11 January 2023

Doctor Who: Blue Box by Kate Orman

Doctor Who: Blue Box
by Kate Orman

I've been reading BBC Books's Eighth Doctor Adventures and related books every three months since October 2019, starting with the novelisation of the TV movie: ones I owned but hadn't got to, supplemented by ones that had been rereleased. Trading Futures was the last of those, so now I'm on to some vaguely related books before I draw this project to a close. The first is Blue Box, a Past Doctor Adventure rereleased as an ebook; it has no link to the EDAs, but it's by Kate Orman, one of the very best Doctor Who novelists, so I made an exception.
 
Published: 2003
Acquired and read: December 2022

Blue Box features the sixth Doctor and Peri, seemingly some time in the run-up to The Trial of a Time Lord, in 1981 America. The novel is told in the form of a piece of long-form journalism by Chick Peters, who stumbles into a plot by a prominent D.C.-area hacker to acquire a piece of alien technology, and the attempts of the Doctor, Peri, and their friend Bob to stop her. It's got a lot going for it, and I really enjoyed it on the whole; surely one of the very best PDAs.

First, Orman as always has a good handle on characterization. Here we get some probing of Peri's tempestuous relationship with the sixth Doctor: why she likes him, why she wants to leave him, why she ultimately stays on. The sixth Doctor is in a bit of a different mode than normal (Orman perhaps channeling some of the seventh Doctor, with whom she cut her teeth as a Doctor Who novelist), but I could still imagine Colin Baker delivering his lines with gusto. (She does get him out of the coat, which was seemingly obligatory for PDA writers back in the day, though I did like the image of him wearing all black except for a rainbow cat tie.) The new characters, especially Chick, Bob, and the villain, Sarah Swan, all pop off the page. There's a pretty neat turn of events as regards Chick, one I wouldn't have excepted in a 2003 novel. Though it's not handled quite the way I would imagine for a 2023 novel, it was still pretty impressive.

Second, I really liked how the story was told. Peters writes in the first person from his perspective. Sometimes it's stuff he saw, sometimes it's stuff he reconstructed from his sources. It's a neat way to tell a Doctor Who story, and an effectively different way of getting into characters' heads. Orman does a good job of imitating the style of long-form journalism, like those occasional forays into people's backstories, the plucking out of their small idiosyncrasies, and beginning with a scene that occurs much later than most of the action. The book is able to give exposition in terms of both character and plot without it feeling belabored, and there is a nicely poetic recurring bit about someone riding a bull that wrong-foots the readers. As always, Orman reads smoothly and nicely. It feels like a novel, not a novelisation of a tv show, in the form of the story, too: the story here is about people, and the kind of action that is present, plays to the strengths of prose.

Third, I loved the topic. I watched War Games and Triumph of the Nerds a lot as a kid. I have a real fondness for the early computer era, an era where—as this book points out—individual people could still meaningfully comprehend and control computer programs and the emerging Internet. There are some good jokes about what was to come with computing, and lots of delving into the mechanics of hacking. I don't know if it was all plausible or not, but it felt plausible. (The "blue box" of the title is not the TARDIS but a real device that lets people manipulate phone lines.) I always get a kick out of this kind of thing, and Orman made it come alive.

Add to that a creepy concept and you have a winner. I don't know that I would give it "five stars" if I went around doing such things, but this seems to me to be the platonic ideal of a PDA.

(I read it a week before Christmas... and it actually takes place from December 23 to 26 or so. I guess I could have included in my readthrough of Doctor Who Christmas books. It's not very Christmassy, but no less so than, say, The Sleep of Reason.)

I read a post–New Doctor Who Adventures novel every three months. Next up in sequence: The Glamour Chronicles: Big Bang Generation

09 January 2023

The Widow's Curse (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 32)

The Widow's Curse: Collected Comic Strips from the Pages of Doctor Who Magazine
by Rob Davis, John Ross, Jonathan Morris, Martin Geraghty, Dan McDaid, Roger Langridge, Ian Edginton, Mike Collins, Adrian Salmon, et al.

Collection published: 2009
Contents originally published: 2007-08
Acquired: January 2010
Previously read: April 2010
Reread: October 2022

This is my era! In spring 2007, I took a three-week trip to the United Kingdom. I was excited to get to see Doctor Who on the tv as it aired... but the person I was staying with didn't have a tv! I had to torrent it just like I was back home in the States.

But the thing I could do was pick up Doctor Who Magazine in any old shop. The three weeks overlapped with the on-sale periods of #382 and 383, if I remember correctly, and I picked up both in the bookstore while I was there. Once I was back home, I realized my local Borders carried the magazine, so I just kept going with it. Soon, I would switch to getting it through my local comic book shop, and I have continued to get the magazine ever since. (I am not sure where my first year's worth of issues actually is, though; the earliest one in my DWM boxes is #397. Did I... gasp... throw them away!?) For me, this was a real high period for the magazine. The covers from 2007 are fantastic; great publicity photos well used (#386 is iconic, I reckon), and I very much miss the in-depth set reports and episode features of this era. And Russell T Davies's "Production Notes" were so good!

This means I would have joined the strip as a regular reader with part two of The Woman Who Sold the World. I was probably very confused! To be honest, though I love reading the strip in collected editions, I often struggle with it in the actual magazine. I find it hard to invest in a story that I read in ten-page segments stretched out across months. Still, I do remember some of the stories of this era from my first read, particularly, Time of My Life from #399. (I also have negative memories of Universal Monsters in the actual magazine, but I enjoyed it both the previous time I read this collection and this time. Maybe I was just not yet an Adrian Salmon devotee?)

It was kind of weird to read this right after watching The Power of the Doctor and seeing the 60th anniversary teaser trailer... Tennant and Tate nostalgia rules the land!

from Doctor Who Magazine #382

The Woman Who Sold the World, from Doctor Who Magazine #381-84 (May-July 2007)
script by Rob Davis, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge

This I found a bit tough to get into at first. It's one of those weird Doctor Who stories where at first there's a bunch of disparate elements and it's not clear how they relate to each other; you're sort of relentlessly thrown from bit to bit. I particularly found it hard to track how I was supposed to feel about Sugarpea and Sweetleaf, the old couple in the flying chair. But by the end of the story I had come around and was totally into it: great characters, so many great concepts packed in here, good jokes, and a real emotional ending like something that might have been done on tv at the time. Only this is so much madder and more expansive! In the notes, editor Clay Hickman says they were trying to get the strip to be like the Mills & Wagner days, and I can totally see it: it has that non-stop breakneck feeling, only with more of a genuine character focus. Only thing that doesn't work for me is the kid who accidentally kills his dad. Felt a bit too gruesome and dark.
from Doctor Who Magazine #385
Bus Stop!, from Doctor Who Magazine #385 (Aug. 2007)
script by Rob Davis, pencils by John Ross, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
A one-off gag strip, but a decent one. The Doctor tries to preserve the timeline from rogue time travellers by riding on a bus with a soup made from the Mayor of London, but it's all (mostly) told from the perspective of a passenger (we do have a couple cuts to what Martha is doing on Mars). The narration of the passenger sometimes lays it on a bit thick but overall it's an enjoyable conceit, well executed.
The First, from Doctor Who Magazine #386-89 (Sept.-Dec. 2007)
script by Dan McDaid, pencils by Martin Geraghty, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
The Doctor and Martha meet Shackleton... and of course aliens made of ice. This is solid: it didn't wow me, but it felt like a reasonably good pastiche of an RTD-era "celebrity historical." I found the ending a bit confusing and rushed, but I enjoyed the experience overall. Nice as always to see Martin Geraghty on the main strip.
Sun Screen, from Doctor Who Storybook 2008
script by Jonathan Morris, pencils by Martin Geraghty, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
This story made me realize that I'm not sure one strip is really a good length for a Doctor Who comic if it's attempting to do the "traditional" Doctor Who story of the Doctor showing up somewhere, finding a bad thing, and fixing it. You can do a comedy story, you can do a character study, but eight pages for this kind of thing is so compressed that there's no interesting characters, no plot complications that aren't instantly resolved. Morris's other one-offs in this volume show better ways of handling it, though I guess a one-off adventure is what the context of the Doctor Who Storybook pretty much calls for.
from Doctor Who Magazine #390
Death to the Doctor!, from Doctor Who Magazine #390 (Jan. 2008)
script by Jonathan Morris, art and letters by Roger Langridge, colours by James Offredi
Indeed, here we go. This one is fun: a bunch of old but rubbish foes of the Doctor get together, and are undermined by their own incompetence. Probably my favorite gag was the Mentor, totally not a knock-off of the Master.
from Doctor Who Magazine #392
Universal Monsters, from Doctor Who Magazine #391-93 (Feb.-Apr. 2008)
story by Ian Edginton, art by Adrian Salmon, letters by Roger Langridge
Again, if not a great story, a very solid one. I like how the story plays into all the horror tropes in parts one and two, and then undoes them all in part three, but does so without feeling gratuitous or contrived. And of course giving this story to Adrian Salmon is a stroke of genius, one of the best-ever artists ever associated with Doctor Who, and this  plays perfectly into his wheelhouse.

One thing I do love about this story is how different it is in terms of tone. Since The Green-Eyed Monster in #377, I feel like the strip is reembracing that it is, well, a comic strip more. Though the two Rose volumes had some good and even great stories, I think the ones from #377 are more playful in tone and format in the way that only a comic strip can be. I don't think tv could do something like the shift from Death to the Doctor! to Universal Monsters to The Widow's Curse. Sure, you can shoot each episode like its own film (as the Moffat era did to good effect), but here you can even change how the characters look... but it's somehow all the same thing anyway.
from Doctor Who Magazine #398
The Widow's Curse, from Doctor Who Magazine #395-98 (May-Aug. 2008)
story by Rob Davis, pencils by Martin Geraghty, inks by David A. Roach, colours by James Offredi
How good is this? Definitely the standout of this volume, except for maybe The Time of My Life. Great visuals, great concepts, great capturing of character. Westminster Abbey on a Caribbean island! Donna flying a Boeing 747! This is the stuff comics were born to do. On top of that, it's populated with a genuine cast of guest characters. This is actually something the strip doesn't do a lot, or doesn't do effectively; most stories I feel like just have one or two people in them who are fully developed. But we have a whole group of tourists and more here, each of which who gets a genuinely great moment. The way the title comes into play at the end is excellent. It's kind of weird to see DWM do such a close sequel to a screen story, but overall it works incredibly well. If Donna only got one multi-part story, I'm glad it was this one.
The Immortal Emperor, from Doctor Who Storybook 2009
script by Jonathan Morris, art by Rob Davis, colours by Rob Davis & Geraint Ford, letters by Roger Langridge
Like Sun Screen, this is pretty breakneck. It works a bit better, in that I love the stylized art of Rob Davis, and a bit worse, in that I'm a bit skeptical of the fact that in one of Doctor Who's rare forays into the history of a non-UK country, every significant character other than the Doctor and Donna is evil.
from Doctor Who Magazine #399
The Time of My Life, from Doctor Who Magazine #399 (Sept. 2008)
script by Jonathan Morris, art by Rob Davis, colours by Geraint Ford, letters by Roger Langridge
Again, how good is this? I love this style of storytelling, a number of quick one-page excerpts from unseen adventures that show off the Doctor and Donna at their best. Lots of great jokes and great concepts and beautiful moments. The page where they just have fun seeing the Beatles is probably the best, but they're all great. On top of that you get the amazing art and layouts of Rob Davis, which adds so much to each page.

In the past I kind of thought the early new series–era comics weren't very good... on this reread I haven't felt that way—they're good on the whole even if they're not great—but since #377 they've been on a definite upward trajectory, and I can't wait to see what happens next...
Other Notes:

  • Mike Collins's design for the space bank here (a giant space pyramid) is basically identical to his design for the Redeemer spaceships in the Star Trek comic New Frontier: Double Time.
  • My hypothetical "only-knows-Doctor-Who-from-the-strip" reader must have been very confused reading Death to the Doctor! "Who the heck is this lady in white? Where's Sharon!?" But it is nice to see Frobisher and Izzy again. I think this is the strip's first post-2005 reference to its pre-2005 history, right? Am I forgetting something? And then a few stories later we get the freakin' zyglots! Only thing that could have been better would be making the Dan Abnett–style space marines in Time of My Life the actual Foreign Hazard Duty.
  • Here we're back to a run with neither a consistent writer (there are four different ones across nine stories) nor a consistent penciller (six different ones). But unlike past instances of this, the strip still feels coherent. I think this probably comes down to 1) strong editorial work from Clay Hickman/Tom Spilsbury and especially Scott Gray, and 2) strong capturing of the voices of the regulars, especially David Tennant. All these various creators seem to be on the same page despite their varied styles, unlike, say, the early McCoy-era strips collected in A Cold Day in Hell!
  • Universal Monsters is Ian Edginton's only contribution to Doctor Who Magazine. He has, however, written a mediocre Big Finish audio drama, Shield of the Jötunn. Outside of the world of Doctor Who, he is a prolific comics writer: I know him best from his Star Trek work (an excellent run for Marvel on the Captain Pike series Early Voyages, plus an IDW one-off), but his best-known work is probably Scarlet Traces, a series of The War of the Worlds sequels.
  • This collection skips over Hotel Historia from #394, because it makes more sense to collect it in the next volume, The Crimson Hand, as we'll see. I guess because of when it was published, I always think of that story as featuring Martha... but it totally does not!
  • I usually read the strips in these collections in order publication order; this means I should have moved The Immortal Emperor to the end. (It would actually properly go between strips in the next volume by publication order.) But it was clearly sequenced here based on reading flow, and in this case, I made an exception and bowed to book's position, which was the right choice.
  • from Doctor Who Magazine #386
  • Both Martha and Donna had been written out of the tv show by the time their first comic story came to an end. At five strips, Donna has one of the shortest runs of any multi-story companion, tying Olla the Heat Vampire (#130-34). This is exacerbated by the fact that, as a tv companion, she just blips into existence... though she actually does kind of get written out.
  • Two of the writers here would go on to become the "main" writer of the strip in the future. Dan McDaid, writer of The First, would do the tenth Doctor and Majenta Pryce run (#400-20), while Jonathan Morris would do the eleventh Doctor and Amy run (#421-41). No offense to either writer, though, who have both turned out strong work, but the surprising thing to me—based purely on the quality of work in this collection—is that Rob Davis never got a run. Two excellent stories as a writer in this collection, one excellent story as an artist, and some other solid work as well. Able to do big stories and little stories in a variety of styles; knows how to crash weird things together in the best DWM tradition.
  • "YOU'RE JUST A TRACER" WATCH: This collection has ten writers and artists. Nine of them get cover credit. The only one who doesn't? Inker David A. Roach, who works on thirteen of the nineteen strips. John Ross draws just one and still manages to snag cover credit. Indeed, he gets second billing!

This post is the thirty-second in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers The Crimson Hand. Previous installments are listed below:

  1. The Iron Legion
  2. Dragon's Claw 
  3. The Transformers Classics UK, Volume One
  4. The Tides of Time
  5. The Transformers Classics UK, Volume Two
  6. Voyager
  7. The Transformers Classics UK, Volume Three
  8. The World Shapers
  9. The Transformers Classics UK, Volume Four
  10. The Age of Chaos
  11. The Transformers Classics UK, Volume Five
  12. A Cold Day in Hell!
  13. Death's Head: Freelance Peacekeeping Agent (part 1)
  14. Nemesis of the Daleks
  15. Death's Head: Freelance Peacekeeping Agent (part 2)
  16. The Good Soldier
  17. The Incomplete Death's Head
  18. Evening's Empire
  19. The Daleks
  20. Emperor of the Daleks
  21. The Sleeze Brothers File
  22. The Age of Chaos
  23. Land of the Blind
  24. Ground Zero
  25. End Game
  26. The Glorious Dead
  27. Oblivion
  28. Transformers: Time Wars and Other Stories
  29. The Flood
  30. The Cruel Sea 
  31. The Betrothal of Sontar

04 January 2023

JSA: Strange Adventures by Kevin J. Anderson, Barry Kitson, and Gary Erskine

JSA: Strange Adventures

Collection published: 2010
Contents published: 2004-05
Acquired and read: December 2022

Writer: Kevin J. Anderson
Penciller/Breakdowns: Barry Kitson
Inker/Finishes: Gary Erskine
Letterer: Rob Leigh

I think this might be the last "continuity insert" storyline of my Justice Society reading: that is to say, the last story set entirely in the "past" of the DC Universe relative to when it was published. Like Superman vs. Wonder Woman, Steel, the Indestructible Man, All-Star Squadron, The Young All-Stars, The Crimson Avenger, The Demise of Justice, The Justice Society Returns!, and All-Star Comics 80-Page Giant, this is entirely set during World War II, fleshing out the Golden Age in a modern style—which to me has become one of my favorite types of JSA story.

Unfortunately it is not very good. It is a a long miniseries, at six 30-page issues, but less seems to happen in it than in many minis of four 20-page issues. Before I picked this up, I was reading Don McGregor's Jungle Action run, and it took me longer to read a 17-page issue of Jungle Action than a 30-page issue of this. Like, there are lots of boring fights and boring meetings; the characters have long conversations about things that aren't interesting and don't matter.

This story seems to think the Star-Spangled Kid was a JSA member for some reason.
from JSA: Strange Adventures #5
The characters themselves are fairly generic. In "continuity insert" stories like The Demise of Justice and The Justice Society Returns!, the writers and artists were able to express the depths and personality of these Golden Age characters, but there's barely any of that here. It wants to be a Johnny Thunder story, about his desire to be a writer, but this doesn't go anywhere interesting. Johnny befriends the real Golden Age science fiction writer Jack Williamson, and this could be fun and meta, but unfortunately, it makes for long boring scenes. I don't rate Kevin J. Anderson very much as a writer, so I was not surprised by any of this... I was however disappointed, because I was hopeful anyway. I did kind of think the usually excellent Barry Kitson might be able to save it, but if there's nothing interesting to draw, it doesn't matter how well you draw it.

This post is thirty-eighth in a series about the Justice Society and Earth-Two. The next installment covers JSA Classified. Previous installments are listed below:
  1. All Star Comics: Only Legends Live Forever (1976-79)
  2. The Huntress: Origins (1977-82)
  3. All-Star Squadron (1981-87)
  4. Infinity, Inc.: The Generations Saga, Volume One (1983-84)
  5. Infinity, Inc.: The Generations Saga, Volume Two (1984-85)
  6. Showcase Presents... Power Girl (1978)
  7. America vs. the Justice Society (1985)
  8. Jonni Thunder, a.k.a. Thunderbolt (1985)
  9. Crisis on Multiple Earths, Volume 7 (1983-85)
  10. Infinity, Inc. #11-53 (1985-88) [reading order]
  11. Last Days of the Justice Society of America (1986-88)
  12. All-Star Comics 80-Page Giant (1999)
  13. Steel, the Indestructible Man (1978)
  14. Superman vs. Wonder Woman: An Untold Epic of World War Two (1977)
  15. Secret Origins of the Golden Age (1986-89)
  16. The Young All-Stars (1987-89)
  17. Gladiator (1930) ["Man-God!" (1976)]
  18. The Crimson Avenger: The Dark Cross Conspiracy (1981-88)
  19. The Immortal Doctor Fate (1940-82)
  20. Justice Society of America: The Demise of Justice (1951-91)
  21. Armageddon: Inferno (1992)
  22. Justice Society of America vol. 2 (1992-93)
  23. The Adventures of Alan Scott--Green Lantern (1992-93)
  24. Damage (1994-96)
  25. The Justice Society Returns! (1999-2001)
  26. Chase (1998-2002)
  27. Stargirl by Geoff Johns (1999-2003)
  28. The Sandman Presents: The Furies (2002)
  29. JSA by Geoff Johns, Book One (1999-2000)
  30. Wonder Woman: The 18th Letter: A Love Story (2000)
  31. Two Thousand (2000)
  32. JSA by Geoff Johns, Book Two (1999-2003)
  33. Golden Age Secret Files & Origins (2001)
  34. JSA by Geoff Johns, Book Three (1999-2003)
  35. JSA by Geoff Johns, Book Four (2002-03)
  36. JSA Presents Green Lantern (2002-08)
  37. JSA #46-87 (2003-06)

03 January 2023

Reading Roundup Wrapup: December 2022

Pick of the month: A Hat Full of Sky by Terry Pratchett. It's been a long time since my previous Discworld novel, the first Tiffany Aching one, which I struggled with. So thankfully, not only did I enjoy the second one, I loved it! Good jokes, good characterization. What more does one want?

All books read:

  1. The Yellow Knight of Oz by Ruth Plumly Thompson, illustrated by John R. Neill
  2. Doctor Who Magazine: Special Edition #58: Directing Doctor Who edited by Marcus Hearn
  3. In the Serpent’s Wake by Rachel Hartman
  4. The Blood of Azrael: Collected Comic Strips from the pages of Doctor Who Magazine by Scott Gray, Mike Collins, Adrian Salmon, and David A Roach
  5. JSA: Strange Adventures by Kevin J. Anderson, Barry Kitson, and Gary Erskine
  6. The Hopes and Fears of All the Years and Other Doctor Who Christmas Short Trips
  7. Of Dice and Men: The Story of Dungeons & Dragons and the People Who Play It by David M. Ewalt
  8. Doctor Who: Blue Box by Kate Orman
  9. The Eye of Torment: Collected Comic Strips from the pages of Doctor Who Magazine by Scott Gray, Martin Geraghty, Mike Collins, Jacqueline Rayner, and David A Roach
  10. A Hat Full of Sky by Terry Pratchett
  11. The Highgate Horror: Collected Comic Strips from the pages of Doctor Who Magazine by Mark Wright, David A Roach, Mike Collins, Jacqueline Rayner, Martin Geraghty, et al.
  12. Doorway to Hell: Collected Comic Strips from the pages of Doctor Who Magazine by Mark Wright, Staz Johnson, Mike Collins, David A Roach, and John Ross
  13. Daleks: The Ultimate Comic Strip Collection, Volume 1: Collected comic strips from the pages of Doctor Who Magazine by Richard Alan, Steve Alan, Paul Cornell, Steve Dillon, Dave Gibbons, David Lloyd, Pat Mills, Steve Moore, Paul Neary, Lee Sullivan, John Wagner, et al.
  14. The Phantom Piper: Collected Comic Strips from the pages of Doctor Who Magazine by Scott Gray, Martin Geraghty, Staz Johnson, Mike Collins, et al.
  15. Daleks: The Ultimate Comic Strip Collection, Volume 2: Collected comic strips from the pages of Doctor Who Magazine by Richard Alan, Alan Barnes, Paul Cornell, Martin Geraghty, Scott Gray, Robin Smith, and Lee Sullivan
  16. The Clockwise War: Collected Comic Strips from the pages of Doctor Who Magazine by Scott Gray, John Ross, Alan Barnes, Adrian Salmon, Charlie Adlard, et al.

Back in November 2020, I started a project to read all the collected editions of the Doctor Who Magazine comics. I didn't think it would take me very long. Yes, there are thirty-one of them, and yes, I wanted to add some stuff that would bring it up to (as of now) forty-six total installments... but they're not very long, so surely I could read five or six a month? I'd be done in less than a year.

This was not true. Not because of the graphic novels themselves, but because of all the books I read between them, which usually resulted in me averaging one or two per month. But this month, as I neared the end, I finally cleared out a bunch of backlogged reading and blew through eight of them! Only one to go.

All books acquired:

  1. JSA: Strange Adventures by Kevin J. Anderson, Barry Kitson, and Gary Erskine
  2. Pirates in Oz by Ruth Plumly Thompson, illustrated by John R. Neill
  3. Daleks: The Ultimate Comic Strip Collection, Volume 2: Collected comic strips from the pages of Doctor Who Magazine by Richard Alan, Alan Barnes, Paul Cornell, Martin Geraghty, Scott Gray, Robin Smith, and Lee Sullivan
  4. League of Dragons: The Final Temeraire Novel by Naomi Novik
  5. The Golem and the Jinni by Helene Wicker
  6. Brothers in Arms by Lois McMaster Bujold
  7. Falling Free by Lois McMaster Bujold
  8. Novels & Story Cycles: The Martian Chronicles / Fahrenheit 451 / Dandelion Wine / Something Wicked This Way Comes by Ray Bradbury
  9. The Illustrated Man / The October Country / Other Stories by Ray Bradbury
  10. Other Words for Home by Jasmine Warga
  11. Americana: The Making of the Cities: Cincinnati by Lee Davis Willoughby
  12. Nasty, Brutish, and Short: Adventures in Philosophy with My Kids by Scott Hershovitz
  13. Strange Adventures edited by Scott Nybakken

Obviously, mostly Christmas presents: #4-12. I do have to question the wisdom of my LibraryThing secret Santa, who picked the ninth book of a nine-book series where I have read no previous installments! #10-11 are both Cincinnati-set books picked by my sister, for my project to read books set in my hometown.

Books remaining on "To be read" list: 685 (up 1)

Wow, actually reading books from my list actually helps!

02 January 2023

The Betrothal of Sontar (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 31)

The Betrothal of Sontar: Collected Comic Strips from the Pages of Doctor Who Magazine
by Mike Collins, Gareth Roberts, Tony Lee, John Tomlinson & Nick Abadzis, Roger Langridge, Martin Geraghty, Jonathan Morris, et al.

Collection published: 2008
Contents originally published: 2006-07
Acquired: November 2008
Previously read: December 2008
Reread: October 2022

This collection spans the entirety of the tenth Doctor and Rose era of DWM, which initiated when "The Christmas Invasion" aired and ran all the way to "The Runaway Bride," and it also includes a (kind of) companion-free storyline from between "The Runaway Bride" and "Smith and Jones," making for a nice sizeable chunk of DWM. Like the comics collected in The Cruel Sea, these are definitely trying to ape the storytelling of the Russell T Davies era on screen, but I also felt there was a more concerted effort to play to the strengths of comics here: more stories that do things so big that they could never have been afforded on screen, or stories with lots of different locations. Overall, it's a pretty pleasing package.

I've read this collection before, way back in 2008 when it came out. This is (part of) what I wrote at the time:
I was curious to see how much my impressions of some of these stories shifted this time around!

from Doctor Who Magazine #365
The Betrothal of Sontar, from Doctor Who Magazine #365-67 (Feb.-Mar. 2006)
story by John Tomlinson & Nick Abadzis, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
This sees the first appearance of the Sontarans in the DWM strip since 1993's Pureblood (and even reuses that story's title term); it's about a group of low-quality Sontarans who run a mining rig instead of getting glorious soldiering duty, a neat look into a different dimension of Sontaran society than we've ever seen on screen. The cosmic maguffin wasn't super interesting, but I liked the two principal Sontaran characters. I'm not sure why in my review above I called this story's resolution "highly disappointing." Like, rereading it I have no idea what my beef was at all.
from Doctor Who Magazine #368
The Lodger, from Doctor Who Magazine #368 (Apr. 2006)
story by Gareth Roberts, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
This was fun; you can see why Moffat picked it up to make it into a tv episode, and though being a 45-minute story gave it more room to breathe, this version has the benefit of pairing the Doctor with a familiar character—and not having to work in an alien threat of some kind. More of a series of vignettes than a story, but a very solid series of them, and the kind of thing that (somewhat ironically) only DWM could do, I think.
from Doctor Who Magazine #370
F.A.Q., from Doctor Who Magazine #369-71 (May-July 2006)
story by Tony Lee, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
I was dreading this one going in. I remembered my negative review from last time around, and having since suffered through Tony Lee's run on IDW's Doctor Who comic book, my opinions of Lee as a comic writer have only diminished. But... I actually kind of liked this? I wouldn't say it's a work of genius or anything—the stories on either side of it are better—but it's fun enough. It has the grounded sensibility of the RTD era, focusing on an ordinary family affected by alien powers, shades of "Fear Her" (a story that I really like). Rose gets some good spotlight moments. The main thing I don't like is the reveal about the teacher who didn't really exist, which seemed kind of pointless. Like, it's spooky, but it doesn't really seem to make a character or thematic point.
from Doctor Who Magazine #373
The Futurists, from Doctor Who Magazine #372-74 (Aug.-Oct. 2006)
story & art by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
I really don't know what I was thinking when I wrote my above review, because this story was on fire. Good ideas, great visuals, neat contrasts (black Romans in Britain vs. a fascist Italian state), fast pace—four different key locations in three installments!—nice themes, and above all, good characterization for Rose and some genuine laugh-out-loud jokes. Loved gags about the Silurians, how many people were in the resistance, the use of the resistance, and especially the clever use of the psychic paper. "But Darius... you can't read..." "Oh." I can imagine it playing out perfectly on screen. Rose leading the captured Silurian women in revolt is great, and her voice is captured very well. Exactly the kind of story the strip ought to be doing when the tv show is leading, and the volume's highlight. I don't know how I got it so wrong fourteen years ago.

(Wait... fourteen years ago!?)
from Doctor Who Magazine #375
Interstellar Overdrive, from Doctor Who Magazine #375-76 (Nov.-Dec. 2006)
story by Jonathan Morris, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
I do love time loop stories. They're one of my favorite sf subgenres. TNG's "Cause and Effect," Groundhog Day, SG-1's "Window of Opportunity," Discovery's "Magic to Make the Sanest Man Go Mad," Russian Doll season one, Palm Springs, I love them all. I am a total sucker for them. I even love the chronic hysteresis bit in Meglos.

Um, except this one. I think it's a noble attempt. But it has two things going against it, I reckon. One is that the repetition just isn't as interesting when it's solely visual. Here the scenes are all shown from a different angle, but that means you don't really get that uncanny echo that makes these kind of things work on screen. The second is that since it's only two parts, the loop only repeats once, and so it's less a time loop story, and more a story where something happens once, and then the characters get a do-over. It feels cheap, I guess, if it's that easy to get out of the loop. Seeing the iterations is what makes these kind of things fun!

But there are some good jokes and the part one cliffhanger is a good one.
from Doctor Who Storybook 2007
Opera of Doom!, from Doctor Who Storybook 2007
story by Jonathan Morris, pencils by Martin Geraghty, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
This story is a delight. Quick, fun, good gags. A little too quick, maybe—the fact that people were disappearing into the alien opera house maybe should have been set up better—but I really enjoyed it. The really terrible musician who becomes amazing is a fun character with lots of good jokes.
The Green-Eyed Monster, from Doctor Who Magazine #377 (Jan. 2007)
story by Nev Fountain, art & letters by Roger Langridge, colours by James Offredi
Rose's last appearance in the strip is a good one, bringing Mickey back again and also marking Jackie's only strip appearance. It's a kind of contrived story about an alien jealousy monster and a talk show, but it's all worth it for the incredible sequence where Rose thinks that the Doctor has settled down with her mother. The ending gag of Jackie wanting a second kiss is delightful.
The Warkeeper's Crown, from Doctor Who Magazine #378-80 (Jan.-Mar. 2007)
story by Alan Barnes, pencils by Martin Geraghty, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
Rose of course stopped appearing on screen way back in July 2006, but DWM seems to have considered "The Runaway Bride" her official cut-off point as the current companion—the first episode without her as a lead, I guess. So here we get a companion-less story to bridge the gap before Martha, and DWM brings back the Brigadier to serve as a temporary companion. Though the Brigadier appeared in the "past Doctor" early of the early 1990s, I think this is his first present-day appearance since The Mark of Mandragora.
from Doctor Who Magazine #380
It's okay. I liked the first part all right, which pulls the Doctor, the Brigadier, and the wrong Mike Yates together; I liked the last part, where the wrong Mike Yates tries to remake Britain. The middle part, though, lost me in the complicated exposition about the relations on the alien planet, and the whole story suffered as a consequence. I didn't really get the ending, for example. It seemed like things ought to have been simplified. The idea of the Doctor meeting the Brigadier for the first time after he himself fought in a war seemed squandered in a single panel. (Shades of Big Finish's own attempt to do this story, Way of the Burryman, which I read Warkeeper's Crown in the middle of, coincidentally.)
Other Notes:

  • #367 is one of the rare issues from this era I actually do own; I picked it up to get the free Big Finish CD that came with it. I have no memory of reading The Betrothal of Sontar part three on its own, but I have to imagine it made no sense.
  • John Tomlinson previously wrote for DWM way back in 1989, scripting Nemesis of the Dalek. (He also wrote two Who strips for The Incredible Hulk Presents and a prose story from the collection Abslom Daak: Dalek Killer.) At 210 issues, that's the longest gap between contributions for any DWM writer/artist as of 2014's strips. His cowriter here, Nick Abadzis, would go on to the primary writer of Titan's The Tenth Doctor comic.
  • From #363 to 368, we have three stories, two of which were by Gareth Roberts and got adapted for television! Plus The Love Invasion inspires a scene in "The Unicorn and the Wasp" on screen. Quite a hit rate for him. The Lodger is, however, his last contribution to the DWM strip.
  • I was all prepared to admit I was too hard on Tony Lee as a writer, and then I read his behind-the-scenes I comments. I don't know how one manages to write a bad creator's commentary, but somehow he does. Lots of very belabored jokes, with the kind of self-deprecating humour that comes across as false modesty.
  • Jonathan Morris gives an incredible amount of detail in his creator's commentaries, down to entire lost scenes from both his stories. I can't think of another DWM graphic novel with this level of detail. Though I enjoyed Opera of Doom! the lost joke about the very slow gondola chase would have been amazing.
  • from Doctor Who Magazine #377
  • The Green-Eyed Monster opens with a caption reading "Quite a while ago...", which confused me at first, but I guess it's meant to indicate that this goes between "The Girl in the Fireplace" and "Rise of the Cybermen," which was broadcast many months prior. Placement notes aren't really the kind of thing DWM typically goes in for, and it didn't even occur to me we weren't going in chronological order prior to that, since I think every strip here could comfortably fit between "Tooth and Claw" and "School Reunion."
  • At the time I read this volume, The Warkeeper's Crown was seemingly Alan Barnes's last contribution to the strip, but he is the writer of the current fourteenth Doctor strip, Liberation of the Daleks, that began in issue #584. In between these points, he wrote one million Doctor Who audio dramas for Big Finish and script-edited ten million.
  • David A. Roach works on literally every story in this volume except for one ten-page strip, more than any other writer or artist... and somehow does not deserve cover billing!

This post is the thirty-first in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers The Widow's Curse. Previous installments are listed below:

  1. The Iron Legion
  2. Dragon's Claw 
  3. The Transformers Classics UK, Volume One
  4. The Tides of Time
  5. The Transformers Classics UK, Volume Two
  6. Voyager
  7. The Transformers Classics UK, Volume Three
  8. The World Shapers
  9. The Transformers Classics UK, Volume Four
  10. The Age of Chaos
  11. The Transformers Classics UK, Volume Five
  12. A Cold Day in Hell!
  13. Death's Head: Freelance Peacekeeping Agent (part 1)
  14. Nemesis of the Daleks
  15. Death's Head: Freelance Peacekeeping Agent (part 2)
  16. The Good Soldier
  17. The Incomplete Death's Head
  18. Evening's Empire
  19. The Daleks
  20. Emperor of the Daleks
  21. The Sleeze Brothers File
  22. The Age of Chaos
  23. Land of the Blind
  24. Ground Zero
  25. End Game
  26. The Glorious Dead
  27. Oblivion
  28. Transformers: Time Wars and Other Stories
  29. The Flood
  30. The Cruel Sea

30 December 2022

Reading L. Frank Baum's Queen Zixi of Ix Aloud to My Son

Queen Zixi of Ix; or, the Story of the Magic Cloak
by L. Frank Baum, illustrated by Frederick Richardson

My son and I tend to read "borderlands of Oz" books when we're stuck waiting for Oz books. Unfortunately, it took much longer than I expected to get The Hungry Tiger of Oz, and The Master Key alone was not enough to cover the gap. After not particularly enjoying Master Key or The Enchanted Island of Yew (which we had read to cover the gap between Grampa and Lost King), I wasn't looking forward to reading a third borderlands book in quick succession.

Originally published: 1904-05
Read aloud: July 2022

I only had two more borderlands book: Dot and Tot of Merryland (1901) and Queen Zixi of Ix (1904-05). I don't really remember either from my own childhood, but I knew Dot and Tot is short, but not considered to be very good, while Queen Zixi was longer, but many consider it one of Baum's best. Did I want to read a bad book and get back to Oz quickly? Or take longer to get back to Oz, but potentially enjoy the experience more? Eventually I decided I was tired of reading books I didn't enjoy very much, and picked Queen Zixi.

Queen Zixi was one of Baum's last attempts at a non-Oz fantasy, but you can tell by the title how he was attempting to cash in on Oz's success, with a country name not too far off Oz in form. Like some of Baum's other early work (e.g., Magical Monarch of Mo) it feels less American and less modern. It opens in the Forest of Burzee (previously established in Life and Adventures of Santa Claus), where a group of fairies under Queen Lulea weave a magic cloak that can grant a mortal bearer one wish; one fairy is then sent into the country of Noland to give it to someone sad.

Meanwhile, a pair of children named Timothy and Margaret (but usually called "Bud" and "Fluff") are orphaned, and travel with their Aunt Rivette to the capital city, Nole. There, the king of Noland has recently died without heir, meaning the forty-seventh person to come through the city's east gate will become the new monarch. On the way, Fluff is given the magic cloak and she wishes to be happy; Bud ends up being the forty-seventh person, making him king and Fluff princess. The book has three distinct parts: 1) Bud and Fluff becoming and settling into the roles in the palace, 2) Queen Zixi's attempts to steal the magic cloak from Princess Fluff, including war, and 3) the invasion of Noland by the strange Roly-Rogues.

I don't think Noland and Ix quite have the sparkle of Oz, they are pretty generic vaguely medieval magic kingdoms, but overall this book might be Baum's most successful non-Oz fantasy. Two ordinary children (I used country accents for both) becoming rulers of a country is fun idea. There's some good fantasy humor when the magic cloak is passed through the various denizens of the palace who, ignorant of its power, keep wishing for different things, meaning that Bud and Fluff's aunt gets wings, and the lord high general (who has a short man complex) ends up ten feet tall, and the lord high executioner obtains an extendable arm, and so on. This is pretty fun stuff, and it's nice to have protagonists for whom something is actually at stake—arguably the biggest difference between Baum's good fantasies (e.g., this, Oz, Sky Island) and his ones I have not enjoyed (e.g., Master Key, Yew, Sea Fairies).

Similar things go for Queen Zixi's attempts to capture the magic cloak and the invasion of the Roly-Rogues. The latter are nicely imaginative creatures, and they pose a real threat to Noland. Zixi is one of Baum's more interesting witch characters: she's given herself a long life and ruled wisely, but in a mirror, she looks her real 683 years, and thus when she hears of a magic cloak, wants to wish for being able to deceive mirrors, too. So the normally kind ruler becomes a harsher one, but by the end of the novel she learns her lesson.

(That said, like in a lot of Baum novels, there are a lot of hinted-at geopolitics. Zixi has lead her people in hundred of battles, and there is some kind of preexisting enmity between Noland and Ix that means Zixi can't just ask for the cloak. On the other hand, Zixi has never lost a battle, so surely all those hundred battles can't be against Noland. Later maps would place Ix between Noland and Ev, the country where Ozma takes place, so has Ix fought a number of wars with Ev? Or maybe Ix has faced sea raids from places like Regos and Coregos; this novel does establish that Ix has a merchant fleet of some kind. In my reading, I turned Queen Lulea into Queen Lurline, the fairy queen from Burzee mentioned in many Oz novels. It's interesting to note that this novel establishes that fairies have a dislike for witch magic, given how much in the Oz novels the fairy Ozma depends on the magic of Glinda, a witch.)

I think my son liked it; he was particularly into the comedy about what the people did with the cloak, while he as usual didn't like hearing about bad things like Zixi stealing the cloak. Overall, I enjoyed it. It doesn't quite have the sparkle of weirdness than an Oz novel does, but it's fun, it has good jokes, and if it doesn't have a unified plot, it does have three individual ones. Baum never returned to any of the lands he established in his non-Oz fantasies, and this is one of the rare times I wish he did. I'd like to see King Bud grow up a bit, and for him, Fluff, Aunt Rivette, Zixi, and their various advisors face down some other kind of threat—and this time with no magic cloak to help!

Next up in sequence: The Hungry Tiger of Oz

28 December 2022

The Origins of the Black Panther by Stan Lee, Jack Kirby, Roy Thomas, Frank Giacoia, et al.

from Fantastic Four vol. 1 #52
A couple years ago, I picked up a number of Black Panther comics for free from comiXology in the wake of Chadwick Boseman's death. I tend to read digital comics over breakfast when I don't have some kind of hard copy comic to hand, but at the time I was already reading Titan's Doctor Who comics, and then I moved onto The Wicked + The Divine. Now that I'm done with both of those, I'm turning my attention to the Black Panther comics. They aren't comprehensive, but they are pretty close, and it gets even closer if I supplement with what's available on Hoopla. I'll be reading and reviewing in publication order, though moving things around slightly so that I read series in chunks when two series were released simultaneously.

from Black Panther: The Sound and the Fury #1
The three earliest comics in the sale were Fantastic Four #52-53 from 1966, which introduced the Black Panther and provided his origin, and The Avengers #87 from 1971, which recapped and expanded on his origin, and it's those I'll be reviewing in this post. The two Fantastic Four stories, by Stan Lee and Jack Kirby, have the Black Panther luring the Fantastic Four to Wakanda and then battling them; it turns out he did it as a final challenge to himself. He then recaps his origin, where his father was killed by the villain later known as Klaw, and then Klaw turns up and everyone battles him. (In between all this, one is subjected to pages featuring the Inhumans.)

It's Lee and Kirby at their peak, so it has potency and power—and excess. You can see there's a lot here to run with, but I don't know that I enjoyed it so much as I appreciated the inventiveness of it all. Lots of crazy ideas, but also lots of exposition, and no one ever accused Stan Lee of being elegant. I also have these issues in a Fantastic Four Omnibus that I haven't got around to reading, and I wonder if I'll appreciate them more in their original context whenever I get around to that.

from Marvel Tales: Black Panther #1
The issue of the Avengers is from when the Black Panther was a member of the team; in classic Roy Thomas fashion, he decides to tell everyone a very detailed version of his backstory. This expands on what was told in Fantastic Four #53, adding more details to how T'Challa grew up partially outside of Wakanda, and giving him a friend who (of course) ultimately betrays him. Again, it fills in a lot of backstory for T'Challa (sometimes since FF #53, he'd gotten that name too), and I'm sure there will be a lots of future callbacks to it, but it's not so much a story in itself.

Overall, these three issues make a useful foundation, and I'll be curious to see where we go from here.

ACCESS AN INDEX OF ALL POSTS IN THIS SERIES HERE

"The Black Panther!" was originally published in issue #52 of Fantastic Four vol. 1 (July 1966). The story was scripted by Stan Lee, illustrated by Jack Kirby, inked by Joe Sinnott, and lettered by Sammy Rosen.

"The Way It Began..!" was originally published in issue #53 of Fantastic Four vol. 1 (Aug. 1966). The story was scripted by Stan Lee, illustrated by Jack Kirby, inked by Joe Sinnott, and lettered by Artie Simek. It was reprinted in Black Panther: The Sound and the Fury #1 (Apr. 2018), which was edited by Mark Basso.

"Look Homeward, Avenger!" was originally published in issue #87 of The Avengers vol. 1 (Apr. 1971). The story was written by Roy Thomas, illustrated by Frank Giacoia and Sal Buscema, lettered by Mike Stevens, and edited by Stan Lee. It was reprinted in Marvel Tales: Black Panther #1 (Nov. 2019), which was edited by Jennifer Grünwald.

Fantastic Four #52 was the only one of these three offered in its original format; the other two were in reprint comics. Note that The Sound and the Fury #1 also contains an original story, but I'll read that when I get up to 2018's comics in this readthrough. I have the other three issues in Marvel Tales: Black Panther #1 in other forms, so this is the only comic from it I'll be reading directly.