Marvel's The Transformers Year Two, Part VI: Resurrection! (US #23 / UK #93-104)

Finally we come to the end of the the first Til All Are One Compendium! Its pages aren't numbered, but the PDF copy included with the Kickstarter runs 1,234 pages including covers and stuff. I started reading it back in January, so it took me just about five months. If that rate continues, I guess I can expect to finish the whole Marvel run sometime in the middle of 2027. But for now, it's on to volume two!

I did read "The Gift" (UK issue #93) after "Decepticon Graffiti!" (UK issues #94-95), which is  out of publication sequence, because this is where the compendium places it. It doesn't really make a difference, as "The Gift" and "Decepticon Graffiti!" have no characters in common and thus can take place simultaneously. (Well, except that "Decepticon Graffiti!" has a summer setting. Oops! But "The Gift" definitely goes here, because it refers to the events of "Heavy Traffic!" as being recent.)

Like many of the stories from the annuals, "The Return of the Transformers" isn't (according to the fine folks at the Transformers wiki, anyway) a perfect fit for continuity, and thus placed in compendium four. However, I read it in, essentially, publication order, right after the 1986 UK Christmas story (since the annuals were given as Christmas presents). This worked well. Like "The Gift," it has a winter setting; also like "The Gift," it focuses on Jetfire and his anxieties. "The Return of the Transformers" is actually a sequel to a previous annual story, "Missing in Action" (see item #5 in the list below), and it also smooths out a continuity error: in the UK story Crisis of Command! (see #4 below), Optimus decided he wouldn't use the Creation Matrix to make special Autobots on Earth, but in Second Generation! (see #6 below) and "Aerialbots over America!" (see #8 below) he went ahead and did that anyway! "The Return of the Transformers" retroactively explains why. So it's clear that even if there are errors, writer James Hill saw it and its predecessor as being part of the regular comics continuity.

from The Transformers US #23

"Decepticon Graffiti!" / "The Gift", from The Transformers US #23 (Dec. 1986) / The Transformers UK #93-95 (27 Dec. 1986.–10 Jan. 1987), reprinted in The Transformers: Til All Are One Compendium One (2025)

written by Bob Budiansky and James Hill, penciled by Don Perlin and Martin Griffiths, inked by Ian Akin & Brian Garvey and Tim Perkins, lettered by Janice Chiang and Robin Riggs, colored by Nel Yomtov and Steve White

When I think of "bad late period Bob Budiansky stories," "Decepticon Graffiti!" is exactly what springs to mind; when I reviewed these stories before, I wrote, "This isn't great comics; it's not even great hokum." Yet... I kind of liked them this time? There's a certain charm to the idea that a pair of newly arrived Decepticons on Earth, ordered by Megatron to deliver a message to Optimus Prime, decide instead to follow a random human family around writing insults on U.S. monuments. And the stuff here with Circuit Breaker and Robot Master is probably the best either character has ever been. This was cute. Give me more Runabout and Runamuck, please.

 

"The Gift" is this year's Christmas story. Buster helps Jetfire deal with a crisis of confidence. It's fine. Martin Griffiths draws Buster as so jacked; maybe this explains what Jesse sees in him.

 

from The Transformers Annual [1986]

"The Return of the Transformers", from The Transformers Annual [1986], reprinted in The Transformers: Til All Are One Compendium Four (2025)

written by James Hill, art by John Stokes

This story brings back Danny, the kid who also appeared in the previous year's annual, in "Missing in Action." Here he's become obsessed with the Transformers, and his grades and slipping and his relationship with his mother is falling apart. Meanwhile, Optimus Prime is worried about the Aerialbots' performance, so he puts them under the command of Jetfire. They perform poorly in battle, even worse when they combine into Superion—but they can't admit this to Optimus. The story ends with everyone dispirited, disconnected, and depressed. Wow! Probably the best thing James Hill ever wrote for Transformers.

Prey! / "...the Harder They Die!" / "Under Fire!" / "Distant Thunder!" / Fallen Angel / Resurrection!, from The Transformers UK #96-104 (17 Jan.–14 Mar. 1987), reprinted in The Transformers: Til All Are One Compendium Two (2025)

scripts by Simon Furman; pencils by Will Simpson, Jeff Anderson, and Geoff Senior; inks by Tim Perkins, Jeff Anderson, Geoff Senior, and Will Simpson; letters by Annie Halfacree; colour by Steve White

Here we have a solid nine-issue run of UK stories, set between US issues #23 and 24. In these, worried about how the Autobots performed when they thought he was dead during Target: 2006, Optimus elects to... fake his death and see how they do? I am not sure why he thinks this is a good plan; he already knows how they did, they did badly. Surely he should do some training or something to enable them to perform better and then fake his death? 

 

from The Transformers UK #96

In any case, Optimus battles Megatron only for the two to accidentally cross the Decepticon spacebridge to Cybertron. On Cybertron, Megatron puts out rumors that the Decepticons are trying to infiltrate the Autobots in the form of Optimus, so when Optimus meets up with Ultra Magnus and the Wreckers, he gets attacked by them, and only Outback believes him. I really liked all this stuff: Outback is a great character, no hero, but determined to do the right thing anyway. The flashback to what Optimus was up to in the void during Target: 2006 is kind of random and unneeded, but the end of this strand, where Optimus finally proves himself to the Cybertron Autobots by sticking by Outback (who nearly dies for his belief in Optimus) is great stuff, probably the best the character has ever been written. I think Will Simpson is probably my least favorite UK penciler, but thankfully there's some Geoff Senior art in this arc, and Jeff Anderson is decent enough. We also get a return for Galvatron and Ultra Magnus on Earth, but those are more setups for future stories than stories in themselves, so we'll see where it goes. Man, I love Ultra Magnus, though.

 

This is the ninth in a series of posts about Marvel's The Transformers. The next covers US issues #24-25 and UK issues #105-8 & 265-76. Previous installments are listed below:

1. US #1-3 & 33-34 / UK #1-6 & 9-17 (1984-85)
2. US #4-8 / UK #7-8 & 18-30 (1984-85) 
3. US #9-12 / UK #31-41 (1985-86) 
4. US #13-14 / UK #42-54 (1985-86) 
5. US #15-16 / UK #54-63 (1985-86)
6. US #17-20 / UK #64-74 (1986)
7. UK #75-84 (1986-87) 
• Budianskian vs. Furmanist 
8. US #21-22 / UK #85-92 (1986-87) 

Marvel's The Transformers Year Two, Part IV: Target: 2006 Part One (UK #75-84)

So here we hit the tie-ins to The Transformers: The Movie. In the US, this was a three-issue adaptation of the movie, which I haven't actually read before, as IDW's Transformers Classics reprints included it in volume 7, not in the volume it would have fit in by publication order, and I only read the first four volumes. In the UK, this was the storyline Target: 2006, where a set of film characters travelled back in time to the present during the events of the film.

I certainly wouldn't recommend this for a new-to-this-material reader, but I decided to read chronologically. Which is to say, for the film characters, Target: 2006 probably takes place after Galvatron says, "Decepticons, to Earth" on p. 5 of issue #2 of the film adaption, so I read the film adaptation up to that panel, then jumped to the beginning of Target: 2006, read all of it, then returned to p. 5 of issue #2 of the film. The Til All Are One compendium, much more sensibly, places the film adaptation in its entirerty after the last part of Target: 2006.

I also read a story from the 1986 annual here, which would have been released around this time, though the compendium places it much earlier. "State Games" is a text story that serves as a prequel to "A There Shall Come... a Leader!" from the 1985 annual, but I like reading it here because it includes Emirate Xaaron, who appears in the present day in Target: 2006, nicely setting up our return to Cybertron in that story arc. (The very short text feature "Cybertron: The Middle Years!", included in UK issue #83, bridges the gap between the long-ago Cybertron of "State Games" and "There Shall Come..." and the present-day Cybertron of Return to Cybertron and Target: 2006.)

That makes this my first batch of Marvel Transformers stories to include no regular issues of the US comic. 

In the National Interest, Parts 2–4 / "State Games: A Tale from Cybertron" / "The Planet-Eater!" / "Judgment Day!" (part 1) / Target: 2006, Prologue & Parts 1–6, from The Transformers UK #75-84 (23 Aug.–25 Oct. 1986), The Transformers Annual [1986], and The Transformers: The Movie #1-2 (Dec. 1986–Jan. 1987); reprinted in The Transformers: Til All Are One Compendium One (2025)

stories by Simon Furman, James Hill, and Ralph Macchio; pencils by Will Simpson, Johns Stokes, Don Perlin, Jeff Anderson, Ron Smith, and Geoff Senior; inks by Dave Hine, Tim Perkins (with Andrew Leary), Will Simpson, Ian Akin & Brian Garvey, Jeff Anderson, Ron Smith, and Geoff Senior; letters by Annie Halfacree, Janice Chiang, and Starkings; colours by John Burns, Gina Hart, Tony Jozwiak, Nel Yomtov, and John Burns

from The Transformers UK #74*

In the National Interest is fine. It has to balance out one thing that I enjoy and one thing I don't, in that I do like the Dinobots, especially the ongoing subplot about Sludge's crush on human reporter Joy Meadows, but on the other hand, the convoluted clandestine machinations of the Intelligence and Information Institute (Triple-I!) rapidly get tedious. Whenever secret organizations get involved in Transformers stories, I tune out; they really shift things away from the core appeal of Budianskian storytelling, I think. Still, good showing for the Dinobots.

 

"State Games" is a decent text story, showing how the war between the Autobots and Decepticons came about. It packs in a lot of exposition and thus gets a bit overwhelming, but it has some interesting ideas; the kernel of the idea that was explored in great detail in the IDW continuity, that Megatron and his comrades had legitimate grievances, comes from this story. It's not as nuanced as it would be later on... but it is pretty nuanced for a 1980s kids comic! Note that in this story, "Optimus Prime" is just a guy's name, not some kind of title, even though it came out a month after The Transformers: The Movie, where we learned there was a mythical significance to "Prime." Not a criticism of the story, but it shows you how much the Transformers mythos was being made up as it went along.

 

from The Transformers: The Movie #1

The first half of the comics adaptation of the movie is fine; it's a bit jumpy and narration heavy, and I wonder how much it would make sense to someone who hadn't actually seen the film. The death of Optimus Prime seems kind of crammed in... on the other hand, the capture of Megatron by Unicron and subsequent transformation into Galvatron is very well done. Mostly reading it made me aware of how much work the film's soundtrack and editing did in making the events seem grandiose.

 

As mentioned above, I directly segued from page 5 of issue #2 of the comic into Target: 2006. In this story, Galvatron attempts to escape Unicron's control by travelling back in time to 1986. (The actual movie was set in 2005, as was the comic adaptation; in the UK comic, the movie's events were set in 2006, and the UK printing of the comic adaptation edited it to be consistent with that, but the compendium doesn't include those edits.) However, this isn't very clear at first: Target: 2006 is designed to be someone's introduction to the movie mythos, and so these things are very gradually revealed to the 1986 characters (and thus the reader) across the course of the story's first seven parts. 

 

Thus, reading it with the added context of already having read/seen the movie undermines it a bit... but to be honest, is probably also helpful, because there is a lot going on here. When Galvatron and his minions come back in time, three Autobots including Optimus Prime disappear, so they are disarray; this means that back on Cybetron, the Autobot resistance becomes aware that something has snuffed out the Creation Matrix, and so Ultra Magnus travels to Earth to find out what, even though he's a key part of a planned attack by the Wreckers on the Decepticon elite that can't be adjusted. So we're not just following Galvatron's machinations but also Ultra Magnus's adventures and what's going on back on Cybertron! Plus, Furman jumps around a lot chronologically; each installment almost always begins a bit after the previous one ended and then fills in some, if not all, of its events retrospectively. I admire his structural ambition, but I very often got lost and some key details of the story eluded me (I was very surprised when Starscream woke up in the Ark... totally missed where he was brought back to it).

 

from The Transformers UK #82

Still, the ambition of the story is admirable. This is surely Furman's first go at what we would now recognize as "Furmanist" storytelling: using the mythos of Transformers to its own end, rather than tying it into human characters, extrapolating from the much more "space opera" mode of the movie. I always like Ultra Magnus, and this is a good showing for him. I do think one of the story's big weaknesses is that not every comic book artist is cut out for drawing Transformers; you can probably get away with this in a story with a lot of human characters, but in a Furmanist story with only robots, you have to be good at drawing robots. Unfortunately, Will Simpson is not. It's a breath of fresh air when Geoff Senior turns up to do the last two installments reviewed here.

 

The other weird thing about reading in this sequence is that Kup and Blurr were pretty much completely cut out of the comics adaptation of the film, despite being prominent in the actual film, so when they appear with Hot Rod at the end of part six, you're very much like, "Who are those guys?" It's also jarring to have Target: 2006 heavily revolve around the comics version of the Matrix, where it's the "Creation Matrix," a computer program in Optimus's mind (than can be mentally transferred between people, even into a human being), when the story it ties into has the very different "Matrix of Leadership," a physical object in Optimus's chest.

 

This is the seventh in a series of posts about Marvel's The Transformers. The next covers US issues #21-22 and UK issues #85-92. (See also a side post analyzing the "Budianskian"/"Furmanist" framing.) Previous installments are listed below:

1. US #1-3 & 33-34 / UK #1-6 & 9-17 (1984-85)
2. US #4-8 / UK #7-8 & 18-30 (1984-85) 
3. US #9-12 / UK #31-41 (1985-86) 
4. US #13-14 / UK #42-54 (1985-86) 
5. US #15-16 / UK #54-63 (1985-86)
6. US #17-20 / UK #64-74 (1986) 

* Yes, I know this scan comes from an issue not reviewed in this post... but I like it too much to omit! 

Marvel's The Transformers Year Two, Part III: Return to Cybertron (US #17-20 / UK #64-74)

"To a Power Unknown!" is another one of those stories from the UK annuals that, due to continuity issues, the Til All Are One compendia choose to place in volume four with the other out-of-continuity stories. However, my practice is to try to read them as close to where they could fit if they did fit. For "To a Power Unknown!", that seems to be somewhere between UK issues #65 and 71, as the story has Megatron and Shockwave in joint command over the Decepticons. Given that, I suggest it reads best between Second Generation! and Return to Cybertron, as the latter story leads straight into "Command Performances!", where Shockwave cedes sole leadership to Megatron.

from The Transformers UK #65

Second Generation! Parts Two & 3, from The Transformers UK #64-65 (7-14 June 1986), reprinted in The Transformers: Til All Are One Compendium One (2025)

written by Simon Furman, penciled by Kitson and Jeff Anderson, inked by Perkins and Jeff Anderson, letters by Scott and Annie Halfacree, colours by W&P and T. Jozwiak

Surely this is the most "meh" of all the UK-original storylines thus far. Part two of Second Generation! is mostly a dream sequences, as Optimus Prime and Buster Witwicky see a vision of the future of the Transformers, expanding on "The Special Teams Have Arrived" from ten issues back. At that point, Furman runs out of story, so part 3 is on a totally different topic, the struggle between Megatron and Shockwave for control of the Deceptions, which resolves with them adopting joint leadership. Fine, whatever. 

 

"To a Power Unknown!", from The Transformers Annual [1986], reprinted in The Transformers: Til All Are One Compendium Four (2025)

script by Ian Mennell & Wilf Prigmore, art by Will Simpson, letters by Annie Halfacree, colours by Josie Firmin

from The Transformers Annual [1986]

My kids have watched a decent amount of toy tie-in tv over the years. Seeing things like PAW Patrol and the Hot Wheels show have made me realize that's while it's certainly not high art, we got lucky with Transformers. Its creators took it seriously enough. Every now and again, though, you get a Transformers work by someone who plainly did not take it seriously. Such is true of "To a Power Unknown!", which has a stupid premise and risible dialogue. In another world, it could have all been like this, though, so we should count our blessings. This is kiddie stuff in the sense that it's written by people who think they can get away with crap if it's for kids... which very much jars with the fact that this is the story where the Autobots accidentally kill an innocent human being with a heat-seeking missile! Is this the only human death in Marvel's Transformers? So weird.

 

Return to Cybertron / "Command Performances!" / "Showdown!" / "The Mission" / In the National Interest, Part 1, from The Transformers US #17-20 (June-Sept. 1986) / The Transformers UK #66-74 (21 June–16 Aug. 1986) and The Transformers Annual [1986]; reprinted in The Transformers: Til All Are One Compendium One (2025)

written by Bob Budiansky, Jamie Delano, and Simon Furman; penciled by Don Perlin, Herb Trimpe, and Will Simpson; inked by Keith Williams (with Vince Colletta), Ian Akin & Brian Garvey, and Will Simpson; lettered by Janice Chiang and Annie Halfacree; colored by Nel Yomtov and John Burns

from The Transformers US #17

I am a big fan of Transfan "Broadside"'s analysis of Transformers storytelling as falling into two modes: Budianskian and Furmanist. Named after the two primary writers of the G1 comics, Budianskian stories place the Transformers in a human context, Furmanist ones don't see the necessity of that. (I lean more Furmanist than Budianskian in my tastes, personally; my two favorite pieces of Transformers media, Beast Wars/Machines and More than Meets the Eye/Lost Light are both Furmanist.) As Broadside points out, each man was capable of adopting the other mode, however; Furman's approach in IDW's continuity was Budianskian, while Budiansky's Return to Cybetron arc collected here is Furmanist. Each writer actually excels in the other mode—Return to Cyberton remains one of my favorite G1 comic stories. For the first time, we find out what's been happening on Cybertron in the millions of years since Optimus Prime and the Ark left the planet; it's become an apocalyptic hellhole ruled by the Decepticons. We follow the beleaguered Autobot resistance, particularly Blaster and Scrounge, as they work against Lord Straxus of Darkmount. It's dark stuff, which works well here, and Blaster and Scrounge are both great characters. Poor Scrounge! I might go so far as to suggest that Furman's own "Furmanist" stories (such as the imminent Target: 2006) actually take their cues from it, meaning that both modes of Transformers storytelling are actually Budianskian!

 

After four US issues of mediocre wheel-spinning, this is actually a very solid run of US comics overall. "Command Performances!" features an amazing sequence where the newly built Autobot warrior Omega Supreme lays the smackdown on the Decepticons, but the other highlight is "Showdown!" If Return to Cybetron features Budiansky at his most Furmanist, then "Showdown!" represents the peak of Budiansky's Budianskian mode. Skids has been damaged and isolated from the rest of the Autobots; he's found a grocery store cashier named Charlene in rural Wyoming, who dreams of bigger and better things. Skids enjoys the respite from centuries of war (he was originally an anthropologist), while Charlene enjoys the attentions of someone who validates her dreams of adventure. But real "adventure" finds them when Ravage tracks Skids down, and Skids must go back to war to defend his innocent friends while Charlene must learn to enjoy the life she has. As I said above, I prefer Furmanist storytelling on the whole (though it certainly has its failure modes), but this shows the real potential of the Budianskian approach. It's a lot like Russell T Davies's approach to Doctor Who, actually: these exciting things only matter inasmuh as they affect ordinary people.

 

from The Transformers Annual [1986]

After this, we get a decent UK text story, "The Mission," about Hoist and Jazz on a desperate mission in the Alaskan wilderness. It's intense stuff! And then the first part of In the National Interest, which promises good stuff; Furman always does well by the Dinobots. I didn't expect Professor Morris from The Icarus Theory (UK issues #45-46) to come back! We'll see how this goes in future installments. 

 

This is the sixth in a series of posts about Marvel's The Transformers. The next covers UK issues #75-84. Previous installments are listed below:

1. US #1-3 & 33-34 / UK #1-6 & 9-17 (1984-85)
2. US #4-8 / UK #7-8 & 18-30 (1984-85) 
3. US #9-12 / UK #31-41 (1985-86) 
4. US #13-14 / UK #42-54 (1985-86) 
5. US #15-16 / UK #54-63 (1985-86)

Transformers UK #255–89: ...Perchance to Dream and Other Stories (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 49)

And here, my journey through Marvel UK's Transformers strip comes to an end—as does my journey through the Doctor Who Magazine comic strip and adjacent material. This won't be all I have to say on either topic, however. Eventually I plan to reread the 1980s Marvel Transformers comic integrating US and UK material in chronological order, and I also plan to do a couple posts summing up my thoughts on the DWM strip as a whole.

A wise man once said, "It's over... finished!" but he was even wiser when he uttered these words: "It never ends!"

from Transformers #258

...Perchance to Dream, from Transformers #255-60 (3 Feb.–10 Mar. 1990), reprinted in Transformers: Perchance to Dream (Titan, 2006)

script by Simon Furman; art by Andy Wildman, Staz, and John Stokes; letters by Glib and Stuart Bartlett

The last (by titling convention, anyway) multi-part story of the UK comic strip begins the transition into what would be known as Earthforce. Many pixels have been spilled on this topic, but basically Simon Furman decided to stop having the UK strip tie into the US one at all, not even the sense of the UK one having small side stories to the bigger US stories like he'd been doing since issue #240 or so. Instead, he would split the characters up: since the US strip was focused on Optimus Prime and company in space, the UK strip would follow a set of different characters back on Earth.

This story sets that up by reviving five classic off-line characters so that they can star in the new strip. Galvatron is infesting their dreams, so we get five parts of flashback adventures, and then in part six they all wake up and defeat him. It's a fine enough set of vignettes, but Galvatron is defeated absurdly easily for someone who had once been a powerhouse of the strip.

from Transformers #261

"Starting Over!" / "Two Steps Back!" / "Break-Away!" / "Desert Island Risks!" / "Once upon a Time..." / "Life in the Slow Lane" / "Snow Fun!", from Transformers #261-67 (17 Mar.–28 Apr. 1990), reprinted in Transformers: Earthforce (Titan, 2005)

script by Simon Furman; art by Staz, Andy Wildman, Pete Knifton & Pete Venters, and Jeff Anderson; letters by Stuart Bartlett, Peri Godbold, and Glib

 

This is a fun set of strips that moves us into the Earthforce format, but also demonstrates its power. First we get a fun adventure where the characters revived in ...Perchance to Dream have to stop Megatron from destroying Earth's atmosphere. Why? I don't know, but it doesn't bother me, nor does the fact that according to the US strip at this time, Megatron can't even be here doing this. It's all worth it for the bits where the characters themselves complain about how gimmicky Transformers has gotten. "Probably some Microheadtargetmaster with a Pretender shell!" And then a fun ending where everyone just charges Megatron. Then we get a fun story about Grimlock versus Shockwave and his minions and then the whole premise is put into place: Optimus delegates Grimlock to run things on Earth.

 

I know some people love Grimlock, but for me a little bit of Grimlock goes a long way... there's only so much I can read about how he's "different" from the other Autobots. But Earthforce, it turns out, is the exact right amount of Grimlock. Like many loose cannon characters, he's best with a straight man, and here he's essentially got a whole team of them. Some of the stories here are bad silly (e.g., "Desert Island Risks" is improbably contrived) but many of them are good silly; any Transformers story where Grimlock's own Dinobots trick him by building a snowman of Shockwave is my kind of Transformers story. I like the serious, epic, angsty Transformers all right, but I also like the silly stuff that leavens it, and here we get a deliciously concentrated dose of it.

from Transformers #268

"Flashkcab!", from Transformers #268 (5 May 1990), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman, pencils by John Marshall, inks by Stephen Baskerville, letters by Glib

 

What's that, Megatron has a time machine and is attempting to rewrite the events of the Underbase saga? Okay, sure. With five pages per story, Furman can't waste time on setting things up... or ever using these concepts ever again! This one is maybe overdoing the exciting standalone adventure thing, but it's fine.

 

"Mystery!", from Transformers #269 (12 May 1990), reprinted in Transformers: Earthforce (Titan, 2005)

script by Simon Furman, pencils by Pete Knifton, inks by Pete Venters, letters by Glib

 

An Autobot arrives at the Earthforce base and discovers something terrible has happened to Wheeljack... only to realize it's all an incredibly complicated misunderstanding. Goofy fun.

from Transformers #270

"The Bad Guy's Ball!", from Transformers #270 (19 May 1990), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman, pencils by Pete Knifton, inks by Michael Eve, letters by Glib

 

There's been a Decepticon Civil War brewing, Shockwave versus Megatron, so the Decpticons call an "enclave" (should be "conclave," surely?) to settle who should be in charge. One of my favorite stories in this run: the whole idea of a Decepticon cease-fire social meet is a delight, and then the Autobots show up to cause problems in secret, preventing the two sides from reaching an accord. The only thing I don't like is I feel like this could be a premise for a whole twenty-page issue! Imagine this in the hands of James Roberts.

"The Living Nightlights!", from Transformers #271 (26 May 1990), reprinted in Transformers: Earthforce (Titan, 2005)

script by Simon Furman, pencils by John Marshall, inks by Stephen Baskerville, letters by Helen Stone

 

Dumb, contrived story about Decepticon-made evil toys. Okay, not every "goofy fun" story is a winner... but you know, it's only five pages long at worst!

 

from Transformers #274

"Cry Wolf!" / "Wolf in the Fold!" / "Where Wolf?", from Transformers #272-74 (2-16 June 1990), reprinted in Transformers: Way of the Warrior (Titan, 2005)

script by Simon Furman; pencils by Pete Knifton, Staz, and Jeff Anderson; inks by Michael Eve, Staz, and Stephen Baskerville; letters by Glib and Stuart Bartlett

 

This three-part tale returns attention to the "Survivors," the group of Autobots and Decepticons who struck out on their own. In this one, ex-Decepticon Carnivac decides to revenge himself on the Mayhem Attack Squad; it's a fun story about Carnivac doing his own thing while working alongside the Autobots, and how he humiliates Bludgeon by not killing him. All of the Survivors tales have been good, and this one is no exception; the story also links up the Survivors with Earthforce. 

 

"Secrets" / "Bugged!" / "Internal Affairs!", from Transformers #275-77 (23 June–7 July 1990), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman; pencils by Pete Knifton, Jeff Anderson, and Simon Coleby; inks by Pete Venters and Michael Eve; letters by Glib and Stuart Bartlett

 

These three stories shift the focus to the Decepticons, and they are all pretty fun. First, it turns out Soundwave is spying on Megatron for Shockwave, but he plays on a fellow Decepticon's paranoia to throw suspicion off himself in a masterful move. Then Starscream makes his own play, uniting with Soundwave to depose both Megatron and Shockwave. It's so complicated you've got to love it.

 

from Transformers #280

"The House That Wheeljack Built!" / "Divide and Conquer!" / "The 4,000,000 Year Itch!" / "Makin' Tracks!", from Transformers #278-81 (14 July–4 Aug. 1990), reprinted in Transformers: Earthforce (Titan, 2005)

script by Simon Furman; pencils by Pete Knifton, Staz, and Jeff Anderson; inks by Michael Eve and Jeff Anderson; letters by Glib, Stuart Bartlett, and Sophie Heath

 

More goofy fun in "The House That Wheeljack Built": Wheeljack shows off the new Earthbase's automated defense systems... only everyone is outside the base, and you can only deactivate them from the inside, meaning everyone has to battle their way in! I also enjoyed "The 4,000,000 Year Itch!", where Optimus comes on an inspection tour at the same time Slag develops one of his periodic compulsions to murder everyone he knows(!), so Grimlock has to distract Optimus in the foreground while the other Dinobots keep subduing Slag in the background. Low farce, surely.

 

On the other hand, "Makin' Tracks" is similar but didn't work for me. In this case, the dead Tracks is being revived... but Grimlock hates Tracks so much he tries to kill him off again. I feel like this one went a bit too far... also, who the hell is Tracks? I don't even remember this guy or his beef with Grimlock. Plus the small art of these Titan digests made it hard to understand what was going on at the climax.

 

from Transformers #282

"Shut Up!"/ "Manoeuvres!", from Transformers #282-83 (11-18 Aug. 1990), reprinted in Transformers: Way of the Warrior (Titan, 2005)

script by Simon Furman, art by Staz and Pete Knifton & Pete Venters, letters by Gary Gilbert and Sophie Heath

 

"Shut Up!" is another great story, one that could pretty much only work as a five-pager: the Mayhem Attack Squad intimidate Red Alert into letting them out of the cell on Earthbase by not talking! "Manouvres!" is one that made little impression, on the other hand.

 

"Assassins" / "External Forces!" / "The Lesser Evil!", from Transformers #284-86 (25 Aug.–8 Sept. 1990), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman; pencils by Jeff Anderson, Pete Knifton, and John Marshall; inks by Michael Eve, Pete Venters, and Jeff Anderson; letters by Stuart Bartlett, Julie Hughes, and Peri Godbold

 

More on the complicated shenanigans of the Decepticon civil war. Shockwave and Megatron team up to assassinate Starscream, making it look like Soundwave is responsible; the Mayhem Attack Squad attempts to kill Starscream and Soundwave; the Autobats have to save Starscream because they need a transfusion from him to defeat an illness Snarl has (we saw this illness in a flash-forward story in the 1990 annual). Enjoyable, but alas this is end of this plotline as the book itself is almost over. Shame, because I think there was a lot of mileage in it.

 

from Transformers #287

"Inside Story!" / "Front Line!" / "End of the Road!", from Transformers #287-89 (15-29 Sept. 1990), reprinted in Transformers: Perchance to Dream (Titan, 2006)

script by Simon Furman, pencils by Pete Knifton and Staz, inks by Pete Venters and Staz letters by Stuart Bartlett and Gary Gilbert

And here it all comes to an end, with honestly a pretty mediocre set of stories about a journalist trying to write a story about the Transformers. You'd think the giant robots tearing up the Earth would be bigger news than this story implies.

It's a shame this was it, because 1) these stories were boring, and 2) the Earthforce premise could clearly have gone on forever. I enjoyed it a lot on the whole. Sure, no big epics any more, but lots of character stuff and lots of jokes. I think this run was just as influential on James Roberts in its own way as the earlier, more epic, UK storylines.

from Transformers Annual 1991

"The Magnificent Six!", from Transformers Annual [1991]

script by Simon Furman, art by Staz, art by Louise Cassell

 

The 1991 annual only contained one original story, so it wasn't worth buying (as I did the 1990 edition), but I realized you could get the story on the Internet Archive. This text story has six Autobots sent on a mission to Cybertron, only for five of them it's a return to the site of their greatest failure. This is an above-average text story about the traumas of war; it also felt to me like there was a straight line from this to Last Stand of the Wreckers; Megadeath is surely a proto-Overlord. 

(This mostly features the set of characters resurrected in ...Perchance to Dream; I would suggest it goes after that story, before they are deployed to Earth in "Starting Over!")

 

"Another Time & Place", from Transformers Annual [1992], reprinted in Transformers: Best of the Rarities #1 (IDW, Aug. 2022)

script by Simon Furman, pencils by Staz, inks by Lesley Dalton, colour by Caroline Steeden

 

The last UK-original story is another text piece, this one set years after the end of the US strip. It's certainly the best text story the UK annuals ever did, with a mournful Optimus and a Grimlock keen to recapture old glories. So many have died, so many have changed. How can you make peace work? Again, it's hard to not see IDW's run foreshadowed here; this is the kind of think we saw explored a lot in Robots in Disguise and More than Meets the Eye. I liked this a surprising amount; I look forward to reading it someday with the full context of the US stories it follows up on.

 

This post is the forty-ninth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers Cybermen: The Ultimate Comic Strip Collection. Previous installments are listed below:

1. The Iron Legion
2. Dragon's Claw 
3. The Transformers Classics UK, Volume One
4. The Tides of Time
5. The Transformers Classics UK, Volume Two
6. Voyager
7. The Transformers Classics UK, Volume Three
8. The World Shapers
9. The Transformers Classics UK, Volume Four
10. The Age of Chaos
11. The Transformers Classics UK, Volume Five
12. A Cold Day in Hell!
13. Death's Head: Freelance Peacekeeping Agent (part 1)
14. Nemesis of the Daleks
15. Death's Head: Freelance Peacekeeping Agent (part 2)
16. The Good Soldier
17. The Incomplete Death's Head
18. Evening's Empire
19. The Daleks
20. Emperor of the Daleks
21. The Sleeze Brothers File
22. The Age of Chaos
23. Land of the Blind
24. Ground Zero
25. End Game
26. The Glorious Dead
27. Oblivion
28. Transformers: Time Wars and Other Stories
29. The Flood
30. The Cruel Sea 
31. The Betrothal of Sontar
32. The Widow's Curse
33. The Crimson Hand
34. The Child of Time
35. The Chains of Olympus
36. Hunters of the Burning Stone
37. The Blood of Azrael
38. The Eye of Torment
39. The Highgate Horror
40. Doorway to Hell
41. Daleks: The Ultimate Comic Strip Collection, Volume 1
42. The Phantom Piper
43. Daleks: The Ultimate Comic Strip Collection, Volume 2
44. The Clockwise War
45. Death's Head: Clone Drive / Revolutionary War
46. Skywatch-7
47. Mistress of Chaos
48. Transformers: Aspects of Evil! and Other Stories
    

Transformers UK #215–18, 223–27, 235–54: Aspects of Evil! and Other Stories (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 48)

I had thought that I would intersperse my Titan reprints of Marvel UK's Transformers comics among my Doctor Who Magazine graphic novels. I knew I wouldn't read them at quite the same rate... but I did not anticipate just how long it would take me to read them all, because I did not realize how difficult they would be to track down!

It took me almost six months to my hands on a copy of Aspects of Evil! First, I almost ordered the wrong book, because the Transformers wiki gives the wrong ISBN for Aspects of Evil!; I actually bought and paid for a copy of Fallen Star, but (thankfully, I guess) the Amazon seller was a scammer who didn't actually have the book (and did refund me when confronted). But then when I put the correct ISBN into Bookfinder... I couldn't find it anywhere! It wasn't that the book was going for insanely high prices, it was that it just wasn't being sold anywhere at all on the whole Internet.

After a few months, my saved search on eBay finally paid off, but I was outbid at the last moment. I began considering other options, like posting a desperate plea on the Transformers trading subreddit or actually paying the insane prices to import the Hachette collections of the relevant issues, when finally Aspects of Evil! was posted on eBay again, this time as a pair with Fallen Star, which I actually did need. I think this helped me win, as I was willing to pay a decent price with the knowledge that I would end up with two different books; someone tried to snipe me at the last minute, but didn't beat the maximum bid I had set.

from Transformers #216

So, after a huge delay, I was finally able to finish off Marvel UK's original Transformers comics. These all come from the era when the strip had moved into shorter, black-and-white strips, but I was able to supplement a bit with some recent collections from IDW that took a couple of these strips and colorize them. This post covers the first half of that black-and-white run, though it jumps around a bit and overlaps with my previous post on it (see #28 in the long list at the bottom of this post).

Race with the Devil, from Transformers #215-18 (29 Apr.–20 May 1989), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman, art by Andy Wildman, letters by Glib and Hel

This story is okay. A group of Autobots called the Triggerbots is assigned to shadow some Decepticon mercenaries, Darwking and Dreadwind; it turns out that the mercenaries are trying to recover Starscream's corpse, since it contains the Underbase, the collected knowledge of the Transformer race. (This is all due to the Underbase saga, from the US book.) Starscream kind of becomes a zombie and the Triggerbots stop him and save some humans. I guess if I ever could remember who the Triggerbots were, I might have cared about this more.

from Transformers #223

Aspects of Evil!, from Transformers #223-27 (24 June–22 July 1989), reprinted in Transformers: Aspects of Evil! (Titan, 2005)

script by Simon Furman; pencils by Jeff Anderson, Art Wetherell, Andy Wildman, Lee Sullivan, and Simon Coleby; inks by Jeff Anderson, Simon Coleby, Andy Wildman, Lee Sullivan, and Cam Smith; letters by Helen Stone and Glib

 

We're back in the future timeline of Transformers, but in a different way. This five-part story is a set of five vignettes, framed by a dying Rodimus Prime in the year 2356 telling stories of various evils he has encountered to a student eager to learn of Unicron, but on the way, Rodimus tells him of Scorponok in 1991, Galvatron in 2009, Shockwave in 2004, and Megatron in 1990. Thus, we get glimpses all up an down the future timeline (which itself has been rewritten, thanks to the Time Wars) with tales set both before and after the 1986 film (set in 2006).

 

I found this fairly effective. Up until this point, the short black-and-white stories had clearly been scripted for the original longer format and then had their installments cut in half. Here, writer Simon Furman is figuring out the format that drive the book from here on out, telling small but sharp stories. I liked how Scorponock manipulated Rodimus's morality to his advantage during a Decepticon civil war; I liked the brutality of Megatron dealing with a traitor. The only one that didn't work was the last one... you can't cram Unicron into a five-page tale and convince me that he is the ultimate evil!

from Transformers #235

 

Deathbringer, from Transformers #235-36 (16-23 Sept. 1989), reprinted in Transformers: Best of the Rarities #1 (IDW, Aug. 2022)

script by Simon Furman, art by Geoff Senior and Staz, letters by Glib, colors by John-Paul Bove

 

Another okay story, one that doesn't use the format as well as Aspects of Evil! Basically, the Autobots encounter a mechanoid animated by a fragment of the Matrix (which was lost in space back when Optimus died), and Optimus angsts about it. I never care much for angsty Optimus, and this story is no exception.

from Transformers #238

"Way of the Warrior" / "Survival Run" / "A Savage Place!", from Transformers #237-39 (30 Sept.–15 Oct. 1989), reprinted in Transformers: Way of the Warrior (Titan, 2005)

script by Simon Furman; art by Simon Coleby, Lee Sullivan, and Geoff Senior; letters by Glib and Helen Stone

 

This follows up on the Survivors, the group of Autobots, along with the Decepticons Catilla and Carnivac, who struck out on their own when cut off from Autobot High Command. The Mayhem Attack Squad is trying to hunt down and punish the two Deception traitors; the story mostly focuses on Carnivac, who refuses to recognize Autobot authority but also begrudgingly finds himself doing the right thing and in a desperate stand for his own survival. Decepticon-turned-"good" is one of my favorite Transformers tropes, and this is a good example of it. The middle installment illustrated by Lee Sullivan, with Carnivac crawling through the desert, is particularly effective.

from Transformers #240

 

"Out to Lunch!", from Transformers #240 (21 Oct. 1989), reprinted in Transformers: Aspects of Evil! (Titan, 2005)

script by Simon Furman, art by Andy Wildman, letters by Annie Halfacree

 

This is a good example of the vignette-focused approach of this era of the UK strip. Back in Race with the Devil, Dreadwind and Darkwing were working for Megatron, but he had (kind of) died, so this follows up on what they get up to next now that Thunderwing is in charge of the Decepticons. Here, they're hanging out in a bar on Cybertron, but it's attacked by Mecannibals... only they're too drunk and self-pitying to notice! So the story cuts between them and the desperate attempts of an Autobot agent to stop the Mecannibals from eating everyone. Fun stuff, exactly what you should do in a five-page Transformers comic, I reckon.

 

"Rage! / "Assault on the Ark!", from Transformers #241-42 (28 Oct.–4 Nov. 1989), reprinted in Transformers: Perchance to Dream (Titan, 2006)

script by Simon Furman, art by Andy Wildman, letters by Stuart Bartlett

 

These two tales jump back a bit to explain more of how Thunderwing ascended to power, following up on The Big Shutdown! They're fine but I kind of didn't really care. 

 

"Mind Games", from Transformers #243 (11 Nov. 1989), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman, art by Staz, letters by Annie Halfacree

 

It's hard to talk about this story without getting into the weeds on continuity. Basically, when Simon Furman took over the US book, he decided he wanted to recurrect Megatron. But Megatron had already been resurrected in the UK book. He didn't want to alienate US readers by suddenly revealing Megatron had already been resurrected, so he wrote a story for the UK strip explaining that what everyone had thought was a resurrected Megatron was actually a clone of Megatron created by Straxus. (Chronologically, this goes before most of what I've reviewed above; see the note at the end of this post.) Anyway, not much happens here; it's mostly to set up the next story.

 

from Transformers #244

"Two Megatrons!", from Transformers #244 (18 Nov. 1989), reprinted in Transformers: Best of the Rarities #1 (IDW, Aug. 2022)

script by Simon Furman, art by Geoff Senior; letters by Glib, colored by John-Paul Bove

 

The "real" Megatron and the clone Megatron battle it out. Transformers fans have written whole dissertations on how this causes more problems than it solves, continuity-wise, but if you ignore all that, this is a great story with a perfect climax. Megatron is dead, love live Megatron!

 

"Underworld!" / "Demons!" / "Dawn of Darkness", from Transformers #245-47 (25 Nov.–9 Dec. 1989), reprinted in Transformers: Aspects of Evil! (Titan, 2005)

script by Simon Furman; art by Jeff Anderson and Geoff Senior; letters by Helen Stone, Annie Halfacree, and Glib

 

To be honest, I completely forgot about this story until I went to write it up right now. I guess some Transformers battle robot zombies in sewers? Not really my thing.

from Transformers #248

"Fallen Star!", from Transformers #248 (16 Dec. 1989), reprinted in Transformers: Fallen Star (Titan, 2005)

script by Simon Furman, art by Andy Wildman, letters by Helen Stone

 

Another vignette, this one focused on Starscream who, thanks to events in the US book, has been brought back to life... but is feeling like he's lost his mojo in the process. But then he realizes that maybe after all, he's still got it. Told in the first person, this is a fun story of Starscream at his best. (Well, worst.) Nicely done.

 

from Transformers #249

"Whose Lifeforce Is It Anway?" / "The Greatest Gift of All!", from Transformers #249-50 (23-30 Dec. 1989), reprinted in Transformers: Way of the Warrior (Titan, 2005)

script by Simon Furman, art by Staz, letters by Stuart Bartlett and Helen Stone

 

Two linked stories, both pretty okay. Not as forgettable as some of these, but not the best either. In the first, we see an Autobot walrus robot named Longtooth. Long enough, Optimus Prime bequeathed a fragment of the Matrix to him to use to save a dying comrade... but the cowardly Longtooth kept it for himself. Guilt has since made him suicidal in battle, but all his fellow Autobots think he's just very brave. This I think is a good set-up for a story, but really all that happens is he just suddenly decides to send the Matrix fragment (anonymously) back to Earth so Optimus can make use of it. Not much of a story. In the second one, Optimus thinks about using the fragment to bring back some dead Autobots, but ends up using it to revitalize a part of Earth damaged ecologically by the Transformers' war. It's fine, you know. More Optimus angst.

from Transformers Annual 1990

"The Quest!" / "Destiny of the Dinobots!" / "Trigger-Happy!" / "Dreadwing Down!" / "The Chain Gang!", from The Transformers Annual [1990]

stories by Steve Alan (with Steve White), Ian Rimmer, Simon Furman, and Dan Abnett; art by Andy Wildman, Art Wetherell, Stephen Baskerville, and Dan Reed; colour by Steve White and Euan Peters; letters by Glib; dinosaur consultation by Steve White

 

The 1990 Transformers Annual (by which I mean the one published in 1989) contains, as they usually do, a mix of comic and prose stories. The UK produced two more after this, but this was the last one with a substantive amount of original content. "The Quest!" is a dull text story designed to recap Transformers history, but most of what's left is decent stuff. "Destiny of the Dinobots!" is a tragic glimpse of the future of the Dinobots (seemingly set after the "Earthforce" run I'll discuss in my next Transformers post); "Dreadwing Down!" and "The Chain Gang!" are two decent action-focused tales. I also enjoyed "Trigger-Happy!", a two-part text story about Backstreet, an Autobot who screws up so much he goes on the run rather than be punished by Optimus... but thankfully it's all a big misunderstanding.

from Transformers #254

"The Void!" / "Edge of Impact" / "Shadow of Evil", from Transformers #251-53 (6-20 Jan. 1990), reprinted in Transformers: Aspects of Evil! (Titan, 2005)

script by Simon Furman; art by Staz and Cam S; letters by Glib and Annie Halfacree

 

These are the first three installments of the last-ever future timeline story, detailing what Rodimus, Arcee, and Kup do after their defeat by Galvatron back in Aspects of Evil! It's all very moody, as some kind of enemy is stalking the Autobots on their escape vessel... but to be honest, I don't particularly care for how downbeat the future stories have become. The future was never cheery per se, but since the Autobots defeated Unicron, it feels like it's just fallback after fallback, and Rodimus Prime deserves better.

"White Fire", from Transformers #254 (27 Jan. 1990), reprinted in Transformers: Best of Hot Road #1 (IDW, May 2022)

script by Simon Furman, art by Cam Smith, letters by Stuart Bartlett, colors by John-Paul Bove

 

And finally the future timeline comes to an end here, in a story where Rodimus almost defeats Unicron... but Kup screws things up so that the Matrix will be eternally corrupted. Good job, heroes! I don't like the direction the future stories were going in, so I am glad it all got cut off here, to be honest.

 

A Quick Note on Chronology

from Transformers #241

Suffice it to say that this era of the strip is very confusing chronologically, with the UK stories jumping around a lot relative to the US stories and even themselves. I'll make a post later with more details, but here's how the above stories go chronologically, by my reckoning anyway. I've included US stories and UK stories not covered in this post for context; stories actually discussed here are in bold. I've omitted the future timeline stories from this list.

1. US #53: "Recipe for Disaster!"
2. UK #215-18: Race with the Devil
3. UK #219-22, 229, 232-33: Survivors! / "The Hunting Party!" / A Small War!
4. UK #243-44: "Mind Games" / "Two Megatrons!"
5. UK #230-31: The Big Shutdown!
6. UK #241-42: "Rage!" / "Assault on the Ark!"
7. US #54: "King Con!"
8. UK #235-36: Deathbringer!
9. US #55: "The Interplanetary Wrestling Championship!"
10. UK #228: "[Double] Deal of the Century!"
11. UK #237-39: "Way of the Warrior" / "Survival Run" / "A Savage Place!"
12. US #56-59: "Back from the Dead" / "The Resurrection Gambit!" / "All the Familiar Faces!" / "Skin Deep"
13. UK #240, 245-48: "Out to Lunch!" / "Underworld!" / "Demons!" / "Dawn of Darkness" / "Fallen Star!"
14. US #60-61: "Yesterday's Heroes!" / "The Primal Scream"
15. UK #249-50: "Whose Lifeforce Is It Anyway?" / "The Greatest Gift of All"
16. Annual 1990: "The Chain Gang!"
17. US #62-66: Matrix Quest
    

This post is the forty-eighth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers issues #255–89 of Transformers UK. Previous installments are listed below:

1. The Iron Legion
2. Dragon's Claw 
3. The Transformers Classics UK, Volume One
4. The Tides of Time
5. The Transformers Classics UK, Volume Two
6. Voyager
7. The Transformers Classics UK, Volume Three
8. The World Shapers
9. The Transformers Classics UK, Volume Four
10. The Age of Chaos
11. The Transformers Classics UK, Volume Five
12. A Cold Day in Hell!
13. Death's Head: Freelance Peacekeeping Agent (part 1)
14. Nemesis of the Daleks
15. Death's Head: Freelance Peacekeeping Agent (part 2)
16. The Good Soldier
17. The Incomplete Death's Head
18. Evening's Empire
19. The Daleks
20. Emperor of the Daleks
21. The Sleeze Brothers File
22. The Age of Chaos
23. Land of the Blind
24. Ground Zero
25. End Game
26. The Glorious Dead
27. Oblivion
28. Transformers: Time Wars and Other Stories
29. The Flood
30. The Cruel Sea 
31. The Betrothal of Sontar
32. The Widow's Curse
33. The Crimson Hand
34. The Child of Time
35. The Chains of Olympus
36. Hunters of the Burning Stone
37. The Blood of Azrael
38. The Eye of Torment
39. The Highgate Horror
40. Doorway to Hell
41. Daleks: The Ultimate Comic Strip Collection, Volume 1
42. The Phantom Piper
43. Daleks: The Ultimate Comic Strip Collection, Volume 2
44. The Clockwise War
45. Death's Head: Clone Drive / Revolutionary War
46. Skywatch-7
47. Mistress of Chaos