Showing posts with label creator: leandro casco. Show all posts
Showing posts with label creator: leandro casco. Show all posts

05 January 2022

Doctor Who: Roots by George Mann, James Peaty, I. N. J. Culbard, Ivan Rodriguez, Wellington Diaz, Klebs Junior, Leandro Casco, et al.

Doctor Who: The Eleventh Doctor: The Sapling, Vol 2: Roots

Collection published: 2017
Contents originally published: 2017
Read: September 2021

Writers: George Mann & James Peaty with Vince Pavey
Artists:
I. N. J. Culbard, Ivan Rodriguez, Wellington Diaz, Klebs Junior & Leandro Casco with Pasquale Qualano
Colorists: Triona Farrell, Stefani Renne & Thiago Ribiero
Letters: Richard Starkings and Jimmy Betancourt

Longtime readers of my reviews of Titan's Doctor Who comics will know that The Eleventh Doctor has consistently been my favorite of their three-then-four-then-three ongoings. For its first seven volumes, it was always written by Rob Williams and one other writer (Al Ewing for "Year One," Si Spurrier for "Year Two," Alex Paknadel for vol 1 of "Year Three"); they would typically cowrite the opening and closing story, and then alternate the stories in between, most of which were just one issue. I don't know how much collaboration there was, but they certainly seemed like a seamless whole, and the succession of done-in-ones allowed for a lot of variety. More than any other Titan ongoings, The Eleventh Doctor has felt like comics first and foremost, not a tv show on the comic page, much like the early years of Doctor Who Magazine's strip.

Year Three, alas, breaks the pattern. For the first time in the run of The Eleventh Doctor, we have a collected edition with no Rob Williams content, and this volume doesn't bring back Alex Paknadel from vol 1 of The Sapling, either. And to add insult to injury, the writer primarily used instead is George Mann. Now, Mann has gotten better than he was, even if he's not great, but I didn't find him very suited to the style of The Eleventh Doctor; neither is James Peaty, who handles the other of the four issues collected here. (There's also a four-page backup story by Vince Pavey.) Neither writer can get the short story down; in all of the examples collected here, the Doctor discovers a problem, and then defeats it right way, much too easily. Too long is spent on the build-up, keeping there from being an effective twist or turn at the climax; in Mann's "Fooled," for example, the Doctor just takes the villain's device and breaks it, and that's it; in Peaty's "Time of the Ood," things go similarly easy. Even when Mann has two issues, as in "The Memory Feast," we still have one-and-a-half issues of running around before we get to a quick resolution. (Overload the thingy, that good old Doctor Who standby.)

I also didn't find the engagement with the ongoing Sapling arc very satisfying. The Sapling himself is a blank slate of a character, the supposed memory crisis that the Doctor and Alice are experiencing doesn't really seem to make much of a practical difference, and though two of the three stories are about memory, they thematically are not up to much.

What does work is the art of I. N. J. Culbard. He's worked on two previous volumes of The Eleventh Doctor, but this is the first where he's made an impression on me, and it's a strong one; he draws three of the four issues here, and he has a somewhat Mike Mignolaesque style, even if it's all his own. Very atmospheric, pairs well with the coloring, and as The Eleventh Doctor does at its best, it feels like comics, not comics-as-tv (or tv-as-comics). I see that for the final volume he'll be back, and paired with Alex Paknadel, which should hopefully be an excellent combination.

I read an issue of Titan's Doctor Who comic every day (except when I have hard-copy comics to read). Next up in sequence: Free Comic Book Day 2017

06 October 2021

Review: Doctor Who: Growth by Rob Williams, Alex Paknadel, I. N. J. Culbard, Simon Fraser, Leandro Casco, and Wellington Diaz

Collection published: 2017
Contents originally published: 2017
Read: July 2021

Doctor Who: The Eleventh Doctor: The Sapling, Vol 1: Growth

Writers: Rob Williams & Alex Paknadel
Artists:
I. N. J. Culbard, Simon Fraser, Leandro Casco, Wellington Diaz
Colorists: Triona Farrell, Gary Caldwell
 
Letters: Richard Starkings and Jimmy Betancourt

This volume opens "Year Three" of Titan's Eleventh Doctor ongoing, and as always, I find it excellent stuff. The opening two-parter, "Remembrance"/"The Scream" by returning writer Rob Williams with artists I. N. J. Culbard, Leandro Casco, and Wellington Diaz, takes the Doctor and Alice first to the funeral of their old friend John Jones, and then to a trap laid for them by a Silence who's so good at being forgotten that not even his own people remember who he is. As always, it's full of bonkers, delightful, dark stuff that is both very Doctor Who and nothing like the tv show. (Well, actually, it reminds me a lot of the first half of series 6's opening two-parter; "The Impossible Astronaut" is a delightfully disconcerting opening that I felt "Day of the Moon" didn't really capitalize on, and this pushes out even further in that direction.) My only complaint here is that what actually happened to the memories of the Doctor and Alice is a bit nebulous; their quest to regain them seem to be the Year Three arc, but it also seems that they remember most things!

As always, Rob Williams trades off his stories with another writer; in this case, newcomer Alex Paknadel writes "The Tragical History Tour" with returning artist Simon Fraser. Again, this is a story with an off-the-wall concept: time on Earth becomes spatialized, so you can get from one year to the next just by walking. The late 1960s start invading future years to take their stuff; the Doctor, Alice, and the Sapling bump into Alice's neighbor Kushak, all whose past selves are taking refuge in his 2015 apartment. So the Doctor, Alice, the Sapling, and all the Kushaks pile into a bus and drive back to 1968 to figure out what's going on! I enjoyed it a lot, though I did wish it was a three-parter as I felt the character(s) of Kushak kind of got lost in the midst of everything else. But this is a series that never does three-parters really, and is probably better for it; The Eleventh Doctor rockets through concepts that other Titan ongoings would probably drag out to tedium, always chasing the novelty that makes it always the best of the ongoings.

I read an issue of Titan's Doctor Who comic every day (except when I have hard-copy comics to read). Next up in sequence: The Tenth Doctor: Facing Fate: Breakfast at Tyranny's

07 July 2021

Review: Doctor Who: Sins of the Father by Nick Abadzis, Giorgia Sposito, Eleonora Carlini, et al.

Collection published: 2016
Contents originally published: 2016
Acquired: March 2020
Read: April 2021

Doctor Who: The Tenth Doctor, Vol 6: Sins of the Father

Writers: Nick Abadzis [with Andrew James]
Artists:
Eleonora Carlini & Giorgia Sposito, with Leandro Casco, Simon Fraser & Walter Geovanni
Colorists:
Arianna Florean
, with Azzurra Florean, Mattia De Lulis, Adele Matera, Rod Fernandes & Gary Caldwell
Letters: Richard Starkings and Jimmy Betancourt

This volume contains three things: a two-issue story about the Doctor, Gabby, and Cindy in New Orleans during the Jazz Age; the first two issues of a five-part story about the Osirians (the last three parts are in vol 7); and a short story about the tenth, eleventh, and twelfth Doctors.

The jazz one seems like it has potential... but as I said when I read this title's earlier story about living sound, surely comics is the medium least suited to telling a story about music? I also don't really understand what the writing is trying to do with the Doctor's dynamics with his companions now that he has two of them; I feel like the three of them are always getting mad at each other for reasons I have not actually been told about, like writer Nick Abadzis has forgotten to put on the page what ideas he has in his head about how these characters relate to each other. On top of that, I found the climax to this one very confusing in terms of script and art. Giorgia Sposito is good at likenesses and her art is attractive, but her storytelling skills aren't always up to it.

from Doctor Who: The Tenth Doctor: Year Two #11
(art by Giorgia Sposito)
As for the Osirian one... well, this title plummets into mediocrity every time that storyline comes up, and this installment is no exception. Dull dull dull planet Zog stuff. It has never been clear to me why I should care, and it still isn't. The twists and turns seem arbitrary and random. Ancient Gallifrey? Why not! I can only hope that when vol 7 brings it to a climax, that that will be the end of it all. At least we have some Elenora Carlini art, but I really wish she was getting to illustrate a more "domestic" story that plays to her strengths. We seem to have all but forgotten the set-up of Gabby's home life in New York City, something that Russell T Davies (who this series seeks to emulate) would never have done.

The short story about three Doctors and the word "con" is cute. For once, Titan remembers to credit the illustrators of a bonus short in the trade... but they still don't credit the writer!

Also the cover once again has pretty poor choices of models. If I can't tell which one is meant to be Gabby (a Hispanic woman) and which one is meant to be Cindy (a Chinese-Canadian woman), I feel like you've really screwed up!

I read an issue of Titan's Doctor Who comic every day (except when I have hard-copy comics to read). Next up in sequence: The Eleventh Doctor: The Malignant Truth

21 June 2021

Review: Doctor Who: The One by Si Spurrier, Rob Williams, Simon Fraser, Warren Pleece, Leandro Casco, Leonardo Romero, et al.

Collection published: 2016
Contents originally published: 2016
Acquired: March 2020
Read: March 2021

Doctor Who: The Eleventh Doctor, Vol 5: The One

Writers: Si Spurrier & Rob Williams
Artists:
Simon Fraser, Warren Pleece, Leandro Casco, Leonardo Romero
Ink Assists: Adriano Vicente, Wellington Dias & Raphael Lobosco
Colorists: Gary Caldwell
, Rod Fernandes, Ariana Florean, Nicola Righi, with Azzurra Florean
Letters: Richard Starkings and Jimmy Betancourt

The out-thereness of Titan's Eleventh Doctor series continues: in this one they visit River Song and go to Shada, the prison planet of the Time Lords. We begin to learn more about the role of the Master in these events, and the Squire struggles to prove herself-- as does Alice. All this plus Abslom Daak is hilarious but also tragic. It's hard to judge any of this on its own terms, as each issue works on its own but also propels you into the next: what is going to be the pay-off to all of this in the final volume of The Eleventh Doctor: Year Two? But the ride is enjoyable, human, and creepy, and I continue to be all in on it. Still far and away the best of Titan's Doctor Who ongoings. My only complain is that Simon Fraser somehow manages to make River Song look ugly!

I read an issue of Titan's Doctor Who comic every day (except when I have hard-copy comics to read). Next up in sequence: The Fourth Doctor: Gaze of the Medusa