Review: Transformers: The Wreckers Saga by Nick Roche, et al.

Comic trade paperback, n.pag.
Published 2018 (contents: 2010-18)
Acquired May 2019
Read July 2019

Transformers: The Wreckers Saga

Story: Nick Roche & James Roberts
Art: Nick Roche, Guido Guidi, John Wycough, Andrew Griffith, Geoff Senior, and Brendan Cahill
Colors: Josh Burcham, Joana Lafuente, and Josh Perez
Letters: Neil Uyetake, Chris Mowry, Tom B. Long, and Shawn Lee

Having enjoyed IDW's first two Wreckers comics, somehow I still missed the existence of a third, Requiem of the Wreckers until it was too late: the one-shot wasn't at my local comics shop, and wasn't even available at my usual aftermarket web site. It was collected in this trade paperback, but this trade paperback also collected the first two Wreckers miniseries, which I already owned, and I wasn't about to pay $20 for a collection of eleven issues that I already owned ten of. But then the collection appeared in my LCS's $5 discount pile on Free Comic Book Day, so of course I went for it.

The first time I read this comic, I kept forgetting who Impactor was. I'm so bad at robots.
from The Transformers: Last Stand of the Wreckers #2 (script by Nick Roche & James Roberts, art by Nick Roche & John Wycough)

I'm actually really glad I did. I liked Last Stand of the Wreckers and Sins of the Wreckers the first time around, and I'm not going to re-review them here, but I liked them even more a second time around, with a firmer grounding in Transformers lore, and knowledge of where the stories were ultimately going. Small details became significant with foreknowledge in mind, and reading Last Stand and Sins (and Requiem) back to back made how it's all one big story much more apparent. (Poor Guzzle.)

As you do.
from Transformers: Sins of the Wreckers #1 (script & art by Nick Roche)

Requiem is a fitting end for the whole saga, bringing together the villains of the first two stories, and tying off a lot of emotional and character threads, especially for Impactor and Springer, whose relationship is one of the backbones of the series. Kup is dead, so he can't feature like he did in the first two, but Roche turns that into a virtue.

Nooo, Ironfist/Fistiron!
from Transformers: Sins of the Wreckers #5 (script & art by Nick Roche)

I also appreciated the presence of Verity Carlo throughout. Verity was there when IDW's continuity began, so I'm glad Nick Roche kept her character going once Simon Furman left, and gave her an ending as IDW's entire universe drew to an end.

Hopefully if you lived through what Verity did, you'd gain some wisdom, too. I hope.
from Transformers: Requiem of the Wreckers Annual 2018 (script by Nick Roche, art by Brendan Cahill)

Roche is oft-praised by Transformers fans, I think, but probably still not praised enough. Of course he knows his continuity and stuff, and we like him for it, but even better, he understands character and theme. This is a saga about the damage war does, and how we need friendship to overcome it, and what the appropriate bounds of friendship allow for and what they do not. How do you forge an identity that meets the expectations your friends place upon you when the entire universe seems to be conspiring against you? This informs every character arc, every story beat. He also has a way with big crazy ideas, and his art is incredible stuff. James Roberts (co-writer on some of Last Stand) justly gets a lot of praise, but Roche is surely the talent of the IDW era. I hope IDW keep him involved in their new era, or that he goes on to do his own incredible stuff. Or you know, both.

Well, that's one kind of personal growth, I guess.
from Transformers: Requiem of the Wreckers Annual 2018 (script & art by Nick Roche)

Wreck and rule!

Next Week: Meanwhile, on Elonia... the universe is about to be devoured by Unicron!

Review: The Transformers: Drift: Empire of Stone by Shane McCarthy, Guido Guidi, Stephen Baskerville, et al.

Comic PDF eBook, n.pag.
Published 2015 (contents: 2014-15)
Acquired November 2016
Read September 2017

The Transformers: Drift: Empire of Stone

Written by Shane McCarthy
Pencils by Guido Guidi
Additional Pencils by Marcelo Ferreira
Inks by Stephen Baskerville
Colors by John Paul Bove
Letters by Tom B. Long

I wasn't a very big fan of Drift when he was introduced in All Hail Megatron, finding him a bit of a stereotypical tortured-man-with-a-dark-past-and-also-he-has-swords. Except he was a robot. I really warmed to him in More than Meets the Eye, though, which used Drift's spiritual awakening in his self-titled miniseries (which I actually haven't read) to reinvent him as an optimist, creating a sort of Kirk-Spock-McCoy-esque trinity with Rodimus and Ultra Magnus. But in volume 4, Drift was exiled from the Lost Light (taking the fall for something Rodimus did), and in volume 8, Ratchet set off in search for him. Empire of Stone shows what the two get up to together, as Drift tries to discover where he fits in the universe.

I may have come to like Drift, but basically, it turns out, only when he's being written by James Roberts, because back in the hands of his creator Shane McCarthy, he's the same old dull tortured-man-with-a-dark-past-and-also-he-has-swords; McCarthy just puts in one joke to explain away the difference between his Drift and Roberts's hippy-dippy version:

Also he's a little dismissive about Roberts's take in the book's extras.
from The Transformers: Drift: Empire of Stone #1 (art by Guido Guidi & Stephen Baskerville)

Though it has some high points (I liked the somewhat dumb Decepticon that Drift and Ratchet befriend), this is a pretty standard loner action story: Drift comes to the site of an old mistake, Drift angsts a bit, Drift redeems himself, stuff blows up. The best part is Guido Guidi and Stephen Baskerville's very dependable artwork. They do a good job in making clear storytelling and sharp action sequences, even if McCarthy's writing means there's too many action sequences.

Gotta love that melodramatic narration.
from The Transformers: Drift: Empire of Stone #3 (art by Guido Guidi & Stephen Baskerville)

The best part of the book is that though by the end Drift is still too cool to be either a Decepticon or an Autobot, he is coming back to the Lost Light, so he'll soon be back in the much more capable writing hands of James Roberts.

In Two Weeks: Meanwhile, on Cybertron... Optimus Prime seeks a little bit of Punishment!

Review: The Transformers: Robots in Disguise, Volume 6 by John Barber, Andrew Griffith, et al.

Comic PDF eBook, n.pag.
Published 2014 (contents: 2014)
Acquired March 2015
Read July 2017

The Transformers: Robots in Disguise, Volume 6

Written by John Barber
Art by Andrew Griffith
Flashback Art by Guido Guidi, Brendan Cahill, and Casey W. Coller
Colors by Josh Perez
Flashback Colors by Joana Lafuente
Letters by Tom B. Long

I guess that what I have to admit is that I actually don't find the original premise of The Transformers terribly compelling in most of its iterations. Like, Transformers in giant space epics: awesome, but Transformers hiding on Earth from humans who can't tell the moral difference between Autobots and Decepticons: tedious. Furman put a nice new spin on it in Infiltration, but most of the time, I get tired of the Autobots having to plan their actions around really dumb humans, like in the 1980s cartoon, or in Bob Budiansky's G1 stories.

Unfortunately, this volume of Robots in Disguise resets the series premise. No longer is it about rebuilding on Cybertron after the end of the Autobot/Decepticon war, but now it's about Autobots and Decepticons back at it, fighting on Earth while looking for... I've already forgotten. Some kind of maguffin. Alpha Trion? Something something combiners? Humans are working with Decepticons now because the Decepticons told them that Megatron (who led the Decepticons when they massacred one billion humans back during All Hail Megatron) is an Autobot now. Does it even make sense that humanity would just take Galvatron's say-so on this? The Decepticons on Earth are a combination of true believers (like Soundwave, who, I'm coming to like) and exploitative cynics (Galvatron, whom it seems implausible that no one sees through). Also part of the problem is that artists hired for their effectiveness at drawing robots are often not great at drawing human beings.

Oh, this genocidal robot showed me a hologram. I bet he can be trusted!
from The Transformers: Robots in Disguise vol. 1 #29 (art by Guido Guidi)

Oh, and geeze, there's just so much manipulative Prowl stuff it gets tedious. I'm tired of Prowl by this point. Optimus Prime can't be the Greatest Leader of All Time if he can't rein Prown in effectively.

Actual consequences will stop him from doing the wrong thing so much. Instead, you make him Deputy Leader!?
from The Transformers: Robots in Disguise vol 1 #32 (art by Andrew Griffith)

I do really love Thundercracker, the Decepticon who's gone native (to the extent that a Transformer can go native, I guess), binge-watching DVDs and writing screenplays of his own:

I should note that her name is "Susan Journeyer," which is on-the-nose-- but then of course most Transformer names are incredibly on-the-nose.
from The Transformers: Robots in Disguise vol. 1 #28 (art by Andrew Griffith)

I mean, it's not terrible; Barber and Griffith never fall below baseline competence. But it is pretty far from what interests me about Transformers.

Next Week: Meanwhile, on Cybertron... dark forces are moving against Windblade!

Review: The Transformers: More than Meets the Eye, Volume 4 by James Roberts, Alex Milne, et al.

Comic PDF eBook, n.pag.
Published 2013 (contents: 2012-13)
Acquired March 2015
Read March 2017

The Transformers: More than Meets the Eye, Volume 4

Written by James Roberts
Pencils by Alex Milne, Brendan Cahill, Guido Guidi, and Agustin Padilla
Inks by Atilio Rojo, Alex Milne, Brian Shearer, John Wycough, Juan Castro, Guido Guidi, Marc Deering, Phyllis Novin, and Jose Aviles
Colors by Josh Burcham with Joana Lafuente and Jose Aviles
Letters by Tom B. Long

WARNING WARNING WARNING

I don't normally do this, but it seems warranted here: MAJOR SPOILERS FOR MORE THAN MEETS THE EYE. That said, I went into this volume knowing some of what I'm going to talk about, and if anything, I think it made the book more effective.

BUT ANYWAY

I don't often cry at works of fiction. It happens on occasion, though, perhaps more as I get older. The death of the Tachikomas at the end of season one of Ghost in the Shell: Stand Alone Complex. Penelope Wilton chaining herself to the bus at the end of episode 4 of Bob & Rose. Moira taking her suicide pill in the last chapter of On the Beach. Evelyn Smythe's contemplative last moments in Doctor Who: A Death in the Family.

But I don't think I've ever cried at a comic book.

I cried three times reading this one.

The first time came in the first issue collected here. The Lost Light crew assaults a rogue Decepticon stronghold. James Roberts tells the story in two parallel tracks, switching back and forth between the attack and its aftermath. Rewind is injured, and his conjunx endura Chromedome is freaking out about it. Now, I was spoiled a while ago on the fact that Rewind would die, so as the book came to a climax, I started tearing up. Rewind doesn't die here, but the end is still fraught with emotion, as we learn how Rewind and Chromedome first met, and then the last thing we see is the moment of Rewind's near-fatal injury. It wasn't a Decepticon who injured him; rather, Whirl purposely locked him in a room with an exploding bomb because Cyclonus was also in that room. Plus, misanthropic Cyclonus actually threw himself on the bomb to save Rewind. Oh wow so many feelings as everything that's happened throughout the issue slots into place.

You don't mean that, Cyclonus!
from The Transformers: More than Meets the Eye #12 (art by Brendan Cahill & Brian Shearer)

I didn't cry at the second issue here, but it was good fun: the Lost Light arrives at a pleasure planet, and everyone goes out drinking. Jokes are had, we get to see the crew's humanoid holomatter avatars, Ultra Magnus tries to lighten up (and fails), and Tailgate reveals his dark secret to Cyclonus. If you love when a tv show does the wacky side episode where the crew lets loose, you'll love this.

Review: The Transformers: Robots in Disguise, Volume 3 by John Barber, et al.

Comic PDF eBook, n.pag.
Published 2013 (contents: 2012)
Acquired March 2015
Read February 2017

The Transformers: Robots in Disguise, Volume 3

Written by John Barber
Art by Livio Ramondelli, Brendan Cahill, Guido Guidi
Additional Inks by John Wycough
Colors by Joana Lafuente, Guido Guidi, Priscilla Tramontano
Letters by Shawn Lee, Chris Mowry

In comparison to More than Meets the Eye, any comic book is going to come up inferior, but even trying to step outside of that, I don't think Robots in Disguise lands as well as it ought to. It hovers somewhere between mediocre and good, with occasional flashes of brilliance. At least part of the problem is the feeling that there's some filler here, that not enough of the book is dealing with the problem of postwar Cybertron, which is ostensibly its whole reason for existing. The first story here is another adventure of Orion Pax, the second and third are set on Cybertron, but the second is about 50% flashbacks to the early days of Cybertron, long before Optimus Prime and Megatron.

The flashbacks are actually pretty entertaining; I love how John Barber and Gudio Guidi emulate the style of Marvel's early Transformers comics:

In the distant past, apparently Cybertronians spoke Exposition.
from The Transformers: Robots in Disguise Annual 2012 (art by Guido Guidi)

...but what do they have to do with anything, beyond providing some backstory? Amusing and interesting, but seemingly distracting.

That said, when these comics hit, they hit well. The moment where the Metrotitan reactivates and speaks to Starscream about his destiny genuinely gave me shivers:

NO, NOT YOU. YOU.
from The Transformers: Robots in Disguise Annual 2012 (art by Brendan Cahill)

And the last-page revelation has lots of promise, too. I also like the power struggle within the Decepticon ranks, as we start to realize that Shockwave is up to more than we thought. (And recent revelations about Shockwave in More than Meets the Eye have me more interested in him than I was before.)

On the other hand, isn't Starscream a little too nakedly mercenary for the supposed smooth political operator he's supposed to be? Like he's openly disdainful of Autobot lives when talking to Metalhawk, who is his greatest political ally. Or, if Prowl thinks the Decepticons are a threat and he's so ruthless, how come he waits until Starscream tells him something to wipe them out, since he's apparently capable of it all along? It's things like this that stop this comic from being as good as it should be. Like the previous volume of Robots in Disguise, I enjoyed this because it felt like set-up for something good, but I hope the something good turns up soon.

C'mon, Metalhawk, dude is trying on crowns and the election hasn't even been called yet. And c'mon, Starscream, maybe you should notice that he notices!
from The Transformers: Robots in Disguise vol. 1 #11 (art by Guido Guidi)

Next Week: Meanwhile, in space... it's time for Transformers tragedy in More than Meets the Eye!

Review: The Transformers: More than Meets the Eye, Volume 3 by James Roberts, Alex Milne, et al.

Comic PDF eBook, n.pag.
Published 2013 (contents: 2012)
Acquired March 2015
Read February 2017

The Transformers: More than Meets the Eye, Volume 3

Written by James Roberts
Art by Jimbo Salgado, Emil Cabaltierra, and Alex Milne
Flashback Art by Guido Guidi
Additional Inks by Juan Castro and John Wycough
Colors by Juan Fernandez and Josh Burcham with Joana Lafuente
Letters by Chris Mowry and Shawn Lee

I knew from, like, page three of this volume that it was gonna be a good one. The book opens with Hot Rod and a number of the other Lost Light Autobots on some kind of vaguely defined mission:

Sometimes I worry this is me.
from The Transformers: More than Meets the Eye Annual 2012 (art by Jimbo Salgado & Emil Cabaltierra)

There's some running around, some banter (I laughed), and then you discover that the characters have been miniaturized and are running around inside the mouth of Ultra Magnus, Duly Appointed Enforcer of the Tyrest Accord, fighting off an infestation of nanobots. Ultra Magnus is so grim that the pistons he needs to smile haven't been used in centuries:

Review: The Transformers: Last Stand of the Wreckers by Nick Roche, James Roberts, et al.

Comic hardcover, 175 pages
Published 2015 (contents: 2010)
Acquired August 2016
Read September 2016

The Transformers: Last Stand of the Wreckers

Written by Nick Roche & James Roberts
Pencils by Nick Roche & Guido Guidi
Inks by Nick Roche, John Wycough, Guido Guidi, & Andrew Griffith
Colors by Josh Burcham & Joana Lafuente
Letters by Neil Uyetake & Chris Mowry

Long before the Transformers Humble Bundle came along, I'd heard of Last Stand of the Wreckers. It was described in hushed tones, as one of the best Transformers comics of all time-- and even one of the best comics of all time, full stop. And what I knew of it indicated it would appeal to me, as it is about a group of second-string robots fighting for their lives. So when I got the IDW Transformers Humble Bundle and Last Stand of the Wreckers wasn't in it, I took a gamble and purchased it-- not just in paper, but in hardback, so confident was I that I would like it.

Mottos are tough to come up with.
from The Transformers: Last Stand of the Wreckers #2 (script by Nick Roche & James Roberts, art by Nick Roche & John Wycough)

Thankfully I was correct. Last Stand of the Wreckers takes a group of some of the worst Autobots out there and assigns them to the Wreckers, the amoral Autobot commando team with the highest mortality rate of any Autobot unit. My favorites were Pyro and Ironfist. Pyro's toy was a "redeco" of Optimus Prime's, and so the writers turn this into a point of characterization: Pyro modified himself to look more like Optimus, and spends his time making dramatic poses and trying to come up with mottos. Ironfist is a fanboy who writes up detailed accounts of Wrecker missions under the pseudonym Fistiron... only despite that, there's something darker going on with him no one knows about. (Except for Prowl, because Prowl knows everything.) Plus Verity Carlo, the young human who befriended the Autobots in Infiltration, is there too.

And they're even harder to live up to.
from The Transformers: Last Stand of the Wreckers #4 (script by Nick Roche & James Roberts, art by Nick Roche & Andrew Griffith)

These characters are sent into a former Autobot prison that's been conquered by a depraved, rogue Decepticon. A lot of them don't make it. I don't think it's as amazing as people say (probably because I still struggle to distinguish robot characters on sight, and this volume has more than most), but it is very good. The real heroes are the people who don't think it matters, and do the right thing anyway, even if they're not always doing the right thing for the right reason. This is definitely a book about heroes.

Real life: never as good as the book.
from The Transformers: Last Stand of the Wreckers #3 (script by Nick Roche & James Roberts, art by Nick Roche, Guido Guidi, and John Wycough & Andrew Griffith)

It's made even better by the fifty-plus pages of backmatter, which includes multiple prose short stories adding depth and nuance to the characters. These I read over a few days after finishing the main comic, and they left me wanting to reread the book all over again with these new insights in mind. These stories show that, like the best characters, even second-stringers are more than meets the eye.

Next Week: Meanwhile, in another dimension, it's the beginning of an Infestation!

Review: The Transformers: All Hail Megatron, Volume 2 by Shane McCarthy, Guido Guidi, et al.

Comic PDF eBook, n.pag.
Published 2009 (contents: 2009)
Acquired August 2014
Read July 2016

The Transformers: All Hail Megatron, Volume 2

Story by Shane McCarthy
Art by Guido Guidi, E. J. Su, Robert Deas, and Emiliano Santalucia
Colors by Josh Burcham, Kris Carter, James Brown, Robert Deas, Felix Serrano
Color Assist by Benjamin Maier
Letters by Chris Mowry and Robbie Robbins

Though there were two more volumes of All Hail Megatron after this, volume 2 concludes the main event, as those were prequels, side stories, and codas. This volume opens by explaining how the Autobots ended up in such dire straits as the series began with, though I didn't find the answers entirely satisfying. Much of the problems that plagued volume 1 still plague this one, but I found a lot of the stuff in the last two chapters more interesting than what had come before: Megatron expressing his frustration to Starscream, for example, that Starscream has never become the warrior-leader that Megatron wanted him to be was great, as is the dealing with the idea that everything Megatron does hearkens back to his original revolutionary purpose.

As always, imagine this in David Kaye's Megatron voice to make it even better.
from The Transformers: All Hail Megatron #11 (art by Guido Guidi)

This leads to a pretty good ending, where Starscream actually saves Megatron instead of killing him, and a Decepticon actually break ranks to help humanity-- though not for the reasons that the Autobots would like, not even for the reasons his fellow traitor would like. But this is just the final two issues, and it's taken us a whole twelve issues to get through all this. In the end, All Hail Megatron seems more interesting for the follow-up stories it promises than the story it told itself.

No one likes Drift.
from The Transformers: All Hail Megatron #12 (art by Guido Guidi)

Guido Guidi's work is usually very dependable, but there's also a lot of terrible fill-in artists that look like they came off DeviantArt. It's bad when one artist's humans look less expressive and lively than another artist's robots.

It almost looks to me like something out of Questionable Content, and not in a good way.
from The Transformers: All Hail Megatron #9 (art by Robert Deas)

Next Week: I take a break from The Transformers to read a Doctor Who book set at Christmas at Christmas!

Review: The Transformers: All Hail Megatron, Volume 1 by Shane McCarthy, Guido Guidi, et al.

Another day, another audio drama review: one of my favo[u]rite Doctor-companion teams by one of their best writers in Doctor Who and the Paradox Planet and the Legacy of Death! (It's not really called that.)

Comic PDF eBook, n.pag.
Published 2009 (contents: 2008-09)
Acquired August 2014
Read July 2016

The Transformers: All Hail Megatron, Volume 1

Story by Shane McCarthy
Art by Guido Guidi and Casey Coller
Colors by Josh Burcham
Letters by Chris Mowry and Neil Uyetake

I wanted to like this book more than I did. "The Decepticons actually do conquer Earth" is a great premise, and unlike the devoted fans who write articles on the Transformers wiki, I don't really care if the depiction of Cybertron here is consistent with past ones in IDW, or whatever. It's just that: 1) the human military characters dominate the first few chapters of the book, and they are as generic as all get out, like too-hotshot-for-you-I-don't-obey-orders-but-never-get-in-trouble generic, and 2) the Autobots are back to being an indistinguishable mass of non-characters for me when they do turn up, all hanging out on Cybertron and moping, but what's the difference between Prowl and Jazz anyway. I like the idea of a dark situation that reveals these robots' inner characters, but mostly that just turns out to be snarling at each other.

This book was supposed to be a jumping-on point, but no one ever says the name of the guy on the right? What if I wasn't four years old when the G1 cartoon went out? Not much of a jumping-on point, then.
from The Transformers: All Hail Megatron #4 (art by Guido Guidi)

There a just a lot of scenes, on both Earth and Cybertron, that I think are meant to build tension, but just go nowhere, spinning in circles. That Megatron has got hold of the SPOILER is a pretty good twist, though, and the hints we get of philosophical and moral disagreements among the Decepticons now that they've achieved their goals are pretty good, too. I didn't hate this or anything. But what happened here didn't need to occupy six issues, and it should have been better than it was. Guido Guidi is a surprisingly good artist, though-- like E. J. Su, he can make these robots come to life.

C'mon Megatron, genocide should make you happier than this!
from The Transformers: All Hail Megatron #3 (art by Guido Guidi)

Next Week: Time to save the Earth and Cybertron, when the Autobots strike back in All Hail Megatron, Volume 2!