09 April 2021

Myriad Universes: The Tears of Eridanus Composition

In my last post, I talked about the pitching process for The Tears of Eridanus. The book ended up having an overly long writing process, but that also ended up being for the best.

The pitch was accepted by Marco Palmieri at Simon & Schuster in Sept. 2008; in Oct. 2008 we got the go-ahead to begin working on the manuscript for a 2 Feb. 2009 deadline. (At some point this became 16 Feb., though.) The intended publication date was Aug. 2009.

Like all of our projects, it had a clear and logical split. In this case, Michael was keen to write the Demora-centric sections set on Vulcan; I was keen to write the Hikaru-centric Kumari sections. I think he has an interest in Vulcan culture, and I had long had one in the Andorians, so there was no dispute about who would write what. We would each write a chapter and then send it to the other; the other would then provide comments and edits. We had learned from The Future Begins that we were both over-writers, but Michael much more than I, so a lot of our edits were just cutting stuff that was unnecessary.

Despite that, the first complete draft (which was assembled 24 Jan. 2009) was 63,000 words, almost 15,000 over-length. I did some harsh chopping, but I also came up with the idea of a series of interludes depicting the Hikaru/Demora relationship over the years, and so those got added in. Additionally, one of beta readers had pointed out that the idea that Hikaru was out of place on Kumari in this timeline didn't quite come through, and so I wrote a whole new scene that emphasized it more.

On 4 Dec. 2008, however, we had received word that Marco had been laid off as part of a big downsizing at S&S. Our project was one of many handed over to Margaret Clark, and in a TrekMovie interview in Jan. 2009, she mentioned that the publication date of Shattered Light (the volume to contain The Tears of Eridanus) had been bumped by nine months, I think because of workload issues. We asked if that meant we could have a little more time; she said no. We submitted it on time on 15 Feb. 2009... and promptly never heard a thing. The publication date became Sept. 2010.

In Aug. 2009, we heard that Margaret Clark had also been laid off, as S&S continued to bleed financially thanks to the Great Recession. A bunch of e-mails went back and forth between us and Scott Pearson and David George, the other contributors to Shattered Light, wondering what was happening to our project; none of us had heard a thing since submission.

Finally, in Nov. 2009, Jaime Costas e-mailed us to say she had taken over as editor of Star Trek fiction at S&S (she had been Marco's editorial assistant before, I think) to tell us the book was now slated for Dec. 2010, and she literally knew nothing about it: had there been an approved outline? had we even begun writing it?

Yes, we said, and sent along the complete manuscript. But somewhere along the way, I had an idea: in the intervening months, I had become involved in a creative workshop in my graduate program, where we would meet weekly to discuss each others' writing. They had proven themselves incisive readers, and we ended up asking Jaime if we could do another draft of The Tears of Eridanus. She said sure, there was no rush. 

So my creative writing workshop-- none of whom had ever read a Star Trek book before, though some were casual fans, and others had never even seen a minute of it-- read it in early 2010 and provided extensive notes. These were incorporated into a new draft; I also realized the scene I'd added had accidentally vanished from the manuscript by the time we sent it to Margaret, so that got added back in. We submitted the new manuscript on 5 Apr. 2010 (alongside the outline of what would become our only full-length Star Trek novel, A Choice of Catastrophes). Despite everything that had been added, this final draft was just over 55,000 words long, so within the ±10% margin of error someone once told me to use when approaching word counts.

Jaime went on maternity leave in May 2010, meaning Emilia Pisani took over as editor temporarily on both our projects; this would become permanent when Jaime elected to not return to S&S at the end of her leave, and Emilia saw the project through. (Ed Schlesinger would become the editor of A Choice of Catatrophes, however.) Four editors from beginning to end! I feel sort of lucky it wasn't five.

first draft cover by Alan Dingman
(spot which mistake made me angry!)
The copy edit was kind of fun, in that the copy editor (a freelance Marco, I think) did something I never saw on any of our other Star Trek projects; the front of it had appended a list of every proper noun in the entire story, to use for checking spelling. In Sept. 2010, we signed off on the final typeset pages and gave notes on Alan Dingman's striking cover. (Demora wasn't on it originally, for example, and Shras was, despite appearing in just a couple scenes. I suppose someone wanted an Andorian on the cover of the book, which made sense, but no canonical Andorian has a very significant role in it, unfortunately.)

And that was that! The book came out in Dec. 2010, at long last, and though the delays were frustrating at the time, I think the revisions suggested by my writing group made it a much stronger book, and so in the end, we were both grateful for the extra time.

07 April 2021

Hugos 1962: Hothouse by Brian Aldiss

Collection originally published: 1962
Contents originally published: 1961
Acquired: September 2020
Read: October 2020

Hothouse by Brian Aldiss

In 1962, Brian Aldiss won the Hugo Award for Best Short Fiction for the "Hothouse" sequence of stories. 1959 had seen categories for Best Short Story and Best Novelette, but from 1960 to 1966, there was just a singular Best Short Fiction category. Even beyond that, the rules didn't work the way they work now; the five "Hothouse" stories have a collective wordcount in the novel range, and thus if the sequence was nominated as a unit these days, it would have to be in Best Novel. The same year Aldiss won the Hugo (there is a funny story about this in my Penguin Modern Classics edition), the five stories were published as a fix-up, and I decided to read it as one of my Hugo "bonus" books between the winners of Best Novel for 1958 and 1963.

I both can and cannot see why this won. There definitely are arresting, interesting images. Though not the earliest by far, Hothouse is still a pretty early example of the climate apocalypse subgenre. The warming of Earth (from natural causes) has caused a massive proliferation and evolution of plant life, and thus the downfall of the human race, which exists only in isolated pockets of depressed intelligence. The book follows one human as he journeys across his world, often at the behest of a superintelligent morel, and encounters different aspects of the amazing ecosystem. I would say the world was the best part, but I actually found reading the worldbuilding and scene-setting a bit of a slog. There is some neat stuff here, but it feels buried in a dull, aimless travelogue about dull, aimless people, and the exposition itself was often dull and aimless too; I was rarely excited to pick the book back up, and it took me a while to read despite being only 250 pages. I've liked some of Aldiss's short fiction that I've read, and he made good editorial choices in his Galactic Empires anthologies, but this is the first of his novels that I've picked up (for certain definitions of "novel") and it doesn't make me want to read another one. Not bad per se... but it never clicked with me. I kind of feel like I'd rather look at some illustrations of the world that Aldiss created!

I read an old winner of the Hugo Award for Best Novel every year, plus other Hugo-related books that interest me. Next up in sequence: The Man in the High Castle by Philip K. Dick

05 April 2021

Review: The Expanse: Auberon by James S.A. Corey

Published: 2019
Acquired: December 2020
Read: January 2021

Auberon: An Expanse Novella
by James S.A. Corey

The most recent Expanse novella was published after Tiamat's Wrath, but takes place before it, so that's where I read it. (Once the series is over, I'll do a post about my Expanse reading order.) This is one of the weaker ones, I'm afraid, though perhaps it will set up something in Tiamat's Wrath that will make me appreciate it more in retrospect. It's about a Laconian governor coming to grips with the difficulty of maintaining power outside of Laconia; too many of its beats seemed duplicated from the Governor Singh plotline in Persepolis Rising. They both struggle to apply their ideals in practice, they both have a situation spiral out of control, they both are devoted to wives in ways that make them impossible to live up to, they both are ultimately compromised. I liked the Singh subplot in Persepolis Rising a lot, but not so much that I had any interest in seeing it play out again in the very next book.

I read an Expanse story every eighty-ish days. Next up in sequence: Tiamat's Wrath

02 April 2021

Myriad Universes: The Tears of Eridanus Original Pitch

In 2008, it seemed like Michael and I had a Star Trek writing career that was going somewhere. Our S.C.E. novella The Future Begins had come out in 2006; the Next Generation anthology The Sky's the Limit had contained a pair of linked short stories by us in 2007. We began noodling around with novel pitches.

At that year's Shore Leave convention, we approached Marco Palmieri asking if we could talk; he was one of the editors at Simon & Schuster assigned to Star Trek fiction, and had been our editor on The Sky's the Limit. Marco is a very supportive and nurturing editor; I mean, he tells you absolutely when something doesn't work, but he is keen to develop new talent. A couple of the best moments in The Sky's the Limit had come from him.

We had lunch with Marco (I remember this being awkward, because we were awkward; Marco was great; I hope I am much better conversationalist-with-relative-strangers now than I was at 23). We ran one of our ideas past him, which was a novel set on the original Enterprise between Star Treks I and II, when Spock was in command. (I think when it was a training ship?) The Enterprise would come to a new planet of squid aliens.

Marco said that original-series novels set outside the bounds of the actual original series were tough sells if there wasn't something about the premise that made it uniquely suited to the era; classic five-year-mission stories were preferred. But he liked the idea of squid aliens (because of what he'd seen in the documentary The Future Is Wild, about possible future paths for evolution on Earth), and he invited us to retool it as a Titan pitch. Titan was an ongoing series of novels about Riker's command, and they had a strong exploration focus, in contrast to the more political/galactic crisis mode of many Star Trek books in those days.

Sometime after we sent him the pitch (called, I think, either Look Closer or Arts of Speech) and were waiting to hear back, we heard that he was soliciting pitches for a third Myriad Universe volume as well. These were collections of three novels in one trade paperback, each about a different alternate timeline. The first two collections had featured premises like What if Spock had died as a child? and What if Earth had never joined the Federation? and What if no one had discovered the Bajoran Wormhole? We hadn't been asked to pitch, but had heard about from someone who had.

One day, shortly after the deadline, I had an idea pop fully formed into my head: What if the Vulcan Reformation had never happened? The Vulcans would just war among themselves for millennia; the Andorians would be the major spacefaring power of the 22nd century; Earth wouldn't meet the Vulcans in First Contact; the Klingons would have no warlike rivals to keep them in check. I came up with an idea set on the eve of a Klingon War (when "Errand of Mercy" took place in the "Prime Timeline"), with the original Enterprise (which would have an Andorian first officer, Thelin from the cartoon episode "Yesteryear" instead of Spock) visiting Vulcan.

I wrote about half an outline and sent it to Michael, saying I was probably crazy (the deadline was Aug. 1, and this was Aug. 13!), but could he take a look? Michael was on a trip, actually, and so could only suggest that Thelin had just played a significant role in Geoff Trowbridge's Myriad Universes tale, The Chimes at Midnight, and so I should go with someone else. He suggest Janice Lester. I wanted a nonhuman, though, to fulfill the "Spock" role, and ended up picking Gav, as the most prominent Tellarite we'd ever seen on the original show.

I finished up the outline myself and sent it off to Marco. Here it is: (yes I really did title it "Mirror-iad" on the document we sent Marco...)


Star Trek: Mirror-iad Universes
Errand of Logic 

a pitch by Steve Mollmann & Michael Schuster

What if… the Vulcan Reformation had never happened?

The U.S.S. Enterprise is on a routine re-supply mission to Beta XII-A when a Klingon battlecruiser appears, claiming the planet as their own. Captain James T. Kirk is able to defeat the Klingon cruiser despite the fact that his first officer, Gav, is stranded on the planet below. The Enterprise is then recalled to the Federation’s capital—Andoria.

Kirk participates in a briefing by Admiral Shras: the Federation is about to experience the first war in its seventy-year history. The Klingon Empire has expanded about as far as it can go in every direction, and is now turning its sights on the United Federation of Planets. The Federation Guard is amassing its forces in preparation for an anticipated first conflict above Organia, but Komack has another mission in mind for the Enterprise, one that takes the ship to Earth. There, Kirk makes the acquaintance of a man called Sarek of Vulcan, from an insignificant prewarp planet orbiting 40 Eridani A. Sarek was an astronaut, on an orbital mission diverted from its course by a missile strike from a rival country. The expedition was fortuitously picked up by a passing Federation vessel, but could not return home—a nuclear strike had wiped out its country of origin. Sarek and the others resettled on Earth, and Sarek eventually married an Earth woman named Amanda Grayson, the linguist of the vessel that rescued him. The two eventually had a son named Spock.

Now, Sarek fears that his homeworld is in the path of the Klingon invasion, and the Guard is stretched too thin to defend a nonmember planet. His hope is to return and unite his people, bringing an end to the constant war that has plagued them for thousands of years. He and Spock journey to Vulcan on the Enterprise. Spock’s Vulcan blood leads him to be passionate and violent to a fault, and he tries his best to subdue it with his human qualities, but his excesses often lead him into conflict with the Enterprise’s chief medical officer, Leonard McCoy. Spock wants no part of his homeworld or the mission, however.

Kirk, McCoy, and Sarek beam down to a village where Sarek has some distant family—but it is in a rival nation, and Sarek is knifed by someone who recognizes his accent and they return to the ship. McCoy struggles to stabilize Sarek, but his knowledge of Vulcan anatomy is limited and Sarek is dying. Spock, overcome by anger, promises to take his father’s place on the mission, but it is only a ruse to enable him to gain revenge on the man who killed his father. Sarek passes away soon after.

The landing party is working to trace Sarek’s family—while Spock half-heartedly preaches his philosophy of peace—when a garbled communication comes in from the Enterprise. It is under attack by a Klingon ship, and Commander Gav is dead. Kirk orders Sulu to do whatever it takes to protect the ship, and not to worry about the landing party—and to Spock’s surprise, he elects to continue the mission. It turns out that Sarek’s family no longer resides here, but has migrated to the other side of the Forge. And there is a man who can guide them to their new location: Stonn, the man who killed Sarek. Spock will have to postpone his vengeance if he wants to survive his time on Vulcan.

Kirk, McCoy, and Spock make their way across the Forge, guided by Stonn. To Spock’s chagrin, he finds out that they are being followed by a number of younger Vulcans, including Xon and Tal, fascinated by who he is and what he is saying—despite the fact that he does not believe it himself. He does his best to encourage them.

The Forge brings many dangers upon them and proves quite trying, but Kirk and McCoy always enable them to pull through—Spock soon realizes that humans are no less passionate than Vulcans. The difference between the two species is that humans have managed to subsume those passions into something else, not just giving into them at a moment’s provocation. They are attacked by raiders, but rather than fight back, Kirk and McCoy figure out what they want, and stop them peacefully.

Spock begins to actually believe the ideals of the Federation more and more. At one point, Stonn is attacked by le-matyas and Spock saves him, though whether out of genuine feeling or simply a desire to kill the man himself, he cannot say. 

They finally reach their destination and make contact with T’Pau, the matriarch who is a distant relation of Sarek’s. It is their hope to use her influence to spread their message—Sarek had believed she would be sympathetic to their cause. She is indeed, but is not convinced that such a thing could actually work, and unwilling to endanger her own standing on something that could fail. Spock tries to preach peace and begins to gather a group of youth around him, but his turmoil is continuously increasing inside him, making it harder and harder, as is Sybok, a man who claims to be Sarek’s first child, and the leader of the local war clan. 

But Kirk and McCoy support him with their own perspectives, Kirk’s a sublimated passion, McCoy’s a medical, clinical one. They too are coming to admire the keen insight of this Vulcan. But eventually, things reach a boiling point—he commits an act of violence against Sybok. McCoy realizes this is no simple anger and talks to the Vulcan healers, learning that Spock has entered the Vulcan phase of mating, the pon farr

Spock must take a mate or die. He had known it could happen, but only distantly—Sarek had hoped his son’s human blood would spare him this. A young woman in Spock’s movement named T’Pring volunteers to become his wife… but she is betrothed to Stonn. 

Stonn is supportive enough of the cause to let T’Pring marry Spock… but there must be a koon-ut-kal-if-fee if the switch is to be binding, and he has no desire to go through with that. Kirk volunteers to stand as Stonn’s proxy… and fight Spock. What Kirk does not know, however, is that the fights typically end in death. McCoy thinks this is emotional madness and tries to talk Kirk out of it, but Kirk enters the arena. He tries to give Kirk tri-ox, but Kirk refuses, pointing out that Spock needs to win. Of course, he is no match for his half-Vulcan opponent. He is beat to within an inch of his life, and McCoy pleads with T’Pau to end to fight, but she ignores him. It is Spock who finally snaps out of it, seeing his new friend so wounded, and he ends the fight. 

Sybok, who has been observing this entire time, is outraged at what he thinks is a farce of Vulcan ideals, and he enters into the fight against Spock. The two brothers battle, and Spock, depleted from his first conflict, fairs poorly. Stonn realizes that Spock’s words have been influencing him more than he thought, and intervenes to stop the fight—his right as the challenged. But Sybok refuses, and a confused three-way fight breaks out, Spock barely recognizing who is who in the throes of his bloodlust. He manages to incapacitate both of them, but T’Pau pronounces that someone must die if the ceremony is to be completed. 

Spock looks between them: he can kill Stonn and gain his revenge, or he can kill Sybok and eliminate his greatest enemy in his cause. His Vulcan half wars with his human half. His choice hangs there, until a comment from McCoy makes him realize that his greatest enemy is nothing other than himself. He must not kill at all. He submits himself to the mercy of Stonn and Sybok. 

Sybok is flabbergasted—he has never seen such a thing. And he is intrigued by an idea so powerful that it could overcome a Vulcan in the bloodlust. He and Stonn make an appeal to T’Pau, who agrees—the marriage can go forth without a death. 

Thus Spock is married to T’Pring, and Spock’s peace movement begins to take shape. The Enterprise manages to make it back to Vulcan, and Kirk and McCoy depart, noting in their report to Starfleet that Vulcan might make a candidate for Federation membership one day, if the peace movement were to succeed. And perhaps an army of battle-hardened Vulcans could come in handy in the war against the Klingons… 

BACKGROUND

If the Vulcan Reformation never happened, not only would the Vulcans not be logical creatures, but the Romulans would have not come into existence either. I think it was Duane who observed that just as the Vulcans subsume their passions into logic to stop from destroying themselves, the Romulans do the same with their games of treachery and honor. So, without Surak as that catalyst, the Vulcans would just war among themselves for millennia. 

Without Vulcan assistance to clean up the postatomic horror, Earth took about twenty years longer to really expand into space. Still Cochrane in 2063, of course, but the NX-01 didn't follow until the 2170s. With no Vulcans to conflict with, the Andorians dominated "local space" at that time. The Federation is still formed, but in the 2190s, and not out of war, but simply an idealistic desire for cooperation. Its capital, however, is on Andor. 

Without a Romulan Star Empire, the Klingons have much more room to expand (into the planets that are "really" Romulan), and there is never open conflict between the Klingons and the Federation. In fact, the Federation never engages in a war of any sort. 

But by 2267, the Klingons have reached their point of maximum expansion in most directions and have turned their eyes onto the Federation. There are thousands of Klingon worlds, teeming with warriors, and the Federation Guard has little experience in combat. 

Spock still exists in this world, however. Sarek was a Vulcan astronaut, whose capsule was sent adrift by a missile attack from a foreign country. It was rescued by a passing Earth ship, but Sarek could not return home because his home nation had also been destroyed, by those who feared that his capsule was an attack of sorts. (The Federation has a Non-Interference Directive in this universe, but it is not as strict as "our" Prime Directive.) He fell in love with the ship's linguist, one Amanda Grayson, and eventually they had a son named Spock. 

The Enterprise exists in this universe much as it does in ours. Kirk and all the others are still there, maybe just a few small differences. McCoy in this reality is much more reserved, allowing him to spar with Spock, just the other way round than what we are used to.


The first draft had Admiral Komack, by the way; I replaced him with Shras at the last minute, but apparently missed a reference.

Marco got back to us about a week later, on Aug. 25, rejecting both pitches. Of Errand of Logic, he wrote:

The Myriad Universes pitch has a great premise; your historical extrapolations are interesting, the themes you propose to explore are great . . . but I think there’s too much “The more things change, the more they stay the same” going on. (The Enterprise and the human characters being essentially unchanged; the paralleling of “Amok Time,” etc.) I can’t help but feel that the lives of these characters, and indeed, their civilization, ought to be much less like the mainline universe, given the premise. And in some ways, what you have here is a little too reminiscent of A Less Perfect Union [Bill Leisner's story from the first Myriad Universes volume], in the sense that you have the political course of known space hinging on the TOS crew and their adventure with an atypical Vulcan expatriate. 

There are some things I quite like about the pitch, but he was of course utterly correct.

A lot of my e-mails from 2008 are gone, so I don't know exactly what happened next. I do know that we e-mailed Marco another pitch on Sept. 7, so we must have spent a couple weeks rethinking. I am pretty sure the new take was basically all Michael's idea, as was the idea to send it off even though we knew his deadline had been Aug. 1! The new version was about a parent and a child, both Starfleet officers, the child being stationed on Vulcan as an observer, and the parent commanding a starship that comes to the rescue. The new Vulcan wouldn't be called Vulcan; the starship would have a predominantly Andorian crew. Both of these would allow us to play up the new universe more.

Of course this was Matt and Will Decker.

(Matt Decker is the doomed captain from "The Doomsday Machine"; Will was the intended commanding officer of the Enterprise in The Motion Picture, who gets pushed aside by Kirk's ego. Their father-son relationship was intended, but never stated on screen.)

This was the element that gave me pause: surely the appeal of Myriad Universes was unfamiliar versions of familiar characters? Did anyone want to read about alternative versions of two guest characters? But we wracked our brains for other classic-era parent-child Starfleet pairs and came up with nothing, and so sent it off. I don't seem to have a copy of this version, called Warring Passions, anymore.

Marco got back to us very quickly, accepting the pitch with a couple suggestions, the biggest being, "I’m okay with your using the Deckers as your main characters, but the brief mention of Sulu made me wonder if the reader would be more invested emotionally if you set the story three decades later and made the protagonists Hikaru and Demora?"

This seemed very obvious to us once he made the suggestion, and I think is a big part of the reason the final story works as well as it does. As I think I will discuss in a future post now, I wrote the Hikaru sections, and my way into the character was based on the fact that in the second pilot, Sulu was actually the Enterprise's astro-scientist; he apparently transferred to helm when the series went into regular production. I liked this idea of a guy who had wanted to be a scientist, to go into space for knowledge, but had ended up doing something different and more "practical." Prime Sulu seems fine with this-- but what if a Sulu in a more Andorian-centric and thus more martial space fleet was not so much?

He made a couple other suggestions we were happy to adopt, including replacing our invented Vulcan philsopher with a character from the show; we opted to use Soval, the Vulcan ambassador from Enterprise. He also worried about a line from Spock in "Let That Be Your Last Battlefield," that Vulcans would have gone extinct without logic, so how could they have survived another two thousand years of war without Surak? We suggested this workaround:

Let's say they very nearly crossed the brink 2,000 years ago. Perhaps a nuclear war erupted (as we saw it sort of did in the flashbacks in ENT's Vulcan trilogy) and devastated a lot of the planet, and the species spent its time pulling its way back up - and is now on the brink again. It may have taken them that long to populate the planet again, with some isolated clans still living simple lives in the desert. Radioactive contamination probably prevented them from spreading out for a long time, and only recently they managed to solve that problem.

Finally, he thought the title was too obvious. My first idea for a new title was The Fires of Vulcan, but that's also a Doctor Who story. I liked the idea of a mythological angle, though, and I discovered Eridanus (Vulcan's real astronomical designation is 40 Eridani A) was a mythological Greek river made of tears, and thus came up with The Tears of Eridanus.

Some small elements of the original pitch did have an influence: Gav remained the Enterprise's first officer in backstory, and I think we killed off Amanda in the new version specifically as a contrast to the original. Instead of marrying a Vulcan, she was killed by one!

Also there was an Aug. 15 e-mail where I wrote Michael, "There definitely needs to be a scene where Kirk is fascinated by some Vulcan's use of this substance vel-kroh." (The Enterprise episode "Carbon Creek" had established that velcro was brought to Earth in secret by a Vulcan in the 1950s.) And yes, I wrote the scene were Demora is amazed by the idea of velcro in the final version. It's so dumb, I love it.

01 April 2021

Reading Roundup Wrapup: March 2021

Pick of the month: The Raven Tower by Ann Leckie. This was a quiet, thoughtful book with some cool worldbuilding. I liked Ancillary Justice, and it is so far my favorite Leckie still, but she really is a master as putting a world together, and I feel like her best is yet to come... before we get there, though, this is an un-flashy but competent book that does a lot of cool stuff, and makes me feel better about her decision to (temporarily?) move away from the Ancillaryverse.

All books read:
1. The Raven Tower by Ann Leckie
2. Doctor Who: The Age of Chaos by Colin Baker, Barrie Mitchell, et al.
3. Doctor Who: The Eighth Doctor, Vol 1: A Matter of Life and Death by George Mann and Emma Vieceli
4. Gladiator by Philip Wylie
5. Doctor Who: The Tenth Doctor, Vol 5: Arena of Fear by Nick Abadzis, Eleonora Carlini, Elena Casagrande, Iolanda Zanfardino, et al.
6. Capitol: The Worthing Chronicle by Orson Scott Card
7. Doctor Who: The Twelfth Doctor, Vol 4: The School of Death by Robbie Morrison, Rachael Stott, et al.
8. Doctor Who: The Eleventh Doctor, Vol 5: The One by Si Spurrier & Rob Williams, Simon Fraser, Leandro Casco, Leonardo Romero, et al.
9. Doctor Who: Father Time by Lance Parkin 

All books acquired:
1. Doctor Who: Time Lord Victorious: All Flesh Is Grass by Una McCormack
2. A Desolation Called Peace by Arkady Martine
3. Tiamat's Wrath: Book Eight of The Expanse by James S.A. Corey
4. Elantris: Tenth Anniversary Author's Definitive Edition by Brandon Sanderson
5. Legion: The Many Lives of Stephen Leeds by Brandon Sanderson

All books on "To be read" list: 663 (up 1)

31 March 2021

Review: Poor Yorick by Ryan North

Published: 2013
Acquired: September 2013
Read: October 2020

Poor Yorick by Ryan North

This is a prequel to To Be or Not To Be, North's "chooseable-path adventure" take on Hamlet; it is a short ebook (just 35 pages) that was available to Kickstarter backers. I read it very, very belatedly. You play as Yorick, trying to get a job at Elsinore entertaining Kid Hamlet so you can fulfill your role in his story-- dying so that he can hold your skull during Act V and pontificate on death.

It does not have the sprawling complexity of To Be or Not To Be or Romeo and/or Juliet. Instead, it's very linear; you are consistently presented with three choices, two of which will kill you, one of which will let you keep playing. North is a funny writer, so I was entertained, but I found that even at this brief length, the joke wore thin. Nice to read but I wouldn't rush out to find a copy. (I don't think you can get the ebook version anywhere anymore anyway, but it was reprinted as part of the collection William Shakespeare Punches a Friggin' Shark and/or Other Stories.)

29 March 2021

"Comes the morning and the headlights fade away": The Living Daylights

The woman on this poster represents
no actual film character, though.
The Living Daylights brings a new James Bond: my first one in four films. Timothy Dalton would play Bond twice, and for the first time in this marathon, I'll be going through a Bond's films in the order they actually came out. (Though I will watch two other films before getting to License to Kill.) I liked him. My wife said he was very "smiley"; I can't say I noticed that per se, but I did notice that he was more genuinely-- or at least seemingly genuinely-- emotional than Roger Moore's smarmy charm. There were a couple key scenes in this regard for me: one is when he's trying to get Kara Milovy, the villain's girlfriend, to accompany him out of Czechoslovakia. She's a cellist, and insists they need to go back for her cello before leaving the city. Bond forcefully says they don't have the time because the KGB is already on their tail. Smash cut to: Bond loading the cello into the car. I bet Sean Connery wouldn't have done that!

The sequence that really made it stand out to me, though, is one where Bond is accompanying Kara on a day in Vienna. There's a sort of film-romance-style montage of them doing things like going on fun fair rides and Bond winning teddy bears at the shooting gallery and them going on a roller coaster. It's hard for me to imagine any previous Bond doing this, except for George Lazenby. But then Bond's MI6 contact in Vienna is killed-- and he becomes all seriousness and business, snapping at Kara as he tells her what they're doing next. Unlike with some other actors, it's not entirely clear to me which is meant to be the "real" Bond, which I like.

Interestingly, there's really only one "Bond girl" in this one, a far cry from some of the Connery and Moore movies that Bond seemed to sleep his way through. This probably adds to the sense of Dalton's Bond as more genuinely emotional. I liked Maryam d'Abo a lot, as someone out of her depth but game for it all. She sure does ditch her boyfriend for Bond easy, though!

The Living Daylights takes the short story of that title as its jumping-off point. The short story is about Bond facing down a Soviet sniper so he can help a defector cross the Berlin Wall; after a pre-credits sequence, the film opens with a similar set-up, though with a number of changes. While in the story, a KGB sniper uses a cello case to smuggle her sniper rifle, in the film, Kara is a real cellist acting as a sniper in order to trick MI6 into believing a fake defection is real. The film mostly concerns the consequences of that fake defection.

It's decent, a solid mid-tier Bond film. Like the better Roger Moore films, it starts a bit goofy but gets serious as it goes. Near the beginning, there's a chase scene through the snow. I'm a sucker for a Bond ski chase, so at first I was disappointed because there were no skis in sight. But then a bunch of KGB skiers show up... then I was disappointed that Bond wasn't on skis. But then Bond and Kara begin sledding on her cello case while Bond uses the cello itself to steer! Amazing. The later parts of the film, though, get more serious, with Bond helping break up an opium-smuggling operation in Afghanistan. (There are still some moments of levity, though, such as when Bond and Kara use a baggage loader to escape a Soviet airfield.) The progression works well, as does the plot. I called early on that the defection was fake, but it was still enjoyable for Bond to work out the villains' plan and begin to foil it. I especially liked the way Bond actually had to team up with the head of the KGB.

The plot-- as far as these things go-- even feels vaguely plausible. There are no death lasers or space bases. The villains in this one are a Soviet general who wants to become head of the KGB and an American arms dealer. They're okay, and probably the weakest part of the film, but their plans make sense: political aspirations and greed. I did think it was a bit hard to swallow when the film tells us that Bond will feel bad about having to kill the head of the KGB because he doesn't think he's as bad as he's been told! John Rhys-Davies plays General Pushkin, but this development makes more sense when you realize that the part was originally scripted for Walter Gotell as General Gogol, who appeared in seven previous films, and was often portrayed-- most notably in For Your Eyes Only and Octopussy-- as a voice of sanity against those who wanted to escalate the Cold War. (Gotell was sick when The Living Daylights was filmed, and just has a one-scene cameo.)

A lot of Bond films go from place to place seemingly at random, but I felt this one's globe-trotting felt quite natural; Bond gets Kara out of Czechoslovakia to Vienna, then takes her to where her boyfriend is in Tangier, and then both are taken to Afghanistan. It makes things feel big without feeling arbitrary. (In some films it's like, "And the villains is hiding in [rolls dice] a Chinese casino.") Art Malik was good as the Mujahideen leader, though I felt like he was underused.

This is the Wiener Riesenrad, the same Ferris wheel that prominently appears in The Third Man.

The end deflates it a bit: Bond must stop a shipment of opium; initially he plans to blow it up, but then he ends up trapped on the same plane as the opium, so he must defuse the bomb and kill a henchman, and then the plane is crashing, etc.... it all goes on a bit, and then there's a whole second (but smaller) climax, in the style of Octopussy, where Bond then takes down the American arms dealer. I like that the film avoids some of the usual overdramatic Bond perils, but that comes at the cost of a suitably grand climax; once everyone knows the villain plot, it seems like they could really be stopped at Bond's leisure.

But on the whole, like I said, this film was solid, and I enjoyed it. People say License to Kill is Dalton's good one, so I look forward to getting to see it!

Other Notes:

  • This is the first pre-Daniel Craig film I've see where someone other than Lois Maxwell plays Moneypenny. (She had finally given up the role of the flirty secretary at the age of 58 after A View to a Kill.) Caroline Bliss debuts as her replacement. Moneypenny was (arguably) the last of the recurring Bond characters to be recast, lasting an astounding fourteen films and twenty-three years with one actress.
  • Virginia Hey, of Farscape fame, appears as Rubavitch, Gogol's mistress. I would not have recognized her! A few of the Roger Moore films gave Gogol a mistress and secretary named Rublevitch or Rubelvitch played by Eva Rueber-Staier; presumably this is the same woman.
  • John Terry appears as Felix Leiter, the eighth guy I've seen play him in seventeen films. We'll generously dub him "not the worst" but he doesn't make much of an impression as per usual. Give me book Felix any day.
 Film Rankings (So Far):
  1. Casino Royale
  2. Dr. No
  3. From Russia with Love
  4. For Your Eyes Only 
  5. On Her Majesty's Secret Service
  6. Thunderball 
  7. The Living Daylights
  8. Spectre
  9. You Only Live Twice
  10. Goldfinger
  11. The Spy Who Loved Me
  12. Moonraker
  13. Octopussy
  14. Never Say Never Again
  15. A View to a Kill
  16. Live and Let Die 
  17. Diamonds Are Forever

26 March 2021

Myriad Universes: The Tears of Eridanus Draft History

Back in 2010, Michael Schuster and I co-wrote a short Star Trek novel, published as a three-in-one with two others by David R. George III and Scott Pearson; the volume was called Myriad Universe: Shattered Light. The premise of the Myriad Universes series (of which Shattered Light was the third and final installment) was to depict alternate Star Trek timelines. Ours was set in a universe where Surak, the founder of Vulcan logic, died before he could promulgate his philosophy. As a result, the Vulcans remained a warring, primitive species and never achieved spaceflight, and the Romulans never had a reason to depart and form their own civilization.

This had some knock-on effects two millennia later: there was no Vulcan to make First Contact with Earth, no Romulans to serve as a rival to the Klingon Empire, no Vulcans to be a founding member of the Federation, no Vulcan/Andorian rivalry for Earth to intercede in. By the 23rd century, there is a Federation equivalent, the Interstellar Union with its Interstellar Guard, but it is a descendant of the Andorian Empire and its Imperial Guard in much the same way the Federation and Starfleet derive from Earth in the "Prime Universe." The Andorians dominate, politically and culturally.

The story is set around the time of The Undiscovered Country in the Prime Universe, with Captain Hikaru Sulu commanding the IUES Kumari, an IG warship on the Klingon border. Hikaru's daughter Demora is also an IG officer, posted as security in an anthropological outpost on the primitive planet of "Minshara." (Enterprise established that Star Trek's class "M-class" designation for Earth-like planets derived from the Vulcan term "Minshara class"; we speculated that "Minshara" was an older word for "Vulcan" itself, much as you might call "Earth-like" planets "terrestrial," derived from the Latin name for Earth, Terra.)

We used to have a web site, which contained some supplemental materials to the novel, including a glossary of the Vulcan language Michael worked out, and a timeline of historical events I wrote. That web site was hacked and taken down, and unfortunately, much of the content on it was only stored on the web server, not locally, and is now lost. Every now and again I get a request for those materials on the TrekBBS. I have looked and looked and never found them, perplexingly enough.

I was able to find, with Michael's help, a history we drew up before writing the book. This was intended for our own reference, not public consumption, and some of it was superseded by the actual published book. (You'll see, for example, it calls the IU military the "IU Guard," but in the novel we went with the simpler "Interstellar Guard" or "IG." I am pretty sure Sulu's history shifted as I actually wrote the Kumari sections, too.)

But it is what I have, and I hope it is of interest. Other than some typos I caught, I haven't edited it at all.


The Interstellar Union—History

By the middle of the 21st century, the Andorian Empire dominated “Local Space,” with a number of colonies on planets such as P’Jem1, Weytahn, Regulus, and Deneva. A war with the Tellarites in the 2060s resulted in an Andorian victory, building an Andorian reputation for ruthlessness and warrior prowess. The Andorians never conquered Tellar Prime, however, deeming it not worth the trouble. Andorian influence was strong, with planets such as Axanar, Mazar, and Nausicaa serving as client states. As time went on, Andoria’s domination came to be more economic than military.

In the 2063, humanity discovered warp drive when Zefram Cochrane made his famous historic flight out of Bozeman, Montana. It was uneventful—he merely traveled a few light-minutes and returned—and it would be years before the Earth, still climbing its way out of the postatomic horror, would be able to progress further. Finally in the 2080s, the exploratory vessel S.S. Valiant was launched for Alpha Centauri, only to be swept off course by a magnetic storm. The ship was rescued by an Andorian vessel before it could reach the galactic rim, leading to Earth’s first contact with extraterrestrial life. 

Earth was of little interest to the Andorians, and so their intervention in Earth’s affairs were minimal, leaving the planet to claw its way back to functional levels on its own. But by 2150, the planet had a unified government, and engineers such as Charles Tucker III, George William Jeffries, and Jonathan Archer began development on the Warp-5 Engines. In 2170, the first Warp-5 starship, the NX-01 Enterprise commanded by Bryce Shumar, took to the stars. 

In 2153, Andoria was attacked by a mysterious species known as the Xindi, who originated in the Delphic Expanse. A massive Andorian task force, lead by Commander Shran of the Kumari, retaliated, leading to the collapse of the Delphic Expanse and the subjugation of the Xindi races.2

At the same time, the Andorian Empire was beginning to experience economic troubles, falling behind its neighbors. The Tellarites had finally rebuilt and were actually experiencing something of a technological renaissance. A new massive dilithium deposit had been discovered on Coridan3. And the Earth Cargo Service was spreading far and wide. But all four governments became worried about the growing influence and competition of the Orion Free Traders, whose ruthlessness business practices threatened all four planet’s interstellar trade and economic well-being. To strengthen their position, they entered into an agreement of economic cooperation in 2177—the Interstellar Trade Union, headquartered on Andoria. The first prefect of the Union (largely a ceremonial post) was the Andorian general, Shran. 

Over the next decade, the powers of the ITU rapidly increased, mostly thanks to murmurings of war with the Klingons. The war never came to pass, but that was chalked up to the fact that the four governments consolidated their militaries into the Union Guard—the first Field Marshal of the Guard was Avaranthi sh'Rothress. Under Prefect Lydia Littlejohn, the ITU became the plain-old Interstellar Union, a sovereign nation in its own right, in 2187, and membership began to rapidly expand, bringing in species such as the Denobulans and the Rigellians.4

The Interstellar Union—Military 

The Interstellar Union has never been involved in an actual war; indeed, very few all-out battles have been fought by its forces. This is attributed to the Andorian reputation for ruthlessness acquired in their wars against the Tellarites and the Xindi. The Guard serves a primarily defensive purpose, but the fact that one of its constituent parts was the old United Earth Space Probe Agency means that there are some parts devoted to the exploration of space. The flagship of the Union Guard is typically a ship known as the Kumari, after Shran’s old vessel. As of 2292, that ship is the Kumari II, Excelsior-class. 

The IU Guard is headquartered on Andoria, where it is lead by the field marshal (the current one is Thelian5). It has historically been dominated by Andorians, with humans, Coridanites, and Tellarites comprising the majority of the rest of the makeup. 

Ranks: 

  • Field Marshal
  • General
  • Commander6
  • Subcommander
  • First Lieutenant
  • Second Lieutenant
  • Ensign 

The Interstellar Union—Politics

The capital of the Interstellar Union is Andor. It consists of some 100 planets. It is governed by a prefect (the current one is Shiboline M’Ress7); the foremost legislative body is the Executive Committee. (Both of those somewhat economic terms remain from the IU’s founding.) Each member elects a representative to the Committee. The core of the Committee is the First Executive, comprised of the representatives of the four founders as well as four other planets on a rotating basis. The First Executive typically deals with situations when promptness is called for, and a full session of the Committee is impractical. Its role remains somewhat controversial among the non-founding members. 

photomanipulation by Michael

Hikaru Sulu

Hikaru Sulu was born in San Francisco in 2237, and he lived there his entire life, despite a longtime desire to travel into space and explore. When he turned eighteen, he joined the IU Guard, training as an astrophysicist at the IU Guard Institute. 

By 2265, he was posted to the Enterprise (AA-1701) under Captain James Kirk, where he served with distinction on the Constitution-class starship’s five-year mission of patrol. As a science officer, however, he found his opportunities for advancement limited in the Guard, and when the mission was over, he signed up to retrain as a flight officer at the White Sands8 on Earth. It was during this time that he met Susan Ling in the city of Demora while on leave; the two conceived a daughter (who they named Demora) and were quickly married soon after. Hikaru was devoted to his family, but in 2273, he was quickly summoned to be part of the crew of the Enterprise when Earth came under threat by the V’Ger entity. He signed on with the ship permanently after that. 

In 2276, Susan passed away, leaving Hikaru Demora’s sole guardian. He left the Enterprise to accept a teaching position at the Institute on Andor so as to spend time with his daughter. During his time on Andor, he was heavily involved with work on the Great Experiment to create transwarp drive aboard the I.U.E.S.9 Excelsior. Because of this, he was assigned as helm officer for the Excelsior in 2285 for its initial tour of duty, despite his desire to remain with Demora. 

The Great Experiment was a failure, but Sulu distinguished himself well, and by 2288 he had been posted to the Kumari II (Excelsior-class) as executive officer under Captain Thelin. As the flagship of the Guard, the Kumari had a predominantly Andorian crew, and Sulu often had to put up with some good-natured ribbing from his fellow crewmen. In that same year, Demora entered the Guard Institute, following in her father’s footsteps. 

In late 2289, Thelin was killed in an attack by the Klingon terrorist known only as the Albino, putting Sulu in command of the Kumari—the first non-Andorian to ever command a ship of that name. It is still in this position that we find him in 2292, when our story begins… 

Also in 2292, Demora graduated from the Guard Institute and was posted to the security staff of an observation team on 40 Eridani A… 

I.U.E.S. Kumari II

AA-200110
Excelsior-class transwarp testbed

  • Commanding Officer Commander Hikaru Sulu, human male
  • Executive Officer Subcommander Phelana Yudrin11, Andorian shen
  • Medical Officer Chirurgeon Jabilo M’Benga, human male
  • Flight Controller 2nd Lieutenant Vanda M’Giia12, Andorian zhen
  • Tactical Officer 1st Lieutenant Thirrilan ch’Satheddet13, Andorian chan
  • Chief of Security 1st Lieutenant Yrrebneddor th’Eneg14, Andorian thaan
  • Engineering Officer 1st Liuetenant Corpek th’Rellvonda15, Andorian thaan
  • Asst. Medical Officer Chirurgeon Tellameer V’Larr16, Caitian male
  • Waste Extraction Crewman Shantherin th’Clane, Andorian thaan 

1. Of course, some of these names are likely different in the new universe.

2. This was a late thought, but my primary idea was that I wanted the Andorian military prowess to be based on something more recent (and more devastating) than the Tellarite War. Presumably the Sphere Builders sent the Xindi after Andor in this universe for the same reason they did Earth in ours—the IU defeats them at Procyon V in the far future. (And if we believe Star Charts, Procyon is the location of Andor, which is a nice bit of irrelevant synchronicity.) 

3. Of course, Coridan never gets devastated by Romulan intervention in this universe. 

4. I just couldn’t find a place to work in Alonis Cobaryn. And even if I could, I doubt he’d actually be mentioned in The Tears of Eridanus

5. SOURCE: Enter the Wolves, though he’d be a much younger man at this point. 

6. “Captain” was mentioned in just one episode of ENT. I’m ignoring it. 

7. With Arex as vice president, I think. ;) 

8. I think this is the facility in Traitor Winds. Anyway, Sulu has to go back to Earth in 2270, since Demora is named after the city she was conceived in according to The Captain’s Daughter

9. What does “I.U.E.S.” stand for, anyway? 

10. Why AA? I wanted something as seemingly arbitrary as “NCC”, and “A” is for Andorian. No bloody A, B, C, or D, though! 

11. SOURCE: My Brother’s Keeper, where she was a classmate of Kirk’s 

12. SOURCE: Starfleet Academy videogame and novel; she would have graduated in 2290 

13. Back in 2004 or so, I was apparently bored enough to create a BASIC program to generate Andorian names. I went through Ian’s Rogues Gallery and split all the first and last names into two halves and identified all of the prefixes that could go on last names, and then made a program to combine them at random. That’s where I got “Thirrilan”, “Satheddet”, and “Corpek”. 

14. SOURCE: He was a secondary character in Foundation; obviously not the same guy, but I like the name 

15. “Threllvon-da” was the name of an Andorian archaeologist in The Klingon Gambit. He’d be too old to be this man (he was already getting on in 2268), but they could be related. “th’Rellvonda” is presumably simply a more accurate Anglicization of his name. 

16. SOURCE: Chris’s character in our Nimbus III RPG

24 March 2021

The Transformers Classics UK, Volume Two (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 5)

Collection published: 2012
Contents originally published: 1986
Acquired: December 2020
Read: January 2021

The Transformers Classics UK, Volume Two
editorial notes and assistance by James Roberts

Written by Simon Furman (with Barry Kitson), Ian Mennell & Wilf Prigmore, James Hill, and Jamie Delano
Art by
Barry Kitson, Will Simpson, Geoff Senior, John Stokes, Tim Perkins, and Jeff Anderson
Additional Inks by Marc Griffiths
Colors by Gina Hart, Stuart Place, Jeff Anderson, Jose Firmin, John Burns, and Tony Jozwiak
Letters by Richard Starkings, Annie Halfacree, and Mike Scott

I continue to alternate volumes of Panini's DWM reprints with volumes of IDW's Transformers UK reprints, and the Transformers UK comics continue to weave in and out of the American stories I read a few years back.* This is kind of a lot to wrap my head around at times, to be honest (my memories of the fine details of Bob Budiansky's Transformers run are foggy at best), but I am enjoying the experience. James Roberts argues in his editorial commentary that this is where Simon Furman's writing on Transformers begins to come into its own, and I agree.

Dinobot pathos.
from The Transformers #50 (script by Simon Furman, art by Barry Kitson)

Like with volume one, what makes this work is the more character-based focused on the UK comic, which I think it kind of had to have, given the big plot events could only transpire in the US comic. In this volume, the big thread is the Dinobots, who come into the spotlight in "The Icarus Theory," "Dinobot Hunt!", "Victory!" and "In the National Interest." We see their hidden desires in "Victory!", we see them break out and undertake action in "In the National Interest." This latter story was probably my favorite in the volume, as it effectively draws together threads from a number of recent US and UK stories in a way that makes it serve as an effective "season finale" for the volume. The Dinobots frustration meets Robot Master meets Triple I meets tv reporter Joy Anderson meets frustrated scientist Professor Morris. A lovestruck Dinobot is a fun concept.

I would not have dreamed she would become a recurring character!
from The Transformers #48 (script by Simon Furman, art by Barry Kitson)

We also get a little plotline involving Buster, the Autobots' human friend, across "Robot Buster!", "Devastation Derby!", and "Second Generation!" Thanks to his time hosting the Creation Matrix, he begins having visions of the future, foreseeing the coming of the Special Teams, those Transformers who can combine into gestalts. Buster, alas, has never done much for me; give me more Sparkplug and Jesse. These stories are no exception, but I did like the way Furman reconciles a plot point Budiansky dropped from the US comic, explaining how Megatron and Shockwave came to share Decepticon leadership. (Continuity-gap plugging becomes a bit of a theme; James Hills's "The Return of the Transformers" indicates why in volume one, Optimus Prime was opposed to creating new, more powerful Transformers while here he initiates development of the Special Teams.)

UK comics Soundwave is pretty awesome, too. (Much better than cartoon-aping Soundwave of late IDW.)
from The Transformers #62 (script by Simon Furman, art by Will Simpson)

The lowlight is definitely "To a Power Unknown!", a daft story of a morality-reversing energy pulse that feels more like the mediocre cartoon than something from the more grounded(!) comic, but the other highlights are two text stories from the 1986 Annual. "State Games" by James Hill is okay as written, but once I read it, I realized how hugely influential it was: this is the origin of the IDW version of Megatron, for example, and many incarnations as well. "The Mission" (by future Hellblazer scribe Jamie Delano) is a neat little standalone tale about Jazz and Hoist on a desperate Arctic mission.

* The stories in this volume mostly overlap with those contained in volume two of the US reprints. I suggest the following order: UK #45-50; US #13-16; UK #59-63, 54, 64-65; US #17-20; UK #74-77. The annual stories, as ever, make things complicated, but "Victory!" works well after UK #50.

This post is the fifth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers Voyager. Previous installments are listed below:

  1. The Iron Legion
  2. Dragon's Claw 
  3. The Transformers Classics UK, Volume One
  4. The Tides of Time

22 March 2021

The Tides of Time (From Stockbridge to Segonus: A Doctor Who Magazine Comics Marathon, Part 4)

Collection published: 2005
Contents originally published: 1980-84
Acquired: 2005
Previously read: December 2005
Reread: December 2020

The Tides of Time: The Complete Fifth Doctor Comic Strips from the Pages of Doctor Who Monthly
by Dave Gibbons, Steve Parkhouse, Mick Austin, Steve Dillon, et al.

This volume represents a new approach to the Doctor Who Magazine strip, one that pretty much comes to dominate it for much of its run. Steve Parkhouse writes what are ostensibly six separate stories, but each one builds on the previous one, and runs into the next-- and that's a series of linkages that even continues on either side of this collection. Its first story follows up the last story of Dragon's Claw; its last story sets up the first story of Voyager. That said, though I like the idea of an ongoing story in principle, and I remember Scott Gray being a strong practitioner of it during the eighth Doctor years, the way it's done here is pretty slipshod at best...

Timeslip, from Doctor Who Weekly #17-18 (Feb. 1980)
plot by Dez Skinn, script & artwork by Paul Neary
This little story wraps up the appearances of the fourth Doctor in these graphic novels (for now, anyway; I think he'll be back during the "multi-Doctor" years). I don't know the circumstances of its creation, but it feels like someone whipped it up real quick when The Star Beast was delayed or something. It's much more continuity-focused than most other DWM strips, actually (albeit barely) explaining where Romana is, and giving a footnote about the randomiser. Most notably, the Doctor degenerates because of an alien influence, quickly passing through Jon Pertwee and Patrick Troughton again before spending four pages as William Hartnell. Unfortunately for the long-term fan, all of the Hartnell images are referenced from incredibly common publicity photos, which stops the art (which I would say otherwise looks quite nice, especially its vast cosmic horrors) from having any sense of life.
from Doctor Who Monthly #63
The Tides of Time, from Doctor Who Monthly #61-67 (Feb.-Aug. 1982)
written by Steve Parkhouse, artwork & lettering by Dave Gibbons
This story starts off pretty neat: time disturbances interrupt the Doctor's cricket game, so he goes back to Gallifrey to check out what's going on, only to learn that all reality is at stake. Steve Parkhouse and Dave Gibbons make Gallifrey seem amazing by basically ignoring the way the tv show approached it. Rather than talk to Time Lord officiants, the Doctor goes into the Matrix, ostensibly "home of the Celestial Intervention Agency"-- which I guess is headed by Rassilon and two guys named Morvane and Bedevere (whom the Doctor supposedly already knows), and they all hang out with "High Evolutionaries," which are highly advanced specimens of other races, including Merlin from The Neutron Knights. Like, this is nothing like what we saw on screen, but hey, it gives the whole thing a great sense of grandeur. Gibbon's art for Gallifrey is amazing, looking nothing like how it appeared on screen, but like an epic sci-fi city-- I love it.

The trip to Gallifrey is followed by a surreal visit to another dimension, which Gibbons handles real well... and after this, The Tides of Time totally fizzles out. The Doctor mostly stands around as people deliver exposition and Shayde does all the work. Literally the Doctor's only contribution to this whole big story is to fly Shayde into position. It looks cool, but once the whole thing is over, it seems faintly pointless.

Sir Justin and Shayde are the Doctor's companions for this story. The idea of Sir Justin is fun, but he doesn't have much to do other than stand around and be baffled up until his heroic sacrifice; I found it difficult to summon up much feeling at that point. I don't know if I would count Shayde as a companion at this point, but he does look cool, a Matrix construct with a (detachable!) black globe for a head. We'll be seeing more of him going forward.
from Doctor Who Monthly #69
Stars Fell on Stockbridge, from Doctor Who Monthly #68-69 (Sept.-Oct. 1982)
written by Steve Parkhouse, artwork & lettering by Dave Gibbons
Dave Gibbons's lengthy run on the strip finally comes to an end here with a neat little two-part story. Here we learn that the village from The Tides of Time where the Doctor is hanging out and playing cricket is Stockbridge, and we meet one of its inhabitants, Maxwell Edison. Maxwell is a UFO and conspiracy nut who ends up drawn into an adventure with the Doctor; the Doctor takes him up into a mysterious spaceship orbiting the Earth. It's a foreboding, atmospheric tale, and I enjoyed it a lot. Undoubtedly the best adventure in this volume, with a charming ending.
from Doctor Who Monthly #73
The Stockbridge Horror, from Doctor Who Monthly #70-75 (Nov. 1982–Apr. 1983)
written by Steve Parkhouse; pencils by Steve Parkhouse and Mick Austin; inks by Paul Neary, Steve Parkhouse, and Mick Austin; lettering by Steve Parkhouse, Mick Austin, and Steve Craddock
This story, to me, entirely reads like Steve Parkhouse made it up as he went along. It starts out about mysterious goings-on in Stockbridge, including the TARDIS making its own trip to the Carboniferous Period, but then becomes about the Doctor battling a strange elemental on the TARDIS. Shayde turns up to do the actual defeating of the elemental while the Doctor just watches; then the Doctor's being attacked by the Time Lords, then Rassilon and the other Matrix Lords are putting him on trial for some reason, but he gets off because Shayde destroys the evidence. (Apparently a society of time travellers can't travel back to when the evidence still existed.) It doesn't settle on any one thing long enough to be effective, and despite some cool concepts, the Doctor once again feels like a side character in a story about how cool Shayde is!

Also this story introduces SAG 3, an elite UK military unit who do exactly nothing.
from Doctor Who Monthly #77
Lunar Lagoon, from Doctor Who Monthly #76-77 (May-June 1983)
written by Steve Parkhouse, artwork by Mick Austin, lettering by Steve Craddock
This feels a bit like one of Parkhouse's fourth Doctor tales: a downbeat story of an ineffective Doctor. He's trapped on a Pacific island with a Japanese soldier who's been there for a long time; despite the Doctor's efforts, the soldier dies... partially because of something the Doctor does to defend himself. I'm not sure what I think of it, to be honest. I think it's well done for what it is... I'm just not sure this is what I want Doctor Who to be doing! I didn't care for Fuji's stilted dialogue or the weird proportions Mick Austin gives him, but otherwise he is a pretty well-drawn character.
from Doctor Who Monthly #83
4-Dimensional Vistas, from Doctor Who Monthly #78-83 (July-Dec. 1983)
written by Steve Parkhouse, artwork by Mick Austin, lettering by Steve Craddock and Jerry Paris
Another Steve Parkhouse Time Lord epic, another load of nonsense. Like most of them, it's got some good ideas (the way the Monk and the Ice Warriors work together to make a giant crystal by just waiting is neat), but the overall story is random junk again. The Doctor is joined by Gus, the American pilot who killed Fuji, and realizes he's in an alternate timeline where World War II continued until at least 1963 (though in Lunar Lagoon we're told it's 1983). Trying to figure out what's going on, they discover airplanes are vanishing and the Meddling Monk is there and there are Ice Warriors and SAG 3 is back and... stuff... look, I don't even know how or why.

We also learn the Time Lords sent the Doctor to Stockbridge to figure out the time anomalies resolved in this story. So, 1) why was he always trying to play cricket and/or fish, and 2) why did the Time Lords get mad at the Doctor for hanging out in Stockbridge back in The Stockbridge Horror. Like I said, Parkhouse tries to pull all these tales together, but it's nonsensically done. (The Doctor says that he never went back to the real Earth after leaving it in The Stockbridge Horror, which is plainly not true; he must have been on the real one to see Shayde destroy the evidence of the malfunctioning TARDIS.)

I do like how Mick Austin draws the time vortex.
from The Official Doctor Who Magazine #86
The Moderator, from Doctor Who Monthly #84 / The Official Doctor Who Magazine #86-87 (Jan.-Apr. 1984)
written by Steve Parkhouse, artwork & lettering by Steve Dillon
It's interesting, reading all of these, and realizing for all his weirdnesses as storyteller, Steve Parkhouse got one thing right about the fifth Doctor as a character: he is knocked about by tragedy to a degree not true of previous incarnations, something we saw on screen most prominently in Earthshock, Warriors of the Deep, Resurrection of the Daleks, and The Caves of Androzani. The different between the strip's approach and the show's approach, though, is that the tv fifth Doctor would still get these moments of triumph, either within the stories, or in the other stories, but the comic fifth Doctor rarely feels like he's accomplished anything. This is all brought to its utmost in The Moderator, where Gus is gunned down at the moment the Doctor returns him to his own time as a punishment for the Doctor mouthing off to a reprehensible villain.

Here it worked for me, though. Maybe it's the black comic touch of the titular Moderator himself. Maybe it's the slightly unusual structure Parkhouse employs. (The story bounces back and forth between the Moderator hunting the Doctor and the Doctor and Gus on an adventure, but the Moderator is hunting the Doctor for something the Doctor does at the very end of the adventure.) Maybe it's the delightful despicability of Josiah W. Dogbolter. This story is dark, but it feels meaningful in a way some of Parkhouse's other dark tales (like End of the Line or The Neutron Knights) did not. There's tragedy, but also the Doctor and Gus stand up for something despite it all.
Stray Observations:
  • Something I like is that the strip kind of doesn't even care that there's a tv show. Oh, it picks up references to it, obviously (the Doctor is seemingly president of Gallifrey because of the events of The Invasion of Time, or maybe The Deadly Assassin), but this is a continuous run of stories for the fifth Doctor where the first one picks up from a fourth Doctor tale and the last one leads into a sixth Doctor one. Which makes no sense from a continuity standpoint! There's no sense at all that these slot in between tv episodes or even really care about the existence of contemporaneous tv episodes, except that the Doctor's appearance (almost incidentally) changes between installments.
  • I like the way that the DWM fifth Doctor is kind of, but not quite, the character played by Peter Davison. He occasionally gets lines you can perfectly imagine Davison delivering (his exasperation at a running-away Max in Stars Fell), but the whole idea that the Doctor really just wants to hang about playing cricket (or fishing) seems much more influenced by the Doctor's costume than anything else! He's also more... morose than the tv fifth Doctor; there's a bit where he almost commits suicide when he thinks he's lost in the wrong dimension! Again, not the tv version, but an interesting incarnation of the Doctor of his own. It's a shame Big Finish's Comic Strip Adaptations line seems to have ended after a single box set; I'd've liked to have heard Peter Davison tackle this slightly different take on his character.
  • Apparently Gallifrey's military is normally completely separate from the Time Lords (the Doctor says, "What's a Time-Lord doing slumming around the military? Good heavens...you'll be in politics next!"); that they have a TARDIS and Tubal Cain is assigned to them is depicted as abnormal. The way time torpedoes work here would be used in the audio adventure Neverland.
  • Steve Parkhouse seems to think all TARDISes look like police boxes.
  • Toby Longworth's performance as Dogbolter in The Maltese Penguin and The Quantum Possibility Engine has indelibly impressed itself upon my mind; I can't not imagine him delivering the lines.
  • After inaugurating the DWM strip with a three-year run, Dave Gibbons would go on to do a lot of work for DC on lower-tier superhero comics such as Legion of Super-Heroes, L.E.G.I.O.N., JSA, Rann-Thanagar War, and something called Watchmen.

This post is the fourth in a series about the Doctor Who Magazine comic strip and Marvel UK. The next installment covers The Transformers Classics UK, Volume Two. Previous installments are listed below:

  1. The Iron Legion
  2. Dragon's Claw 
  3. The Transformers Classics UK, Volume One