While there have been some long gaps between Black Panther runs, that was not true once Christopher Preist's came to an end. Less than two years after Black Panther vol. 3 #62, Marvel debuted a new Black Panther title with Reginald Hudlin as writer. The opening story arc, Who Is the Black Panther?, carefully reintroduced the character and his setting, evidently aimed at a readership who had not previously read any Black Panther comics or only had a vague awareness of the character.
from Black Panther vol. 4 #1 |
These aren't the only changes Hudlin introduces to the Black Panther mythos. This story retells how Ulysses Klaw killed T'Challa's father, the previous Black Panther, but now instead of it happening in Wakanda when Klaw stumbles in, here it happens at an international summit. (This is clearly the inspiration for T'Chaka's death in Captain America: Civil War.) It also seems that Queen Raimonda was around T'Challa's entire life; as McGregor told it, she would have been back in South Africa for some of the events Hudlin places her at here. T'Challa also suddenly has an uncle we've never seen before, who in fact acted as Black Panther when T'Challa was a child. Where was this guy during, say, all the trouble with Killmonger?
from Black Panther vol. 4 #6 |
That said, of course the test of a retcon isn't how much the new continuity is different from the old, but how good the story is being told with it is. We don't get a lot of Shuri here, but what we do get is solid and interesting, as she tries to prove herself in a world that doesn't have a lot of space for her to do so, and I look forward to seeing what Hudlin does with her during the rest of his run. As for the rest of the changes, I am agnostic on them, and I will have to see how they continue to play out.
Okay, that was a lot on the continuity... what of the actual story? Well, it's okay. The first few issues alternate between exposition about Wakanda and the Klaw going around recruiting a team of villains to invaded Wakanda, along with the help of the neighboring country of Niganda. Ultimately, the problem is that the pacing seems off, there's about four issues of recruiting and two issues of invasion, meaning it seems a bit too simple and easy to fend off, and that many aspects of the story seeded in the first four parts ultimately don't really bear fruit. Why do we need to see all this stuff about recruiting the Black Knight when he barely does anything? Why all this stuff about the Radioactive Man's girlfriend when as soon as she gets to Wakanda she dies? (And grossly the male characters' reaction to her death is "at least we got to cop a feel!") Why spend so much time on the American military sending a force of cyborg zombies to "help" when all they do is show up and then T'Challa tells them to leave?
from Black Panther vol. 4 #3 |
The art for this opening arc is by the famous John Romita Jr., and I think it is actually my first experience of his work.* I can't claim to be a fan of all of his people, especially their blocky noses, but his art has a strong dynamism and power that really carries you from the action on a panel-to-panel basis, so the more action there is, the better it works. The real artistic standout, though, is Dean White on colors. White's vibrant brights and lights, in particular, and strong contrasts really capture the energy and optimism of Wakanda in a world of darkness. I don't know if "JRJR" keeps contributing to this series, and I don't have a strong opinion either way, but I hope Dean White does.
from Black Panther vol. 4 #7 |
Who Is the Black Panther? originally appeared in issues #1-6 of Black Panther vol. 4 (Apr.-Sept. 2005). The story was written by Reginald Hudlin, penciled by John Romita Jr., inked by Klaus Janson, colored by Dean White, lettered by Chris Eliopoulos (#1-2) and Randy Gentile (#3-6), and edited by Axel Alonso.
"Soul Power in the House of M" originally appeared in issue #7 of Black Panther vol. 4 (Oct. 2005). The story was written by Reginald Hudlin, penciled by Trevor Hairsine, inked by John Dell, colored Dean White, lettered by Randy Gentile, and edited by Axel Alonso.
* Actually, it looks like I have read exactly two DC books where he contributed a small amount of art, Detective Comics vol. 1 #1027 and Legion of Super-Heroes vol. 8 #9 (both 2020), but I have no particular memory of his contributions.
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