Review: Transformers: Combiner Wars by Maighread Scott, John Barber, Livio Ramondelli, et al.

Comic PDF eBook, n.pag.
Published 2015 (contents: 2015)
Acquired October 2016
Read September 2017

Transformers: Combiner Wars

Story by Maighread Scott & John Barber
Written by Maighread Scott and John Barber
Art by Sarah Stone, Livio Ramondelli, and Marcelo Ferreira & Corin Howell
Additional Inks by Corin Howell, Brian Shearer, & John Wycough
Colors by Yamaishi & Thomas Deer
Letters by Tom B. Long

Combiners, man... I dunno. I'm sure they're awesome if you're playing with the toys, but I think their very nature is intrinsically antithetical to telling good stories about groups of them. I mean, I liked what was done with Devastator back in Robots in Disguise okay, but Combiner Wars needs to feature multiple combiners warring. Thus five different combiners, each of whom consists of five Transformers. That's twenty-five different characters in a six-issue story! Plus all the usual regular characters like Optimus Prime and Windblade and Starscream and Rattrap and Prowl and so on, as Combiners Wars is actually a crossover between Windblade and the subtitle-less Transformers comic (formerly known as Robots in Disguise). There's even some minor interplay with More than Meets the Eye; a group of Lost Light crewmembers were shown shuttling back to Cybertron at the end of volume 8, and here they become a group (the "Protectobots") in two seconds, then stand around in the background a lot, then become a combiner who just shouts and fights a lot. Which is typical of the amount of focus any of these characters can receive in a story like this.

The hours must fly by with jokes like that.
from Transformers vol. 2 #40 (story by Maighread Scott & John Barber, script by John Barber, art by Livio Ramondelli)

It could be an okay story, but like so many Transformers plots of late, it gets derailed by a character of whom I am growing increasingly sick: Prowl. How many times can he concoct a secret plan and charge into a situation and make it worse for everyone through his interference? It's repetitive, it's boring, and it makes the other characters look stupid for not being able to stop him from doing it. The more these comics focus on him, the less I like reading about him. C'mon dude, if no one can tell the difference between normal you and controlled-by-Decepticons you, maybe you should change up your approach. But no, we just get the same thing with him again and again and again. Optimus Prime, you are a bad leader.

Just kill him!
from Transformers vol. 2 #41 (story by Maighread Scott & John Barber, script by John Barber, art by Livio Ramondelli)

Everyone else kind of gets lost in the shuffle, but there are some potentially interesting ideas about the lost Cybertronian colonies, and I do like Rattrap and Swindle. But, overall, meh.

Next Week: Meanwhile, on Earth... something something something Blackrock!

Review: The Transformers: Drift: Empire of Stone by Shane McCarthy, Guido Guidi, Stephen Baskerville, et al.

Comic PDF eBook, n.pag.
Published 2015 (contents: 2014-15)
Acquired November 2016
Read September 2017

The Transformers: Drift: Empire of Stone

Written by Shane McCarthy
Pencils by Guido Guidi
Additional Pencils by Marcelo Ferreira
Inks by Stephen Baskerville
Colors by John Paul Bove
Letters by Tom B. Long

I wasn't a very big fan of Drift when he was introduced in All Hail Megatron, finding him a bit of a stereotypical tortured-man-with-a-dark-past-and-also-he-has-swords. Except he was a robot. I really warmed to him in More than Meets the Eye, though, which used Drift's spiritual awakening in his self-titled miniseries (which I actually haven't read) to reinvent him as an optimist, creating a sort of Kirk-Spock-McCoy-esque trinity with Rodimus and Ultra Magnus. But in volume 4, Drift was exiled from the Lost Light (taking the fall for something Rodimus did), and in volume 8, Ratchet set off in search for him. Empire of Stone shows what the two get up to together, as Drift tries to discover where he fits in the universe.

I may have come to like Drift, but basically, it turns out, only when he's being written by James Roberts, because back in the hands of his creator Shane McCarthy, he's the same old dull tortured-man-with-a-dark-past-and-also-he-has-swords; McCarthy just puts in one joke to explain away the difference between his Drift and Roberts's hippy-dippy version:

Also he's a little dismissive about Roberts's take in the book's extras.
from The Transformers: Drift: Empire of Stone #1 (art by Guido Guidi & Stephen Baskerville)

Though it has some high points (I liked the somewhat dumb Decepticon that Drift and Ratchet befriend), this is a pretty standard loner action story: Drift comes to the site of an old mistake, Drift angsts a bit, Drift redeems himself, stuff blows up. The best part is Guido Guidi and Stephen Baskerville's very dependable artwork. They do a good job in making clear storytelling and sharp action sequences, even if McCarthy's writing means there's too many action sequences.

Gotta love that melodramatic narration.
from The Transformers: Drift: Empire of Stone #3 (art by Guido Guidi & Stephen Baskerville)

The best part of the book is that though by the end Drift is still too cool to be either a Decepticon or an Autobot, he is coming back to the Lost Light, so he'll soon be back in the much more capable writing hands of James Roberts.

In Two Weeks: Meanwhile, on Cybertron... Optimus Prime seeks a little bit of Punishment!