Showing posts with label creator: larry niven. Show all posts
Showing posts with label creator: larry niven. Show all posts

08 December 2025

Harlan Ellison, Dangerous Visions (anthology, 1967)

Like any fan of print sf, I am familiar with the long saga of the never-printed third Dangerous Visions anthology from Harlan Ellison. It was finally released last year, alongside new editions of the first two volumes. Though I've read some of the stories from Dangerous Visions in other collections (a couple were reprinted in The Science Fiction Hall of Fame, for example), I'd never actually read them, so I asked for (and received) the whole set for my birthday this year.

Dangerous Visions
edited by Harlan Ellison

Originally published: 1967
Acquired: July 2025
Read: October 2025

I will say that the book gets off to a rough start, because it has four forewords and three introductions. A full seven things to read, totally forty pages, before you even get to a story! Well, no, because then each story has its own introduction from Ellison, so you have another four pages to go before you get to the first story. Geeze. I get that each new edition presumably needed new stuff to justify its existence, but it's just too much to slog through, and a bit too self-congratulatory on the whole. Seven introductions or forewords, really!?

Like any anthology, you are going to find good stories here and bad ones. Though there are some very good ones, I didn't find the hit rate here as high I would have liked—or would have expected, given the reputation of the book. Many are gratuitous in some way, pushing "boundaries" I suppose, but not saying anything interesting. I thought the duo about the Jack the Ripper, Robert Bloch's "A Toy for Juliette" and Ellison's own "The Prowler in the City at the Edge of the World," were particularly uninteresting for example. Perhaps the most disappointing was "If All Men Were Brothers, Would You Let One Marry Your Sister?" by Theodore Sturgeon, which has a great title, and starts very strongly with some fun meta genre stuff, but fifty pages later is inexplicably still going on.

Still, there was some good stuff. Stories I particularly enjoyed included "The Day after the Day the Martians Came" by Frederick Pohl, a very well-written and grounded story about how the discovery of aliens might affect our society; "The Doll-House" by James Cross, a surprisingly successful cautionary tale about getting greedy with prophecy; and "Sex and/or Mr. Morrison" by Carol Emshwiller, a very weird but captivating story. Also of note, though I didn't love the story itself, is Larry Niven's "The Jigsaw Man," a cautionary tale about how far people will go for immortality.

One of the very best was, not surprisingly, by Philip K. Dick; I've been reading my way through his collected short stories, but I haven't got to "Faith of Our Fathers" yet, and it's a particularly potent distillation of some of his most common themes: the need for conformity and the inescapable feeling that it's all bullshit underneath. My other favorite was one of the rereads, "Aye, and Gomorrah..." by Samuel R. Delany, which is sort of a queer rewrite of Cordwainer Smith's "Scanners Live in Vain." A great story about sexual desires and the self-loathing that can come with them.

08 February 2013

Review: Man-Kzin Wars XI by Hal Colebatch and Matthew Harrington

Kindle eBook, n.pag.
Published 2005
Acquired June 2012
Read August 2012
Man-Kzin Wars XI
by Hal Colebatch and Matthew Harrington

I picked this book up as part of a Baen eBook Bundle; I'd read the first Man-Kzin Wars book, and I had a vague memory of being indifferent to it. Based on my memories and that cover, I expected macho man-versus-animal space combat, nothing either good or impressive. The first story in the book, Hal Colebatch's "Three At Table," substantiated that viewpoint: it was mostly about a guy on a hunting expedition dealing with dangerous Space Animals, with some weird sex thrown in.

But after that point, the book improved a lot, and made me think I'd probably read "Three At Table" unkindly.  Colebatch's next two stories, "Grossgeister Swamp" and "Catspaws," are complicated depictions, not of a society at war, but of a society after war. There are a lot of characters across all the Colebatch tales here, and many of them are soldiers-- from both sides of the war-- trying to cope with peacetime life and new attitudes.  "Catspaws" is more a short novel than a short story, taking up 40% of the book according to my Kindle, and I liked it quite a bit. I would definitely read more Man-Kzin Wars stories by Colebatch. Though these stories stood alone, these characters quite clearly had histories worth reading about.

There are two stories by Matthew Joseph Harrington: "Teacher's Pet" and "War and Peace." These are less standalone than Colebatch's stories, as they both deal with something called a "Pak Protector," which I dimly recall from when I read the Ringworld books in high school. The stories are decent and do some interesting stuff (especially "Teacher's Pet," where the Pak Protector exploits a kzinti warrior), but they seem to assume I'm much more interested in the minutiae of Pak Protector continuity than I possibly could be.

The book closes out with a quick Larry Niven story, "The Hunting Park," which was decent. A neat idea: it feels like the Man-Kzin Wars story that Ernest Hemingway would have written.