Showing posts with label subseries: house of secrets. Show all posts
Showing posts with label subseries: house of secrets. Show all posts

28 September 2016

Faster than a DC Bullet: The Houses of Mystery and Secrets, Part XVIII: House of Secrets Omnibus

Comic hardcover, 733 pages
Published 2013 (contents: 1996-2001)
Borrowed from the library
Read April 2016
House of Secrets Omnibus

Writer: Steven T. Seagle
Artists: Teddy Kristiansen, D'Israeli, Guy Davis, Duncan Fegredo, Christian Højgaard, Dean Ormston, The Pander Bros.
Colorist: Bjarne Hansen
Letterer: Todd Klein

About two years ago, I read Foundation, the collection of the first five issues of the 1990s revival of House of Secrets. At the time, the omnibus of all 25 issues plus assorted extras had recently come out but I was unable to source it via interlibrary loan, but on this pass back through Sandman tie-ins I was able to finally secure it. It's a mammoth work: at 733 pages of story, plus unnumbered behind-the-scenes pages, you could really do damage to someone else with this book. Or to yourself if you carry it around in a backpack.

There's a lot to take in here, so probably this review will spiral out of control; I'll begin by not reviewing the opening arc Foundation again, since I already have. (Click on the link in the first paragraph if you care.) I should note that the issues are reordered from publication order here, apparently hitting some kind of ideal reading order, and I read them in the order they're placed here. As a result, book opens not with Foundation, but with what was originally issue #7, "Blueprint: Elevation A," which chronicles the building of the house that eventually became the House of Secrets, intertwining tales of the architect who designed the house, the actual builder of the house and the owner's wife, the House itself, an Indian tribe who used to own the land it was built on, and the blueprint. As you might imagine if you've ever read a 1990s Vertigo comic, they're all dark stories that end in tragedy, but they entertain in a sort of macabre Twilight Zone fashion.

The story rotates through each story, one half-page panel at a time, each with its own distinctive style of lettering.
from House of Secrets vol. 2 #7 (art by Teddy Kristiansen)

Foundation is followed by The Book of Law, a six-part story that fills in the backstories of the dead souls who make up Rain Harper's fellow members of the Juris, the mysterious court in the House's pantry who judge people for the secrets they hold. These are Digol, a Babylonian warlord-turned-court-official; Ruby, a black woman from the 1960s South who gets involved with a white man; Pfaultz, a Middle Ages charlatan who exploits fears of the plague to get money and sex; NiAn, the wife of a dead Japanese warlord suspected of his murder; Clius, a young Roman who gets sexually involved with the Emperor; and the concept of the number five. I liked most of these stories on their own merits-- each draws a nice, one-issue tragedy, some about sweet characters (Ruby) and some about genuinely awful ones (Pfaultz). Though Teddy Kristiansen drew most issues of House of Secrets, The Book of Law lets some guest artists step in to enhance each story with its own distinctive tone, most successfully, Guy Davis (of Sandman Mystery Theatre fame) on Ruby's story. But it was a little weird for the narrative to swerve into covering five side characters after only five issues of the series's regular characters. I think these would have worked better interspersed throughout the series (like the "Times Past" segments of Starman) as opposed to all at once.

26 March 2014

Faster than a DC Bullet: The Houses of Mystery and Secrets, Part XVII: House of Secrets: Foundation

Comic hardcover, 127 pages
Published 1997 (contents: 1996-97)
Borrowed from the library
Read March 2014
House of Secrets: Foundation
by Steven T. Seagle and Teddy Kristiansen

From 1996 to 1999, DC revived the House of Secrets for 25 issues. I tried to get the House of Secrets Omnibus, but ILL couldn't procure it, so I had to settle for this, which collects just the first five issues. It's a very different House of Secrets than we've seen before (and since); the House is located in Seattle, and it attracts to it those who possess "secrets," who are tried by a group of ancient ghosts. Into all this enters Rain, a damaged, defensive young woman who ends up serving as the court's "witness." What could easily be a cliche character is really quite interesting-- her hard edges feel real, not like stock traits, as she's genuinely hurtful sometimes. The prose and dialogue are great, and this is probably the best artwork of Teddy Kristiansen's (considerable) career. There's something of a self-contained story here, but I'm disappointed I'll never know what happens to these guys next.

04 December 2013

Faster than a DC Bullet: The Houses of Mystery and Secrets, Part V: Showcase Presents The House of Secrets, Volume 2

Comic trade paperback, 493 pages
Published 2009 (contents: 1972-74)
Borrowed from the library
Read November 2013
Showcase Presents The House of Secrets, Volume 2

Written by E. Nelson Bridwell, Bill Meredith, Jack Oleck, John Albano, Lore Shoberg, Sergio Aragonés, Sheldon Mayer, Raymond Marais, Steve Skeates, Bill Riley, Maxene Fabe, Arnold Drake, George Kashdan, Michael Pellowsky, Gerard Conway, Michael Fleisher, Doug Moench, David Micheline
Art by Bernie Wrightson, Nestor Redondo, Jack Katz, Tony Dezuniga, Frank Redondo, Vic Catan, Abe Ocampo, Lore Shoberg, Tom Palmer, Sergio Aragonés, Mike Sekowsky, Alfredo Alcala, Alex Niño, June Lofamia, Ruben Yandoc, E. R. Cruz, Quico Redondo, Rico Rival, Jack Sparling, Virgilio Redondo, George Tuska, Gerry Talaoc, Jim Aparo, Bernard Baily, Jess Jodloman, Fred Carrillo, Flor Dery, Romy Gamboa, Rudy Nebres, Luis Dominguez, Nick Cardy, Frank Bolle, Nardo Cruz, Ramona Fradon, Ernie Chan, Gerry Boudreau, George Evans, Arthur Suydam

Like all the titles in the DC horror renaissance of the late 1960s and 1970s, House of Secrets has its individuality drained out of it by the slow diminishing of its frames; what were once multi-page stories are now panels (or rarely a whole page) in an issue. It's disappointing, especially as the reason I am reading this is the presence of Abel, our stuttering, terrified host.

What are particularly charming are the recurrent "Cain & Abel" pages, single pages of three panels by Sergio Aragonés, each panel showing Abel and his murderous brother doing something different together. Sometimes these are simply Cain belittling or pranking Abel, but others give us something more-- Abel getting something good because he is good, Cain causing his own comeuppance, or at their best, a brief glimpse of the true affection the brothers share. In one, they stroll through a crowd of people horrified by a triple-bill of horror films they have just scene, the only ones smiling; I love the idea that they spend their time popping from the Dreaming over to Earth to see horror films. My favorite is one where they are playing what looks like "Rock 'Em Sock 'Em Robots," only their two boxers are hugging, embarrassing them. It's all a warped but endearing depiction of brotherly love.

Individual stories still manage to do some good work, though. There's some child creepiness at work in "Goodbye, Nancy" (written by John Albano, art by Vic Catan, Frank Redondo, and Abe Ocampo), about a kid's odd new playmate. "Small Invasion" (written by Sheldon Mayer, art by Alex Niño), about an alien who means to conquer the Earth but ends up working in a logging camp, is oddly charming, and has some amazingly grotesque art. "A Lonely Monstrosity" (written by John Albano, art by Nestor Redondo) is a cruel tale about a couple who scheme to deprive a grotesque-looking man of his own fortune. I really liked "Skin Deep" (written by Jack Oleck, art by Alfredo Alcala), about an ugly man who commits murder and disguises himself to marry an attractive woman under false pretenses, as well as "Act III Eternity" (written by George Kashdan, art by Jess Jodloman).

There are many more-- despite its lack of the frames I enjoy so much, this is probably one of the better Showcase Presents volumes of vintage DC horror. Much of that is due to the dual artistic talents of Alex Niño and (especially) Alfredo Alcala, whose luscious, grotesque, beautiful art enlivens even the most stale of narratives. Even their lettering is a cut above the rest!

15 November 2013

Faster than a DC Bullet: The Houses of Mystery and Secrets, Part III: Showcase Presents The House of Secrets, Volume One

Comic trade paperback, 541 pages
Published 2008 (contents: 1969-72)
Borrowed from the library
Read October 2013
Showcase Presents The House of Secrets, Volume One

Written by Mike Friedrich, Gerard Conway, Marv Wolfman, Len Wein, Steve Skeates, John Costanza, Robert Kanigher, Raymond Marais, Jack Kirby, Mark Evanier, Virgil North, Sergio Aragonés, Lore Shoberg, John Albano, Jack Oleck, Mark Hanerfeld
Art by Jerry Grandenetti, George Roussos, Bill Draut, Jack Sparling, Werner Roth, Vince Colletta, Dick Dillin, Neal Adams, Dick Giordano, Alex Toth, Mike Royer, Mike Peppe, Sid Greene, Jack Abel, Don Heck, Ralph Reese, John Costanza, Gil Kane, George Tuska, Gray Morrow, Ross Andru, Mike Esposito, Michael Wm. Kaluta, Frank Giacoia, Rick Buckler, Wally Wood, Sam Glanzman, Murphy Anderson, Bernie Wrightson, Alan Weiss, Tony Dezuniga, Jim Aparo, Sergio Aragonés, Nick Cardy, Lore Shoberg, Bernard Baily, Joe Maneely, Nestor Redondo, Bill Ely, John Prentice, Ralph Mayo, Jose Delbo, Mike Roy, Adolfo Buylla

The House of Secrets begins with a fairly lengthy (for this kind of comic, anyway) origin story for the House of Secrets itself. "Don't Move It!" (written by Mike Friedrich, art by Jerry Grandenetti and George Roussos) tells this whole tale of a house in Kentucky, built by one Senator Sandsfield with his bare hands entirely from materials found in Kentucky, who swore no one who wasn't of "pure Kentucky stock" would ever live in it. Quite what this means, I don't know, but when our story opens, the House's new owner is trying to transport it over state lines. (Presumably into Tennessee, as no river is mentioned, and I believe Kentucky's southern border is the only one not determined by a river.) With the House 200 yards from the state line, the owner dies, and the House stays where it is, and some time later, Abel shows up, recruited as caretaker by a mysterious man who turns out to probably be an embodiment of the House itself. How all this squares with the histories of Cain and Abel given in The Sandman, I don't know.

Like in The Witching Hour!, the reader is often a viewpoint character in House of Secrets, coming to visit Abel and hear his stories-- along with Goldie, Abel's friend that no one else sees or hears. In The Sandman, Abel had a pet gargoyle named Goldie, evidently after this invisible friend. The frame stories are fairly fun. They're never quite as complicated as those in The Witching Hour! at its heyday, but they usually run a few pages and feature Abel and Goldie up to something, often investigating the strange House they live in. Cain pops up a lot, and you can see the seeds of their wonderfully macabre relationship in The Sandman, though Cain never murders Abel here.

I liked the reference to a "wandering wolfman" who told Abel one of his stories-- presumably the wolfman's name was Marv. There's even one story where Abel and Goldie wander into the nearby suburbs for some tale-telling, pass through the middle of a tale currently happening, and end up meeting Mordred from The Witching Hour! (In another, all three witches come over for a visit.) Not to mention that at one point, we readers get to enjoy a comic book that Abel himself is reading: "Reggie Rabbit, Heathcliffe Hog, Archibald Aardvark, J. Benson Babboon and Bertram the Dancing Frog" (written by Len Wein, art by Ralph Reese), who end up mocking their own dialogue balloons! House of Secrets is definitely more inventive than the other series in this way, I think. With time, alas, the frames shrink away to just a page or so, and Cain stops appearing.

As in both The Witching Hour! and House of Mystery, there are some good stories here. I particularly enjoyed "Bigger than a Breadbox" (writer unknown, art by Mike Royer and Mike Peppe), where an elderly woman enjoys a postal romance, "The Ballad of Little Joe" (written by Gerard Conway, art by Bill Draut), where aliens mistake a man's beloved puppet for an Earth life-form, "After I Die!" (written by Jack Kirby and Mark Evanier, art by Bill Draut), about a man determined to find out what the dying see, "World for a Witch" (written by Jack Oleck, art by Bill Draut), about a group of orphans whose orphanage-runner escapes her life's misery in a magic picture, and, of course, "Swamp Thing" (written by Len Wein, art by Berni Wrightson), the beginning of that much-famous character. I also really enjoyed "The Day After Doomsday..." (written by Len Wein, art by Jack Sparling), a recurrent series of two-page shorts about Adam and Gertrude, the last two humans alive after a holocaust (the same as Kamandi's Great Disaster?). They're both kinda hilariously dumb.

Overall, it's another good bunch, and I'm glad The Sandman led me to it, even if the two series don't line up quite precisely. (Well, unless the Dreaming is in southern Kentucky.)