Mass market paperback, 374 pages Published 2012 Acquired December 2012 Read August 2017 |
by Greg Cox
2020 / 2270
The novel follows two parallel chronological tracks: the first manned mission to Saturn in the far future year of 2020, and the Enterprise coming to the aid of a beleaguered Federation colony 250 years later. The 2270 plotline takes a little while to become interesting, but the 2020 one is pretty good right from the off. I think it pushes belief that a vlogger could smuggle herself onto a NASA mission, but once you accept that, it's a reasonable near-future realistic space story along the lines of The Martian or whatever. There are some obvious connections between the two time periods, with both concerning gas giants with strange hexagonal disturbances at their poles where the rings begins destabilizing.
The book kicks up a gear at the one-third mark, when Captain Kirk switches places in time with Shaun Geoffrey Christopher, commander of the Lewis & Clark. This is done Quantum Leap-style, so physically, the crews of both ships do not see a difference. I had fun imagining this on screen-- I bet Shatner would be hammy in just the right way as Kirk pretending to be an astronaut. (Though you'd probably also want to imagine Shatner as Christopher pretending to be Kirk, which isn't terribly consistent.) Captain Kirk having to blend in in the past always yields good comedy (e.g., "The City on the Edge of Forever," The Voyage Home), and Cox milks that well here. I laughed when Kirk tries to remember what the computer network of the 21st century was called and comes up with "the Interweb."
At first I thought it was a little much that there are two female guest characters in this book and they both have the hots for Colonel Christopher, but when the swap happened, I got it. Nothing is quite as good as Captain Kirk being in the dilemma of there being two sexually available women but he doesn't know which one to sleep with because he might destroy the timeline if he makes the wrong choice.
The plot here is kind of like whatever. It's not bad; it's just a structure to hang time travel hijinks and risky EVAs off of. It's all a bit The Martian like I said, but when Cox wrote this (presumably) in 2011, The Martian was just an above-average self-publishing phenomenon, and probably not on Cox's radar. Cox captures the original Star Trek crew well, and writes brisk action; I breezed through this thing in about two nights and had lots of fun in the process. That the Human Extinction League could have such an effect did seem a little hard to believe, but of course their comeuppance at the hand of the Enterprise crew was pleasing.
The only thing I didn't like is the revelation of what/who caused the time travel phenomenon, which felt like a cheat and a non-answer.
Continuity Notes:
- There are some callbacks to Cox's The Eugenics Wars novels: Christopher was supposed to pilot a DY-100 sleeper ship back in the 1990s, but someone (i.e., Khan and company) stole it from him.
- Cox also does a good job setting this in the early 21st century, blending references to our real world Great Recession with the sanctuary districts of Deep Space Nine's "Past Tense" (set in 2024).
- I do have one quibble here: the Earth-Saturn probe doesn't feel as significant as Spock made it sound in "Tomorrow Is Yesterday." It's hard to imagine the future of human spaceflight being thrown off course without Colonel Christopher's presence. This should feel as monumental as the Apollo missions! Of course, in the real early 21st century, it's hard to imagine any manned space missions happening at all, alas.
Other Notes:
- If I'm not mistaken, The Rings of Time was the second-last original series novel published without "The Original Series" branding on the cover and title page, the last being Dayton Ward's That Which Divides. Allegiance in Exile was actually the first to have it. I'm not a fan. (The 50th anniversary Legacies trilogy also didn't have it, actually; I assume because Star Trek: The Original Series: Legacies: [Actual Title] is a bit on the clunky side. Though this is the line of books that used to give us titles like Star Trek: Deep Space Nine: Gateways, Book Four of Seven: Demons of Air and Darkness, so what exactly could be too clunky?)
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