The second half of the Shuri series continues the story of what Shuri is up to on Earth, acting as Black Panther while T'Challa is missing in space. First there's a two-issue fill-in by Vita Ayala and Paul Davidson about Shuri going to New York City tracking down black holes, where she ends up working alongside the Miles Morales Spider-Man and Ms. Marvel. I was a little skeptical of this going in, to be honest, but I ended up enjoying it a fair amount. Ayala (mostly) has a good command of Ms. Marvel, and the story does some interesting, nuanced things that stop it from being just another generic superhero punch-up. (I did find it weird that Kamala said she was a science person, though.)
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from Shuri #9 |
I did think that the three issues here struggled a bit to get everything together; in particular, Shuri's friendship with the mysterious anonymous hacker Muti ultimately seems pretty underdeveloped. Yes, Muti plays a role in wrapping up the ongoing crisis with the music-loving black-hole-generating space bug that threatens to eat Wakanda's memories, but I felt like there was more to do here in terms of characterization with the idea that Shuri's only real friend was someone she never saw or met! In the end, it feels like Okorafor bit off slightly more ideas than than she could chew in a ten-issue miniseries; Wakanda's growing connection to other African nations is just a random bit of flavor rather than something dealt with substantively.
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from Shuri #7 |
So ultimately I found the first half of this series stronger than the second... but it is definitely the best showing from Okorafor on a Black Panther-adjacent comic and, other than Rise of the Black Panther, probably the best Black Panther comic of the whole "Coates era."
Issues #6-10 of Shuri originally appeared from May to September 2019. The stories were written by Vita Ayala (#6-7) and Nnedi Okorafor (#8-10), illustrated by Paul Davidson (#6-7) and Rachael Stott (#8-10), colored by Triona Farrell (#6-7) and Carlos Lopez (#8-10), lettered by Joe Sabino, and edited by Wil Moss.
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