12 September 2017

Review: Legion of Super-Heroes Archives, Volume 3 by Edmond Hamilton, Jerry Siegel, John Forte, et al.

Having reached the most recent unread Legion of Super-Heroes collection in my possession, it's time to loop back around to the earliest:

Comic hardcover, 222 pages
Published 1993 (contents: 1964-65)
Acquired December 2014
Read November 2016
Legion of Super-Heroes Archives, Volume 3

Writers: Edmond Hamilton, Jerry Siegel
Artists: John Forte, George Papp, Al Plastino, Sheldon Moldoff, George Klein, Curt Swan, Jim Mooney
Letterers: Milton Snapinn, Joe Letterese, Vivian Berg, David Huffine

Whenever I dip back into the pre-Great Darkness Saga adventures of the Legion of Super-Heroes, I'm like, this is what people look back on so fondly? Even by the standards of 1960s superhero comics, I would argue, most of these stories are dismal and dull and daft.

A subtle critique of 30th-century gender roles.
from Adventure Comics vol. 1 #326 (script by Jerry Siegel, art by John Forte & George Klein)

The dominant writers of the period, Edmond Hamilton and Jerry Siegel, are obsessed with plots where it seems like the Legionnaires have turned against one another: the stories collected in this volume include leader Sun Boy* going nuts from space fatigue and the Legion having to take him down, the Legion imprisoning Lightning Lad for revealing their secrets to their enemies, the female Legionnaires seducing and eliminating the men under the influence of evil women from the planet (I shit you not) Femnaz, five Legionnaires traveling back in time solely to screw over Superboy by revealing his secret identity, and short-lived member Command Kid turning the Legionnaires against each other. Each plot is more contrived than the previous, and the Femnaz one is ridiculously awful: the women of Femnaz destroy their planet's men because the men try to clamp down on violent arena games and won't let them shoot rockets at the moon. They see the error of their ways when they crack their moon in half with some of their rockets, and the male Legionnaires put it back together for them. Uh huh.

11 September 2017

Review: Doctor Who: Talkback, Volume One: The Sixties edited by Stephen James Walker

Trade paperback, 197 pages
Published 2006 (contents: 1978-2006)

Acquired September 2016
Read October 2016
Talkback: The Unofficial and Unauthorised Doctor Who Interview Book, Volume One: The Sixties
edited by Stephen James Walker

I've been reading Doctor Who Magazine's six "In Their Own Words" specials, which interweave quotes from DWM interviews to create a history of Doctor Who from 1963 to 2009. I've been supplementing them with Talkback, which prints interviews in their entirety, mostly sourced from fanzines (though some are from DWM, making for some redundancies). The interviews focus on production personnel, with only a couple performers getting looks in. If you like reading about the minutiae of producing a television programme, especially the very "primitive" ways it was done in the 1960s, then this book is for you.

Highlights include the interviews with the two set designers of the first couple seasons, Raymond Cusick (who designed the Daleks) and Barry Newberry (who designed most of the historicals, including the lush Marco Polo and the excellent The Aztecs), make-up designer Sylvia James, Anneke Wills (who played Polly and lived a fascinating post-Who life), director Morris Barry (who did The Dominators but knew it was crap except for the bitchy Dominators themselves), and Peter Bryant and Derrick Sherwin (the script editors and producers who got rid of the time/space travel element of the show in 1969, and whose reasons for doing so make for interesting reading). Sometimes it can be a bit dry and hard going (Walker and the various other interviewers are no Benjamin Cook when it comes to writing up interviews in a lively fashion), but it's packed with facts and anecdotes you'll struggle to find anywhere else.

08 September 2017

The End of R.E.B.E.L.S. (2009-11): To Be a R.E.B.E.L. and Starstruck

It ought to be a crime that DC stopped collecting Tony Bedard's 2009-11 revival of R.E.B.E.L.S. with only eight issues to go. One more trade paperback would have sufficed to get the whole series in book form. It's a particular shame because this was probably the best DC space-based ongoing since L.E.G.I.O.N.-- it has its flaws (mostly too many characters that didn't get enough focus), but it certainly outdid both The Darkstars and the original R.E.B.E.L.S.

There is a sense here that the book is on its way out, though. Issues #21-23 are To Be a R.E.B.E.L., a story bringing Vril Dox's reestablished L.E.G.I.O.N. into conflict with the Green Lantern Corps. With Green Lanterns featuring prominently in the stories and on the covers, it feels like an attempt to cash in on how popular the Green Lantern Corps was at the time under Geoff Johns-- which surely wouldn't be needed if R.E.B.E.L.S. had been doing fine on its own. But Tony Bedard and Claude St. Aubin make the most of this mandate (if mandate this was): the two Green Lanterns are a Psion and an Okaaran, both Vegan species from the old Omega Men series, and using them allows for some new perspectives on the Vega system (L.E.G.I.O.N.'s new home base), and a decent role for Starfire.

The last five issues constitute Starstruck (numbered "Part 1," "Part 2," "Part 3," "Part 3," and "Conclusion"), which brings back series nemesis Starro the Conqueror for one last confrontation. Compared to the previous Dox/Starro clashes we've seen, this one feels much less epic, as Starro never controls more than the Psion homeworld and Ranagar, and it also seems rushed. One assumes Bedard knew his time was up and brought back the series's big bad for a finale (it was indicated when Starro was originally defeated that he would indeed be back), but didn't have enough issues to make it as exciting as he wanted. (It also hurts that with #24, the issues go from 22 pages to 20.)

It's not without its moments, however. Lobo using a clothespin to stop himself from being seduced via scent is great, as is how Lobo eventually defeats Starro's sub-boss, Smite. The Psion plan is a pretty incredible one, though there's something seeded with it that will never be followed up on, given that shortly after this was published, the DC universe was rebooted in Flashpoint. It's always fun to see Dox be Dox, but he probably gets the fewest good moments of the whole series in this storyline. Previously, Bedard and company balanced action and character well, but this climax tilts a little bit too much to action, and the solution to the Starro menace is surprisingly simple. Though I obviously wish it had been collected, this is only an adequate end to R.E.B.E.L.S.

07 September 2017

Review: Gloriana; or, The Revolution of 1900 by Lady Florence Dixie

PDF eBook, 350 pages
Published 1890
Read October 2013
Gloriana; or, The Revolution of 1900
by Lady Florence Dixie

I have to admit that my memory of this novel is vague at the point I write this, over three years after I read it. Published in 1890, it comes at the point where what I call "revolutionary science fiction" was really taking off-- after scattered instances in the 1880s, in 1890-93 there's just this huge outpouring of the stuff, of which Gloriana is one example. In this instance, it's a feminist revolution, starting with suffrage, but ending with all sorts of rights for women that culminate in a 1999 feminist utopia. I remember parts of it being fun, but at 350 pages, there's not enough fun parts compared to the length of the book. Still, there's interesting stuff: a woman who disguises herself as a man to become a Member of Parliament (did this book inspire Una Silberrad?), the customary early feminist tie to eugenics, an army of women marching. I've read better works of proto-science fiction from this time period, but I've read much worse.

05 September 2017

Review: Legion of Super-Heroes: Hostile World by Paul Levitz, Francis Portela, Walter Simonson, et al.

Comic trade paperback, n.pag.
Published 2012 (contents: 2011-12) 

Acquired August 2015
Read May 2016
Legion of Super-Heroes, Volume 1: Hostile World

Writer: Paul Levitz
Co-Plotter: Walter Simonson
Artist: Francis Portela
Penciller: Walter Simonson
Inkers: Dan Green, Sean Parsons
Colorist: Javier Mena
Letterers: Pat Brosseau, Travis Lanham

This is the first proper volume of the "deboot" Legion I've read-- by "proper," I mean stories that don't cross the Legion over with present-day DC characters, like in Superman and the Legion or Legion of 3 Worlds. It's confusing. It's dull. It's terrible. Levitz throws tons of characters at you, but gives you no reason to care about any of them. I've been reading the Legion for years now, and I don't give a shit about these people. How on Earth is a new reader supposed to? The extent to which the deboot Legion deviates from the core premise of the Legion is staggeringly misguided. Like, it's supposed to br about teenagers in the future, yet in this version they're all adults. What's going on? Who thought this was a good idea? I don't care for Francis Portela's stiff and posed artwork, but not even an issue drawn by Walt Simonson can get me involved. Is the deboot Legion a lost cause from its very inception?

Next Week: We warp back around to the beginning... or pretty close to it, anyway, with Legion of Super-Heroes Archives, Volume 3!

04 September 2017

Review: Landscape with Invisible Hand by M. T. Anderson

Trade paperback, 149 pages
Published 2017

Acquired and read August 2017
Landscape with Invisible Hand by M. T. Anderson

M. T. Anderson is a master of many genres: satire, romance, historical fiction. Here he returns to science fiction, the genre of his most popular novel, Feed, with Landscape with Invisible Hand. The bookmark that came with my review copy of Landscape with Invisible Hand includes this quotation from Anderson himself linking the two: "If Feed was about constantly being sold to, Landscape with Invisible Hand is about how we now have to constantly have to sell ourselves." An alien race called the vuvv has come to Earth, bringing their advanced technology-- which has completely wrecked the human economy. The 1% get richer through their investment in vuvv technology and manufacturing, but many humans are quickly put out of work by automation, and then things spiral out of control-- as people can't afford things, other jobs progressively collapse, leaving the majority of humanity unemployed.

The main character is Adam, who as Anderson's quote indicates, himself becomes a commodity: he and his girlfriend Chloe (whose family rents from Adam's because they can't afford their own home) livestream their relationship to vuvv observers, who fund them in a sort of Patreon- or Kickstarter-esque way because they find human coupling really fascinating. The vuvv especially like 1950s culture because that's when they first came to Earth, so Adam and Chloe try to emulate the period in their relationship. Even though they make good money, this lack of authenticity soon begins to wear on their relationship, but the worse it gets the more they need it.

The other quote Landscape with Invisible Hand brought to mind was this passage from the first chapter of The War of the Worlds: "And before we judge of them [the Martians] too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals, such as the vanished bison and the dodo, but upon its inferior races. The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants, in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?" In its way, Landscape with Invisible Hand is much more of a The War of the Worlds update for the twenty-first century than the Steven Spielberg film or Independence Day. Like Wells's novel, it mirrors what our civilization does to other ones with aliens coming to ours. The way the vuvv economic needs cause the human economy to collapse, and the vuvv "help" humanity by doing occasional medical missionary work, or claim to enjoy human art, but have an out-of-date, ossified, condescending way of perceiving it, mirror the way America can treat countries outside of "the First World." Just as the Martians were us all along, so are the vuvv.

It's not a fun read; it's probably one of Anderson's darkest (not that he's consistently lighthearted or something). Even the jokes are typically dark and depressing, such as the ongoing development of how Chloe's brother is reacting to the vuvv invasion. It's very potent though, and well put together in the way that every M. T. Anderson novel is. Probably it's biggest crime is that it's short, with just 149 pages that aren't exactly packed with text. This prevents the characters from achieving the kind of depth necessary to really fell their tragedy, like you do in Feed even though the characters in that book are almost universally awful. On the other hand, its length makes it a compelling, quick read-- I zipped through the whole thing in two evenings and felt satisfied. I suspect Landscape with Invisible Hand will be a minor work from a major talent.

01 September 2017

Reading Roundup Wrapup: August 2017

Pick of the month: The Rings of Time by Greg Cox. This was one of those months where I read some good stuff, but nothing I particularly loved. I enjoyed The Mighty Thor, Star Raiders, both Chaykin space epics, The Rings of Time, More than Meets the Eye, and Landscape with Invisible Hand, but I didn't love any of them. So I waffled a bit before finally using Preference Revealer to generate one-on-one matches to determine my ranking a piece at a time. To my surprise, actually, this original series Star Trek novel came to the top. It's a fun, quick read-- I'm not sure you can say or need to say much more about it than that. (Landscape with Invisible Hand and More than Meets the Eye hovered just below.)

All books read:
1. Star Trek: The Original Series: Allegiance in Exile by David R. George III
2. Doctor Who: The Gingerbread Trap by Justin Richards
3. The Mighty Thor, Vol. 4 by Walter Simonson
4. Doctor Who: Helana and the Beast by Justin Richards
5. Star Raiders by Elliot S! Maggin
6. Twilight by Howard Chaykin
7. Ironwolf: Fires of the Revolution by Howard Chaykin and John Francis Moore
8. A Tale of Two Cities by Charles Dickens
9. Star Trek: The Rings of Time by Greg Cox
10. Transformers: More than Meets the Eye, Volume 8 by James Roberts
11. Landscape with Invisible Hand by M. T. Anderson

All books acquired:
1. Landscape with Invisible Hand by M. T. Anderson
2. Star Raiders by Elliot S! Maggin
3. Twilight by Howard Chaykin
4. Ironwolf: Fires of the Revolution by Howard Chaykin and John Francis Moore
5. Adam Strange: The Silver Age Omnibus by Gardner Fox, Dave Wood, and Jerry Siegel, with Denny O’Neil
6. The Demolished Man by Alfred Bester
7. The Stars My Destination by Alfred Bester

Books remaining on "To be read" list: 647 (down 3)
Books remaining on "To review" list: 20 (no change)

31 August 2017

Review: Science, Fiction, and the Fin-de-Siècle Periodical Press by Will Tattersdill

Hardcover, 200 pages
Published 2016
Borrowed from the library
Read September 2016
Science, Fiction, and the Fin-de-Siècle Periodical Press by Will Tattersdill

Will Tattersdill first came to my attention when he e-mailed me to ask a question about Fighters from Mars, the unauthorized American The War of the Worlds rip-off about which I have published. At the time we were both humble Ph.D. students, but with the way the American and British postgraduate timetables differ, he finished his dissertation and got it published with a top university press when I was still scribbling away on mine.

You might conclude from the topic of his query that Tattersdill is interested in the periodical press and science fiction, and that's what this book is about (though there's no Fighters from Mars here). The book discusses the ways that science manifested in the British "Standard Illustrated Popular Magazines" of 1891-1905, analyzing issues as wholes-- part of his argument is that these magazines did not demarcate between what we would now call "science fiction" and other genres, so he examines what sf stories were doing with science alongside factual articles, interviews, and all sorts of stuff. The four chapters discusss interplanetary communication, futurology, X-rays, and polar exploration in turn, pulling in a lot of H. G. Wells and George Griffith, plus some L. T. Meade and Francis Galton, showing how these pieces of fiction were reworking science little differently from how journalism was. There are a lot of neat tidbits in here; I especially liked the discussion of X-rays, which takes in an issue of Pearson's containing both an interview with Röntgen and the first-ever work of fiction with an X-ray in it, an interview with an artist in the Idler that includes an X-ray of the artist's hand, and the use of X-rays as a tool of assassination in an L. T. Meade story.

I also appreciated Tattersdill's call at the end of the book to make the intersection of literature and science about something more than using science to illuminate literature, similar to something Anne DeWitt argued for twenty-one volumes earlier in the same Cambridge UP series as Tattersdill, and an impulse I share myself.

29 August 2017

Review: Superman and the Legion of Super-Heroes by Geoff Johns, Gary Frank, and John Sibal

Comic hardcover, 158 pages
Published 2008 (contents: 2007-08) 

Acquired December 2012
Read November 2015
Superman and the Legion of Super-Heroes

Writer: Geoff Johns
Penciller: Gary Frank
Inker: John Sibal
Colorist: Dave McCaig
Letterer: Rob Leigh

So this takes place prior to Legion of 3 Worlds, but I actually read it afterwards. I wonder what I would think if I'd read them in the proper order, because as it is, this read like a less successful widescreen Legion action story in much the same vein as Legion of 3 Worlds. There are some good ideas here (I like the idea that a 31st-century nativist group has made the Earth's sun red as a giant "screw-you" to Kryptonians), but the story never clicked with me like Legion of 3 Worlds did, was never quite as fun or brash or crowd-pleasing.

Geoff Johns can sometimes do a great last-page reveal.
from Action Comics vol. 1 #858

At least part of this is due to the art, I think. Gary Frank is a good artist, but his linework makes young people look old, and youth is one of the essential qualities of the Legion, and everything was a bit too fussy. I guess what I'm saying is that he's no George Pérez. And yes, I know that's unfair. (I also don't really care for his costume designs.)

More like Legion of Teenage Super-Creeps. They should all be, like 13-15 here! Has Gary Frank seen a real teenager?
from Action Comics vol. 1 #858

There's a good idea here-- the diversity of the Legion standing against nativism-- but Johns doesn't quite pull off the thematic resonances, the end of the story getting kind of bogged down in a giant fight and gratuitous appearances by the Legion of Substitute Heroes. The Legion's large cast is, as always, its strength and its weakness.

Just imagine your John Williams fanfare swelling up here.
from Action Comics vol. 1 #863
Next Week: The Legion has been split... half of its members have been lost... and it faces a Hostile World!

28 August 2017

Review: Wiped!: Doctor Who's Missing Episodes by Richard Molesworth

Torchwood is back! Big Finish have brought us Series Five on audio, beginning with the first volume of Aliens Among Us, and of course I'm reviewing it for USF. Mr Colchester is the new best Torchwood character.

Trade paperback, 480 pages
Published 2010

Acquired August 2012
Read April 2017
Wiped!: Doctor Who's Missing Episodes
by Richard Molesworth

If you ever wanted to know how so many episodes of Doctor Who ended up missing, presumed wiped, then this is the book for you. Molesworth covers both the processes and procedures that led to the wiping of most episodes of Doctor Who from 1963 to 1974 from the BBC archives, as well as the slow and difficult details of their gradual recovery. Reading this book, it turns out that what's strange isn't that so many stories were wiped, but that we have as many of the episodes as we do. The strange anecdotes that surround almost every recovery make for good reading.

I appreciate Molesworth's thoroughness, but the book could sometimes be hard going-- there's a lot of detail that's difficult to read, about certain technical processes, and about what film trims ended up where when and stuff like that. But I suspect those parts were more intended as reference than as something you should read narratively.

(I read the first edition of 2010, but there was an updated edition that came out in 2013, adding details about the recovery of episodes from Galaxy 4 and The Underwater Menace in 2011. Alas, it was announced just after I bought the first edition, and I wasn't about to turn around and buy it again. Even more alas, a couple months after the second edition came out, the recovery of two almost-complete serials was announced, rendering the second edition out of date almost immediately! I don't know if there are plans for a third, but I feel like if it was published, the recovery of more episodes would be almost guaranteed, so that Molesworth can never be done with his work.)