Trade paperback, 322 pages Published 1981 (originally 1946) Acquired June 2008 Read February 2019 |
1813-15
I kind of think that Forester noted about Commodore Hornblower the same thing that I did in my review: that it all seemed too easy. Lord Hornblower starts with a big challenge for Horatio, to bring back a group of mutineers without compromising discipline or just slaughtering them all. It's a sticky problem; Hornblower thinks they have a point, but can't give them clemency. But if he fights them, they'll just flee into the arms of the French. What's a captain to do? As always, it's enjoyable to see Hornblower's mind work over the problem and come up with one of his typically clever solutions.
After that (about the first third or so), though, the book flounders, as Hornblower convinces a French town to come over to the side of the French Royalists. Like Commodore, it doesn't feel like it matters. How will the war or Hornblower suffer if this plan fails? And land-bound politics just aren't what one reads a Hornblower novel for. Bush is killed. It's a typically understated moment, but I understand it; it doesn't seem right that all these military men could live through a war, and so someone's gotta die, even if it's just before the close. Feels unfair that a born sailor should die on land, though.
The final third picks up, chronicling what Hornblower gets up to when Napoleon escapes while he's vacationing in France, and thus suddenly becomes a wanted man. It's harsh and bleak and well-written but I just don't think it's where I would go with this series. Again, it just doesn't feel like what one reads Hornblower for. A well-executed version of an ill-conceived plan, I guess. The climax to the whole thing is pretty great, though.
Anyway, the next Hornblower book is our first jump backward, and I can see why; the two post-trilogy books have largely lost what made the first book work so well, and maybe by going back to the roots of the character, Forester can also get back to the roots of the series's appeal.
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