? How do the new-era Dora Milaje feel about this woman who came up through a much different system than them?

from X-Men: Wakanda Forever #1
None of this is explored; Malice is a pretty generic villain who went bad for pretty vague reasons in this story. What's gained and lost as traditions are modernized is something the story doesn't do anything with. We don't really learn anything about the three main Dora Milaje here, Okoye, Aneka, and Ayo, who may as well be anybody for all they demonstrate in terms of distinctive personalities.

The first chapter and some of the second are illustrated by Alberto Alburquerque, who does reasonably good work, as does Ray Anthony-Height, also on the second. But I thought Oleg Okuney's work on chapter 3 was pretty ugly.

Marvel Super Hero Adventures: Spider-Man and the Stolen Vibranium originally appeared in one issue (June 2018). The story was written by Jim McCann, illustrated by Dario Brizuela, lettered by Joe Caramagna, and edited by Sarah Brunstad. It was reprinted in Marvel Super Hero Adventures: To Wakanda and Beyond (2018), which was edited by Jennifer Grünwald.

Wakanda Forever originally appeared in Amazing Spider-Man: Wakanda Forever #1, X-Men: Wakanda Forever #1, and Avengers: Wakanda Forever #1 (Aug.-Oct. 2018). The story was written by Nnedi Okorafor; penciled by Alberto Alburquerque (chapters 1-2), Ray Anthony-Height (2), and Oleg Okunev (3); inked by Anthony-Height (chapter 2), Alburquerque (1-2), Juan Vlasco (2), Keith Champagne (2), and Oleg Okunev (3); colored by Erick Arciniega; lettered by Joe Sabino; and edited by Wil Moss.

ACCESS AN INDEX OF ALL POSTS IN THIS SERIES HERE