Oz-story Magazine ran for six years, collecting a mix of archival and original Oz and Oz-adjacent fiction and comic strips. It was published by Hungry Tiger Press, with editing by Hungry Tiger publisher David Maxine and art direction by his partner, Eric Shanower. It contains a number of pieces of Oz short fiction you can't find elsewhere, so I decided to incorporate it into the Oz books I've been reading my kids. Even though it's called a magazine, it's bound like a book and runs 128 pages and even has an ISBN.
| Oz-story Magazine, Number One | 
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| Anthology published: 1995 Contents originally published: 1906-95 Acquired and read aloud: September 2025 | 
The first issue contained four short stories that I read aloud to my kids. The first was "Percy and the Shrinking Violets" by Rachel Cosgrove Payes; this brings back Percy the giant white rat from her novels The Hidden Valley and Wicked Witch of Oz. Unfortunately, even though it was just over a year ago that we read these books, my seven-year-old did not remember Percy at all! The story, where Percy—and then later, Ozma—is shrunk by a magical violet is fun enough, though one feels like Ozma and Percy are a little slow on the uptake at times.
Before Ruth Plumly Thompson became an Oz writer, she published short tales of a kingdom called Pumperdink, which she revealed in Kabumpo in Oz was actually in the Gillikin Country. This volume collects one of those older stories, "The Dragon of Pumperdink," a fun story about a dragon running out of coal (Thompson's dragons die if their internal flame dies out) who needs to seek employment.
The longest short story in the book (I serialized it over three nights) is "Gugu and the Kalidahs" by Eric Shanower. This brings back Gugu the leopard from The Magic of Oz—given we read this back when my kid was three, no way did they remember Gugu! Thankfully, Kalidahs were memorable from their recent experiences of various adaptations of the original book (both the Shanower/Oz comic and the Yoto audio adaptation have gotten recent play), because otherwise there are no familiar Oz characters. The story is about how Gugu's forest gets invaded by Kalidahs, in violation of ancient treaty. and Gugu must do his best to push them out... alone. It's a tense, dark story; it's been a long time since I read The Jungle Book, but it felt like an Oz refraction of Kipling. The illustrations are not in Shanower's usual style, but they are striking.
Lastly, there's "The Balloon-Girl of Oz," credited to Stephen Kane, but actually by Eric Shanower. This focuses on my kids' eternal favorite, Scraps the Patchwork Girl, who here swells up like a balloon, and has to desperately make her way back to the Emerald City for help without floating off into space. I always like Oz stories that put the characters in a weird situation they must think through logically in order to solve, and of course pictures of Scraps looking like a balloon are going to be delightful. My kids were very much into the absurdity of this one. I particularly liked the ending, where Scraps gets to mad at all the people laughing at how funny she looks, so she just lets go and floats off into the sky!
In addition to all this, there's a couple comics; I read "The Pathetic Losers of Oz" by Ed Brubaker, about all the Oz residents with powers not worth mentioning. I did not read Walt Sprouse's comic adaptation of The Marvelous Land of Oz, but my comics-loving seven-year-old did.
Additionally, there's two stories I didn't read to the kids. One is a nice little piece of literary fiction by F. Scott Fitzgerald, "Outside the Cabinet-Makers," which mentions Mombi, so I guess Fitzgerald was a fan!
The other is a complete novel (over fifty pages of small type) by L. Frank Baum from 1906: Sam Steele's Adventures on Land and Sea, or The Boy Fortune Hunters in Alaska. This I read to myself after reading everything aloud to the kids. I think I made the right call there, I don't think they would have been into it, but I actually found it surprisingly fun, a boy's-own adventure about an orphan boy to enters into a partnership with his late father's business partner to hunt for gold in Alaska, but ends up finding a whole different adventure instead. (As David Maxine points out in the intro, despite the subtitle, there's only one boy fortune hunter and they never make it to Alaska!) Baum is good at putting people into tough situations they must work they way out of. Maybe once we get through all the issues of Oz-story, I'll seek out the other Sam Steele novels. (The novel was not illustrated originally, but cleverly, Shanower selects a bunch of John R. Neill illustrations from various other projects that work perfectly well; you never would have guessed!)
 
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