Doctor Who: Blue Box
by Kate Orman
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| Published: 2003 Acquired and read: December 2022 |
I read a post–New Doctor Who Adventures novel every three months. Next up in sequence: The Glamour Chronicles: Big Bang Generation
Steve[n] Mollmann's blog: it only knows that it needs, but like so many of us, it does not know what
Doctor Who: Blue Box
by Kate Orman
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| Published: 2003 Acquired and read: December 2022 |
I read a post–New Doctor Who Adventures novel every three months. Next up in sequence: The Glamour Chronicles: Big Bang Generation
The Widow's Curse: Collected Comic Strips from the Pages of Doctor Who Magazine
by Rob Davis, John Ross, Jonathan Morris, Martin Geraghty, Dan McDaid, Roger Langridge, Ian Edginton, Mike Collins, Adrian Salmon, et al.
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Collection published: 2009 Contents originally published: 2007-08 Acquired: January 2010 Previously read: April 2010 Reread: October 2022 |
This is my era! In spring 2007, I took a three-week trip to the United Kingdom. I was excited to get to see Doctor Who
on the tv as it aired... but the person I was staying with didn't have a
tv! I had to torrent it just like I was back home in the States.
But the thing I could do was pick up Doctor Who Magazine
in any old shop. The three weeks overlapped with the on-sale periods of
#382 and 383, if I remember correctly, and I picked up both in the
bookstore while I was there. Once I was back home, I realized my local
Borders carried the magazine, so I just kept going with it. Soon, I
would switch to getting it through my local comic book shop, and I have
continued to get the magazine ever since. (I am not sure where my first
year's worth of issues actually is, though; the earliest one in my DWM boxes is #397. Did I... gasp... throw them away!?)
For me, this was a real high period for the magazine. The covers from
2007 are fantastic; great publicity photos well used (#386 is iconic, I
reckon), and I very much miss the in-depth set reports and episode
features of this era. And Russell T Davies's "Production Notes" were so good!
This means I would have joined the strip as a regular reader with part two of The Woman Who Sold the World.
I was probably very confused! To be honest, though I love reading the
strip in collected editions, I often struggle with it in the actual
magazine. I find it hard to invest in a story that I read in ten-page
segments stretched out across months. Still, I do remember some of the
stories of this era from my first read, particularly, Time of My Life from #399. (I also have negative memories of Universal Monsters
in the actual magazine, but I enjoyed it both the previous time I read
this collection and this time. Maybe I was just not yet an Adrian Salmon
devotee?)
It was kind of weird to read this right after watching The Power of the Doctor and seeing the 60th anniversary teaser trailer... Tennant and Tate nostalgia rules the land!
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| from Doctor Who Magazine #382 |
The Woman Who Sold the World, from Doctor Who Magazine #381-84 (May-July 2007)
script by Rob Davis, pencils by Mike Collins, inks by David A. Roach, colours by James Offredi, letters by Roger Langridge
This I found a bit tough to get into at first. It's one of those weird Doctor Who stories where at first there's a bunch of disparate elements and it's not clear how they relate to each other; you're sort of relentlessly thrown from bit to bit. I particularly found it hard to track how I was supposed to feel about Sugarpea and Sweetleaf, the old couple in the flying chair. But by the end of the story I had come around and was totally into it: great characters, so many great concepts packed in here, good jokes, and a real emotional ending like something that might have been done on tv at the time. Only this is so much madder and more expansive! In the notes, editor Clay Hickman says they were trying to get the strip to be like the Mills & Wagner days, and I can totally see it: it has that non-stop breakneck feeling, only with more of a genuine character focus. Only thing that doesn't work for me is the kid who accidentally kills his dad. Felt a bit too gruesome and dark.
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| from Doctor Who Magazine #385 |
A one-off gag strip, but a decent one. The Doctor tries to preserve the timeline from rogue time travellers by riding on a bus with a soup made from the Mayor of London, but it's all (mostly) told from the perspective of a passenger (we do have a couple cuts to what Martha is doing on Mars). The narration of the passenger sometimes lays it on a bit thick but overall it's an enjoyable conceit, well executed.The First, from Doctor Who Magazine #386-89 (Sept.-Dec. 2007)
The Doctor and Martha meet Shackleton... and of course aliens made of ice. This is solid: it didn't wow me, but it felt like a reasonably good pastiche of an RTD-era "celebrity historical." I found the ending a bit confusing and rushed, but I enjoyed the experience overall. Nice as always to see Martin Geraghty on the main strip.Sun Screen, from Doctor Who Storybook 2008
This story made me realize that I'm not sure one strip is really a good length for a Doctor Who comic if it's attempting to do the "traditional" Doctor Who story of the Doctor showing up somewhere, finding a bad thing, and fixing it. You can do a comedy story, you can do a character study, but eight pages for this kind of thing is so compressed that there's no interesting characters, no plot complications that aren't instantly resolved. Morris's other one-offs in this volume show better ways of handling it, though I guess a one-off adventure is what the context of the Doctor Who Storybook pretty much calls for.
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| from Doctor Who Magazine #390 |
Indeed, here we go. This one is fun: a bunch of old but rubbish foes of the Doctor get together, and are undermined by their own incompetence. Probably my favorite gag was the Mentor, totally not a knock-off of the Master.
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| from Doctor Who Magazine #392 |
Again, if not a great story, a very solid one. I like how the story plays into all the horror tropes in parts one and two, and then undoes them all in part three, but does so without feeling gratuitous or contrived. And of course giving this story to Adrian Salmon is a stroke of genius, one of the best-ever artists ever associated with Doctor Who, and this plays perfectly into his wheelhouse.
One thing I do love about this story is how different it is in terms of tone. Since The Green-Eyed Monster in #377, I feel like the strip is reembracing that it is, well, a comic strip more. Though the two Rose volumes had some good and even great stories, I think the ones from #377 are more playful in tone and format in the way that only a comic strip can be. I don't think tv could do something like the shift from Death to the Doctor! to Universal Monsters to The Widow's Curse. Sure, you can shoot each episode like its own film (as the Moffat era did to good effect), but here you can even change how the characters look... but it's somehow all the same thing anyway.
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| from Doctor Who Magazine #398 |
How good is this? Definitely the standout of this volume, except for maybe The Time of My Life. Great visuals, great concepts, great capturing of character. Westminster Abbey on a Caribbean island! Donna flying a Boeing 747! This is the stuff comics were born to do. On top of that, it's populated with a genuine cast of guest characters. This is actually something the strip doesn't do a lot, or doesn't do effectively; most stories I feel like just have one or two people in them who are fully developed. But we have a whole group of tourists and more here, each of which who gets a genuinely great moment. The way the title comes into play at the end is excellent. It's kind of weird to see DWM do such a close sequel to a screen story, but overall it works incredibly well. If Donna only got one multi-part story, I'm glad it was this one.The Immortal Emperor, from Doctor Who Storybook 2009
Like Sun Screen, this is pretty breakneck. It works a bit better, in that I love the stylized art of Rob Davis, and a bit worse, in that I'm a bit skeptical of the fact that in one of Doctor Who's rare forays into the history of a non-UK country, every significant character other than the Doctor and Donna is evil.
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| from Doctor Who Magazine #399 |
Again, how good is this? I love this style of storytelling, a number of quick one-page excerpts from unseen adventures that show off the Doctor and Donna at their best. Lots of great jokes and great concepts and beautiful moments. The page where they just have fun seeing the Beatles is probably the best, but they're all great. On top of that you get the amazing art and layouts of Rob Davis, which adds so much to each page.Other Notes:
In the past I kind of thought the early new series–era comics weren't very good... on this reread I haven't felt that way—they're good on the whole even if they're not great—but since #377 they've been on a definite upward trajectory, and I can't wait to see what happens next...
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| from Doctor Who Magazine #386 |
This post is the thirty-second in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers The Crimson Hand. Previous installments are listed below:
JSA: Strange Adventures
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Collection published: 2010 Contents published: 2004-05 Acquired and read: December 2022 |
I think this might be the last "continuity insert" storyline of my Justice Society reading: that is to say, the last story set entirely in the "past" of the DC Universe relative to when it was published. Like Superman vs. Wonder Woman, Steel, the Indestructible Man, All-Star Squadron, The Young All-Stars, The Crimson Avenger, The Demise of Justice, The Justice Society Returns!, and All-Star Comics 80-Page Giant, this is entirely set during World War II, fleshing out the Golden Age in a modern style—which to me has become one of my favorite types of JSA story.
Unfortunately it is not very good. It is a a long miniseries, at six 30-page issues, but less seems to happen in it than in many minis of four 20-page issues. Before I picked this up, I was reading Don McGregor's Jungle Action run, and it took me longer to read a 17-page issue of Jungle Action than a 30-page issue of this. Like, there are lots of boring fights and boring meetings; the characters have long conversations about things that aren't interesting and don't matter.
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| This story seems to think the Star-Spangled Kid was a JSA member for some reason. from JSA: Strange Adventures #5 |
Pick of the month: A Hat Full of Sky by Terry Pratchett. It's been a long time since my previous Discworld novel, the first Tiffany Aching one, which I struggled with. So thankfully, not only did I enjoy the second one, I loved it! Good jokes, good characterization. What more does one want?
All books read:
Back in November 2020, I started a project to read all the collected editions of the Doctor Who Magazine comics. I didn't think it would take me very long. Yes, there are thirty-one of them, and yes, I wanted to add some stuff that would bring it up to (as of now) forty-six total installments... but they're not very long, so surely I could read five or six a month? I'd be done in less than a year.
This was not true. Not because of the graphic novels themselves, but because of all the books I read between them, which usually resulted in me averaging one or two per month. But this month, as I neared the end, I finally cleared out a bunch of backlogged reading and blew through eight of them! Only one to go.
All books acquired:
Obviously, mostly Christmas presents: #4-12. I do have to question the wisdom of my LibraryThing secret Santa, who picked the ninth book of a nine-book series where I have read no previous installments! #10-11 are both Cincinnati-set books picked by my sister, for my project to read books set in my hometown.
Books remaining on "To be read" list: 685 (up 1)
Wow, actually reading books from my list actually helps!
The Betrothal of Sontar: Collected Comic Strips from the Pages of Doctor Who Magazine
by Mike Collins, Gareth Roberts, Tony Lee, John Tomlinson & Nick Abadzis, Roger Langridge, Martin Geraghty, Jonathan Morris, et al.
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Collection published: 2008 Contents originally published: 2006-07 Acquired: November 2008 Previously read: December 2008 Reread: October 2022 |
I was curious to see how much my impressions of some of these stories shifted this time around!Either way, this collection is a bit of a jumble. The title story by John Tomlinson & Nick Abadzis is fine for the most part, though the resolution is highly disappointing. Tony Lee's "F.A.Q." is an absolute mess, and the usually-dependable Mike Collins isn't up to scratch with "The Futurists"-- it has some nice ideas, but they don't really cohere. Jonathan Morris's "Opera of Doom!" is too slight to be effective. Morris's other effort, "Interstellar Overdrive" is quite fun and mostly faultless, but something always bothers me about stories where our protagonists would have died but for a convenient time loop that lets them do things over (as in Star Trek: The Next Generation's "Cause and Effect" or Deep Space Nine's "Whispers"). It's fun to see the Brigadier in Alan Barnes's "The Warkeeper's Crown", but as I write this review, I can't remember anything else about the story, good or bad. [...] The standouts of the collection are the two "comedy" one-parters: Gareth Roberts's "The Lodger" has the tenth Doctor moving in with Mickey for a week, with hilarious consequences, of course. And Nev Fountain's "The Green Eyed Monster" puts Rose on a reality television show exploring her jealousy of the Doctor's other women-- especially Jackie!
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| from Doctor Who Magazine #365 |
This sees the first appearance of the Sontarans in the DWM strip since 1993's Pureblood (and even reuses that story's title term); it's about a group of low-quality Sontarans who run a mining rig instead of getting glorious soldiering duty, a neat look into a different dimension of Sontaran society than we've ever seen on screen. The cosmic maguffin wasn't super interesting, but I liked the two principal Sontaran characters. I'm not sure why in my review above I called this story's resolution "highly disappointing." Like, rereading it I have no idea what my beef was at all.
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| from Doctor Who Magazine #368 |
This was fun; you can see why Moffat picked it up to make it into a tv episode, and though being a 45-minute story gave it more room to breathe, this version has the benefit of pairing the Doctor with a familiar character—and not having to work in an alien threat of some kind. More of a series of vignettes than a story, but a very solid series of them, and the kind of thing that (somewhat ironically) only DWM could do, I think.
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| from Doctor Who Magazine #370 |
I was dreading this one going in. I remembered my negative review from last time around, and having since suffered through Tony Lee's run on IDW's Doctor Who comic book, my opinions of Lee as a comic writer have only diminished. But... I actually kind of liked this? I wouldn't say it's a work of genius or anything—the stories on either side of it are better—but it's fun enough. It has the grounded sensibility of the RTD era, focusing on an ordinary family affected by alien powers, shades of "Fear Her" (a story that I really like). Rose gets some good spotlight moments. The main thing I don't like is the reveal about the teacher who didn't really exist, which seemed kind of pointless. Like, it's spooky, but it doesn't really seem to make a character or thematic point.
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| from Doctor Who Magazine #373 |
I really don't know what I was thinking when I wrote my above review, because this story was on fire. Good ideas, great visuals, neat contrasts (black Romans in Britain vs. a fascist Italian state), fast pace—four different key locations in three installments!—nice themes, and above all, good characterization for Rose and some genuine laugh-out-loud jokes. Loved gags about the Silurians, how many people were in the resistance, the use of the resistance, and especially the clever use of the psychic paper. "But Darius... you can't read..." "Oh." I can imagine it playing out perfectly on screen. Rose leading the captured Silurian women in revolt is great, and her voice is captured very well. Exactly the kind of story the strip ought to be doing when the tv show is leading, and the volume's highlight. I don't know how I got it so wrong fourteen years ago.
(Wait... fourteen years ago!?)
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| from Doctor Who Magazine #375 |
I do love time loop stories. They're one of my favorite sf subgenres. TNG's "Cause and Effect," Groundhog Day, SG-1's "Window of Opportunity," Discovery's "Magic to Make the Sanest Man Go Mad," Russian Doll season one, Palm Springs, I love them all. I am a total sucker for them. I even love the chronic hysteresis bit in Meglos.
Um, except this one. I think it's a noble attempt. But it has two things going against it, I reckon. One is that the repetition just isn't as interesting when it's solely visual. Here the scenes are all shown from a different angle, but that means you don't really get that uncanny echo that makes these kind of things work on screen. The second is that since it's only two parts, the loop only repeats once, and so it's less a time loop story, and more a story where something happens once, and then the characters get a do-over. It feels cheap, I guess, if it's that easy to get out of the loop. Seeing the iterations is what makes these kind of things fun!
But there are some good jokes and the part one cliffhanger is a good one.
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| from Doctor Who Storybook 2007 |
This story is a delight. Quick, fun, good gags. A little too quick, maybe—the fact that people were disappearing into the alien opera house maybe should have been set up better—but I really enjoyed it. The really terrible musician who becomes amazing is a fun character with lots of good jokes.The Green-Eyed Monster, from Doctor Who Magazine #377 (Jan. 2007)
Rose's last appearance in the strip is a good one, bringing Mickey back again and also marking Jackie's only strip appearance. It's a kind of contrived story about an alien jealousy monster and a talk show, but it's all worth it for the incredible sequence where Rose thinks that the Doctor has settled down with her mother. The ending gag of Jackie wanting a second kiss is delightful.The Warkeeper's Crown, from Doctor Who Magazine #378-80 (Jan.-Mar. 2007)
Rose of course stopped appearing on screen way back in July 2006, but DWM seems to have considered "The Runaway Bride" her official cut-off point as the current companion—the first episode without her as a lead, I guess. So here we get a companion-less story to bridge the gap before Martha, and DWM brings back the Brigadier to serve as a temporary companion. Though the Brigadier appeared in the "past Doctor" early of the early 1990s, I think this is his first present-day appearance since The Mark of Mandragora.
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| from Doctor Who Magazine #380 |
It's okay. I liked the first part all right, which pulls the Doctor, the Brigadier, and the wrong Mike Yates together; I liked the last part, where the wrong Mike Yates tries to remake Britain. The middle part, though, lost me in the complicated exposition about the relations on the alien planet, and the whole story suffered as a consequence. I didn't really get the ending, for example. It seemed like things ought to have been simplified. The idea of the Doctor meeting the Brigadier for the first time after he himself fought in a war seemed squandered in a single panel. (Shades of Big Finish's own attempt to do this story, Way of the Burryman, which I read Warkeeper's Crown in the middle of, coincidentally.)Other Notes:
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| from Doctor Who Magazine #377 |
This post is the thirty-first in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers The Widow's Curse. Previous installments are listed below:
Queen Zixi of Ix; or, the Story of the Magic Cloak
by L. Frank Baum, illustrated by Frederick Richardson
My son and I tend to read "borderlands of Oz" books when we're stuck waiting for Oz books. Unfortunately, it took much longer than I expected to get The Hungry Tiger of Oz, and The Master Key alone was not enough to cover the gap. After not particularly enjoying Master Key or The Enchanted Island of Yew (which we had read to cover the gap between Grampa and Lost King), I wasn't looking forward to reading a third borderlands book in quick succession.
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| Originally published: 1904-05 Read aloud: July 2022 |
I only had two more borderlands book: Dot and Tot of Merryland (1901) and Queen Zixi of Ix (1904-05). I don't really remember either from my own childhood, but I knew Dot and Tot is short, but not considered to be very good, while Queen Zixi was longer, but many consider it one of Baum's best. Did I want to read a bad book and get back to Oz quickly? Or take longer to get back to Oz, but potentially enjoy the experience more? Eventually I decided I was tired of reading books I didn't enjoy very much, and picked Queen Zixi.
Queen Zixi was one of Baum's last attempts at a non-Oz fantasy, but you can tell by the title how he was attempting to cash in on Oz's success, with a country name not too far off Oz in form. Like some of Baum's other early work (e.g., Magical Monarch of Mo) it feels less American and less modern. It opens in the Forest of Burzee (previously established in Life and Adventures of Santa Claus), where a group of fairies under Queen Lulea weave a magic cloak that can grant a mortal bearer one wish; one fairy is then sent into the country of Noland to give it to someone sad.
Meanwhile, a pair of children named Timothy and Margaret (but usually called "Bud" and "Fluff") are orphaned, and travel with their Aunt Rivette to the capital city, Nole. There, the king of Noland has recently died without heir, meaning the forty-seventh person to come through the city's east gate will become the new monarch. On the way, Fluff is given the magic cloak and she wishes to be happy; Bud ends up being the forty-seventh person, making him king and Fluff princess. The book has three distinct parts: 1) Bud and Fluff becoming and settling into the roles in the palace, 2) Queen Zixi's attempts to steal the magic cloak from Princess Fluff, including war, and 3) the invasion of Noland by the strange Roly-Rogues.
I don't think Noland and Ix quite have the sparkle of Oz, they are pretty generic vaguely medieval magic kingdoms, but overall this book might be Baum's most successful non-Oz fantasy. Two ordinary children (I used country accents for both) becoming rulers of a country is fun idea. There's some good fantasy humor when the magic cloak is passed through the various denizens of the palace who, ignorant of its power, keep wishing for different things, meaning that Bud and Fluff's aunt gets wings, and the lord high general (who has a short man complex) ends up ten feet tall, and the lord high executioner obtains an extendable arm, and so on. This is pretty fun stuff, and it's nice to have protagonists for whom something is actually at stake—arguably the biggest difference between Baum's good fantasies (e.g., this, Oz, Sky Island) and his ones I have not enjoyed (e.g., Master Key, Yew, Sea Fairies).
Similar things go for Queen Zixi's attempts to capture the magic cloak and the invasion of the Roly-Rogues. The latter are nicely imaginative creatures, and they pose a real threat to Noland. Zixi is one of Baum's more interesting witch characters: she's given herself a long life and ruled wisely, but in a mirror, she looks her real 683 years, and thus when she hears of a magic cloak, wants to wish for being able to deceive mirrors, too. So the normally kind ruler becomes a harsher one, but by the end of the novel she learns her lesson.
(That said, like in a lot of Baum novels, there are a lot of hinted-at geopolitics. Zixi has lead her people in hundred of battles, and there is some kind of preexisting enmity between Noland and Ix that means Zixi can't just ask for the cloak. On the other hand, Zixi has never lost a battle, so surely all those hundred battles can't be against Noland. Later maps would place Ix between Noland and Ev, the country where Ozma takes place, so has Ix fought a number of wars with Ev? Or maybe Ix has faced sea raids from places like Regos and Coregos; this novel does establish that Ix has a merchant fleet of some kind. In my reading, I turned Queen Lulea into Queen Lurline, the fairy queen from Burzee mentioned in many Oz novels. It's interesting to note that this novel establishes that fairies have a dislike for witch magic, given how much in the Oz novels the fairy Ozma depends on the magic of Glinda, a witch.)
I think my son liked it; he was particularly into the comedy about what the people did with the cloak, while he as usual didn't like hearing about bad things like Zixi stealing the cloak. Overall, I enjoyed it. It doesn't quite have the sparkle of weirdness than an Oz novel does, but it's fun, it has good jokes, and if it doesn't have a unified plot, it does have three individual ones. Baum never returned to any of the lands he established in his non-Oz fantasies, and this is one of the rare times I wish he did. I'd like to see King Bud grow up a bit, and for him, Fluff, Aunt Rivette, Zixi, and their various advisors face down some other kind of threat—and this time with no magic cloak to help!
Next up in sequence: The Hungry Tiger of Oz
| from Fantastic Four vol. 1 #52 |
| from Black Panther: The Sound and the Fury #1 |
It's Lee and Kirby at their peak, so it has potency and power—and excess. You can see there's a lot here to run with, but I don't know that I enjoyed it so much as I appreciated the inventiveness of it all. Lots of crazy ideas, but also lots of exposition, and no one ever accused Stan Lee of being elegant. I also have these issues in a Fantastic Four Omnibus that I haven't got around to reading, and I wonder if I'll appreciate them more in their original context whenever I get around to that.
| from Marvel Tales: Black Panther #1 |
Overall, these three issues make a useful foundation, and I'll be curious to see where we go from here.
ACCESS AN INDEX OF ALL POSTS IN THIS SERIES HERE
"The Black Panther!" was originally published in issue #52 of Fantastic Four vol. 1 (July 1966). The story was scripted by Stan Lee, illustrated by Jack Kirby, inked by Joe Sinnott, and lettered by Sammy Rosen.
"The Way It Began..!" was originally published in issue #53 of Fantastic Four vol. 1 (Aug. 1966). The story was scripted by Stan Lee, illustrated by Jack Kirby, inked by Joe Sinnott, and lettered by Artie Simek. It was reprinted in Black Panther: The Sound and the Fury #1 (Apr. 2018), which was edited by Mark Basso.
"Look Homeward, Avenger!" was originally published in issue #87 of The Avengers vol. 1 (Apr. 1971). The story was written by Roy Thomas, illustrated by Frank Giacoia and Sal Buscema, lettered by Mike Stevens, and edited by Stan Lee. It was reprinted in Marvel Tales: Black Panther #1 (Nov. 2019), which was edited by Jennifer Grünwald.
Fantastic Four #52 was the only one of these three offered in its original format; the other two were in reprint comics. Note that The Sound and the Fury #1 also contains an original story, but I'll read that when I get up to 2018's comics in this readthrough. I have the other three issues in Marvel Tales: Black Panther #1 in other forms, so this is the only comic from it I'll be reading directly.