Three Stories from Black Panther Adventures by Marc Sumerak, Ig Guara, Jay Leisten, Elliott Kalan, Christopher Jones, et al.

Black Panther Adventures

Collection published: 2017
Contents originally published: 1968-2013
Read: October 2025

This collection of Black Panther comics was recently added to Hoopla; it consists of six stories from non–Black Panther books (mostly Avengers, with one Fantastic Four story), mostly not set in the "main" Marvel Universe. In original release order (which is not the order the stories are collected here), they come from The Avengers #52 and 62, Marvel Adventures: Fantastic Four #10, Marvel Adventures: The Avengers #22, The Avengers: Earth's Mightiest Heroes #1, and Marvel Universe: The Avengers: Earth's Mightiest Heroes #8. Of these six, I'd already read three of them: the two regular Avengers stories were collected in Mighty Marvel Masterworks Presents The Black Panther, Volume 1 and the Fantastic Four story in Marvel-Verse: Black Panther. 

Thus, I'm just reading and reviewing the three new-to-me stories collected here.

Writers: Jeff Parker, Marc Sumerak, Christopher Yost, Elliott Kalan, Roy Thomas

Pencilers: Manuel Garcia, Ig Guara, Patrick Scherberger, Christopher Jones, John Buscema

Inkers: Scott Koblish, Jay Leisten, Patrick Scherberger, Pond Scum, Vince Colletta, George Klein

Colorists: Andrew Crossley, Ulises Arreola, Jean-François Beaulieu

Letterers: Dave Sharpe, Clayton Cowles, Sam Rosen, Art Simek

I think that far too many Black Panther stories released prior to the character's MCU debut feel the need to introduce him by making him the ruler of this mysterious land our heroes know nothing about. That was the approach taken in Marvel Adventures: Fantastic Four #10, collected here, among other stories, and it's also the approach taken in Marvel Adventures: The Avengers #22 ("Wakanda the Wild Side!" by Marc Sumerak, Ig Guara, and Jay Leisten). I guess it's a perfectly valid approach to introduce the character... but it also makes for a pretty boring story in this particular instance, as the Black Panther is thus mostly a side presence. Which I guess is okay, this is an Avengers comic, not a Black Panther one... but then why put it in a Black Panther book? Anyway, I didn't think this one had much going on. Also, what a weird Avengers line-up: Captain America, Wolverine, Storm, Spider-Man, the Hulk, and Giant-Girl (nee the Wasp)... can you even have X-Men on the Avengers? It doesn't seem right.

The other two stories are, thankfully, ones where Black Panther actually is in the Avengers. The Avengers: Earth's Mightiest Heroes #1 ("Trust" by Christopher Yost and Patrick Scherberger*) is a six-pager about Black Panther teaming up with Hawkeye. It's fine, though I didn't find the bickering terribly believable.

Next panel: Black Panther getting overwhelmed, of course.
from Marvel Universe: The Avengers: Earth's Mightiest Heroes #8

I did find the bickering believable in Marvel Universe: The Avengers: Earth's Mightiest Heroes #8 ("Mayhem of the Madbomb!" by Elliott Kalan, Christopher Jones, and... Pond Scum!? I guess not everyone's parents can be good at naming kids), where Black Panther is forced to team up with the Hulk when literally no other Avenger is available to stop terrorists from setting off a "madbomb" on the Empire State Building. Never were two superheroes less well-matched, and both story and art are fun. Clearly the best of the three new-to-me stories.

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* On the collection's credit page, the artist is given as Scott Wegener, but in the actual story, Patrick Scherberger. As far as I can tell from the GCD, Wegener did the art for the main story in The Avengers: Earth's Mightiest Heroes #1, not the back-up, which is what's actually collected here.

Storm by Eric Jerome Dickey et al.

Storm

Collection published: 2007
Contents originally published: 2006
Acquired: September 2024
Read: October 2024

Writer: Eric Jerome Dickey

Pencilers: David Yardin & Lan Medina

Inkers: Jay Leisten with Sean Parsons

Colorist: Matt Milla
Letterer: Randy Gentile

One of the big components of Reginald Hudlin's Black Panther run was the relationship and eventual marriage between Black Panther and Storm—or, I guess, T'Challa and Ororo. But that wasn't just something that unfolded in the series, it was also something we were told predated it. Specifically, there were a number of references to the 2006 miniseries Storm, which expanded on Ororo's youth, especially her relationship with T'Challa. So probably it would have been helpful to read this before Hudlin's Black Panther, but I didn't know it existed until later, and ended up reading it afterward.

I'm not much of an X-Men person, so I know very little about Storm as a character. This focuses on a period where she's a street thief in Africa, her parents having been killed in a civil war. A group of hunters recognizes her weather-controlling powers, and tries to kidnap her at the same time a young T'Challa, travelling the world, finds himself captivated by her. I have no sense of how much of this would have been preexisting canon and how much of it was added by writer Eric Jerome Dickey.

In any case, it's a comic where all one can say, and I'm sorry, is that it's basically fine. There is, unfortunately in my opinion, a lot of emphasis on Ororo's relationship with T'Challa, who was her first lover. While I get that this is an important part of anyone's life, it seemed to me that I wasn't getting a lot of insight into her personality, her wants, her needs, other than her need for romantic companionship. She seems largely defined by other people's choices—and, to be fair, many people actually are—but I had little sense of how she reacted and built herself in response to these other people.

I was relieved to realize Ororo's hair looks terrible on purpose, because this is a wig. Shame about the eyebrows, though; I think some artists just can't make them work.
from Storm vol. 2 #1 (art by David Yardin & Jay Leisten)

The art is fine; I wouldn't give it an award but there's nothing wrong with it, though I sometimes lost track of all the various hunter characters. The issues are on the longer side, a little more than the usual 20-22 pages, and I feel like they could have been cut down to the standard length without really losing anything important, to be honest.

Check your privilege, T'Challa.
from Storm vol. 2 #4 (art by Lan Medina with David Yardin & Jay Leisten)

Most frustratingly in terms of continuity, the book ends with T'Challa and Ororo still together! How did they end up separated again? The Marvel Chronology Project informs me that chronologically, Storm is followed by flashbacks from Black Panther vol. 3 #26 and Black Panther vol. 4 #14, but I don't remember the details of these despite having read them! (Maybe I should go back?) I guess Storm doesn't have to provide the complete story, but it does have what feels like an odd stopping point, all things considered.

Okay, but what happens to T'Challa?
from Storm vol. 2 #6 (art by David Yardin & Lan Medina and Jay Leisten with Sean Parsons)

Anyway, I'm glad I read it in the end, and it's too bad I didn't read it between issues #9 and 10 of Black Panther vol. 4, which would be my recommendation. But though perhaps this is a consequence of the context in which I read it, it feels more important to T'Challa than Ororo, and I think that does the character and the series a disservice.

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X-Men / Black Panther: Wild Kingdom by Peter Milligan, Reginald Hudlin, Salvador Larroca, David Yardin, Jay Leisten, et al.

from Black Panther vol. 4 #9

After its opening story arc, Black Panther vol. 4 was immediately involved in a crossover with X-Men. In this project, I've mostly stayed away from crossovers—but in the comiXology sale where I got all these Black Panther issues to begin with, they considerately put the relevant X-Men issues on sale as well. 

Wild Kingdom sees Black Panther and the X-Men responding to the same crisis in the African nation of Niganda. After Niganda's abortive attempt to invade Wakanda, a number of genetically altered animals end up on the loose, attracting the attention of Black Panther because of the danger to Wakanda and the X-Men because they show up on Cerebro (in this story called "Cerebra" for some reason). Some third-rate supervillains called Dr. Paine and the Red Ghost are trying to use enhanced primates to take over Niganda... and then, of course, the world!

from Black Panther vol. 4 #8

I like a few of the X-Men movies (i.e., X-Men, X2, First Class), but I don't think I've ever actually enjoyed an X-Men comic, and this didn't change my mind. There's not much for them in this story, just people with phonetically rendered accents bickering a bit. The only exception is Storm, as Wild Kingdom's purpose mostly seems to be to delve a bit into the T'Challa/Ororo relationship. Coming off the back of Priest's run (which is where we first learned they had a thing), I didn't find this totally convincing; I don't think Priest's Black Panther was incapable of being awkward, but I do think he would be much better at confining and controlling his awkwardness than this stammering schoolboy.

I do think David Yardin and Jay Leisten did some solid work art-wise on the two Black Panther issues; hopefully they do more work on the series. But the story here is pretty goofy on the whole, and it feels weird to go from the entire history and an invasion of Wakanda being told in six issues to this mediocre threat being stretched out to four. I'll be curious to see how Hudlin's Black Panther develops when he just gets to do his own thing.

from Marvel Adventures: Fantastic Four #10

I also read "Law of the Jungle," a one-part story from Marvel Adventures: Fantastic Four, which retells the story of the FF's first meeting with Black Panther. In this version, Reed Richards and the Fantastic Four are taking receipt of a shipment of vibranium for science purposes—but what they don't know is that this isn't a legitimate export, but smuggled out of Wakanda. Black Panther attacks them, but the FF soon realizes what's up and travels to Wakanda to make amends and help defeat the smugglers. I haven't read much of Jeff Parker's comics work, but I always enjoy what I read; this has a good sense of fun to it, lots of little touches in terms of characterization and comedy that really elevate it. (My favorite is the Thing and the Human Torch playing good cop/bad cop.) My main complaint would be that it's very much a Fantastic Four comic, not a Black Panther one; the trip to Wakanda and battle there is over pretty quickly. But this isn't really a complaint about the story, more a complaint about the decision to reprint it in Marvel-Verse: Black Panther. (But I guess it makes sense; it's a nice one-issue version of the FF/Black Panther meeting, as opposed to the original 2½-issue one.)

Wild Kingdom originally appeared in X-Men vol. 2 #175-76 and Black Panther vol. 4 #8-9 (Nov.-Dec. 2005). The story was written by Peter Milligan (#175-76) and Reginald Hudlin (#8-9); penciled by Salvador Larroca (#175-76) and David Yardin (#8-9); inked by Danny Miki & Allen Martinez (#175-76) and Jay Leisten (#8-9); colored by Cory Petit (#175-76), Dean White (#8-9), and Matt Milla (#9); lettered by Randy Gentile (#8-9); and edited by Mike Marts (#175-75) and Axel Alonso (#8-9).

"Law of the Jungle" originally appeared in Marvel Adventures: Fantastic Four #10 (May 2006). The story was written by Jeff Parker, penciled by Manuel Garcia, inked by Scott Koblish, colored by A. Crossley, lettered by Dave Sharpe, and edited by Mark Paniccia. It was reprinted in Marvel-Verse: Black Panther (2020), which was edited by Jennifer Grünwald.

ACCESS AN INDEX OF ALL POSTS IN THIS SERIES HERE

Monsters Unleashed! by Cullen Bunn, Jay Leisten, David Baldeón, Ramón Bachs, Justin Jordan, Andrea Broccardo, et al.

Collection published: 2017
Contents originally published: 2017
Read: February 2024

Monsters Unleashed!

Monsters Unleashed!: Monster Mash

Monsters Unleashed!: Learning Curve

Writers: Cullen Bunn, Justin Jordan

Artists: Steve McNiven, Jay Leisten, Greg Land, Leinil Francis Yu, Gerry Alanguilan & Michael Jason Paz, Salvador Larroca, Adam Kubert, David Baldeón, Ramón Bachs, Andrea Broccardo, Francesco Gastón, Bachan, Alex Arizmendi, Alberto Alburquerque 

Color Artists: David Curiel, Michael Garland, Marcio Menyz, Chris Sotomayor

Letterer: Travis Lanham

 

Monsters Unleashed! was a five-issue miniseries that was then followed by a twelve-issue ongoing series, collected across three volumes. The main character is Kei Kawade, a young monster fan who during a worldwide invasion of monsters from outer space discovers he has the power to summon monsters by drawing them. He is eventually recruited by S.H.I.E.L.D. and Damage Control and becomes known as "Kid Kaiju." He is mentored by monster hunter Elsa Bloodstone, and I read this as part of my working through her key Marvel Comics appearances.

 

Good thing some of the monsters are on our side!
from Monsters Unleashed! vol. 2 #4 (script by Cullen Bunn, art by Salvador Larroca)

 

The original miniseries and the first eight issues of the ongoing are all written by Cullen Bunn and feature eleven different artists. I really did not care for any of it. The opening miniseries is in particular tedious, with umpteen different superteams (the Avengers, the Guardians of the Galaxy, &c.) fighting monsters again and again and again. Too many characters, too many artists, no interesting character work or plotting. After that, the series just focuses on the ongoing adventures of Kid Kaiju and Elsa, but I still found little to latch onto or be interested in.

 

Collection published: 2017
Contents originally published: 2017
Read: February 2024

Actually, that's not quite true. There's some okay stuff here—I particularly liked the appearance of the Mole Man, the original nemesis of the Fantastic Four, who kidnaps Kid Kaiju to get his help resurrecting his army of monsters. It's always a neat move to make an old, somewhat pathetic, villain into a figure of sympathy, and Cullen Bunn does it well here. But the big conspiracy of monsters, and the two different Fin Fang Fooms largely left me cold. Elsa is present, but contributes little, and seems pretty watered down from her characterization in Nextwave and Marvel Zombies (though I did like the bit where she becomes queen of some insect monsters). Some of the artists are pretty bad; Andrea Broccardo in particular can't seem to decide if Elsa is twelve or sixty-two years old.

One other big issue is that Kei summons five monsters into existence to be a team of his own... but while five big monsters might look okay (I don't think of the series's myriad artists ever had the knack of making me interested in monster fights), their lack of meaningful characterization (they are, after all, monsters) means you have a lot of characters that it's just not possible to actually be interested in.

 

Am I just biased in favor of fellow Mole-Men?
from Monsters Unleashed! vol. 3 #4 (script by Cullen Bunn, art by David Baldeón & Ramón Bachs)

 

Thus, I was really not looking forward to the last four issues. Whenever a series comes to an end and a new writer takes over for the last few issues, I think every comics fan knows that whatever you've been reading, it's about to get worse as a couple extra issues are cranked our regardless of quality in order to fill up a trade. In this particular case, I was dreading it even more because I knew writer Justin Jordan only from the execrable Team 7, and the book abandoned all attempt at artistic consistency, with four different artists on four issues.

 

It's my favorite food, too, Scraggs.
from Monsters Unleashed! vol. 3 #9 (script by Justin Jordan, art by Francesco Gastón)

Collection published: 2018
Contents originally published: 2017-18
Read: February 2024

But... to my surprise... with those last four issues, suddenly the series became really good! Instead of attempts at big Marvel-spanning epics, Jordan gives us four done-in-one tales, each teaming Kid Kaiju up with one of his monster team, allowing us to finally get to know them as characters—not to mention him. Suddenly the book is fun and funny, exactly the kind of thing I would have liked all along. But four issues of it were well worth it (though perhaps not worth reading the previous thirteen). We get colonies of giant bees and Cthuloid menaces worshipped by loser cultists and Transformers expys on the loose in New York City. (One issue is about the Inhumans, but I guess you can't win them all.) I was suddenly able to tell all the monsters apart from one another, and I didn't even mind that Elsa—ostensibly my whole reason for being here—was written out after issue #10. Good stuff, and I wish Justin Jordan had written the series from its beginning.

This is the fifth post in a series about Elsa Bloodstone. The next installment covers The Death of Doctor Strange and Marvel Action: Chillers. Previous installments are listed below:

1. Bloodstone & the Legion of Monsters (1975-2012)
2. Bloodstone (2001-06) 
3. Nextwave, Agents of H.A.T.E. (2006-07)
4. Marvel Zombies: Battleworld (2006-15)
   

Dark X-Men: The End

Comic hardcover, n.pag.
Published 2010 (contents: 2010)
Acquired April 2012
Read May 2012

Dark X-Men

Writer: Paul Cornell

Penciler: Leonard Kirk

Inkers: Jay Leisten & Leonard Kirk
Colorist: Brian Reber
Letterer: Rob Steen

After the events of Utopia: Avengers/X-Men, the "Dark X-Men"-- Norman Osborn's government-sponsored team of mutants for dealing with mutant problems-- are down to just five members, Emma Frost, Namor, Cloak, Dagger, and Dark Wolverine all having gone elsewhere.  This leaves the team with Mystique as its field leader and Mimic (who borrows other mutants' powers), Weapon Omega (who killed Alpha Flight, the bastard), and Dark Beast (a sadistic version of Beast from an apocalyptic timeline) as its only members. Mystique impersonates the dead(?) Jean Grey in the field, just because she can.

In Utopia, one was left with an impression of the Dark X-Men as a group of very, very dangerous people with malevolent intent. In turning them into viewpoint characters, Cornell ends up undermining them: the book feels more like Confused X-Men. Mystique just wants to be free of Osborn, Omega doesn't mean to do anything he does, and Mimic is similarly well-intentioned. Only Dark Beast is as malevolent as his name implies, cruelly tortuting in the name of science. This would all be okay, as obviously this group needs to be more deeply characterized than being simply EVIL, but they're not deeply characterized; each character has one single-minded objective that they follow.

We're told they're conflicted, but only with Mystique does this conflict come across as anything more than confusion.  Indeed, Mystique was my favorite part of the book. Sure, she's selfish and partly she just wants to escape Osborn, but she's motivated by a loyalty to mutantkind and she seems to actually want to do the right thing sometimes. I've never read a story with her character before, but I'd like to read more.

This being Cornell, the dialogue is pretty good, and there's a number of great concepts running around here, more than a book this size would lead you to expect. And Leonard Kirk's art is great, clean but angular, perhaps not what you'd expect for a "dark" comic, but it's so good, that I have no complaints. His Mystique looks pretty good in that jumpsuit!

A number of reviews that I read of this book indicated that its subtitle, "Journey to the Center of the Goblin," was a dead giveaway as to where the story was going. It sure says something about the oddity of my dabblings in Marvel Comics that I spent the whole book waiting for Alpha Flight's Goblyn to show up. (She didn't.)