Showing posts with label creator: david whitaker. Show all posts
Showing posts with label creator: david whitaker. Show all posts

21 August 2024

The First Doctor Novelisations: The Crusaders (1966)

Doctor Who and the Crusaders by David Whitaker
illustrated by Henry Fox

Doctor Who and the Crusaders was the third Doctor Who novelisation, the last of the novels to appear during the 1960s, and thus also one of the three reprinted to launch the Target range in 1973. When I wrote my review of Doctor Who and the Zarbi (1965), I discussed how it seemingly worked to position itself as "the second Doctor Who book" in a world where the only other Doctor Who book was Doctor Who in an exciting adventure with the Daleks (1964).

Originally published: 1966
Acquired: May 2009
Read: July 2024

What's interesting about Doctor Who and the Crusaders is that it is also working to make itself "the second Doctor Who book" in a world where the only other Doctor Who book was Doctor Who in an exciting adventure with the Daleks (1964). Here, David Whitaker novelises his own scripts for The Crusade (though having read the book and not seen the serial for obvious reasons, I find myself thinking of the tv version as The Crusaders as well). On screen, The Crusade follows directly on from The Web Planet... but in print, The Crusaders follows directly on from Doctor Who and the Daleks.

Not in the sense that the characters have just left Skaro, but in the sense that the book is clearly designed to be read by someone who has previously read The Daleks. The book's prologue works to provide context for why Susan isn't there anymore, and mentions the Daleks—something which, I would argue, is pretty random if you think of this as one of many Doctor Who novelisations, but pretty essential if it's the second Doctor Who book but with a different main character to the first. (Incidentally, apparently in the Doctor Who book universe, David Cameron let a very different life to both the tv one and our own.) This prologue is, for what it's worth, probably my favorite bit of the book, containing some evocative, thoughtful writing that captures one of the best TARDIS crews (or, I guess I should say, "Tardis crews"), setting the stage for the adventure to follow with an interesting debate about history. For, while The Zarbi worked very hard to emulate The Daleks, The Crusaders is a very different style of Doctor Who story, and thus the book needs to ease you into it a bit. This is the first prose example of Doctor Who as an historical adventure series.

I love the way the Whitaker describes all the Doctor Who stories we haven't got to read. I am a bit surprised no writers of Missing Adventures, Past Doctor Adventures, or Big Finish stories have ever made us suffer through their take on "the talking stones of the tiny planet of Tyron, in the seventeenth galaxy," to be honest... but also quite grateful.

Anyway, how's the book? I ended up enjoying it a lot. I have seen episodes one and three of The Crusade, thanks to the Lost in Time box set, but that was a long time ago, and I find that stories I only see bits of don't really imprint themselves on my memory, so this was basically a new story as far as I am concerned. Like The Daleks, it's a bit grim, but instead of science fiction dangers, it's real dangers: physical assault, dying in a desert, and even sexual assault. But also Whitaker leavens it all with moments of humor, such as the Doctor's clothes-stealing antics, and the thief who Ian tussles with. It's great to see Ian and Barbara on the top of their form after their kind of nondescript run in The Zarbi, but like in The Zarbi, Vicki is again kind of just there.

I did find it a bit tough to get into the book after the prologue; there are a lot of historical figures thrown at you in King Richard's court. And, I also found the shifting emphases kind of off; the Doctor, Vicki, and most of the English characters basically disappear from the last third of the book or so, when it abruptly becomes Ian and Barbara's story. This is disappointing as the Doctor is a very much a highlight of the story! But overall, it was a quick, effective, enjoyable read. Whitaker wouldn't write any more Doctor Who novelisations, which is a bit disappointing.

I read a 1980 reprinting of the 1973 Target edition, which includes illustrations by Henry Fox. He has a good line in likenesses; I don't think the illustrations are essential, but they are nice to have.

I found my copy in a used bookstore in Storrs, Connecticut back in 2009. (Yes, it has taken me a while to get around to reading it.) It has a stamp in the front indicating when the bookstore acquired it—two in fact. It was sold to them in 1987, and apparently purchased, because it was resold to them in 2006. One of the book's previous owners wrote his name in front: Eric Sonstroem. It seems highly probable to me that this is the same Eric Sonstroem who is currently an English professor at the University of the Pacific. It's not a common name, and Sonstroem got his B.A. at Wesleyan University in Connecticut in 1988, exactly the right time and place to be selling his Doctor Who books to the Paperback Trader in Storrs in 1987. Sonstroem's research interests include science fiction; he's even presented at Worldcon a couple times.

Every three months, I read the unread Doctor Who book I've owned the longest. Next up in sequence: Doctor Who and the Tenth Planet

08 July 2024

The First Doctor Novelisations: The Daleks (1964)

I've been catching up on the Doctor Who fiction I've had on my reading list; every three months, I take the book I've owned the longest and read it. The next one in that sequence ought to be the first Doctor novelisation Galaxy Four, but I've decided to do things slightly different with the Target novelisations, since they're so short. When I hit one of those, I'll read all the unread Targets I have with that particular Doctor, in order of original publication (plus I'll add on any Targets featuring that Doctor that have received a modern reprint).

Originally published: 1964
Acquired: January 2013
Read: July 2024

For the first Doctor, that sequence is The Daleks (1964), The Zarbi (1965), The Crusaders (1966), The Tenth Planet (1976), The Dalek Invasion of Earth (1977), and Galaxy Four (1986).

Doctor Who in an exciting adventure with the Daleks by David Whitaker
illustrated by Arnold Schwartzman

Famously, this is the first Doctor Who novel of any kind, a novelisation of the first Dalek story (which pedants know as The Mutants but most modern viewers call The Daleks), released on the eve of the Daleks' return to television in The Dalek Invasion of Earth. Since it was not seen as the first of a range of tie-ins, but rather as a standalone novel, it was designed to work on its own. Story editor David Whitaker took Terry Nation's script and appended a couple chapters on the front explaining how the Doctor, Susan, Ian, and Barbara all ended up journeying to Skaro together—in a way not at all consistent with An Unearthly Child—and also added a short chapter at the end where the characters decide to continue to adventure together. You could take this book and hand it to someone claiming it was the first Doctor Who story and they would totally believe you. (Maybe I will try this on my kids someday.) In addition, it's designed to work as a book: Whitaker novelizes the story in the first person from Ian's perspective, so it doesn't read as a tv tie-in, but a proper adventure novel.

Anyway, it's a really strong read. The opening chapters are intense and atmospheric, Whitaker really capturing Ian's disorientation and fear. This is a much more forbidding introduction to the Doctor than we got on screen, but it works well as a lead-in to an intense story. I am not a big fan of the original Dalek story, but telling it in the first person makes it creepy and unsettling. When you encounter it for the first time, a Dalek isn't an outer-space robot monster, but an inscrutable alien—this is true of their first story and no other, and the novelisation captures that fairly well. The description of the Dalek mutant is unsettling, and the glass Dalek at the story's climax is amazing.

In prose, a lot of the story is streamlined to positive effect; we don't spend twenty-five minutes with various characters jumping across a chasm, and the tight focus on Ian means some of the story gets related secondhand, which usually works well. I was surprised that this takes out all the references to radiation from the tv story; it's just vague "poison," even though the weapon used in the past is eventually established as an atomic bomb.

Ian of course is the star here. He's always been one of my favorites, and I'd love to hear William Russell's audiobook version of this story. (I once got it from the library but had to return it before I finished the first chapter, I think!) The book also does well by the Doctor, working in a nicely done character arc across the story about him and Ian coming to trust each other. I think Susan comes across better here than she does on screen; divorced from Carole Ann Ford's somewhat histrionic performance, she's more of a cool, collected, mysterious girl. The one regular the story does poorly by is Barbara, who mostly comes across as Ian's love interest, and only because she's the girl one. I think Jacqueline Hill's performance did a lot for the character in her early days.

I read the 2011 reprint, which has a new introduction by Neil Gaiman, the original illustrations by Arnold Schwartzman, and an afterword by Steve Tribe. The Gaiman intro is all right, and the Schwartzman pictures are nothing to write home about; he picks a surprising number of banal moments where the regulars are standing around to illustrate. Whitaker gives great descriptions of the Dalek city and its environments, but Schwartzman doesn't bother to illustrate that! The afterword by Steve Tribe does a great job of giving historical context for the book, but as an American, I found the pedantic explanation of what "feet" and "inches" were hilarious. The thing I needed explained was the oft-used term "gasometer"!

Every three months, I read the unread Doctor Who book I've owned the longest. Next up in sequence: Doctor Who and the Zarbi

14 February 2022

The Daleks (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 19)

 The Daleks

Collection published: 2020
Contents originally published: 1965-67
Acquired: September 2021
Read: October 2021

Written by Angus Allan, Alan Fennell, Terry Nation, David Whitaker
Illustrated by Richard Jennings, Eric Eden, Ron Turner

The Daleks was a sequence of one-page strips that ran in the anthology comic TV Century 21 from 1965 to 1967. It was reprinted in restored form as a "bookazine" by Doctor Who Magazine in late 2020; I added it to my DWM marathon, placing it between Evening's Empire and Emperor of the Daleks by virtue of the fact that some of the strips were reprinted in DWM at around that time, in issues #180-93. A flimsy excuse, but hey, it's my marathon.

These stories do not feature the Doctor; they are usually told from the perspective of the Daleks themselves, though occasionally other characters become the protagonists. It begins with the beginning of the Daleks—at least as it was envisioned in 1965, with the Daleks being mutations due to the war between the Daleks and the Thals. There are no Kaleds or Davros here. The stories then move forward through time, following things like the Daleks exploiting a crashed spaceship to develop space travel, their first invasion of an alien world, their battles against the mutations of their own world, an attempted uprising by a Dalek named "Zeg," their war with the Mechanoids, their discovery of a planet called "Earth," a new Dalek fad of protecting beauty, and so on.

from TV Century 21 #20
(script by David Whitaker, art by Richard Jennings)
The plots kind of don't matter; the science is often (always) nonsensical. But there is a pure delight to be find in a story that causes you to root for the Dalek Emperor or hope that the Daleks do invade a planet. The Daleks might be metaphors for fascism in other stories; in these, they're just pure force, and the joy of the stories is in seeing them sweep up their enemies in all forms. Nothing stops a Dalek!

The art is amazing. We have two distinct styles. Richard Jennings's is more painterly and more detailed, more traditionally "British comics" in its appearance. A Dalek being destroyed from the inside by a malevolent flower is an amazing sight! He's later succeeded by Ron Turner, whose more abstract style communicates the pure power of the Daleks, layouts bursting with energy. I was particularly taken by the set of strips focusing on Agent 2K, an android dispatched by aliens to prevent a Dalek-Mechanoid war from breaking out.

from TV Century 21 #66
(script by David Whitaker, art by Ron Turner)
It's definitely aimed at seven-year-olds, but I found it the exact kind of read I needed when stuck at home sick, and I appreciated getting to read these for historical reasons: the Dalek Emperor originally appeared here, and this is also the source of the Dalek lettering later used across numerous Doctor Who tie-ins (though it's only actually used in about a dozen strips, curiously).

This post is the nineteenth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers Emperor of the Daleks. Previous installments are listed below: