Power Girl: Power Trip by Geoff Johns, Justin Gray, Jimmy Palmiotti, and Amanda Conner

Power Girl: Power Trip

Collection published: 2023
Contents originally published: 2005-10
Acquired and read: August 2023

Writers: Justin Gray, Jimmy Palmiotti, Geoff Johns, Amanda Conner

Artist: Amanda Conner
Inker: Jimmy Palmiotti

Colorist: Paul Mounts

Letterers: John J. Hill, Rob Leigh

When I reread the "Power Trip" arc of JSA Classified (see item #39 in the long list below), I was reminded of how awful Geoff Johns's writing was... but also what a brilliant artist Amanda Conner was, and what a good fit she was for the buoyant, expressive Power Girl. So I decided to pick up this collection, which contains all twelve issues of her run on Power Girl vol. 2. (Unfortunately, it also includes that terrible JSA Classified story, but I skipped it rather than suffer through it a third time. Note that Geoff Johns gets first billing on the cover for writing just four of the seventeen issues included here, whereas Amanda Conner—the only person to work on all seventeen and the volume's clear star—is down in fourth. Must be nice to be the former president of DC!)

The twelve issues of Power Girl collected here run concurrently with Justice Society of America vol. 3 #29-40 and JSA All-Stars vol. 2 #1-6, taking place during the time when Power Girl is leading the JSA. (When the volume opens, the team seems to be unified still; by the time of the closing arc, it has split up, and Magog has left.) But the story's focus is on the fact that despite what's happening with the Justice Society, Power Girl is no longer frustrated at her lack of a clear origin, and just trying to be herself—whoever that may be. So for the first time in a long while, she's reactivated her civilian identity of Karen Starr, and is using it to build a technology company while she moves out of the JSA brownstone into an apartment of her own. She develops friendships, and builds up her own supporting cast. There's even her cat from her JLI days.

I would not have guessed Wonder Woman was great with cats... except to the extent that she's great at everything, I suppose.
from Wonder Woman vol. 1 #600 (script & art by Amanda Conner)

It's one of those runs that you can't point to a single issue and say "this is an amazing comic book" but where you can point to the whole and say "this is what a superhero comic book should be." It's funny, it's charming, it's goofy, it has a unique personality all its own. Sometimes Power Girl is battling the Ultra-Humanite and his former lover Santana, but sometimes she's stopping alien girls gone wild and a virile alien warlord who wants to repopulate his sterilized planet, sometimes she's helping out a teenage boy by going comic book shopping with him. Writers Justin Gray and Jimmy Palmiotti have admittedly produced some real shit in their time at DC, but this plays to their strengths—or at least to Conner's, who is surely in the Top Ten of superhero comics artists, and consistently elevates any material she is given.

Bring back Vartox.
from Power Girl vol. 2 #12 (script by Justin Gray & Jimmy Palmiotti, art by Amanda Conner)

In Conner's hands, comedy, action, and emotion all get good play, letting the whole story come alive. Sometimes the main conflict of one of these stories will end halfway through an issue, and the rest will just be about Power Girl chilling with her sidekick/new friend Terra—and it is always a delight. Conner hits the perfect note with PG's physical appearance, giving us a woman who is attractive but not objectified. I mean, Gray and Palmiotti definitely write in gratuitous moments, but they feel natural and part of the story. (Which is not always the case with Power Girl; shortly before writing this review, I read JSA All-Stars #1, where PG's costume gets strategically torn in such a way as to reveal her entire midriff, and where her boobs are always hanging in "attractive" unnatural positions... bleh.)

My favorite Atlee moment, though, is probably the bit where she pretends to be from Australia.
from Power Girl vol. 2 #3 (script by Justin Gray & Jimmy Palmiotti, art by Amanda Conner)

Like many great runs, the worst thing about it is that it wasn't longer; I gladly would have read another twelve issues from this team. I felt that the supporting cast at Karen's new company barely got started in what they could do, and I want more Kara and Atlee bonding in New York City. But even though this comic lasted another fifteen issues, Judd Winick took over as writer and it became (to my understanding, anyway) a Brightest Day tie-in; neither the writer nor the change of focus appeals. That said, it did make me interested in picking up PG's newest series... the journey never ends, does it?

This post is forty-seventh in an ever-expanding series about the Justice Society and Earth-Two. The next installment covers volume 2 of JSA All-Stars. Previous installments are listed below:

Terra by Justin Gray, Jimmy Palmiotti, and Amanda Conner

Terra

Collection published: 2009
Contents originally published: 2007-09
Acquired and read: August 2023

Writers: Justin Gray and Jimmy Palmiotti

Penciller: Amanda Conner
Inkers: Jimmy Palmiotti and Amanda Conner

Colorists: Rod Reis, Paul Mounts

Letterers: Rob Leigh, Travis Lanham, Sal Cipriano, Swands

After I read Justice Society of America vol. 3, I moved onto Power Girl: Power Trip, which collects a Power Girl ongoing that overlapped with it. But a few issues into it, I was starting to wonder what the deal was with "Terra," Power Girl's sidekick and friend, who comes from a hidden nation of subterranean people. Well, it turned out the answer was in this book by the same creative team of writers Justin Gray and Jimmy Palmiotti and artist Amanda Conner, so I paused reading Power Trip to delve into this long out-of-print collection.

Terra is a bit frustrating in that much of the time, we view this new character from the outside; we don't get much of her own struggle. What are her stakes? This is never really clear. The first issue here teams her up with Supergirl, in one of her particularly selfish periods; Terra's perky selflessness serves as a contrast. Then she meets up with Power Girl and Doctor Mid-Nite, then (groan) Geo-Force. Her deal is that she tries to take care of collisions between the surface world and the subterranean one, protecting the underground ecosystem from human intervention and humanity from subterranean creatures. She comes from a whole thriving underground world with a myriad different kinds of life. It's a neat set-up for stories potentially, but one the volume on its own ultimately doesn't make a ton of use of—and since Terra never got another series, I'm guessing was never really used in future stories, either.

Like, I wanted to know more about her relationship with her dad.
from Terra #3 (art by Amanda Conner)

Alongside this, there's a subplot about a guy digging underground who accidentally turns himself into a living diamond. This culminates in him attacking Terra's people, and she and Geo-Force team up to defeat him. It's pretty perfunctory stuff, I feel like more could have been made of the bad guy. (There's also some stuff about this Terra's place as the... third, I think, superhero of that name, but I don't know anything about the Teen Titans, so it was all underexplained gibberish to me. For some reason, Geo-Force's memory has to be erased even though he learned that someone was impersonating his dead sister; seems a bit mean. How his dead sister can be from underground, I don't really know.)

Not hard to be more of a hero than this version of Supergirl.
from Supergirl vol. 5 #12 (art by Amanda Conner & Jimmy Palmiotti)

Then in a half-issue coda, Terra goes back to the surface and bumps into Power Girl again. This made me very glad I paused Power Trip to read this, because it's basically a set-up for that series, pushing Kara into the decision to resume living her civilian identity and lead a normal life.

Terra and Power Girl did not get off to a great start, to be honest.
from Terra #2 (art by Amanda Conner)

So writing wise, it's basically fine. Decent idea, but mediocre execution—which honestly feels par for the course for Justin Gray and Jimmy Palmiotti, who are hacks (meant in the nicest possible way, of course) if ever there were any; they did, after all, write Infinite Crisis Aftermath, Uncle Sam and the Freedom Fighters, parts of Countdown, and what is probably the worst superhero comic ever. But what elevates it is their collaboration with one of superhero comics' best-ever artists, Amanda Conner. Conner's art is fun, bold, sexy, and above all, character driven. You get a sense of personality from her faces that mostly fails to come across from the writing. It's delightful, I knew I would love it, I did love it, and it's the whole reason I bought this book as opposed to just reading the issues on DC Universe Infinite, and it was worth it. Get Amanda Conner to draw every comic book, please.

This post is forty-sixth in an ever-expanding series about the Justice Society and Earth-Two. The next installment covers Power Girl: Power Trip. Previous installments are listed below:

Faster than a DC Bullet: Project Crisis!, Part LXX: Convergence: Zero Hour, Book 1

Comic trade paperback, n.pag.
Published 2015 (contents: 2015)
Borrowed from the library
Read June 2017

Convergence: Zero Hour, Book 1

Writers: Justin Gray, Christy Marx, Ron Marz, Frank Tieri, and Fabian Nicieza

Art: Ron Randall, Rags Morales & Claude St-Aubin, Mike Manley & Joe Rubinstein/Bret Blevins, Tom Mandrake, and Karl Moline & Jose Marzan Jr.
Color: Gabe Eltaeb, Nei Ruffino and Sian Mandrake
Letters: Pat Brosseau, Travis Lanham, Tom Napolitano, and Dave Sharpe

The very concept of Convergence is pretty goofy and not in a good way. Why bring these characters back but distort them by having them live in isolated cities for a year? Surely there must have been a more elegant option available. It doesn't help that no one seems to have told the writers of the tie-ins whether there were any rules for how the city battles worked: some characters are sent into each other's cities by Telos, others fly over on their own volition, some combats begin as soon as the domes go down, others have time to prepare, and this volume introduces (in just one story) the idea that the combats take place on a neutral ground.

Not pictured: some very cheesecake-y Jim Balent stylings.
from Convergence: Catwoman #2 (script by Justin Gray, art by Ron Randall)

Still, the best Convergence stories manage to do something worthwhile with the concept, usually by having some kind of emotional substrate to the battle being told. I don't think Zero Hour, Book 1 contains the best Convergence stories thus far, but it is one of the most consistent books, perhaps because the 1990s had characters with more emotional complexity than the 1970s/80s ones featured in earlier volumes. All five stories collected here cover characters from Metropolis around the time of the Zero Hour, though I'm not sure if from before or after the event itself, fighting the characters of Kingdom Come (published just two years after Zero Hour, so nice and era-appropriate).

Faster than a DC Bullet: Project Crisis!, Part LXVIII: Convergence: Infinite Earths, Book 1

Comic trade paperback, n.pag.
Published 2015 (contents: 2015)
Borrowed from the library
Read May 2017

Convergence: Infinite Earths, Book 1

Writers: Justin Gray, Len Wein, Dan Abnett, Jerry Ordway, and Paul Levitz

Art: Claude St-Aubin & Sean Parsons, Denys Cowan & Bill Sienkiewicz, Tom Derenick & Trevor Scott, Ben Caldwell, June Brigman & Ron Richardson, Jim Fern/Roy Wagner & Joe Rubinstein/Wayne Faucher/José Marzán Jr., and Shannon Wheeler
Color: Lovern Kindzierski, Chris Sotomayor & Felix Serrano, Monica Kubina, Veronica Gandini, and Paul Mounts
Lettering: Steve Wands, Travis Lanham, Dave Sharpe, Rob Leigh, and Tom Napolitno

I'm assuming that what divides the "Crisis" volumes of Convergence from the "Infinite Earths" volumes is that though the characters in all the "Crisis" volumes are plucked from Earth-1, they come from the other pre-Crisis on Infinite Earths Earths in the "Infinite Earths" volumes. All five stories in this volume are about characters from Earth-2, as the Earth-2 Metropolis was one of the cities scooped up by Telos for his series of battles outside time and space. Power Girl, Robin, and the Huntress represent Earth-2 Metropolis against Moscow from Red Son, the Justice Society of America and the Seven Soldiers of Victory fight the Weaponers of Qward (the first alien planet we've seen on Telos... and not just an alien planet, as Qward was in the antimatter universe pre-Crisis), and Infinity Inc. fights, um, Jonah Hex but he's from the future and has a flying saucer for some reason.

Hippolyta Hall: always badass.
from Convergence: Infinity Inc. #1 (script by Jerry Ordway, art by Ben Caldwell)

The mechanics and rules of Telos's tournament are still vague and inconsistent, and the set-up of Convergence itself is contrived. Like in the previous volume, Len Wein tries to explain why the characters in his story are in a particular city, but he doesn't do so well: Robin and the Huntress are summoned to a JSA meeting in Metropolis to deal with the red skies of the Crisis, but as they point out, JSA HQ is actually located in New York City! No one in the story explains why the JSA HQ is suddenly in Metropolis, and I'm not sure things are better for flagging it up. The whole book probably could have just used Earth-2 New York, actually, and it would have been less awkward. (Wikipedia informs me Infinity Inc. was based in Los Angeles, so it makes as much sense for them to be in any of these cities. Their story doesn't explain why they're not in LA.)

Actually, let's talk about Wein's story, because his having characters comment on things is out in full force here: the Huntress spends the whole story advocating violence against the Red Son Superman while Robin takes a more diplomatic tack, and then at the end, she's like, "Geeze, I don't know I was so violent. I'm not like that." So why did Wein write it that way to begin with? It actually didn't seem particularly over-the-top to me, so I feel like the story would have got away with it if Wein hadn't lampshaded it. At least there's some nice, moody Denys Cowan and Bill Sienkiewicz art, which is always a treat, and well-suited to the Red Son Moscow scenes especially.

Aw, Communist Dictator Superman is so misunderstood.
from Convergence: Detective Comics #1 (script by Len Wein, art by Denys Cowan & Bill Sienkiewicz)

This was a so-so volume on the whole, with the Power Girl and Infinity Inc. stories being pretty meh, and the Seven Soldiers of Victory one being flagrantly uninteresting. I did really like the Justice Society of America story, though; it was actually kind of touching to see these oldsters go into battle one last time, knowing it could be the last, and then walk off into the sunset at the end. I haven't read very much JSA stuff, but I always enjoy it when I do-- that sense of legacy is one of the best parts of DC, and in this legacy-free "New 52" era, Convergence allows for a little touch of it once again.

Why doesn't DC bring back the proper JSA, anyway?
from Convergence: Justice Society of America #2 (script by Dan Abnett, art by Tom Derenick & Trevor Scott)

Next Week: Captain Marvel, the Blue Beetle, the Crime Syndicate, Booster Gold, and the Freedom Fighters battle for their lives in Convergence: Infinite Earths, Book 2!

Faster than a DC Bullet: All-New All-Different DC, Part XIII: Countdown Presents: The Search for Ray Palmer

Comic trade paperback, 158 pages
Published 2008 (contents: 2007-08)
Borrowed from the library
Read March 2017

Countdown Presents: The Search for Ray Palmer

Writers: Ron Marz, Sean McKeever, Peter Johnson, Matt Cherniss, Brian Augustyn, Alan Burnett, Justin Gray & Jimmy Palmiotti

Pencillers: Angel Unzueta, Jamal Igle, Kelley Jones, Eric Battle, Greg Tocchini, Travel Foreman, Kalman Andrasofszky, Jeremy Haun, David Hahn, David Baldeón
Inkers: Oliver Nome, Richard Friend, Saleem Crawford, Trevor Scott, Rob Hunter, Kelley Jones, Derek Fridolfs, Vicente Cifuentes, Jonathan Glapion, Jesse Delperdang, Paul Neary, Lorenzo Ruggiero, Kalman Andrasofszky, Norm Rapmund, Álvaro López, Rick Ketcham, David Hahn, Steve Bird
Colorists: Allen Passalaqua, John Kalisz, Mark Chiarello, Art Lyon, Rod Reis, Pete Pantazis, Kanila Tripp
Letterers: John J. Hill, Steve Wands, Travis Lanham

I read this because I thought that it would tie-in to The All New Atom in some way. I still assume it does, because the next volume of The All New Atom is called The Hunt For Ray Palmer!, but "all-new Atom" Ryan Choi does not put in an appearance here. Instead, this volume follows the so-called "Challengers from Beyond" from Countdown to Final Crisis, expanding on their multiverse-hopping search for the original Atom, Ray Palmer, covered in volumes two and three of that series. Honestly, though I know it would have inflated that series to five volumes, and no one out there wanted more of Countdown to Final Crisis, DC should have included these issues with those ones somehow, because they don't stand on their own in any way.

I will never ever care about Monarch, DC, no matter how hard you try.
from Countdown Presents: The Search for Ray Palmer: Wildstorm #1 (script by Ron Marz, art by Angel Unzueta and Oliver Nome & Richard Friend & Saleem Crawford & Trevor Scott)

The various issues collected here mostly show visits by the Challengers from Beyond to different worlds in the multiverse while they look for Ray Palmer, giving us extra adventures that went unseen in the main Countdown to Final Crisis series. As such, there's no real set-up (just a text page to recap salient points from the main series) and no resolution beyond an ad for Countdown to Final Crisis, Volume Three. And some parts are just confusing; for example, the Jokester from Earth-Three joins the Challengers at the end of one issue, but is nowhere to be seen in the next; that's because Countdown #30-22* took place between these two issues, and the Jokester died in #29, but there's no indication whatsoever of that here. And obviously I read Countdown to Final Crisis, but so long ago that I didn't remember this. C'mon, DC, at least try to make your collections readable. (Thanks to Cosmic Teams for being the only people on the whole Internet invested enough in Countdown to write an issue-by-issue timeline for it. Most of The Search for Ray Palmer occurs between issues #22 and 21 of Countdown, so during the middle of volume three.)

Faster than a DC Bullet: Project Crisis!, Part LXI: Zero Year

Comic trade paperback, n.pag.
Published 2015 (contents: 2013-14)
Borrowed from the library
Read October 2016

DC Comics: Zero Year

Writers: Scott Snyder, James Tynion, Greg Pak, Marguerite Bennett, Justin Gray & Jimmy Palmiotti, Marc Andreyko, Christy Marx, John Layman, Francis Manapul & Brian Buccellato, Jeff Lemire, Van Jensen with Robert Venditti, Kyle Higgins

Artists: Greg Capullo & Danny Miki, Rafael Albuquerque, Aaron Kuder, Fernando Pasarin & Jonathan Glapion, Eduardo Pansica & Júlio Ferreira, Trevor McCarthy, Andrea Mutti, Pat Olliffe, Jim Fern, Jay Leisten & Tom Nguyen, Romano Molenaar, Daniel Sampere, Travis Moore, Vicente Cifuentes, Scott McDaniel, Aaron Lopresti & Art Thibert, Jason Fabok, Chris Sprouse & Francis Manapul, Karl Story & Keith Champagne, Andre Sorrentino, Denys Cowan & Bill Sienciewicz, Victor Drujiniu & Juan Castro, Ivan Fernandez & Rob Lean, Allan Jefferson, Will Conrad & Cliff Richards, Andy Clarke
Colorists: Fco Plascencia, Dave McCaig, Arif Prianto, Blond, Paul Mounts, Guy Major, Chris Sotomayor, Sonia Oback, Tomeu Morey, Brian Buccellato, Marcelo Maiolo, Matt Hollingsworth, Garry Henderson, Peter Pantazis
Letterers: Nick Napolitano, Taylor Esposito, Dezi Sienty, Todd Klein, Travis Lanham, Jared K. Fletcher, Carlos M. Mangual, Rob Leigh

Strictly speaking, this book doesn't cover a crisis, but throughout this project I have found it interesting to examine the fallout of crises as much as crises themselves: reading History of the DC Universe and Legends added to my comprehension of Crisis on Infinite Earths, for example. So, I'll be reading the five big collections DC has released from the "New 52" era (after Flashpoint, before Rebirth) in the order they take place.

This book gives snapshots of the early lives of a number of superheroes, framed by two parts of a Batman origin story. Someday I will read the full Batman: Zero Year story, but I liked what I got of it here. The book opens with Bruce Wayne as Batman taking down the Red Hood Gang, in what seems to be one of his first real superheroic actions. It's hard to judge the writing, since I only have a snippet of the story, but I really enjoyed Greg Capullo's art and Fco Plascencia's colors. This is a moody Gotham, but in a very different way to that of Frank Miller and David Mazzucchelli. This is a harsh, dynamic, neon Gotham-- a purifying crucible for the weird. The story ends with a little epilogue that introduces the idea that a giant storm is about to hit Gotham... and some fellow calling himself the Riddler has deactivated the electrical grid.

Who knew Gotham was so pink?
from Batman vol. 2 #24 (script by Scott Snyder, art by Greg Capullo & Danny Miki)

This provides the setup for the stories that follow, as various young heroes who either live in Gotham or come to render aid to Gotham each has their own experiences during the hurricane. I think there are about twenty-five different stories, and as you might imagine, that results in quite a range of quality, andI don't think I could point to any I found outright terrible, though many are somewhat generic, which is perhaps worse.

Faster than a DC Bullet: Project Crisis!, Part XLI: Countdown to Final Crisis: 12...11...10...09...08...07...06...05...04...03...02...01...00...

Comic trade paperback, 271 pages
Published 2008 (contents: 2008) 
Borrowed from the library
Read May 2015

Countdown to Final Crisis: 12...11...10...09...08...07...06...05...04...03...02...01...00...

​

Writers: Paul Dini, Justin Gray, Jimmy Palmiotti, Adam Beechen, Sean McKeever
Story Consultant: Keith Giffen

Pencillers: Jesus Saiz, Tom Derenick, Mike Norton, Scott Kolins, Carlos Magno, Jim Starlin, Jamal Igle, Freddie Williams II
Inkers: Jimmy Palmiotti, Scott Kolins, Freddie Williams II, Mark McKenna, Wayne Faucher, Rod Ramos, Keith Champagne
Letterers: Ken Lopez, Travis Lanham, Steve Wands
Colorist: Pete Pantazis

Do you remember when Earth-51 was destroyed in volume three of Countdown to Final Crisis? Well, apparently none of the writers or characters in volume four do, because here it's destroyed all over again! I think because the account of its destruction in volume three was inconsistent with that of its destruction in Final Crisis, they rolled the events back and did it all over again to make it match up with the account that was given in Final Crisis. Sloppy plotting at its finest!

Other things that don't matter:

• Harley Quinn and Holly Robinson are given superpowers by the Amazonian gods. No one cares!
• Mary Marvel is arbitrarily given her powers back. Then she loses them. Then she turns evil again. Then she's fine. What is the point of all this? I have absolutely no idea. This character has essentially been brainwashed off-and-on for 52 issues. What on Earth could even be interesting about that? We haven't learned a thing about Mary as a character. No one cares!
• Various members of the Legion of Super-Heroes are killed off. No one cares!
• The cover of issue #4 is a close-up on Mary Marvel's giant boobs. No one cares!
• Darkseid and Orion have a final showdown. Again. No one cares!
• The Challengers from Beyond (that utterly dull group of characters including Jason Todd, Donna Troy, and some others I don't even remember) tell the Monitors that they'll be monitoring them. You can expect this to literally never be followed up on despite the fact that it really ought to impact Final Crisis because... No one cares!

Really, the only joy you can take in Countdown to Final Crisis at this point is mocking it. It's astounding that talented people like Paul Dini, Keith Giffen, and Jim Starlin got together and produced 1,159 pages of sheer worthlessness. But at least it was always fast-paced, I guess?

Next Week: More stuff no one could ever care about! Lord Havok and the Extremists!

Faster than a DC Bullet: Project Crisis!, Part XXXIX: Countdown to Final Crisis: 25...24...23...22...21...20...19...18...17...16...15...14...13...

My wife and I spent December and January rewatching the E-Space trilogy, a classic 1980-81 run of Doctor Who stories. Not exactly coincidentally, I have a review up at Unreality SF of Big Finish's audio sequel, the New E-Space Trilogy. It was interesting to experience the two trilogies in close proximity: it diminished my enjoyment of some of the audio stories, and enhanced that of others! (Something I forgot to mention in my review: I like how 35 years after it was mentioned for the first and last time in State of Decay, Jonathan Morris finally provided an explanation for what "The Wasting" was in The Entropy Plague!)

Comic trade paperback, 294 pages
Published 2008 (contents: 2007-08) 
Borrowed from the library
Read May 2015

Countdown to Final Crisis: 25...24...23...22...21...20...19...18...17...16...15...14...13...

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Writers: Paul Dini, Adam Beechen, Justin Gray, Jimmy Palmiotti, Tony Bedard, Sean McKeever
Story Consultant: Keith Giffen

Pencillers: Ron Lim, Tom Derenick, Carlos Magno, Jamal Igle, Howard Porter, Jesus Saiz, Scott Kolins, Pete Woods
Inkers: Jimmy Palmiotti, Scott Kolins, Pete Woods, John Stanisci, Wayne Faucher, Rod Ramos, Mark McKenna, Art Thibert
Letterers: Travis Lanham, Rob Leigh, Ken Lopez, Jared K. Fletcher, Steve Wands
Colorists: Pete Pantazis, Tom Chu

Because I got horrendously behind, I've been writing this stretch of reviews (from July 2015's 52 Omnibus to March 2016's Final Crisis: Revelations) without reference to the actual books, months after I read them. (Ten months in this case!) I'm finding that many of the details of Countdown to Final Crisis have faded into oblivion, even when I read synopses of the stories in the Grand Comics Database, I kind of wonder if these events really happened in something I read. All I really remember is a massive sense of disappointment and futility. But here are a couple notes:

• Superboy-Prime, now Superman-Prime, is in it. That pretty much never works to the advantage of a story, as he is a worse villain than even Monarch and Mongul.
• Pied Piper having to drag around the Trickster's body is actually kind of effective. Of course, it might have been emotionally devastating if these two had been written in a way at all interesting prior to this.
• The cover to issue #18 (by Karl Kerschl) is actually, genuinely great.
• Earth-51 is destroyed and everyone on it dies. You should remember this, because the writers didn't.
• Jesus Christ, who gives a crap about Monarch? Armageddon 2001 was seventeen years ago, DC. Let it go.

Next Week: There came a time when the New Gods died! It was in a trade paperback called The Death of the New Gods!

Faster than a DC Bullet: Project Crisis!, Part XXXVII: Uncle Sam and the Freedom Fighters: Brave New World

Comic trade paperback, n.pag.
Published 2008 (contents: 2007-08)
Borrowed from the library
Read May 2015

Uncle Sam and the Freedom Fighters: Brave New World

Story by Justin Gray and Jimmy Palmiotti

Art by Renato Arlem
Letters by Rob Leigh
Colors by Alex Bleyaert and Rob Schwager

God exists, and He hates me. How do I know this? He permitted the existence of a second volume of Uncle Sam and the Freedom Fighters. (Actually, he permitted the existence of still more, but in His mercy He left those ones uncollected.) Only the sheer deep-rootedness of my completist instincts can explain why I read this: given that I'd read the previous volume and that it takes place during Countdown to Final Crisis, I felt compelled to read it, but now that I've typed that it out, it seems a wholly inadequate explanation for why I inflicted this on myself. Perhaps I, like God, hate me.

This is like the first volume, but worse if you can imagine it. Nothing that any character does in here mean anything; I want to give Justin Gray and Jimmy Palmiotti the benefit of the doubt, but this reads like sheer hackwork, comics vomited out to fulfill some kind of contractual obligation. (Is DC required to publish stories featuring the characters/concepts they inherited from Quality Comics? Surely nothing else could explain their insistence of releasing terrible comic after terrible comic featuring them.) One imagines they wrote each issue in mere minutes, never edited a word, and then laughed as they cashed their paychecks. (2007-08 was a good time for them and shit writing, given they were also partly responsible for Countdown to Final Crisis.) As a fan of what I've read of Christopher Priest's run on The Ray, I'm glad he's not alive so he didn't have to witness their utter ineptitude in handling the characters he poured so much brilliance into.

The only person more guilty than the writers of this comic is its artist. Seriously, Renato Arlem's art is irredeemably bad and completely terrible. A heavy user of Photoshop, characters usually don't move from panel to panel, and images are reused in different contexts despite inappropriate poses and facial expressions, and what the dialogue and narration indicate ought to be happening is often wholly undepicted in the artwork. That anyone has ever hired him to "draw" anything boggles my mind. I can only assume that since 50% of his drawings are reused, he costs 50% of other artists. (Caleb Mozzocco has said much the same at me, but at length, and with pictures.)

Don't be like me. Don't make my mistake. Don't turn on God. Don't read this book!

Next Week: It can get worse! Countdown: Arena!

Faster than a DC Bullet: Project Crisis!, Part XXXVI: Countdown to Final Crisis: 38...37...36...35...34...33...32...31...30...29...28...27...26...

Comic trade paperback, 294 pages
Published 2008 (contents: 2007) 
Borrowed from the library
Read March 2015

Countdown to Final Crisis: 38...37...36...35...34...33...32...31...30...29...28...27...26...

​

Writers: Paul Dini, Justin Gray & Jimmy Palmiotti, Adam Beechen, Tony Bedard, Sean McKeever
Story Consultant: Keith Giffen

Pencillers: Jesus Saiz, David Lopez, Mike Norton, Jim Calafiore, Manuel Garcia, Carlos Magno, Al Barrionuevo
Inkers: Jimmy Palmiotti, Don Hillsman, Rod Ramos, Jack Purcell, Mark McKenna, Jay Leisten, Art Thibert
Letterers: Jared K. Fletcher, Ken Lopez, Travis Lanham
Colorists: Tom Chu, Alex Bleyaert, Pete Pantazis, Rod Reis

Forget anything nice I said about Volume One, because as soon as you have time to think about it, Countdown to Final Crisis is terrible. In this volume:

• Jimmy Olsen learns that his powers only activate when he's in danger for the fourth or fifth time.
• Mary Marvel acts like a spoiled brat; upon learning she's gone evil, Zatanna's reaction is to shrug her shoulders and do nothing about it.
• All sorts of terrible and uninteresting and incomprehensible stuff happens revolving around whether or not Jason Todd is evil, whether or not the Monitors are evil, whether or not you can tell the Monitors apart, whether or not anyone cares abut Monarch (stop trying to make Monarch happen, DC), whether or not Donna Troy has a personality, whether or not anyone has ever cared about Lord Havok and the Extremists, and it's just painful and dull through and through.
• Mary Marvel is duped by Klarion the Witch-Boy like a rank amateur. Grant Morrison reinvents a character for you, DC, and the only thing you can think to do with him is put him in Countdown!?
• The story ties into The Battle for Blüdhaven, I can only assume because God hates us. (Jack Kirby's Buddy Blank of OMAC fame is living under Blüdhaven.)
• Karate Kid is sick for some reason. 
• Jimmy Olsen and a bug-woman fall in love with each other, seemingly just because she's hot. No one ever explains what she might see in him.

I'll admit I did kind of like Supergirl and Stargirl trying to get into Black Canary's bachelorette party.

At least we're halfway through!

Next Week: We take a break from the countdown to find out what Uncle Sam and the Freedom Fighters are up to in Brave New World!

Faster than a DC Bullet: Project Crisis!, Part XXXV: Countdown to Final Crisis: 51...50...49...48...47...46...45...44...43...42...41...40...39...

A little belated, but up at USF I've got a review of the Doctor Who: Short Trips Monthly reading Foreshadowing, featuring my favorites, the Eighth Doctor and Charley.

Comic trade paperback, 295 pages
Published 2008 (contents: 2007) 
Borrowed from the library
Read March 2015

Countdown to Final Crisis: 51...50...49...48...47...46...45...44...43...42...41...40...39...*

​

Writers: Paul Dini, Jimmy Palmiotti & Justin Gray, Tony Bedard, Adam Beechen, Sean McKeever
Story Consultant: Keith Giffen

Pencillers: Jesus Saiz, Jim Calfiore, Carlos Magno, David Lopez, Tom Derenick, Manual Garcia, Dennis Calero
Inkers: Jimmy Palmiotti, Dennis Calero, Mark McKenna, Jay Leisten, Don Hillsman, Alvaro Lopez, Andre Pepoy, Jack Purcell, John Stanisci
Letterers: Travis Lanham, Pat Brosseau, Jared K. Fletcher, Rob Leigh, Phil Balsman, Ken Lopez
Colorists: Tom Chu, Rod Reis, Guy Major, Pete Pantazis

And so begins the long run to Final Crisis, with the beginning of a miniseries disowned seemingly by everyone involved. In retrospect, this had pretty much nothing at all to do with Final Crisis, or less than nothing, even. But it begins with us following a number of parallel plotlines: two of the Rogues on the run for murdering (or not murdering, it's very unclear) Bart Allen, the fourth (I think) Flash; Jason Todd and Donna Troy being recruited to scour the multiverse (recently revealed to exist, or perhaps re-exist, in 52); Holly Robinson, friend of Catwoman (and former Catwoman herself) joining the Amazons along with a reformed Harley Quinn; Jimmy Olsen investigating the deaths of the New Gods; Darkseid is playing with action figures; and Karate Kid and Una (who used to be Duo Damsel who used to be Triplicate Girl) of the Legion of Super-Heroes traveling the 21st century in search of... something.

Despite also being a weekly series of 52 issues, this is pretty different from 52 in one key way. While each issue of 52 corresponded to a week, this series has no such chronological restriction; each issue covers a short span of time, and is pretty much picked up right after in the next one. This gives Countdown to Final Crisis a certain energy that actually made it a pretty enjoyable read, as each issue is a series of crazy events that throws you right into the next issue's series of crazy events, with no time to reflect on what's going on.

Which is good, because what's going on doesn't always make a lot of sense. Countdown weaves in and out of some other comics (most notably, I think, The Lightning Saga, Amazons Attack, and the death of Bart Allen), none of which I've actually read. Sometimes you can follow it, but sometimes you can't at all-- though I gather from reading on-line that the links to The Lightning Saga with Karate Kid were incoherent even to people who'd read both. Why is Karate Kid on a quest? How did he get sick? None of these things that seem like they are important to this story are actually explained in it; I finally figured it out by reading the character description in volume two!

And then there are the incoherences within the series, like the fact that none of the writers and artists seem to be on the same page about many of the details of the Rogue plotline, where things such as their powers, appearances, and plight fluctuate between each issue collected here. And I think Jimmy Olsen does the same thing essentially three times!

But it's all so fast, the book almost gets away with it... for now. I'll admit I had fun reading this, and didn't think it was quite as bad as the world made it out to be.

Yes, that's damning with faint praise.

Next Week: More counting down in the second volume of Countdown to Final Crisis!

* The cover, and much of the Internet, claims that this book is called Countdown to Final Crisis, Volume One, but if I've learned anything from graduate school, it's how to read a title page, and this is clearly what the title page says, as cumbersome as it might be!

Faster than a DC Bullet: Project Crisis!, Part XXIX: Uncle Sam and the Freedom Fighters

Comic trade paperback, 208 pages
Published 2007 (contents: 2006-07)
Borrowed from the library
Read July 2014

Uncle Sam and the Freedom Fighters

Written by Justin Gray and Jimmy Palmiotti

Art by Daniel Acuña
Colors by Daniel Acuña and Javi Montes 
Letters by Rob Leigh

Uncle Sam and the Freedom Fighters is the sequel to The Battle for Blüdhaven, like it taking place during 52; in this case, Uncle Sam covers the presidential election and its aftermath, beginning during week 26. To its credit, it is better than Battle for Blüdhaven, though that's not really thus much of an accomplishment. Thankfully, the overly large cast of its predecessor is excised in favor of just a few Freedom Fighters, and despite myself I even came to become interested in some of them, especially Doll Man and the new Ray, the former of which is tragic and the latter funny. (The previous Ray appears, too, but as someone who coincidentally just read thirteen issues of Christopher Priest's run on The Ray, he's very generic here.) Like its predecessor, Uncle Sam and the Freedom Fighters tries to say something about America, but its villains are so ridiculously over-the-top it can't really be about anything meaningful. Perhaps I'm a fool to look for nuanced political commentary in a superhero comic, but I really think it is possible... but it definitely wasn't achieved here.

Faster than a DC Bullet: Project Crisis!, Part XXVIII: Infinite Crisis Aftermath: The Battle for Blüdhaven

Comic trade paperback, 142 pages
Published 2007 (contents: 2006)
Borrowed from the library
Read July 2014

Infinite Crisis Aftermath: The Battle for Blüdhaven

Written by Justin Gray and Jimmy Palmiotti

Layouts by Dan Jurgens and Gordon Purcell
Finishes by Jimmy Palmiotti
Colored by Javi Montes
Lettered by Pat Brosseau and Nick J. Napolitano

One of the weirdest parts of Infinite Crisis was the Society's dumping of Chemo (a walking pool of toxic waste) on Nightwing's home turf of Blüdhaven, a move that didn't really seem to have anything to do with the story being told, nor did it crop up in its various spin-offs. Its aftereffects, however, are told here, in a story set between weeks 12 and 13 of 52 according to the timeline I am using, so that is where I read it.

Well, if it was all done for this, it was not worth doing. The Battle for Blüdhaven kinda gestures toward having something to say about the way the government responds to a disaster-- perhaps a heavy-handed Katrina allegory-- but soon goes off the rails when the U.S. government starts experimenting on people for no readily apparent reason and the villain is just a crazy person. This story unites a ton of heroes with patriotic pedigrees, especially the old Freedom Fighters, so many that you never really get who any of them are or what they do, and you certainly don't care about any of them. The Teen Titans and Green Lantern also show up for some reason. There are just fights, fights, fights. Really, this is superhero comics at their worst, but it's hard to get worked up about it because it's not actively bad in the way that, say, Jeph Loeb is-- it's just sheer laziness.

The one thing I liked is that when the Society gathers up a group of obscure villains from other comics with nuclear abilities to enter Blüdhaven (it's radioactive, for the reason we eventually learn is the return of Captain Atom, last seen in our universe in Superman Batman: Public Enemies), one of them is called Nuclear Family: a group of androids looking like a stereotypical family, all with radioactive powers-- even the dog. Delightful, but the only thing about this that is.

Faster than a DC Bullet, Issue #19: Superman Returns: The Prequels

Comic trade paperback, 128 pages
Published 2006 (contents: 2006)
Borrowed from a friend
Read February 2010

Superman Returns: The Prequels

Story: Bryan Singer, Michael Dougherty, Dan Harris
Writers: Jimmy Palmiotti & Justin Gray, Marc Andreyko

Art: Ariel Olivetti, Karl Kerschl, Rick Leonardi & Nelson, Wellington Dias & Doug Hazlewood
Letters: Rob Leigh, Pat Brosseau, Jared K. Fletcher, Nick J. Napolitano
Colors: Nestor Pereya, Jason Wright, Richard & Tanya Horie, Moose Baumann

DC Universe Timeline: N/A
Real World Timeline: 2001-6

I really enjoyed Bryan Singer's Superman Returns. As a Superman fan, it struck all of the right notes for me: a Superman conflicted about his place in the world, justifiably so, but still perfectly willing to do what needed to be done when things got bad, having indulged his one moment of selfishness. I looked forward to the expansion of the Superman mythos with a son for Clark and Lois. And as for Lex Luthor-- despite everything, I utterly love Gene Hackman's interpretation of the character, and Kevin Spacey picked it up perfectly. So, it was with some interest that I opened this book, a set of "OFFICIAL move prequals" (sic) that came out shortly before the film did.

Superman Returns takes place about five years after Richard Lester's Superman II, five years while Superman has gone to visit the remains of Krypton and Lex Luthor has been rotting in prison. This book contains four small stories helping to bridge that gap-- supposedly.

"Krypton to Earth"
If you've watched Superman: The Movie, you've already experienced this story. In fact, if you know any variant of Superman's origin, you already know this story: it's the last days of Krypton, with Jor-El presenting his findings that Krypton will explode, the authorities ignoring him, and Kal-El being launched into space for Earth. Just going by my memories of Superman: The Movie, it's a fairly faithful recreation of that film's opening sequence, though it has some extra bits, such as a scientist who presents findings that disagrees with his findings. Jor-El presents his promise to the council in a nicely ambigous fashion: "Neither my wife nor myself will ever leave Krypton." Getting Jor-El's thoughts as he assembles little Kal-El's ship and the knowledge crystals he will take with him is a strong addition, especially his thought that Kal-El "will give the people of Earth an opportunity for greatness far sooner than would normally be possible."

But it's very much a case of been-there-done-that. There's no new wrinkles here, nothing unexpected. This is a story that has been told and told again. Indeed, the makers of Superman Returns very consciously did not retell it because they knew it had been told enough. Yet here it is again. I found it hard to care. Yet, as Jor-El's recordings played those fabulous lines, I got chills down my spine: "Remember, Kal-El, they can be a great people if they wish to be. They only lack the light to show them the way. For this reason above all, their capacity for good... I have sent them you... my only son." But I did get chills because of anything actually in this comic, or just because it made me remember Marlon Brando's narrating the film's excellent trailer? Probably the latter... which doesn't really speak well for this story.

"Ma Kent"
What's Martha Kent been up to the last five years? With her husband dead and her son gone, not terribly much. This is a quiet story, working to establish the way Ma feels about her son-- how much she loves him and how much she misses him. Even with him gone, she still does everything he needs, faking postcards from Peru to send to the Daily Planet so no one wonders about what's happened to Clark. The story cuts back and forth between Ma in the present and various snippets of her past, mostly Clark's childhood. She misses him, but all she can do is move on and live her life.

Yet she can't, not quite. She's caught in some sort of strange limbo. Clark's gone, but at any given moment he might be back. There are constantly moments where she starts, thinking that it's him-- but it's not. It never is. She needs to let him go, but she never will. It's a nice little character piece, and the flashbacks effectively fill us in on the backstory of Superman: The Movie and how the Kents raised Clark, as well as adding some snippets about his decision to leave the Earth. Despite its quietness, this is probably the most effective story in the collection-- certainly it has the nicest art.

"Lex Luthor"
I've mentioned many time my appreciation for Lex Luthor, and that extends to even (especially) the Hackman/Spacey incarnation. So of course I was looking forward to this story. But I don't think Palmiotti and Gray really get Lex: there's a bit where he ruminates on the dangers of Superman: "How do they know he's not the vanguard for an invasion of super-powered beings?... Who knows what kind of spaceborne diseases he carried?" As Lex himself would say: "WRONG!" Those are obviously not true to any reasonable person, and Lex Luthor is always reasonable. It's what Superman represents that threatens Luthor, not some kind of physical danger. His determined, conniving nature comes across well, though, as he plots for his eventual release and woos Kitty Kowalski, his henchwoman in the film.

Unfortunately, most of this story simply recaps Superman: The Movie and Luthor's plot and capture there. (No Superman II, strangely. In fact, all of these prequels seem to gloss over it.) It's the highest degree of recap in this collection and it's boring. I mean, I understand that someone might want the people seeing Superman Returns to be familiar with what happened in the earlier films-- there was a gap of twenty years in the real world, after all-- but surely the sort of people who pick up prequel comics to superhero films are the sort of people who already know what happened? The other big sin of this story is that Lex totally lacks the sense of humor his film incarnations possessed. He was played by Gene Hackman, for crying out loud, of course he was a little campy, but you can't quite believe that the Lex in this comic was ever involved in nuclear-powered real estate schemes, which is a shame. And there's not even one reference to "the greatest criminal mind of our time"!

"Lois Lane"
The last story in the book was also the least effective for me. It depicts Lois writing her story "Why the World Doesn't Need Superman", which we know from Superman Returns won her a Pulitzer. My problem with this story is that it doesn't know what it's about. It's supposed to be about Lois moving on, finding herself, and closing the chapter of her life that's about Superman. The story, like the others in the book, recaps Superman: The Movie's key moments, interwoven with Lois's burgeoning relationship with Richard White. But the relationship with White gets about two pages-- not enough time to convince. And we know Lois hasn't moved on, because Superman Returns ends with her writing a newspaper article disagreeing with this one.

"All we need is the belief in ourselves," writes Lois, but it's not convincing coming from this mopey Lois. It doesn't help that the artwork here is stiff, not really displaying emotion on any adequate level to the story being told. Ultimately, I was unengaged in Lois's problems, thanks to both the writing and the artwork, and that's the worst part of all.

Overall, this slim volume is fairly mediocre. None of the stories are outright terrible, but all of them spend too much time retreading Superman: The Movie, and none of them compellingly represent the characters they're supposed to be filling us in on. A wasted opportunity to really flesh out an excellent film.


Do you know what? This is the last one. That's it. No more Faster than a DC Bullet. Back in June 2008, I started reading the 21 comics my friend had loaned me, claiming that "you get the pleasure of journeying through them with me over the next couple months!" Well, here we are twenty-one months later, and I've finally finished. They were arrayed with quick regularity on my reading list, but slowdowns thanks to graduate school meant I averaged only one a month-- and then it took me three months to do one. That's when I promised myself I'd do at least one every month, or I'd never finish, and I managed to keep that promise and then some, wrapping up slightly ahead of my predicted April 2010 date. It's been a long, fun journey, and I hope you all have enjoyed reading about these stories as much as I've enjoyed reading them. Except for Absolute Power. Great Rao, I wish I'd never read that.

Note that this originally appeared on my old LiveJournal and included pictures back then. Sadly, the pictures are lost in the mists of the Internet.