Bloodstone & the Legion of Monsters
Collection published: 2022 Contents originally published: 1975-2012 Acquired and read: November 2023 |
Having at last finished my journey through Justice Society comics, I can finally read something else! I am next turning my attention to Elsa Bloodstone, a character with an interesting, complicated legacy—which is, of course, one of my favorite things about superhero comics.
Bloodstone & the Legion of Monsters collects all of the original 1970s appearances of her father, Ulysses Bloodstone, plus a few one-shots featuring her, and a four-part miniseries, Legion of Monsters. It does not collect, despite what the solicitation indicated, the 2001-02 miniseries that introduced Elsa and indeed, remains inexplicably uncollected. But more on that in a future post. The stories are put in a somewhat weird order here (though I can see the logic), but I will go through them in publication order.
I don't know why "dopey but loyal actor" and "camp film director" are key recurring characters in this series, but I am here for it. from Marvel Presents #1 (script by John Warner, art by Pat Boyette) |
The earliest issues are nine featuring Ulysses Bloodstone. Ulysses made his debut in Marvel Presents #1, appeared again in the second issue of that title, and then transferred over to the black-and-white series Rampaging Hulk, appearing in seven of its first eight issues. Ulysses is an immortal; ten thousand years ago, he was present when the magical bloodstone was shattered, and a bit of it was embedded in his chest, granting him immortal life. He's spent his time tracking down other fragments, stopping those who misuse them—especially rampaging kaijuesque giant monsters. There's a core of a good idea here, but I didn't find it to be terribly well executed. The first two issues, in particular, are very choppy; writer John Warner clearly thought he was setting up a long epic when he wrote Marvel Presents #1, and then issue #2 has to hastily wrap up and explain everything, and completely ignores some key aspects of issue #1 in the process!
To be honest, I don't really know why this is happening but it looks good, so I am here for it. from Rampaging Hulk vol. 1 #2 (script by John Warner, art by Bob Brown & Rudy Nebres) |
His six issues of Rampaging Hulk are fine; mostly the high point is the beautiful black-and-white artwork. I did like Bloodstone's supporting cast, a lackadaisical actor turned assistant monster hunter and a crusading journalist, but the actual stories focused too much on the tedious machinations of a globe-spanning conspiracy, and never seemed to really go anywhere. Bloodstone was always on the backfoot, bizarre twists were being piled on top of bizarre twists, new complications being introduced at random. And again, it all gets abruptly cut short, this time in a one-issue conclusion by writer Stever Gerber that somewhat tastelessly discards the characters you've spent six issues getting to know. So what was the point?
That was (spoiler) the end of Ulysses Bloodstone, and as far as I know, he's stayed dead. I did pause reading the collection at this point to read the 2001-02 miniseries, but I'll cover that in another post. The short version, though, is that Ulysses's somewhat overcomplicated backstory was played down; no more mention of the bloodstone fragments or the conspiracy, he just became a flamboyant hunter of monsters of all sorts and his mantle passed on to his daughter, Elsa. The omission of this miniseries from this collection is, frankly, obnoxious and inexplicable. Elsa was then reinvented with a somewhat different backstory in the miniseries Nextwave: Agents of H.A.T.E., which I haven't read yet but will next. I can see why this isn't here (it's twelve issues long and not all about Elsa) but the retooling of a retooling is jarring.
Now, this is my preferred way of doing a retcon. from Astonishing Tales: Boom-Boom and Elsa #1 (script by Rick Spears, art by James Callahan) |
It's this retooled Elsa who is the focal character of three short comics from 2009-10, reprinted from Marvel Assistant-Sized Spectacular #2, Astonishing Tales: Boom-Boom and Elsa #1, and Girl Comics #2. The first is kind of meh, but the other two are fun stories about her overdramatic, overviolent life and her friendship with Tabitha "Boom-Boom" Sparks. You can never go wrong with some Faith Erin Hicks.
Using one's powers for... sandwich making. from Girl Comics vol. 2 #2 (script & art by Faith Erin Hicks) |
Lastly, there's Legion of Monsters (2011-12), a miniseries where Elsa has to work with some monsters, helping defend an enclave of ostensibly peaceful monsters from an attack via plague. The art is nice to look at, dark and moody, and I certainly appreciate any superhero comic that attempts to do something different, but I found both art and writing difficult to follow and ultimately got a bit lost in the contortions of it all; I think the story assumes a deeper familiarity with Marvel's bench of monster characters than I actually possess.
Not the naïf she seems. from Legion of Monsters vol. 2 #1 (script by Dennis Hopeless, art by Juan Doe) |
So overall, it's not the best Bloodstone collection that could have been published. If I hadn't read the 2001-02 miniseries in the middle, I don't think it would have been coherent at all; as it is, it seems to be about two characters related in nothing other than their name and the vague concept of monster hunting.
This is the first post in a series about Elsa Bloodstone. The next installment covers the 2001-02 Bloodstone miniseries.
* Pat Boyette illustrated the second half of Marvel Presents #1, as indicated in that issue's credits, but is omitted from the collection's credit page.
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