Doctor Who: The Coming of the Terraphiles by Michael Moorcock

Beginning in 2010, BBC Books has published a series of "prestige" Doctor Who hardcovers, with different "big name" authors of various sorts, mostly a mix of authors with legit reps outside of Doctor Who (e.g., Stephen Baxter, Jenny Colgan), "celebrities" within the Doctor Who world (e.g., Tom Baker, Sophie Aldred), and people imitating the voice of Douglas Adams. I have previously read just one of them, a 2011 Christmas book, The Silent Stars Go by by Dan Abnett.

Doctor Who: The Coming of the Terraphiles; Or, Pirates of the Second Aether!!
by Michael Moorcock

Published: 2010
Acquired: September 2012
Read: October 2025

The very first of those, which I have had for a long time but never read, was The Coming of the Terraphiles, by Michael Moorcock. Moorcock is one of those authors I know of but have read very little of, just a couple short stories; the universe of print sf is so large and one only has so much time! Apparently this book's "Second Aether" is a milieu he has developed in his original fiction, and some of its characters and concepts span his wider multiverse.

As an experiment, I think it's a worthy one. BBC Books's tie-ins to the new series can be easily accused, I think, of being unambitious; of not really trying to be like novels but novelisations of unseen episodes that don't play to the strengths of the prose medium. Like, they are often fun enough, but often don't do what the best tie-ins do, refract the parent show though a different and interesting lens.

Moorcock definitely is doing that here... but I didn't find it worked terribly well in the execution. The book is meandering, which can be fine if you enjoy the diversions, but I don't know why there is so much P. G. Wodehouse pastiche when Moorcock is only "quite okay" at it. (I coincidentally read some actual Jeeves and Wooster shortly after this, and the difference was stark.)

The book is at its best when it's weird and big, like the diversion into the all-red universe depicted on the cover. Those are the coolest moments, when the book is audacious, but in a way that transcends the CGI ways in which a tv show can be audacious. There are lots of fun bits; I particularly enjoyed all the goofy sports the characters play, and the role of the Judoon is so very well pitched, having them do stuff we never saw on screen that totally fits with it. Those jokes were probably my favorite. I think Moorcock has a decent handle on both Matt Smith's Doctor and Amy Pond, though not a great one. 

Overall, I'm glad this book exists, but I don't think I'm quite as glad about the actual process of reading it. Still, I look forward to reading future installments in this series.