30 March 2026

Star Wars: Knight Errant by John Jackson Miller, Book 1

Star Wars: Knight Errant, Volume One: Aflame

Collection published: 2011
Contents originally published: 2010-11
Acquired: January 2013
Read: December 2025
Script: John Jackson Miller
Pencils: Federico Dallocchio, Ivan Rodriguez
Inks: Federico Dallocchio, Ivan Rodriguez, Belardino Brabo, Marcio Loezer
Colors: Michael Atiyeh
Letters: Michael Heisler

I was a big fan of John Jackson Miller's Knights of the Old Republic; in fact, I would say it is probably my single favorite ongoing Star Wars comic book. That took place four thousand years before the films and followed a disparate cast of characters thrown together by circumstance. (Still the best model for Star Wars story.) His later series, Knight Errant, takes place one thousand years before the films and has just a single lead, Kerra Holt. The story is set at a time where the Republic was on the retreat from the Sith; Kerra is a newly minted Jedi who crosses into Sith space on a daring raid and ends up stranded there, having to make her own way—and fight her own war.

I like the basic idea here, but the series never clicked with me like KOTOR did. At least part of that is due, I think, to Miller's artistic collaborators. This book has two primary artists, and neither is a Brian Ching or a Dustin Weaver. In particular, I think the book's open sequence really depends on the art, as it is action-packed and a key character moment, but I found the blocking of key sequences hard to work out and the character strands hard to follow.

Pivotally, I think the whole book depends on Kerra's emotional arc, that you need to see her as going too far in her desperation, and pulling back. Not that she's going to the Dark Side or anything, more than she's bitten off more than she can do, and she needs to focus on helping where she can, not overthrowing the system, which will just get her killed. But in this case I don't know if it's the writing or the art that fails to sell the vibe Miller is going for. You can tell what it's meant to be, but I don't think you really feel that there's a difference between the decisions she makes in the middle of the story and the ones she makes at the end. I think the middle of this story ought to feel like she's at her lowest point, but it doesn't really come across.

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