This means I have been forced to listen to stuff like someone from the 2020s (or 2010s); that is to say, on my phone. The first thing I listened to this way was the podcast Doctor Who Redacted, because it can only be accessed through the BBC Sounds app. But once I listened to this podcast (highly recommended, by the way), I realized there was a whole wealth of material that I've been listening to on there, now for around a year I think. As an American, you can listen to whatever you want!*
There doesn't seem, alas, to be a way to view a list of everything you've listened to on the BBC Sounds app, so I am going to give you some recommendations from memory. Probably there is other good stuff I am forgetting.
- "Beethoven Can Hear You" (2020). Actual Deaf actress Sophie Stone plays a Deaf time traveller who travels back in time to meet Beethoven... and discovers that he is not in fact Deaf. Beautifully performed by Stone and Doctor Who's own Peter Capaldi, beautifully written by Timothy X Atack (who I know from the Doctor Who audio dramas), and beautifully sounding, with some interesting things to say about disability and identity.
- Two on a Tower (2021). There are a lot of Thomas Hardy (and other Victorian fiction) adaptations on BBC Sounds, but this has been my favorite of them so far, a genuinely moving adaptation of my favorite minor Hardy, a book that has otherwise gone unadapted. Captures the leads' uncertainty and passion in equal measure.
- Mrs Sidhu Investigates: Murder with Masala (2017). This is a fun mystery comedy, about a nosy Indian caterer who keeps sticking her nose into murders. Meera Syal is hugely funny as the lead, as is Justin Edwards, who plays her long-suffering police contact. My main complaint is that there was only one four-episode series, though it was later turned into both a tv show and a novel.
- Decameron Nights (2014). Ten installments of Boccaccio's Decameron are dramatized in 165 minutes. Lots of good actors in this, and lots of good jokes, really brings the sexual farce elements of the original to life with a lightly modern touch. Lots of familiar voices (Samuel Barnett is good value of course) but you haven't lived until you've heard Big Finish's Jane Slavin as a horny abbess.
- A Vindication of Frankenstein's Monster (2024). I'm not quite done with this, but I am loving it enough to confidently state it will be on my Hugo ballot next year. This story mashes up Mary Shelley's Frankenstein with her mother Mary Wollstonecraft's A Vindication of the Rights of Woman. What if the woman we now mostly remember as the mother of the mother of Frankenstein... kind of became Frankenstein's monster herself? Or, perhaps, she already was? Great science fictional exploration of monstrousness and gender.
* Except for, apparently, Numberblocks Tales, which is a great tragedy for us in the Mollmanns.
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