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2024 Hugo Awards Progress
20 items read/watched / 57 total (35.09%)

18 December 2019

Joe Casey's Adventures of Superman #617-20: Superfiction, Part 2

"Rather, Rinse, Repeat" / "Four on the Floor, Break Stuff" / "Prestidigitation Nation" / "Martyr Party People"


The Adventures of Superman vol. 1 #617-20 (Aug.-Nov. 2003)

Writer: Joe Casey
Artists: Charlie Adlard and Derec Aucoin

Colors: Tanya & Rich Horie
Assoc. Editors: Tom Palmer jr and Lysa Hawkins
Editor: Eddie Berganza 


Now that Superman is an avowed pacifist (except when punching General Zod, I guess) Casey can't write a series of issues of where big bad guys punch their way into Metropolis, and Superman has to punch them back out again (not that he ever really did, anyway). So the last few issues of Casey's run on Adventures of Superman have to be more inventive in the kind of threats they pose, so that Superman can be more inventive in the kind of solutions he comes up with. (Good thing, I suppose, that Doomsday didn't pop by to menace the city during this phase.)

from The Adventures of Superman vol. 1 #618 (art by Charlie Adlard)
This chunk of Superfiction consists of two two-issue stories. The first one (#617-18) is about two encyclopedia salespeople who come to Metropolis, hawking the Encyclopedia Universal. Their previous attempts to get people to buy it haven't gone well; we get a montage of flashbacks of them traveling around the world, talking to different leaders. Then, more flashbacks of them traveling even further afield, which poke fun at DC Comics itself: the Guardians on Oa ("What year is this...?" moans one), the ruling council of Thanagar ("Which reality is this...?"), and the Legion of Super-Heroes ("What is this? Some sort of delinquent youth center...?"). Their attempt to sell it to Perry White renders him comatose, so Superman tackles them, only to fall afoul of their nigh-omnipotent powers himself... and realize that they're a guise for his old foe Mxyzptlk.

Wait, what? I have no idea how Superman put that together. Like, okay, they've got lots of powers and like to be annoying... but surely if you're a superhero, that's the kind of person you meet on the regular? If there was some kind of other clue, I missed it completely.

from The Adventures of Superman vol. 1 #618 (art by Charlie Adlard)
The sibling salespeople fight back by removing Earth's gravity, so we get some high-concept sci-fi as Superman needs to figure out a way to hold the Earth together while he takes care of the villains; with the help of the Atom and the JLA, he places a miniature white dwarf star in the Earth's core! So that's cool.

But that's eighteen pages of the second issue; in the last three pages, he just buys a set of encyclopedias after all, Mxyzptlk makes a speech about how they're going to be more evil these days ("you'll know what we're capable of. [...] No more games. No more saying our name backwards to get rid of us. We're in the mood to be a real super-villain... and next time, we won't hit the reset button."), and then that's it, it's over. I mean, it's slightly clever action, but it's still one big action sequence, and one that's heavily dependent on made-up super-science. The first issue sets them up as fun villains with a weird plan, but once it's revealed that they're not really salespeople, just Mxyzptlk in disguise, it all kind of fizzles out.

It's fun enough, though, like I said. There's a sub-plot about a S.T.A.R. Labs spaceship in Earth orbit; for some reason, it's staffed by people who Charlie Adlard draws with uniforms like the Imperial Navy's in Star Wars for some reason. (In a brief aside in #617, they help Superman defeat "the ghost of a dead parallel Earth [...] invad[ing] our galaxy!") There's also a bit in #618 where it's finally explained where the Persuader got his powers from in #610:
DOLORIS: I know! Let's do a ret-con!
DALE: Oh, excellent! [...] What should we do...? So many inconsistencies to choose from...! [...] Does the name "Cole Parker" ring a bell? He was a social anarchist who attacked the Daily Planet and got thrown into Stryker's Island... while he was inside, he hooked up with a mysterious stranger who used his powers to transform Parker into the Persuader. Who was that mysterious stranger...?
DOLORIS: Don't tell me, he was us...?
DALE: He is now. Kinda wraps thing up neat and tidy, eh?
from The Adventures of Superman vol. 1 #620
(art by Derec Aucoin)
I admire the sheer brazenness of it. One imagines Casey had plans for the mysterious stranger, but decided to never follow them up, and tied off the dangling thread with the most lampshaded of retcons!

The other two issues are about a new candidate for president, set to oppose Luthor in the upcoming election. He's known only as "the Candidate," his campaign promises are vague: "We can achieve." Later he says, "America is ready for change! Well, guess what, America...? I am change!" Reading in 2019, it's impossible not to see something of Obama's 2008 "hope and change" in him and some of Trump's 2016 populist rhetoric as well. Coastal elite Lois Lane sniffs about how people tailgate at the Candidate's rallies. The Candidate-- like Obama and Trump after him-- shows disdain for the press, preferring to speak directly to the people. He's the big hero who will single-handedly save America. But of course, Casey was just extrapolating from what was already happening in 2003: "Show biz politics. Perfect for modern voters. They don't have to think..."

The Candidate won't give interviews; when Lois and Clark bicker over who should get the assignment to obtain one, Perry White gives it to both of them: "You two engage in the strangest foreplay..." What follows is pretty fun, as the two compete; Clark promises no superpowers, but is hampered by his need to keep flying over the world taking care of random crises. Lois, in the meanwhile, dons a catsuit to do some infiltration. Previously in Casey's run, the status quo of Lois and Clark hasn't been in flux. Not because of his writing, but because of what was happening in the other titles: for a while they were separated as Lois traveled the world; later, Clark was suspended from the Daily Planet. But here they are, together, and both reporters, and it's great stuff, showing their competitive streak, and their love for each other. Derec Aucoin is great at this stuff by now; their love comes through even in their body language.

from The Adventures of Superman vol. 1 #619
(art by Derec Aucoin)
While Superman is distracted by a "cannibal planet" that eats the sun's heat, dooming the Earth, an alien assassin attacks the Candidate, only for Lois to intervene and save him. The Candidate is not pleased: "...martyrdom is the final act of political legend, social action through social trauma... The object of government is to prey on the ignorance of the masses... They want it simple...heroes who will die for them...and now it's all gone...who'd vote for me now...?" It's a weird ending to a weird issue, almost an anticlimax, but I enjoyed it anyway.

I think there must have been some kind of directive from editorial that even if Superman was a pacifist, there had to be some big action anyway, because every issue here has a big sequence, even if it's not plot-related. #617 has the dead parallel Earth, like I said; #618 the dwarf star business; #619 has a few panels where we see Superman in Cairo defeating Osiris, god of the dead, because "Superman is the personification of life"; and in #620, there's Superman's big fight with the cannibal planet (though we eventually learn the alien bounty hunter brought it in as a distraction!). These are usually careful to maintain Superman's pacifism, so he's never punching these enemies to death, but I guess you can't sell a Superman comic where people just talk it out.

I would like to see Casey try to write one, though.

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