Showing posts with label creator: alvaro lopez. Show all posts
Showing posts with label creator: alvaro lopez. Show all posts

17 August 2026

Batgirl: Year One by Scott Beatty & Chuck Dixon, Marcos Martin, and Alvaro Lopez

Batgirl: Year One: The Deluxe Edition

Collection published: 2019
Contents originally published: 2003
Acquired: July 2025 
Read: March 2026
Writers: Scott Beatty & Chuck Dixon
Penciller: Marcos Martin
Inker: Alvaro Lopez

Colorist: Javier Rodriguez
Letterer: Willie Schubert

Maybe I've been spending too much time on Reddit's "Omnibus Collectors" sub, but recently I've been tracking down nice deluxe editions of classic DC storylines. On a very flimsy pretext, I purchased JLA: Year One; I also added a couple others to my wishlist, and I received this as a birthday present, the deluxe edition of Batgirl: Year One, which I borrowed from the library over a decade ago.

The original "Year One" was of course Batman: Year One, justly a classic, which established a "post-Crisis" origin for Batman. DC returned to this concept many different times and ways over the years; for example, in 1995, every DCU title's annual was a "Year One" story. One briefly common approach was the "Year One" miniseries: there were a whole spate of these in the 2000s, giving post-Crisis origins for characters like Robin, Green Arrow, Metamorpho, and the Huntress. I haven't enjoyed every one that I've read, but when they work, they really work: usually DC handed the reigns over to a high-profile creative team and got them to do good work in a timeless tale that stands alone. (And, of course, the post-Crisis pre-Flashpoint iteration of the DC universe is the best one, i.e., it's the one that was in effect when I got into superhero comics.)  

There's a nicely done subplot about how Commissioner Gordon knows Barbara is Batgirl... but just can't admit it to himself.
from Batgirl: Year One #9

Batgirl: Year One
 is no exception to this. Chuck Dixon isn't my favorite scripter, but he was everywhere on the Batman books in the 2000s, including Birds of Prey, so he was a good choice for Barbara Gordon's origin; outside of Robin and Nightwing: Year One, I'm less familiar with co-writer Scott Beatty's work, but he has done some very solid, very fun Batman-adjacent standalones, like the team-up with Elongated Man in Gotham Knights. And the quality work of Marcos Martin and Alvaro Lopez on this book is indisputable; they both seem like the kinds of illustrators who ought to have done more comics than they have. Their work here is slick and bold and stylized, full of energy that perfectly communicates the attitude of Barbara Gordon at this point in her life and superheroic career. The colors of Javier Rodriguez are excellent, too, bright and energetic.

Maybe I shouldn't be wasting one of my two images from Batgirl: Year One on a totally different character, but I can never say no to Dinah Laurel Lance.
from Batgirl: Year One #7

I don't think this is a great work of art. To be honest, I think the plot is unnecessarily confusing, and parts of it are a bit belabored. But what better "Year One" story could there be for Barbara Gordon? This is perfect bubblegum comics.

04 May 2016

Faster than a DC Bullet: Project Gotham, Part XXI: Batgirl: Year One

Comic trade paperback, 213 pages
Published 2003

Borrowed from the library
Read October 2015
Batgirl: Year One

Writers: Scott Beatty, Chuck Dixon
Penciller: Marcos Martin
Inker: Alvaro Lopez
Colorist: Javier Rodriguez
Letterer: Willie Schubert

Year Four, July
I had wanted to really like Robin: Year One from (mostly) the same creative team as this story, but found it a bit disappointing. Not terrible, but I didn't feel like it really gave very much insight into Robin. So it was with a little apprehension that I approached Batgirl: Year One-- but that needn't have been the case, as Batgirl: Year One is excellent. The story covers the first few months of Batgirl's career, filling in with the occasional flashbacks to Barbara Gordon's pre-crimefighting life. Barbara wants to enroll in the police academy, but is too short, and beside, her father is entirely against letting her be in the same line of work as him. Deciding to tweak him by turning up at a costume benefit gala in a homemade Batgirl costume, she ends up accidentally becoming a crimefighter when the Killer Moth turns up, and then decides to run with it.

Batgirl: Year One gives us a succession of adventures as she "proves" herself to Batman. (Robin is, of course, smitten from the beginning. I think Barbara is 16 and Robin 14 during this time?) Along the way, we also see the miserable career of the Killer Moth (who no one takes seriously), Barbara teams up with Black Canary for the first time (but certainly not the last!), and Batgirl and Robin take down the Condiment King (yes!). The book is just fun and vibrant: the main tension with Batman comes from the fact that Barbara doesn't have a "reason" to fight crime. Bruce and Dick both lost their parents to crime, but Barbara just wants to help as best she can, and this turns out to be enough.

Some of the pages of my library copy are a little wrinkly.
from Batgirl: Year One #8

Everything conspires to make this book work: the charming narration by Barbara, the banter between the characters (like in Snow, I can totally hear Kevin Conroy saying all of Batman's dialogue), Javier Rodriguez's vibrant colors, and most of all, the expressive artwork of Marcos Martin and Alvaro Lopez. Their art is energetic and dynamic, their storytelling is rock-solid, and they just bring the whole book to life. The book was a joy to read from start to finish. I'm not saying every superhero comic should be this way, but it wouldn't hurt if more of them were!

Next Week: Batgirl continues her adventures in the confusingly titled Batman: Batgirl!