After Avengers of the New World came to an end, Marvel did that thing that Marvel likes to do, which is that they started Black Panther over with a new #1... even though there was no gap in publication at all, and it was the work of the same writer! Ta-Nehisi Coates continues on, though the main artist of this new arc is Daniel Acuña, who is new to the character (other than a short story in Black Panther Annual vol. 1 #1).
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from Black Panther vol. 7 #5 |
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from Black Panther vol. 7 #3 |
I appreciate the attempt to do something different and unusual—I appreciate it a lot. There's a very standard type of Black Panther story that's emerged ever since Don McGregor first wrote the character, and this is very much not it... but one can see how it might let Coates and his collaborators explore some issues that are often intrinsic to the character.
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from Black Panther vol. 7 #2 |
By the end of these six issues, we don't know a lot about what's actually going on. Coates is clearly playing the long game here. He also did this on his previous two story arcs, but unlike on those... I kind of think it can work? A Nation under Our Feet didn't play any better with foreknowledge of where it was going, but I can imagine rereading this and getting it. Maybe I'm being naïve, but I have faith!
Unlike the editors of this run, I suspect. Each issue begins with a page that lays out some of the backstory, information that six issues in hasn't been otherwise revealed to the reader. It reads like someone chickened out of the in medias res approach to the series after it was written and illustrated and insisted this be stuck on the front. But it's not even that helpful, I was still confused! I wish they hadn't bothered, I felt like it showed a lack of confidence.
The Intergalactic Empire of Wakanda, Book 1: Many Thousands Gone originally appeared in issues #1-6 of Black Panther vol. 7 (July 2018–Jan. 2019). The story was written by Ta-Nehisi Coates, illustrated by Daniel Acuña (#1-5) and Jen Bartel (#6), with layouts by Paul Reinwald (#6), colored by Triona Farrell (#6), lettered by Joe Sabino, and edited by Wil Moss.
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