06 January 2017

Who Has Written for the Most Doctors Who?

A thread on Reddit inspired me to try to figure out who has written for the most actors to have played the Doctor. This is quite a tricky question, of course, because you have to define your parameters. I decided pretty quickly to discount prose fiction because otherwise it all just gets out of hand too quickly: some Short Trips writers have written short stories featuring all eight pre-2005 Doctors, and then all they need is a couple new series novels, and BAM, twelve or thirteen Doctors. But I did decide to count audio, because hey, Colin Baker did read those lines aloud. So the rule is that the Doctor has to be played by an actor who played the Doctor on television, but the actor doesn't have to be playing the Doctor on television.

Here's who I think the top contenders are: (I'm not going to list anyone who got 5/13 just through audio because it's too easy to write for all five of the regular Big Finish Doctors. Sorry Paul Magrs and John Dorney and I'm sure many others.)
  • Andrew Smith
    • Four: Full Circle (television)
    • Five: Mistfall (audio)
    • Six: The First Sontarans et al. (audio)
    • Eight: The Sontaran Ordeal (audio)
    • War: Agents of Chaos (audio)
    • TOTAL: 5/13
  • Marc Platt
    • Four: Night of the Stormcrow et al. (audio)
    • Five: Spare Parts et al. (audio) 
    • Six: Paper Cuts et al. (audio)
    • Seven: Ghost Light (television)
    • Eight: The Skull of Sobek et al. (audio)
    • TOTAL: 5/13
  • Gareth Roberts
    • Six: The One Doctor (audio)
    • Seven: Bang-Bang-a-Boom! (audio)
    • Ten: "The Shakespeare Code" et al. (television)
    • Eleven: "The Lodger" et al. (television)
    • Twelve: "The Caretaker" (television)
      • He wrote three novels for Four that were later turned into audios... but he didn't write the audios so TOO BAD.
    • TOTAL: 5/13
  • Robert Holmes
    • Two: The Krotons et al. (television)
    • Three: Spearhead from Space et al. (television)
    • Four: The Ark in Space et al. (television)
    • Five: The Caves of Androzani (television)
    • Six: The Two Doctors et al. (television)
      • If Holmes had written The Five Doctors as originally planned, he would have netted 6/13. But he and Dicks tie for scoring purely off the classic run. In fact, I don't think anyone else even comes close!
    • TOTAL: 5/13
  • Nicholas Briggs
    • Four: Destination: Nerva et al. (audio)
    • Five: The Sirens of Time et al. (audio)
    • Six: The Sirens of Time et al. (audio)
    • Seven: The Sirens of Time et al. (audio)
    • Eight: Sword of Orion et al. (audio)
    • War: Only the Monstrous (audio)
      • Briggs could actually rack up Four through Eight just because of The Light at the End. And if you count Big Finish's recasts of One through Three (I don't, a position you could argue is inconsistent with some I will adopt elsewhere in this tally), he would actually get up to three more from it.
    • TOTAL: 6/13
  • Alan Barnes
    • Four: Trail of the White Worm et al. (audio)
    • Five: Castle of Fear et al. (audio)
    • Six: Brotherhood of the Daleks et al. (audio)
    • Seven: Gods and Monsters et al. (audio)
    • Eight: Storm Warning et al. (audio)
    • Ten: "The Infinite Quest" (cartoon)
      • Yes, you did forget there was a cartoon episode with David Tennant in 2007. Lucky you. You could argue Barnes should also get Three for Zagreus, but they were only archival clips, i.e., Barnes didn't actually write any lines for Jon Pertwee.
    • TOTAL: 6/13
  • Terrance Dicks
    • One: The Five Doctors et al. (television)
    • Two: The War Games (television)
    • Three: The Five Doctors (television)
    • Four: Robot et al. (television)
    • Five: The Five Doctors (television)
    • Six: The Ultimate Adventure (stageplay)
      • Even though Dicks script-edited the whole Jon Pertwee era, he technically never wrote for Pertwee until eight years later, in The Five Doctors. The Five Doctors actually presents something of a problem, as One was recast and played by Richard Hurndall. Which you could dispute as counting. So I guess I'm defining this as "actors who officially played Doctor Who on television, including recasts." And yes, I did count a stageplay!
    • TOTAL: 6/13
  • Mark Gatiss
    • Five: Phantasmagoria (audio)
    • Eight: Invaders from Mars (audio)
    • Nine: "The Unquiet Dead" (television)
    • Ten: "The Idiot's Lantern" (television)
    • Eleven: "Victory of the Daleks" et al. (television)
    • Twelve: "Robot of Sherwood" et al. (television)
      • Gatiss also wrote a Seven novel, Nightshade, which was turned into an audio, but Gatiss didn't write the script of the audio, so arguably it doesn't pass my no-prose rule. He doesn't get a point for One in An Adventure in Space and Time, either, since that's not David Bradley playing One, it's David Bradley playing William Hartnell playing One.
    • TOTAL: 6/13
  • Paul Cornell
    • Five: Circular Time (audio)
    • Six: 100 (audio)
    • Seven: The Shadow of the Scourge (audio)
    • Eight: Seasons of Fear (audio)
    • Nine: "Father's Day" (television)
    • Ten: "Human Nature" (television)
      • There was a point in time (2007, I guess) where Paul Cornell was the only person to have written for all the actively-performing Doctors. But then Tom Baker came back to audio in 2009 and Cornell hasn't written for the television show since, which is a shame. You could also argue he deserves a point for Richard E. Grant in Scream of the Shalka... but... ahahaha, no.
    • TOTAL: 6/13
  • Matt Fitton
    • Four: Death Match (audio)
    • Five: Equilibrium (audio)
    • Six: The Wrong Doctors et al. (audio)
    • Seven: Black and White et al. (audio)
    • Eight: Dark Eyes 2 et al. (audio)
    • War: Infernal Devices (audio)
    • Ten: Technophobia (audio)
      • Fitton has a big advantage in being the only Big Finish writer to have written for both the Tenth Doctor and the War Doctor.
    • TOTAL: 7/13
  • Steven Moffatt
    • One: "The Day of the Doctor" (television)
    • Four: "The Day of the Doctor" (television)
    • Five: "Time Crash" (television)
    • Eight: "The Night of the Doctor" (web)
    • War: "The Day of the Doctor" (television)
    • Nine: "The Empty Child" (television)
    • Ten: "The Girl in the Fireplace" et al. (television)
    • Eleven: "The Eleventh Hour" et al. (television)
    • Twelve: "Deep Breath" et al. (television)
      • Really he gets in here on two technicalities. Of course William Hartnell was long-dead by "Day of the Doctor," but if I count One's recast for The Five Doctors, I don't see how I can't count John Guilor's one line in "Day." Plus Tom Baker is technically not playing Four in "Day"... but he is playing a future incarnation of the Doctor, so he still counts as a Doctor actor playing the Doctor. But even though Two, Three, Six, and Seven also appeared in "Day" (not to mention "The Name of the Doctor") it was only via archival footage or stand-ins, so it doesn't count.
    • TOTAL: 9/13
As the Reddit thread concluded, not only is Moffatt winning, but he's winning by such a degree and in such a way it's hard to imagine how anyone else will catch him up-- at least, until Christopher Eccleston, Matt Smith, and Peter Capaldi also agree to do audio adventures in their dotage, allowing Matt Fitton to wrack up three more points.

05 January 2017

Review: Thomas Hardy's Novel Universe by Pamela Gossin

New Year, New Who: I'm back to reviewing Doctor Who audio dramas, starting off with Philip Hinchcliffe Presents: The Genesis Chamber.

Hardcover, 300 pages
Published 2007
Borrowed from the library
Read February 2013
Thomas Hardy's Novel Universe: Astronomy, Cosmology, and Gender in the Post-Darwinian World
by Pamela Gossin

It's a book about astronomy, but you still gotta get Darwin in the subtitle. Academics love their Darwin. Anyway, this is a good example of a type of book that doesn't interest me a whole lot, if that makes sense. I find discipline-focused literature and science books to just not be my bag, as I'm more interested in broader issues of what it means to do science than I am more focused issues of what it means to do astronomy. This especially comes down when Gossin gets a little too bogged down in the actual astronomy, which as much as I like Herschel, I don't really find very interesting. Still, this is by no means a bad book, and Hardy's frequent use of astronomical imagery and metaphors means that Gossin delivers some good insights into texts like A Pair of Blue Eyes, Far from the Madding Crowd, and especially Two on a Tower (that's the one that's about an astronomer, after all), though I don't always agree with her readings. I should come back to it sometime.

04 January 2017

Faster than a DC Bullet: Project Crisis!, Part LVIII: The World of Flashpoint featuring Green Lantern

Comic trade paperback, n.pag.
Published 2012 (contents: 2011)
Borrowed from the library
Read August 2016
The World of Flashpoint featuring Green Lantern

Writers: Adam Schlagman, Jeff Lemire, Pornsak Pichetshote
Artists: Felipe Massafera, Robson Rocha, Joe Prado, Ibraim Roberson, Alex Massacci, Andy Smith, Keith Champagne, Ig Guara, Marco Castiello, Ruy José, Vincenzo Acunzo, Cliff Richards, Ben Oliver
Colorists: Rod Reis, Pete Pantazis, Stefani Rennee, Allen Passalaqua
Letterers: Dave Sharpe, Pat Brosseau, Travis Lanham, Carlos M. Mangual, Wes Abbott

Like I said when talking about the Batman World of Flashpoint volume, despite thinking these books were kind of dumb at first, I'm coming to enjoy them. The World of Flashpoint featuring Green Lantern is another solidly enjoyable volume-- I liked all four stories here. The key ones are definitely the first and last stories, both written by Adam Schlagman: "Abin Sur: The Green Lantern" and "Hal Jordan." These stories essentially run in parallel, depicting the lives of their two main characters. In this timeline, Abin Sur still crashlands on Earth and is found by hotshot test pilot Hal Jordan, but Abin doesn't die, meaning he doesn't pass his Green Lantern ring on to Hal.

Why are the Guardians of the Universe jerks in every timeline?
from Flashpoint: Abin Sur: The Green Lantern #1 (script by Adam Schlagman, art by Felipe Massafera)

Abin's story is about him holding onto the Green Lantern determination to protect life in a universe increasingly hostile to it. We see his youth, we see his friendship with fellow Green Lantern Thaal Sinestro (I had no idea Sinestro had a first name), we see Sinestro's turn to evil when he's told their timeline is an aberration and can be rewritten, and we see Abin sent on a mission to Earth by the Guardians of Oa, who want him to recover the White Entity, the essence of life, from its hiding place. Only once Abin finds out about the Amazon-Atlantis war consuming Earth, he wants to stop that instead. This isn't anything deep, but it is a solid, enjoyable tale, with larger-than-life characters doing big things and making tough choices. The art of Felipe Massafera and his collaborators (Robson Rocha and Joe Prado) is some of the best art on a World of Flashpoint story I've seen yet, communicating character and strength. There's some real tragedy, and real emotion here. As always, I'm curious to see if these events will play into the main Flashpoint title. It seems like they ought to, but Flashpoint is only five issues long and so many things have been set up in The World of Flashpoint by this point!

03 January 2017

Review: The Transformers: All Hail Megatron, Volume 3 by Shane McCarthy et al.

Comic PDF eBook, 122 pages
Published 2009 (contents: 2008-09)
Acquired August 2014
Read August 2016
The Transformers: All Hail Megatron, Volume 3

Written by Shane McCarthy, Josh van Reyk and Shawn Knowler, Andy Schmidt
Art by Casey Coller, E. J. Su, Robby Musso, Marcelo Matere
Colors by Joana Lafuente, Priscilla Tramotano
Letters by Neil Uyetake, Chris Mowry

This volume doesn't really follow up the previous two parts of All Hail Megatron, instead it moves backward, filling in some of what we know about its characters, though some of the stories here are about Transformers who don't have anything to do with All Hail Megatron at all. Like any collection of standalone comics, it's a mixed bag.

I liked the tale of Blurr, the narcissist racer who doesn't even notice that society is unraveling around him (as we saw in Autocracy) until it directly impacts his need for speed and his livelihood.

"Have you heard of Our Lord and Savior, Optimus Prime?"
from The Transformers Spotlight: Blurr (script by Shane McCarthy, art by Casey Coller)

The rest were so-so. The story of Jazz is framed as a story told by Tracks during All Hail Megatron to cheer up the Autobots trapped on Cybertron. It's unclear to me where this is supposed to take place, mostly because there's no point where the Autobots are ever cheerful, and besides, it's pretty much an action story that reveals little of character anyway. (Plus I can never remember which one is Jazz.) Cliffjumper's story is also dull, being a stereotypical tale of a soldier from an neverending conflict washing up on an "island" (i.e., planet) and tended to by a loving female native, until the war comes back for him. I know a lot of Transformers fans hate Drift, the Decepticon-turned-Autobot-with-"badass"-swords, and I don't, but his story here didn't win me over.

"AND I HAVE SWORDS!"
from The Transformers Spotlight: Drift (script by Shane McCarthy, art by Casey Coller)

The story of Metroplex is designed to communicate his size with a lot of two-page spreads, which is  neat idea. Unfortunately, the e-version of the story I read split them all in half, really ruining the effect:
This is the right side of a two-page spread, presented as its own page. Seriously, what's going on? Too much work to figure out, sorry.
from The Transformers Spotlight: Metroplex (script by Andy Schmidt, art by Marcelo Matere)

Next Week: It's the final end of All Hail Megatron, with a little bit of Coda!

02 January 2017

Reading Roundup Wrapup: December 2016

Pick of the month: The Lie Tree by Frances Hardinge. A quality month of reading-- I found Kicking and Screaming the ideal sort of superhero comic, Smoke and Shadow one of the better Last Airbender comics, and Adventures in Oz a nice set of Oz comics. But The Lie Tree was the most compellingly readable book I read all month, the sort of book that keeps you up until 1am because you "only" have 75 pages to go! Teenage lady Victorian scientists solving crimes, what could I not like about it? As always, a full review will come in the fullness of time.

All books read:
1. The Transformers: More than Meets the Eye, Volume 2 by James Roberts
2. Talkback: The Unofficial and Unauthorised Doctor Who Interview Book, Volume Three: The Eighties edited by Stephen James Walker
3. Black Canary, Volume 1: Kicking and Screaming by Brenden Fletcher
4. The Avengers: Steed and Mrs Peel: The Comic Strips: Eight Vintage Stories from the Diana Comic art by Emilio Frejo, assisted by Juan Gonzalez
5. Spider-Man: The Venom Factor by Diane Duane
6. Double Dutch by Sharon M. Draper
7. Doctor Who Magazine: Special Edition #21: In Their Own Words, Volume Five: 1987-96 compiled by Benjamin Cook
8. Black Canary, Volume 2: New Killer Star by Brenden Fletcher with Matthew Rosenberg and Julie Benson & Shawna Benson
9. Doctor Who: The Sleep of Reason by Martin Day
10. Doctor Who Magazine: Special Edition #24: In Their Own Words, Volume Six: 1997-2009 compiled by Benjamin Cook
11. Manhunter: Trial by Fire by Marc Andreyko
12. Captain Atom: Armageddon by Will Pfeifer
13. Little Wizard Stories of Oz by L. Frank Baum
14. Avatar: The Last Airbender: Smoke and Shadow by Gene Luen Yang
15. The Royal Book of Oz: In which the Scarecrow goes to search for his family tree and discovers that he is the Long Lost Emperor of the Silver Island, and how he was rescued and brought back to Oz by Dorothy and the Cowardly Lion by L. Frank Baum with Ruth Plumly Thompson
16. Adventures in Oz by Eric Shanower
17. The Wonderful Wizard of Oz by L. Frank Baum
18. The Lie Tree by Frances Hardinge
19. Star Trek: The Next Generation #4: Survivors by Jean Lorrah

Overall, a strong month, which is good, because December means Christmas means presents means book explosion:

All books acquired:
1. Forever... by Judy Blume
2. Star Trek, Volume 3 by Mike Johnson
3. Doctor Who: The Sleep of Reason by Martin Day
4. From Hell: Being a Melodrama in Sixteen Parts by Alan Moore
5. Superman: The Black Ring, volume two by Paul Cornell with Gail Simone
6. Star Trek: The Original Series: From History's Shadow by Dayton Ward
7. A Dance to the Music of Time, Third Movement by Anthony Powell
8. Dhalgren by Samuel R. Delany
9. Threshold, Volume 1: The Hunted by Keith Giffen
10. My Friend Dahmer by Derf Backderf
11. Trashed by Derf Backderf
12. The Book of Gin by Richard Barnett
13. The Jack Kirby Omnibus, Volume One: Starring Green Arrow by Jack Kirby with Joe Simon, France E. Herron, Bill Finger, Dave Wood, and Robert Bernstein
14. Ancillary Mercy by Ann Leckie
15. Seventeen Blocks from the River by Marylou Vonder Brink
16. Eligible by Curtis Sittenfeld
17. Suzi Sinzinnati by Joe David Bellamy
18. The Serpentine Wall by Jim DeBrosse
19. Two Truths and a Lie by Katrina Kittle
20. Taxes, Death & Trouble: An Audrey Wilson Mystery by C. M. Miller
21. Octavia's Brood: Science Fiction Stories from Social Justice Movements edited by Walidah Imarisha and adrienne maree brown
22. Ancillary Justice by Ann Leckie
23. Ancillary Sword by Ann Leckie
24. Descender, Book One: Tin Stars by Jeff Lemire
25. The Adventures of Oliver Twist or, The Parish Boy's Progress by Charles Dickens
26. Hard Times: For These Times by Charles Dickens
27. A Tale of Two Cities by Charles Dickens
28. Great Expectations by Charles Dickens
29. The Mystery of Edwin Drood by Charles Dickens
30. A Christmas Carol in Prose: Being a Short Story of Christmas / The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year In / The Cricket on the Hearth: A Fairy Tale of Home / The Battle of Life: A Love Story / The Haunted Man and the Ghost's Bargain: A Fancy for Christmas Time by Charles Dickens

I bought very few of these, thankfully. #1 was a complimentary publisher copy, #4 was a gift from a professor, #10-24 were Christmas presents, and #25-30 were given to me by my great-uncle a few months ago, but I only just took physical possession. Still, even free books increases the infinite size of the pile:

Books remaining on "To be read" list: 648 (up 17)
Books remaining on "To review" list: 63 (down 3)

30 December 2016

Christmas Special

Merry Christmas to all of you out in blogland. I've been on a whirlwind trip to see my/my wife's family-- one day of travel, two full days with one family, another day of travel, two full days with another family, and then another day of travel. It's always good to come home, of course, and one wishes we could do it more often; geography keeps us at about three times per year except for extenuating circumstances. In six months, we might live somewhere different, and this might make it easier to come home frequently, but it might also make it worse.

Travel logistics meant that for the first time in my entire life, I had to miss my extended family's Christmas Eve get-together-- at which I usually play a key role as emcee of the Yankee swap gift exchange! But even aside from that, it was sad to not spend the holiday with my grandmother and aunts and uncles and cousins and cousins' kids. Instead (for reasons too complicated and too stupid to explain) my wife and I spent Christmas Eve in a diner in Athens, Ohio. Thankfully, some traditions remain intact (watching the Doctor Who Christmas special, eating Christmas dinner with my family and my grandmother, even if it wasn't on Christmas), and some new ones seem to be forming (my wife is making headway in her attempts to make Weihnachtsstollen an annual thing).

Of course, there's been a lot of presents as always. Highlights have included a cocktail set from my wife, a Death Star that dispenses jelly beans from my brother- and sister-in-law, a Star Trek redshirt hoodie from my mother, soundtrack CDs from my mother-in-law, socks from my father-in-law, and many many books. Here's some of them:
As you can see, I netted all of the Ancillary books, which I've been yearning after for a while; I feel like I never read enough current science fiction. (I asked for recent sf from SantaThing; I haven't got my SantaThing books yet, so hopefully I didn't also get the Ancillary books there!) I also got a whole mess of books for my project to read more fiction set in my hometown of Cincinnati-- six of them to be precise.

Just looking at them, my favorite is The Serpentine Wall, a mystery novel by a reporter for the Cincinnati Enquirer:

The Serpentine Wall is a bit of a local landmark, a long, snakey wall on the Ohio River with huge steps:

It's the best place to watch Cincinnati's fantastic river-based Labor Day fireworks. Some of the Cincinnati novels I've read haven't felt very Cincinnati-y; I'm anticipating good things from this one.

On the other hand, I'm a little dubious about Seventeen Blocks from the River. For one thing, I'm the only person to own a copy on LibraryThing, which means it's even more obscure than The Picshuas of H. G. Wells. Secondly, this is its author blurb:

I mean, single out your one son for being adopted and Jewish, that won't make him feel weird at all.  Also, "a leaf in the wind"???

It's getting late, so I'll wrap this up. Incidentally, a Merry Christmas to all of you at home, and remember to keep Christmas with you all through the year!

29 December 2016

Review: The Third Man by Graham Greene

Trade paperback, 157 pages
Published 1999 (originally 1950)

Acquired and previously read January 2007
Reread September 2014
The Third Man by Graham Greene
"What about views on the American novel?"
     "I don't read them," Martins said. (17-8)
Even though this is probably a novella, I knew I wanted to teach it in my class on The Modern Novel. Like many novels I am obsessed with, it is itself about novels: the protagonist is Rollo Martins, a writer of paperback westerns who discovers that actual conflicts between good and evil are not so much like the ones he writes about every day. As a result, there's a lot of meditation here on knowledge: how do we know things and where does our knowledge come from? I see a lot of resonance between The Third Man and the later Justine; I guess it's no coincidence I read them in the same course as an undergraduate, or I taught them together myself.

Martins's emotional knowledge conflicts with the well-researched factual knowledge of Cab Calloway. Martins says, "I don't suppose anyone knows Harry [Lime] the way I do," causing Calloway to meditate, "I thought of the thick file of agents' reports in my office, each claiming the same thing" (27). Martins means 'as well as I do,' but there's a second sense you could take it in: that Martins's way of knowing Lime is distinct from all other ways of knowing Lime, and two pages later, Calloway thinks, "It was odd how like the Lime he knew was to the Lime I knew: it was only that he looked at Lime's image from a different angle or in a different light" (29). Martins is always meeting people whose views of Lime conflict with his, and he doesn't know how to deal with this. Lime's girlfriend Anna suggests to Martins, "There are always so many things one doesn’t know about a person, even a person one loves—good things, bad things. We have to leave plenty of room for them.… [S]top making people in your image. Harry was real. He wasn’t just your hero and my lover. He was Harry. He was in a racket. He did bad things. What about it? He was the man we knew.… [A] man doesn’t alter because you find out more about him. He’s still the same man" (114-15).

Some would say that the detective story—especially in its quintessential, Sherlock Holmes style—suggests that truth is a findable, achievable, objective phenomenon, but that’s not what’s up in The Third Man: all truth is mediated, through time, through personality, and we can never have access to the whole thing. Anna argues this is okay, but Martins seems to believe it’s something to be mourned. And, indeed, Martins doesn't solve his epistemological dilemma by reconciling or even acknowledging his way of knowing was unsophisticated; rather, he kills Lime, allowing him to return to his old paperback-style worldview. Lime threatened it, but Lime has been destroyed.

A subplot concerns Crabbin, a literary snob who accidentally invites Martins (whose pen name is "Buck Dexter") to speak to his literary society instead of the literary novelist he meant to bring (Benjamin Dexter). It's a source of good jokes, but it means more; Calloway closes the novel with a reflection on Crabbin, of all people: "Poor Crabbin. Poor all of us when you come to think of it" (157). No one is ever who you think they are. The story is mediated through Calloway to make sure we get this, to make sure we understand that the world is vastly more complicated than we can ever understand. Most of the characters in The Third Man, like Crabbin and Anna, know that they do not have the world solved, that any way of understanding life is only a fiction-- except for the one who writes fiction.
What a strange world unknown to most of us lies under our feet. (148)

28 December 2016

Faster than a DC Bullet: Project Crisis!, Part LVII: The World of Flashpoint featuring Batman

Comic trade paperback, n.pag.
Published 2012 (contents: 2011)
Borrowed from the library
Read August 2016
The World of Flashpoint featuring Batman

Writers: Brian Azzarello, J. T. Krul, Jimmy Palmiotti, Peter Milligan
Artists: Eduardo Risso, Fabrizio Fiorentino, Mikel Janin, Alejandro Giraldo, Joe Bennett, Tony Shasteen, Alex Massacci, John Dell, George Pérez, Fernando Blanco, Scott Koblish
Colorists: Patricia Mulvihill, Ulises Arreola, Kyle Ritter, Ander Zarate, the Hories, Tom Smith, Brian Buccellato
Letterers: Clem Robins, Patrick Brosseau, Dave Sharpe, Travis Lanham, Rob Leigh

I don't know if these World of Flashpoint books are getting better or if I'm just acclimating to their style and purpose, but I think this volume was the best of them so far. It doesn't have the best individual story in it (that's probably "Project Superman"), but it has three decently enjoyable tales and only one real dud. The reading sequence I devised/picked/was given continues to work well, too: the Booster Gold story in the previous volume alluded to the fact that there was something not right about this timeline's Batman, and in this volume we get to see what that is.

If you thought Batman was grumpy, wait until you see his alternate universe Batman dad.
from Flashpoint: Batman: Knight of Vengeance #1 (script by Brian Azzarello, art by Eduardo Risso)

"Knight of Vengeance" is a gritty noir tale from Brian Azzarello and Eduardo Risso. Azzarello excels as this kind of thing. I'm not sure there was really a story here, but it provides an effective series of snapshots of this universe's Batman and Joker, who manage to be even more broken than those of the primary timeline. We see Batman's crime-fighting empire and criminal(!) empire, his relationship with Jim Gordon (yay!), and the dark twisted night that changed everything for him. Batman alludes to the existence of the primary timeline in a conversation with the Joker; I suppose I'll get to see how he knows about it when I reach the main Flashpoint book. Eduardo Risso on art also impresses. I don't think I've ever seen any of his work before, but his simple style works really well for communicating the darkness of this story. Less a tale and more a demonstration of the need to change this world back, "Knight of Vengeance" leaves me more eager to get to the main event.

27 December 2016

Doctor Who at Christmas: The Sleep of Reason

Mass market paperback, 281 pages
Published 2004

Acquired and read December 2016
Doctor Who: The Sleep of Reason
by Martin Day

My tradition for the last six years has been to read a Doctor Who book set at Christmas around Christmastime... the last three years have seen me scraping the bottom of the barrel, with Nightshade and K9 and Company, two books set at Christmastime, but otherwise no real Christmassy content. The Sleep of Reason's connection to the season is even more tenuous, as there are just a few chapters set on 24 and 25 December 1903.

The book starts out great: it's set in a psychiatric hospital, with parallel narratives in 1903 and 2003, and there's a very compellingly and disturbingly written history of a teenage girl practicing self-harm. Not the kind of thing you'd see in a Doctor Who novel post-"Rose," and not the kind of thing I associate with Christmas, but it sets the stage. The Doctor is suitably mysterious in this one, with lots of good lines. Things are set up well, with mysterious goings on at the hospital in both time zones...

...and set up is basically all that ever happens. On page 203 out of 281, the Doctor finally figures out what's going on... and then we're told that he, "far from proposing any plan of action, stated that he was still at the information-gathering stage." C'mon, Martin Day, kick this plot into gear sometime! As you might guess, things wrap up a bit too easily, and plus it turns out that everything's the fault of that overused Doctor Who standby, aliens who feed on negative emotion. A promising beginning, and some good touches here and there, and a nice companion-of-the-month, but a disappointing novel on the whole.

Thankfully, Penguin released a book of Christmas-themed Doctor Who short stories this year, so next year's read-- probably the last-- will be one with a direct connection to the season.

Next Week: Less a volume 3 and more a volume 0... or maybe even a volume i, since it's all pretty tangential to the main event. Still, it's more The Transformers: All Hail Megatron!

26 December 2016

Review: The Complete Calvin and Hobbes, Book Four: 1992-1995 by Bill Watterson

Comic trade paperback, 371 pages
Published 2012 (contents: 1992-95)

Acquired December 2014
Read November 2016
The Complete Calvin and Hobbes, Book Four: 1992-1995
by Bill Watterson

Like in the third Calvin and Hobbes volume, there's a big gap in the middle of this one (the last one), as Bill Watterson goes on a sabbatical from April 3 to December 31, 1994, which mean that like in Book Three, you just get out of the winter strips and go straight back to them.

Maybe I'm projecting, but there's a sense of the strip sort of winding down. This volume has no masterful extended imaginative storylines. I mean, there's some good stories, like Calvin making a terrible safety poster, Calvin expanding his brain with a thinking cap to do his homework, and Calvin's mom babysitting Susie for an afternoon. But the long, fanciful stories of previous volumes aren't to be found-- most of these stories are just a week or two at most.

There's also an increased cynicism, I think. I mean, Calvin and Hobbes has always been cynical, but there's more strips here from the perspective of Calvin's parents, with no Calvin in them at all, complaining about the media or being in grocery store lines or what have you. Without Calvin to leaven the mood, they just come across as old-guy-complains-about-the-world strips like you could see almost anywhere else on the comics page. All of this ads up to me thinking that Bill Watterson was getting tired. Though tired Bill Watterson is still better than most cartoonists, and there's lots to love here regardless.

All that said: Watterson's expanded Sunday strips are amazing. Maybe he wasn't so much losing his imagination as channeling his imagination into these masterpieces. The stuff he does with layouts and panel size is great; I want to reiterate what I said in my review of Book Three, that it's a shame he apparently stopped cartooning, because he could clearly do something amazing.

And: the oft-commented-upon end of the strip really is perfect. "...let's go exploring!"