Showing posts with label creator: james joyce. Show all posts
Showing posts with label creator: james joyce. Show all posts

20 April 2017

Review: Dubliners by James Joyce

Trade paperback, 317 pages
Published 1993 (originally 1914)

Previously read April 2005
Acquired June 2014

Reread November 2014
Dubliners by James Joyce

At the end of my course on British literature 1890-1950, I polled my students on the best and worst of the readings they had done. I lost those notes, unfortunately, but I did write down one of them for posterity: "Dubliners cut across all the necessary themes literature may demand. It helped me understand life better." She's not wrong.

I first read "The Dead" as a high school senior, and liked it so much that it inspired me to pick up all of Dubliners in college, and of course I had to reread it to teach it. On each iteration, I like it more, and I understand it more. The whole book is excellent, but "The Dead" is a masterpiece, and you could probably argue that Joyce singlehandedly changed the direction of the short story in English. So much that's meaningful comes together in "The Dead": it's all about connection, imagining the other, projecting desire, recognizing the self, and experiencing epiphany. It's sort of uplifting and sad at the same time. Joyce captures humanity as it is in a way few others do. I look forward to reading Dubliners again and again. Hopefully it will allow me too to understand life better.

07 January 2008

Archival Review: A Portrait of the Artist as a Young Man by James Joyce

Trade paperback, 400 pages
Published 2005 (originally 1914-15)
Acquired January 2007

Read December 2007
A Portrait of the Artist as a Young Man
by James Joyce

I read this in high school.  I liked it all right, but I like Joyce's short fiction better.  I had to read it again in a class I took in the spring of 2007, but a misunderstanding in our assignments meant I fell behind and had to skip sections 3 and 4 so I could give a presentation on section 5.  So I slotted the book into my list, and finally got around to reading those missing sections.  They're the parts where Stephen renounces sin (following the amazing description of hell) and then, some time later, also rejects the priesthood.  Which ties into what our professor told us-- Stephen has to reach a point where he doesn't make one of two choices, but rejects the choice altogether.  Whatever.  It's James Joyce, and he really needs to discover the quotation mark.