30 August 2013

A Visit to Earthsea, Part VI: The Other Wind

Mass market paperback, 211 pages
Published 2003 (originally 2001)
Acquired December 2008
Read October 2012
The Other Wind
by Ursula K. Le Guin

My memories of the final Earthsea novel are the vaguest of all six (I'm writing this review up ten months late, which contradicts the whole point of writing these reviews).  I remember liking some parts (the visiting Kargad princess). I don't remember much else. Jo Walton's perspective fits with what I remember not liking. If there's anything to not like about these last three Earthsea novels, it's that they're somewhat joyless for Le Guin stories.

28 August 2013

A Visit to Earthsea, Part V: Tales from Earthsea

Trade paperback, 314 pages
Published 2002 (contents: 1997-2001)
Acquired December 2007
Read October 2012
Tales from Earthsea
by Ursula K. Le Guin

It's odd that this book should leave me cold. Short stories by Ursula K. Le Guin! Come on! I should love them all. Instead, I just kinda like "On the High Marsh," and I don't care for the rest at all. Certainly the most skippable of the Earthsea books.

26 August 2013

A Visit to Earthsea, Part IV: Tehanu

Mass market paperback, 281 pages
Published 2001 (originally 1990)
Acquired August 2008
Read September 2012
Tehanu
by Ursula K. Le Guin

It's depressing, to find out what happened to Tenar after The Tombs of Atuan. One wishes she would have had great adventures, but Tehanu shows that wasn't the case at all. This is a feminist rewriting of the original three Earthsea books-- but it's done by the original author, like if Charlotte Brontë wrote both Jane Eyre and Wide Sargasso Sea herself. Which I like: it means that when the world of Earthsea changes, that the actual world of Earthsea changes, not some kind of ersatz version of it.

This is the moment that stuck out to me the most, where Tenar reflects on what it's like to be a woman of a different race than everyone else around you: "I wonder what a white woman's like, white all over? their eyes said, looking at her, until she got older and they no longer saw her."

23 August 2013

Review: The Diamond Lens and Other Stories by Fitz-James O'Brien

Trade paperback, 132 pages
Published 2011 (originally 1858-59)
Acquired January 2012
Read October 2012
The Obverse Quarterly, Book Three: The Diamond Lens and Other Stories 
by Fitz-James O'Brien

I'm glad this book exists: "The Diamond Lens" is a magnificent short story and deserved to have been reprinted more (the others here I can take or leave), with an obsessed scientist and a strange new life-form. But this Obverse Books edition could have been done much better; there are many errors of typesetting, including that the type fluctuates in size between stories, and chapter headings are done inelegantly at best. The cover is attractive, but with these interiors, you should probably just stick to Project Gutenberg.

22 August 2013

Review: The Doctor in the Victorian Novel: Family Practices by Tabitha Sparks

Hardcover, 177 pages
Published 2009
Borrowed from the library
Read November 2012
The Doctor in the Victorian Novel: Family Practices
by Tabitha Sparks

Solid monograph overall, but I'd like to focus on one bit in the introduction, where Sparks argues that much literature and science criticism claims “that novelist’s conscious was shaped by empirical domains extrinsic to the imaginative realm we ascribe to the novel. In such cases, proof of a novelist’s scientific or medical acumen can suggest, if indirectly, that literature is substantiated through its relationship to ‘hard’ subjects like science” (10-11). Having read a lot of this kind of criticism over the past year, I've seen what she's talking about crop up quite a bit. Sparks avoids this trap herself, talking about how medical professional characters reshape the marriage plot in the nineteenth-century novel, and it's an admonition worth keeping in mind: literature and science criticism should tell us more about literature than the extent of its accuracy in depicting science.

21 August 2013

Review: Appendices: Being the Final Book of The Lord of the Rings by J. R. R. Tolkien

Hardcover, 189 pages
Published 2000 (originally 1955)
Acquired February 2011
Read August 2013
Appendices: Being the Final Book of The Lord of the Rings
by J. R. R. Tolkien

Reading this as my last installment on my The Lord of the Rings voyage is even more of an anticlimax than the second half of The End of the Third Age; the whole thing is polished off with a series of facts and figures. I'm glad this book exists in the abstract: it reveals the staggering amount of thought Tolkien put into his fully-realized fantasy world, which was definitely a first and probably never surpassed (who would have guessed how Shire pronouns would contribute to the perception of Pippin in Minas Tirith?). But I don't know if it actually needed to be published. Well, I'm sure it did, but it definitely didn't need to be read by me.

I know there are people who loved this, but it reads like a less realistic if more consistent version of the History of the Kings of Britain. Which king went to which mountain range to fight which raider when is chronicled lovingly. I did like the snippets of the Aragorn/Arwen romance; too bad that couldn't have been in the actual book.

20 August 2013

Review: On the Origin of Species by Means of Natural Selection by Charles Darwin

Trade paperback, 672 pages
Published 2003 (originally 1859)
Acquired and read October 2012
On the Origin of Species by Means of Natural Selection
by Charles Darwin

Okay, not the world's most exciting read, but an important one, and let's be honest: someone with much worse prose than Charles Darwin could have ended up writing this one; indeed, there are a couple nice turns of phrase here and there. I like how he claims that science makes the world more beautiful in his closing lines: "There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved" (398).

Though Darwin is very cognizant of the limitations of his scientific sight, pointing out how little we actually see: "I look at the natural geological record, as a history of the world imperfectly kept, and written in a changing dialect; of this history we possess the last volume alone, relating only to two or three countries. Of this volume, only here and there a short chapter has been preserved; and of each page, only here and there a few lines" (288). An animal disappearing from our fossil record does not necessarily mean the animal disappeared from the Earth (277-78). In fact, he turns the sparse nature of the paleontological record into a virtue of his theory, because he comes to view the fossil record entirely differently because of his theory. A sneaky, adept move, I think.

My edition was the Broadview one, which is great because it reprints the first edition of the Origin before it got watered down and bloated, but with the second edition's necessary corrections, though not its substantial revisions.  Less great is Joseph Carroll's introduction, which spends a weird amount of space arguing against Thomas Kuhn for some reason. I must admit I'm kinda biased against the guy, though, because he's an advocate of evolutionary literary theory, which I've yet to see produce interesting results.

19 August 2013

Review: The Voyage of the Beagle by Charles Darwin

Mass market paperback, 524 pages
Published 1962 (originally 1839)
Acquired September 2012
Read October 2012
The Voyage of the Beagle
by Charles Darwin

The work of science is often shown as a form of vision, innate to the workings of science, and exploring the various ways in which that kind of vision manifests within the work of the scientist. Though vision is often invoked as a metaphor for the operation of science by scientists and non-scientists alike, it can be an odd one. John Berger opens his famous Ways of Seeing with the statement: “Seeing comes before words. The child looks and recognizes before it can speak” (7). The metaphor of sight suggests something instantaneous and intrinsic, but much of the writing on scientific sight stresses the need for training, for time, and for judgment.

Charles Darwin returns to the concept of scientific sight several times in The Voyage of the Beagle, most interestingly when contemplating how one looks at a lagoon island: “We feel surprise when travelers tell us of the vast dimensions of the Pyramids and other great ruins, but how utterly insignificant are the greatest of these, when compared to these mountains of stone accumulated by the agency of various minute and tender animals! This is a wonder which does not at first strike the eye of the body, but, after reflection, the eye of reason” (464). For Darwin, scientific sight is a direct contrast to visual sight—it requires reflection to see with it, as well as training. It does not come before words, but rather requires considerable knowledge in order to utilize.

There is not much of a resemblance between visual sight and scientific sight in this instance, except in one regard—its all-pervasiveness. Berger’s formulation that “Seeing comes before words” suggests that it is impossible to not see, that it suffuses every part of the human experience. In The Structure of Scientific Revolutions, Thomas Kuhn employs the metaphor of sight for similar reasons, using it to explain his concept of the scientific paradigm: an orientation towards the world so innate that one is almost literally unable to see it differently. Scientific sight, as used by Darwin and others, suggests that the worldview of the scientist is so ingrained that once acquired, it cannot be gotten rid of.

16 August 2013

Review: In a Glass Darkly by Sheridan Le Fanu

Trade paperback, 347 pages
Published 2008 (contents: 1851-72)
Acquired October 2012

 Read July 2013
In a Glass Darkly
by Sheridan Le Fanu

Horror fiction isn't very much my thing, and a lot of early horror fiction especially leaves me cold-- I feel like it's pretty obvious why Dracula took root in the popular consciousness to an extent that "Carmilla" did not. So there are some creepy moments in the five stories collected here, but overall I wasn't too moved. Except in the case of, surprisingly, "The Room in the Dragon Volant," which doesn't have any fantastic elements in it, but is about a young Englishman trying to make his fortune gambling in France who falls in love with the abused wife of a cruel count. This was pretty gripping and creepy in turns, and the characters were very fun.

15 August 2013

Review: Cousin Phillis and Other Stories by Elizabeth Gaskell

Trade paperback, 267 pages
Published 2010 (contents: 1850-64)
Acquired January 2012
Read November 2012
Cousin Phillis and Other Stories
by Elizabeth Gaskell

Five short stories/novellas by Elizabeth Gaskell, my first venture into her non-novelistic work. Pretty typical stuff for Gaskell: a lot of industrial towns, lone women, nostalgia, &c. Like a lot of famous Victorian writers, I don't think she's quite at home in the short story format; the one that works the best here is the longest one, the eponymous "Cousin Phillis," about an engineer's problematic romance.